One name in the credits under “Opticals (UK)” is that of Academy Award-winner Roy Field, who also worked on the first three films. He was the only one from that team who remained loyal despite the budget cuts.
Know what I'd love to see from you is this shot of Supes over the earth that smiles, but before it add Kara Supergirl footage keyed in as a fly by first then Reeves. But of course the footage lighting has to be exact. Wonderful work!
I only wish Chris could hav seen the work you’ve done to give this film the time care it needed, if u ever finish it in a whole film release l want a copy
It’s interesting because well superman for no offense as I could obviously see it was quite a terrible movie I liked it but at the same time disliked it they should have put the end credits like this more
As long as the cost of doing the restoration work exceeds any potential profit, we won't be seeing such an effort. Also, even if the SFX are cleaned up or made better, the movie is still a turd. With better SFX it will just become a POLISHED turd.
Considering the fact that this film was essentially released unfinished, you really could redeem this movie for a lot of people if WB let you polish it up and maybe make a whole new cut of the movie. But there's gotta be a way using existing footage to make a better ending than the movie just suddenly ending after Superman drops Luthor back into prison.
Its stingy warner brothers. People will gladly pay for the content yet the hold it hostage. They gave a pitiful sum to michael thau and donner. With the tech available now, deep fake, cgi, they could easily redo The Donner Cut and give it a proper completion.
@@jokerfleckcast3196 WB would have to use much of the ABC TV cut of Superman II as a template plus the more brutal footage from the White House take over, Marlon Brando scenes, and extended Metropolis fight from the Donner Cut with fixed and polished visual effects. You cannot have a complete film with just the Donner Cut. It just didn't have enough footage to round it all out. Donner only shot about 70-80% of the movie before being shitcanned by the Salkinds. Lester footage would need to be added (Paris, Niagara Falls, etc.) as well as some stuff only seen in the ABC extended version, much of it was Donner footage not even used in the Donner Cut because he was trying use the original turn back time ending that ended up in Superman The Movie instead.
@@jokerfleckcast3196 To suggest Warner Bros are stingy is plain ignorant. Do you have any idea how much money they put into film preservation every year, without any profit from it? It's more than any of the other studios and they do it for the sake of preserving film history. Maybe they don't consider Superman IV a priority. Either way, read before you type.
That’s assuming that the original camera negatives still exist for those scenes. I can’t stand the workprint versions of the two scenes that were finished for international release.
Beautiful however that spark of light that comes on at about 0:32 and shines on the letter N I've noticed that that spark of light doesn't appear as often in your version then in the actual Superman films ending credits! And is this the stereo track that you used or the film version of the score as it deson't sound as crisp as the intro that you did! Blessings to you for your hard work Aaron!
WB SHOULD TAKE YOUR IDEA FOR A POSSIBLE EXTENDED CUT AND ALSO RELEASE THE SCENES SEPARATE ON THE DISC TOO FOR PEOPLE TO SEE THEM WITHOUT BEING PART THE FILM!
I actually hate seeing that Canon logo knowing exactly what it represents. But he did make it look cool, as he does with everything else that he’s done to make this production respectable. Thank you so much Aaron!
To be fair though, cannon were the only ones interested in making another Superman film at the time, WB werent interested, hence Cannon tried, but obviously cocked it up with the budget and vfx. They did the same with Masters of the universe.
@@jokerfleckcast3196, the only reason why Cannon had any interest in doing it is because the cell kinds would done with it due to failures with Superman 3 and Supergirl. Plus, in my honest opinion, Cannon had no intention of making a film in the hopes of doing it the right way. They lied to Reeve and everybody else. Their sole purpose was to cash in on a built-in fan base. They failed miserably and rightfully so
@@pferreira1983 Recently watched a podcast with the special effects supervisor Harrison Ellenshaw .He said that canon never had any intention of doing superman 4 the right way. They were both scum bag shysters who were out in the hopes of cashing in on a recognizable brand. Like everything else that they did…it backfired
Amazing how I could get so much enjoyment from watching credits scroll. All your work has been top notch. I really do hope WB let's this become a thing.
@@markmckelvey5788 I doubt it. Even though John Williams was unavailable, he not only recommended his colleague Alexander Courage to adapt his existing themes, but Williams also contributed three new motifs for the film. I’m guessing that you’re just responding to this poorly mixed audio track.
