straight to the point. well structured. thank you. appreciated. Would love to hear your perspective on DOF since you obviously used other methods to "deepen" the frame
I am a Sony guy but I have seen GH5 users make some pretty amazing videos. At this point, with some kind of Log Profile, 10 bit, 12 stops of dynamic range, these cameras regardless the brand can do just about anything. It is more about the user. The real thing I am jealous of with Panasonic users is the durability. Panasonic must have the most rugged cameras rated for -10 weather, plus can handle the rain. I would not want to take my Sony near a damp cloth.
Very Good lesson. I shoot a lot of live jazz in poorly lite crammped jazz clubs. it's a challenge for sure. I wonder what you might advise to shoot the piano keys and playe with one small light source that is battery operated what will hit the keyboard and light up the player a bit.
It’s in the settings on many lumix cameras. It’s nice because if you switch frame rates, it automatically keeps the shutter 2x the frame rate. In most other brands you have to manually set it each time. The 2x frame rate gives you some motion blur and makes the video seem smooth and natural running rather than jumpy and skipping. If you mess up and set it wrong mostly it ruins it.
They used environmental lighting for drive. With such a small camera it would have been cool to see the car driving and different lights and shadow play on the face. Like they did with Drive.
But it's incomplete. For the cinematic look you also have to talk about the movement of the shot, the depth of field, the color grading, the decorations, the colors and style of what the character is wearing...
The biggest problem with the front lighting example is that the light is still coming from behind the subject and not towards his face. There were several other problems with it too, all of which would be corrected if front lighting were the appropriate choice for the scene. Before deciding on lighting direction, you really need to know the mood you want for the shot, because creating a backlit scene wouldn't exactly be appropriate for a comedy vibe. Horror, definitely yes. Drama, maybe. Comedy, no.
Whoever this guy is... Please have him in more. Learned a lot from this 3 minute class
straight to the point. well structured. thank you. appreciated.
Would love to hear your perspective on DOF since you obviously used other methods to "deepen" the frame
Superb. Talented and straight to the point with clear examples. Demystify the process and show enthusiasts the simple tricks of the trade.
Love this🔥 and I love my gh6
Great video. You did a great job!
Nice ideas! Love it!
gh5 user, can't wait to upgrade!
I think you missed the point of the video…
(GH5/GH5M2)
🤔
👏 bravo
One would certainly hope so.
yeah, who is this guy, very well spoken!
(3:24) So true… To achieve that Cinematic look is a skill, not a camera you buy…
🤔
Great tutorial! What lens are you using?
I am a Sony guy but I have seen GH5 users make some pretty amazing videos. At this point, with some kind of Log Profile, 10 bit, 12 stops of dynamic range, these cameras regardless the brand can do just about anything. It is more about the user. The real thing I am jealous of with Panasonic users is the durability. Panasonic must have the most rugged cameras rated for -10 weather, plus can handle the rain. I would not want to take my Sony near a damp cloth.
Cool
Very Good lesson. I shoot a lot of live jazz in poorly lite crammped jazz clubs. it's a challenge for sure. I wonder what you might advise to shoot the piano keys and playe with one small light source that is battery operated what will hit the keyboard and light up the player a bit.
What is he talking about, 180 degree shutter angle at 3:03?
It automatically doubles your shutter speed for whatever frame rate you’re shooting instead of (for example) shooting 24fps at 1/50 of a second.
It’s in the settings on many lumix cameras. It’s nice because if you switch frame rates, it automatically keeps the shutter 2x the frame rate. In most other brands you have to manually set it each time. The 2x frame rate gives you some motion blur and makes the video seem smooth and natural running rather than jumpy and skipping. If you mess up and set it wrong mostly it ruins it.
They used environmental lighting for drive. With such a small camera it would have been cool to see the car driving and different lights and shadow play on the face. Like they did with Drive.
you didn't actually use the 12-60/2.8 for that shot ? if you did, kudos for pulling it off.
But it's incomplete. For the cinematic look you also have to talk about the movement of the shot, the depth of field, the color grading, the decorations, the colors and style of what the character is wearing...
Another Brady Bessette
The biggest problem with the front lighting example is that the light is still coming from behind the subject and not towards his face. There were several other problems with it too, all of which would be corrected if front lighting were the appropriate choice for the scene. Before deciding on lighting direction, you really need to know the mood you want for the shot, because creating a backlit scene wouldn't exactly be appropriate for a comedy vibe. Horror, definitely yes. Drama, maybe. Comedy, no.