We will should understood this as fixing the credits like this.. I mean, Yeah!! But hey, we should find a next one for end credits template, will be "Space Jam"!
Very impressive! I hadn’t seen Superman 4 in years! I can’t remember what the end credits looked like,though I suspect that those end credits look awful. Warner should let you help with a restoration of Superman 4. I just looked to see the Original Version & those suck like I suspected!
Brother I hope you submit this version, it would change so much if it was officially released. If they reject you then please make available to us fans one day.
this orchestration isMUCH better at full definition than in released and op vinal which sounds like a school band and too flatish but its in its rereleased vinal original its great!
Honesty mate. You are sooooo good!!!!! Where and how can I make Warner bros aware of your work if they are not already? Do you have a petition or donation page?
Aside from Aaron's edits - which are awesome BTW - Is there an actual petition or campaign underway for restoring/rendering a closer to complete version of this film - a kickstarter perhaps ? Seriously the production of this film was such a tragedy, despite Reeve & CO's intentions to make a great or at least a good film. Want to see an extended/restored to closer its intentions version sooo badly!
Beautiful work! I just wonder how people who worked on the FX for this movie WANT credit. You'd think they'd want to hide it! :) Great stuff! I'm amazed!
@@jesusgomez492 You did? Yikes. Superman the Movie was a masterpiece. 2 was awesome, though Donner's work got hacked up a bit. 3 was slightly lame yet fun and I enjoyed it. 4 was a lame disaster in every way. Cheap locations, cheap effects. The idea of the script was good, but the whole film....Nuclear Man....ughh....painful.
Funny you mention not wanting credit, John Byrne, who was the lead creator on the Superman comics of the time, was brought in to do rewrites on the script. According to a sidebar interview in *Wizard Magazine* during his "Chapter One" Spider-Man project, he said he spent a few days working on the film (and thankfully got paid for his time) and nothing he wrote got used. He also said that he went from spending the first six months wondering if he'd get screen credit to spending the remaining time afterward hoping he wouldn't, because the film went downhill so fast during production.
Magnificent work as usual Aaron. What is simply wonderful thing you’re doing to give the sendoff to receive the respect and credibility that it should’ve received when it was originally produced. Modern special effects can make this film significantly better. Are you listening Warner Brothers?
Do you know I have to admit that these style of the way the credits appeared we’re still better than the ones that they showed in the superman four movie by having them appear in the space sequence. That was the only superman movie where the end credits didn’t appear in space at the end but just a black screen instead of traveling through a space Starfield.
Im just curious on one thing though. With the deleted scenes that have been released like the first nuclear man and both Superman & Lacey intervening in Nuclear Man's attack. Will you be able to utilize that footage that has been presented in editing it better?
It might be more difficult when it comes to undoing certain story elements and added superpowers. The Great Wall of China had a built-in solution in the comic adaptation and script, Superman repaired it by hand at super speed. I'm not sure what could be done about the doorbell, since it was meant as a distraction for Superman to slip away, change into Clark and be at the door. Likewise, I'm not sure how Superman could deal with Nuclear Man levitating the vehicles and people during the final street battle.
@@axebomber2108 regarding the Great Wall, Aaron already fixed that. But I’m not sure what he’ll do for the street-level showdown between Superman and Nuclear Man.
Very, very good. Hopefully you'll get permission to upgrade the whole movie. One question though. How come Margot Kidder is listed so low? She's credited behind Jimmy Olsen, Lenny and both Nuclear Men. I reckon she should be near the top at least behind Jackie Cooper. Just curious.
I like how the way credits ending just all the superman movies ended thats a big change up an Alexander Salkind style, wish they could of redid it a while back in 1987 the fourth one of this movie was ok not like the 1st and 2nd one and third was more silly only because of richard pryor glad he was able to be in a superman movie lol
Superman V: Reborn was a tentative and ultimately unproduced sequel to Superman IV: The Quest for Peace. Before the box-office failure of Superman IV: The Quest for Peace, Cannon Films were considering producing a fifth Superman film with Albert Pyun directing. Cannon's bankruptcy resulted in the character's film rights returning to Ilya and Alexander Salkind. The studio selected Superman's death as the storyline for the film, and Jon Peters came in as producer, following the success of 1989's Batman. Ilya Salkind wrote a story for Superman V with Superboy series writers Cary Bates and Mark Jones in the early-1990s. The story involved Superman dying and subsequently being resurrected in the shrunken, bottled Kryptonian city of Kandor. The premise of Superman's death and rebirth coincidentally predated the famous "The Death of Superman" comic where Superman was killed by Doomsday. Salkind, Bates and Jones developed two drafts of the script, with the late Christopher Reeve set to reprise the title role. In the first draft script, Clark Kent is still unable to admit his feelings for the woman he loves, Lois Lane. Before he is able to resolve those feelings with her, Brainiac appears to challenge him. The two fight to their respective deaths. As Superman dies in Lois' arms, he finally confesses his feelings to her. Unbeknownst to either of them, this final confession not only releases his soul from his body, but said soul enters the body of Lois. She soon discovers that she is pregnant with Superman's child. Days later, the child is born and within the span of three weeks, he grows into the body of a 21-year-old man. As Lois is killed in the middle of the film, the new-born assumes his birthright as the new Superman and defeats Brainiac, saving the world. The rewrite still used the The Death of Superman story as its basis. In the script, Brainiac was responsible for the destruction of Krypton. He is now on his way to Earth to destroy the last Kryptonian once and for all. On Earth, Clark Kent is on the verge of a nervous breakdown as he is unable to cope with his dual-identity as reporter and superhero. He visits a psychoanalyst to discuss these feelings, as well as those he has for Lois Lane. Brainiac makes his way to Metropolis and unleashes his genetic creation, Doomsday (who, in this draft has kryptonite-laced blood), upon the public. This naturally draws out Superman and the two battle to the death. Brainiac has won, and the last Kryptonian is dead. After Superman's funeral, Brainiac attempts to steal his body, recognizing it as valuable genetic material. However, his plan is thwarted by the rogue government agency Project Cadmus, who take the body first in hopes of either reviving it or cloning it. During this time, Superman's spirit is shown taking a spiritual journey through the afterlife. At the end of his journey, he concludes that his work on Earth is not yet done and the spirit returns to its body. Resurrected, but powerless, Superman travels to Metropolis to fight Brainiac with the aid of Cadmus. Through the sheer force of his own will, Superman regains his powers and defeats Brainiac, giving him both a sense of closure and security for the world. The idea of include Brainiac as the main antagonist of a Superman film was previously considered for Superman III, but at the final, he was replaced by the Ultimate Computer of Ross Webster. It was later considered for the cancelled Superman films, Superman Reborn and Superman Lives. The project's script was later rewritten by Jonatham Lemkin but as Superman Reborn. Curiously, Lemkin said that their inspirations for Superman Reborn were the films, Star Wars and The Lion King. The idea of include Doomsday in a Superman film was later included in the Superman/Batman film Batman v Superman: Dawn of Justice. The Death of Superman was finally adapted in a movie in 2007 as the animated direct-to-video feature-lenght film Superman Doomsday.
In Memoriam: Christopher Reeve (1952-2004) & Richard Donner (1930-2021) Despite Donner not being involved with this film, he helped start the series. Both he and Christopher Reeve helped us believe a man can fly.
I can't understand how something as simple as fixing the credits doesn't accompany the reissue of this film in 4K...
This is how a Superman credits sequence should look.
I agree with you 100%. ❤
Just Like Alexander Salkind!
3:25 “Hopefully” right!! The amount of work you’ve done to revamp this film is incredible! :)
Maybe the upcoming 4K UHD release of the other films might be Aaron’s chance.
86
One name in the credits under “Opticals (UK)” is that of Academy Award-winner Roy Field, who also worked on the first three films. He was the only one from that team who remained loyal despite the budget cuts.
I wish they did the Superman II Donner Cut credits this way too
(update: just saw the spoof one that looks good too)
True I hope the rerelease of it on bluray again has this style even though I love the credits for 2s cut!!!!!!!
Know what I'd love to see from you is this shot of Supes over the earth that smiles, but before it add Kara Supergirl footage keyed in as a fly by first then Reeves. But of course the footage lighting has to be exact. Wonderful work!
The Final Time, Up, Up And Away!
I know that Alexander Courage arranged Superman 4, but that John Williams Superman music deserves a chef's kiss every time.
I only wish Chris could hav seen the work you’ve done to give this film the time care it needed, if u ever finish it in a whole film release l want a copy
Great work! Warner needs your help to restore Superman IV
It’s interesting because well superman for no offense as I could obviously see it was quite a terrible movie I liked it but at the same time disliked it they should have put the end credits like this more
As long as the cost of doing the restoration work exceeds any potential profit, we won't be seeing such an effort. Also, even if the SFX are cleaned up or made better, the movie is still a turd. With better SFX it will just become a POLISHED turd.
@@pHD77 It'll be a completed polished turd at least.
I doubt it, Zaslav right now has gutted TCM like a fish and cares more about saving money than things like this
86
2:23 at the bottom!!!! There he is! My man Aaron!!!!
For me personally, the best characterization of Superman is and will be Christopher Reeve's. I loved this movie, especially the first one...
The work you've done in fixing Superman 4 is absolutely... Super!
Like how you credited yourself.
Crystal Clear..Just Amazing. Well Done...
I like how you put yourself in there in a way that flows with normal film credits. Very similar to the new credits of the Superman II: Donner Cut.
Not quite the exact same font.
86
If this had been Superman 4, there would have been a 5! 😉
Typing all those credits is boring? That's the best part!
Considering the fact that this film was essentially released unfinished, you really could redeem this movie for a lot of people if WB let you polish it up and maybe make a whole new cut of the movie. But there's gotta be a way using existing footage to make a better ending than the movie just suddenly ending after Superman drops Luthor back into prison.
Great work, Aaron! Honestly, this makes look the Michael Thau work on the Donner's cut a bit "Amateurish", with due respect
Its stingy warner brothers. People will gladly pay for the content yet the hold it hostage.
They gave a pitiful sum to michael thau and donner.
With the tech available now, deep fake, cgi, they could easily redo The Donner Cut and give it a proper completion.
@@jokerfleckcast3196 WB would have to use much of the ABC TV cut of Superman II as a template plus the more brutal footage from the White House take over, Marlon Brando scenes, and extended Metropolis fight from the Donner Cut with fixed and polished visual effects. You cannot have a complete film with just the Donner Cut. It just didn't have enough footage to round it all out. Donner only shot about 70-80% of the movie before being shitcanned by the Salkinds. Lester footage would need to be added (Paris, Niagara Falls, etc.) as well as some stuff only seen in the ABC extended version, much of it was Donner footage not even used in the Donner Cut because he was trying use the original turn back time ending that ended up in Superman The Movie instead.
@@jokerfleckcast3196 To suggest Warner Bros are stingy is plain ignorant. Do you have any idea how much money they put into film preservation every year, without any profit from it? It's more than any of the other studios and they do it for the sake of preserving film history. Maybe they don't consider Superman IV a priority. Either way, read before you type.
@@MrGhostfaceLives of course they are stingy and bitter. They hid zack snyders superior justice league out of spite. They are embarrasing
@@jokerfleckcast3196 Basement living isn't good for you.
It Was Awesome And Fascinating Of The Superman 4 The Quest For Peace New Closing Ending Credits Remastered It Was Very Phenomenal
marvellous work
One word:
Incredible
Fun Fact:
this movie was being filmed in 1986. 20 years later (in 2006), Superman Returns was released
As virtually everyone else has said, this is stunning work - so impressive.
I see the name you've added. I'm excited to see what you do with Nuclear Man 1.
That’s assuming that the original camera negatives still exist for those scenes. I can’t stand the workprint versions of the two scenes that were finished for international release.
86
Aaron, you've done it again! You're a genius!!
Brilliant! I especially love the light reflection on the end of the word 'ARCHIVES' at the end...Nice touch 👌
This Amazing Two Thumbs Up It Is Excellent
Beautiful however that spark of light that comes on at about 0:32 and shines on the letter N I've noticed that that spark of light doesn't appear as often in your version then in the actual Superman films ending credits! And is this the stereo track that you used or the film version of the score as it deson't sound as crisp as the intro that you did! Blessings to you for your hard work Aaron!
I love the last line.
Fantastic work Aaron!! Keep going with all these short clips, then add them all together at the end ha ha!!... I'd buy it😉
WB SHOULD TAKE YOUR IDEA FOR A POSSIBLE EXTENDED CUT AND ALSO RELEASE THE SCENES SEPARATE ON THE DISC TOO FOR PEOPLE TO SEE THEM WITHOUT BEING
PART THE FILM!
Absolutely amazing! Beautiful quality.
Looks amazing. Well done!!
Looks spectacular, how cool does the cannon logo look in this style.
I actually hate seeing that Canon logo knowing exactly what it represents. But he did make it look cool, as he does with everything else that he’s done to make this production respectable. Thank you so much Aaron!
To be fair though, cannon were the only ones interested in making another Superman film at the time, WB werent interested, hence Cannon tried, but obviously cocked it up with the budget and vfx. They did the same with Masters of the universe.
@@jokerfleckcast3196, the only reason why Cannon had any interest in doing it is because the cell kinds would done with it due to failures with Superman 3 and Supergirl. Plus, in my honest opinion, Cannon had no intention of making a film in the hopes of doing it the right way. They lied to Reeve and everybody else. Their sole purpose was to cash in on a built-in fan base. They failed miserably and rightfully so
@@DiverBand They bought the rights to Superman to milk it true but they overpromised on the budget as well.
@@pferreira1983 Recently watched a podcast with the special effects supervisor Harrison Ellenshaw .He said that canon never had any intention of doing superman 4 the right way. They were both scum bag shysters who were out in the hopes of cashing in on a recognizable brand. Like everything else that they did…it backfired
Absolutely gorgeous!!!!
Amazing how I could get so much enjoyment from watching credits scroll. All your work has been top notch. I really do hope WB let's this become a thing.
The music might have something ti do with it
@@markmckelvey5788 I doubt it. Even though John Williams was unavailable, he not only recommended his colleague Alexander Courage to adapt his existing themes, but Williams also contributed three new motifs for the film. I’m guessing that you’re just responding to this poorly mixed audio track.
86
We will should understood this as fixing the credits like this.. I mean, Yeah!! But hey, we should find a next one for end credits template, will be "Space Jam"!
Very impressive! I hadn’t seen Superman 4 in years! I can’t remember what the end credits looked like,though I suspect that those end credits look awful.
Warner should let you help with a restoration of Superman 4.
I just looked to see the Original Version & those suck like I suspected!
Brother I hope you submit this version, it would change so much if it was officially released. If they reject you then please make available to us fans one day.
this orchestration isMUCH better at full definition than in released and op vinal which sounds like a school band and too flatish but its in its rereleased vinal original its great!
It may have looked like this had the budget not been slashed in half.
Im waiting for him re edit some scenes from superman returns.
0:52-1:02 me too.
86
Perfection with a capital P! 👌 this should be included for the 4k version!
Looks perfect
Christopher Reeve was a Second Unit Director!
That’s right. His major sequence was the moon fight.
86
This is awesome!!!
Amazing work as always!!!
Yep, exactly how it should have been. Perfecto! 👌
Honesty mate. You are sooooo good!!!!! Where and how can I make Warner bros aware of your work if they are not already? Do you have a petition or donation page?
@Reuel Del Rosario ruclips.net/video/1qfVwSkjuOM/видео.html
Warner Bros must have social networks so that they can see the videos of his channel
86
Aside from Aaron's edits - which are awesome BTW - Is there an actual petition or campaign underway for restoring/rendering a closer to complete version of this film - a kickstarter perhaps ? Seriously the production of this film was such a tragedy, despite Reeve & CO's intentions to make a great or at least a good film. Want to see an extended/restored to closer its intentions version sooo badly!
Beautiful work! I just wonder how people who worked on the FX for this movie WANT credit. You'd think they'd want to hide it! :) Great stuff! I'm amazed!
No way...! I loved this movie...
@@jesusgomez492 You did? Yikes. Superman the Movie was a masterpiece. 2 was awesome, though Donner's work got hacked up a bit. 3 was slightly lame yet fun and I enjoyed it. 4 was a lame disaster in every way. Cheap locations, cheap effects. The idea of the script was good, but the whole film....Nuclear Man....ughh....painful.
Funny you mention not wanting credit, John Byrne, who was the lead creator on the Superman comics of the time, was brought in to do rewrites on the script. According to a sidebar interview in *Wizard Magazine* during his "Chapter One" Spider-Man project, he said he spent a few days working on the film (and thankfully got paid for his time) and nothing he wrote got used. He also said that he went from spending the first six months wondering if he'd get screen credit to spending the remaining time afterward hoping he wouldn't, because the film went downhill so fast during production.
Canon slashed the budget on this movie, FX people had little to work with.
86
Impressive Indeed.
Really good re-creation!
God! I would kill for S IV version as a whole like this. Dont tormenting me, please.
Amazing work! Much better than the original
Really inspired by Camera Effects Company, who did the end titles for Salkind's Superman movies
With the exception of “Supergirl.”
Amazing work!
Muito Show vc é demais, vc quem deveria fazer os efeitos desse filme Superman IV.
VERY GOOD ;) FINAL REMASTERED
OHHHHHH MAN NIIIIIICCCCCE!!!!!!!!!!!!!!!
Magnificent work as usual Aaron. What is simply wonderful thing you’re doing to give the sendoff to receive the respect and credibility that it should’ve received when it was originally produced. Modern special effects can make this film significantly better. Are you listening Warner Brothers?
Put Luthor in prison BEFORE the big UN speech, it works better. Just my opinion.
86
Much better work that Michael Thau work
Very nice!
Do you know I have to admit that these style of the way the credits appeared we’re still better than the ones that they showed in the superman four movie by having them appear in the space sequence. That was the only superman movie where the end credits didn’t appear in space at the end but just a black screen instead of traveling through a space Starfield.
Im just curious on one thing though. With the deleted scenes that have been released like the first nuclear man and both Superman & Lacey intervening in Nuclear Man's attack. Will you be able to utilize that footage that has been presented in editing it better?
If they only had kept the same style in all the movies.. it'd had been another story. Anyway, is there an edit of yours we can have from SIV?
I like You work, awesome mi amigo!
Great job!
This looks amazing. I really like your work on this.
Wow!! That was great! Looking forward to the next one!
Magnificent!
0:25 Superman 😃
Good job.
Is that an & where the © should be at the end?
Pretty damn good!!!
Next FX fix I'd love to see is Supes vs Nuclear man falling off the Empire State and also a fix for the "super doorbell". So so dumb.
It might be more difficult when it comes to undoing certain story elements and added superpowers. The Great Wall of China had a built-in solution in the comic adaptation and script, Superman repaired it by hand at super speed. I'm not sure what could be done about the doorbell, since it was meant as a distraction for Superman to slip away, change into Clark and be at the door. Likewise, I'm not sure how Superman could deal with Nuclear Man levitating the vehicles and people during the final street battle.
@@axebomber2108 regarding the Great Wall, Aaron already fixed that. But I’m not sure what he’ll do for the street-level showdown between Superman and Nuclear Man.
86
I wonder why they didn't bother doing something like this for "Superman Returns?" Seriously!
The returns style fit for Bryan Singers style but a 5th movie, returns sequel, should have this style to honor donners films!!
they need to re release this movie with all of your remastered scenes
This is more in keeping with the Superman films.🙂
It's high time WB finish Superman IV as a special extended edition.
What more do you want Warner Bros.???
Asi es como deben ser los créditos de una película!
Teräsmies 4 Aurinko Uhka 1987
Very, very good. Hopefully you'll get permission to upgrade the whole movie. One question though. How come Margot Kidder is listed so low? She's credited behind Jimmy Olsen, Lenny and both Nuclear Men. I reckon she should be near the top at least behind Jackie Cooper. Just curious.
Good question... Usually credited by order of appearance...
@@APRICEPRODUCTION with that being said, is there any chance of redoing the end credits for the Donner Cut of “Superman II?”
86
Wonder if he re edited the ending credits to superman returns.
That would certainly be an interesting challenge. I think the best that could be done is to just add the star field behind the existing end credits.
That gave me goosebumps!
Nice!! What font is the text?
Granby Elephant :)
Hello, Dev. Granby Elephant.
@@APRICEPRODUCTION 👍
@@DonDonP1 Nope, it's Granby Elephant.
@@KhiamMinceyProductions Hello, Khiam. Wait, never mind. Comment re-edited.
I like how the way credits ending just all the superman movies ended thats a big change up an Alexander Salkind style, wish they could of redid it a while back in 1987 the fourth one of this movie was ok not like the 1st and 2nd one and third was more silly only because of richard pryor glad he was able to be in a superman movie lol
Superman 4 remastered complete movie coming ???
Could you do the same thing with Superman Returns’ credits, please?
What does Image 3 mean on bottom right hand corner at 2:13
Company that worked on opticals for the US side
I would add: COMING SOON SUPERMAN V
Superman V: Reborn was a tentative and ultimately unproduced sequel to Superman IV: The Quest for Peace. Before the box-office failure of Superman IV: The Quest for Peace, Cannon Films were considering producing a fifth Superman film with Albert Pyun directing. Cannon's bankruptcy resulted in the character's film rights returning to Ilya and Alexander Salkind. The studio selected Superman's death as the storyline for the film, and Jon Peters came in as producer, following the success of 1989's Batman. Ilya Salkind wrote a story for Superman V with Superboy series writers Cary Bates and Mark Jones in the early-1990s. The story involved Superman dying and subsequently being resurrected in the shrunken, bottled Kryptonian city of Kandor. The premise of Superman's death and rebirth coincidentally predated the famous "The Death of Superman" comic where Superman was killed by Doomsday. Salkind, Bates and Jones developed two drafts of the script, with the late Christopher Reeve set to reprise the title role. In the first draft script, Clark Kent is still unable to admit his feelings for the woman he loves, Lois Lane. Before he is able to resolve those feelings with her, Brainiac appears to challenge him. The two fight to their respective deaths. As Superman dies in Lois' arms, he finally confesses his feelings to her. Unbeknownst to either of them, this final confession not only releases his soul from his body, but said soul enters the body of Lois. She soon discovers that she is pregnant with Superman's child. Days later, the child is born and within the span of three weeks, he grows into the body of a 21-year-old man. As Lois is killed in the middle of the film, the new-born assumes his birthright as the new Superman and defeats Brainiac, saving the world. The rewrite still used the The Death of Superman story as its basis. In the script, Brainiac was responsible for the destruction of Krypton. He is now on his way to Earth to destroy the last Kryptonian once and for all. On Earth, Clark Kent is on the verge of a nervous breakdown as he is unable to cope with his dual-identity as reporter and superhero. He visits a psychoanalyst to discuss these feelings, as well as those he has for Lois Lane. Brainiac makes his way to Metropolis and unleashes his genetic creation, Doomsday (who, in this draft has kryptonite-laced blood), upon the public. This naturally draws out Superman and the two battle to the death.
Brainiac has won, and the last Kryptonian is dead. After Superman's funeral, Brainiac attempts to steal his body, recognizing it as valuable genetic material. However, his plan is thwarted by the rogue government agency Project Cadmus, who take the body first in hopes of either reviving it or cloning it. During this time, Superman's spirit is shown taking a spiritual journey through the afterlife. At the end of his journey, he concludes that his work on Earth is not yet done and the spirit returns to its body. Resurrected, but powerless, Superman travels to Metropolis to fight Brainiac with the aid of Cadmus. Through the sheer force of his own will, Superman regains his powers and defeats Brainiac, giving him both a sense of closure and security for the world. The idea of include Brainiac as the main antagonist of a Superman film was previously considered for Superman III, but at the final, he was replaced by the Ultimate Computer of Ross Webster. It was later considered for the cancelled Superman films, Superman Reborn and Superman Lives.
The project's script was later rewritten by Jonatham Lemkin but as Superman Reborn.
Curiously, Lemkin said that their inspirations for Superman Reborn were the films, Star Wars and The Lion King.
The idea of include Doomsday in a Superman film was later included in the Superman/Batman film Batman v Superman: Dawn of Justice.
The Death of Superman was finally adapted in a movie in 2007 as the animated direct-to-video feature-lenght film Superman Doomsday.
This Is Better!
In honor of Richard Donner
In Memoriam:
Christopher Reeve (1952-2004)
&
Richard Donner (1930-2021)
Despite Donner not being involved with this film, he helped start the series. Both he and Christopher Reeve helped us believe a man can fly.
Fantástico.
Trilha sonora de arrepiar
3:16 + 3:19 = 3:24
Not to bad but amazing job 👍