Oh, how much i miss you, my lovely, courageous, wonderful GREAT Maestro, please, bless us from HEAVEN!!!! Your singing is our consolation in this world!!!
@@mstipich1 Why ? well, He had the best phrasing ever ( he is always singing , never shouting or screaming, He was always aristocratic, elegant and refined). His breath control was impressive, the legato, nuances, colors. And even his top notes ( he was never the king of high C's ) in a good day were marvelous.
@@mstipich1 There's no need to envy him his ear or understanding, he's just a fan vaxing lyrically like many others. Bergonzi has the best phrasing ever? Why, has he listened to ALL tenors who have left recordings, beginning with those born in the 1840's and ending with those born in the 1990's, compared all these recordings with each other and made notes? He must have been terribly busy these past 50 years. Rest assured, Bergonzi did shout like every other tenor of the 1950-60's when it suited him. As to his so called top, he had very few good days.
@@arepo Well, long time ago I saw few TV interviews with his partners that praise Bergonzi's technique. As layman, I like Del Monaco's singing since it is very emotional and exiting. And Tito Gobi's
My father took me to my first Opéra at the Old Met . I was 12 , it was a matinee , Rigoletto. Bergonzi was the Duke , Gianna D’Angelo , Gilda , and Cornell MacNeil was Rigoletto . All sang do beautifully .
This is a very, very old style of singing which I so wish sould return. We've gotten to the point that volume is all it's about, and the beauty of long lines and the true elegance of these great masterpieces is obliterated. All we get now is vulgarity and brutish singing and are told it's the most brilliant singing since_________ insert your favorite singer. Bravo grande Bergonzi.
@courtneybaritone01 But what if *our* fav singer is from the period decades BEFORE *your* fav singer? Then your lament is just an introductory pretext for heaping praise on your fav singer. Opera singing wasn't created in 1950, particularly bel canto singing. If you want belcanto singing you just go to the generations of singers who were trained in belcanto years and even decades before Bergonzi was born. Would have been more honest of you to just heap praise on the object of your affections like every other youtube fan and spare us the one-sided comparison. And if you haven't hear Bergonzi pouring out decibels indiscriminately like every other tenor you have listened very selectively only to the recordings in which he doesn't.
@@arepo Janie Honey if you don't like Maestro Carlo why do you have to leave your hate in every Bergonzi video.. sweetheart go listen whoever you like... not everyone understands refinement. Take the hint.
@@auntiezy4008 Honey, if you confuse critique with hate, your problem, not mine. If you believe someone can form an opinion about a singer without listening to them first, you are even more confused than I have thought it possible. I listen first, EXTENSIVELY, then I form an opinion, and because we live in a free world, I have the right to express my opinion. You would like to introduce censure? LOL. Poor Klonia, the knee jerk reaction of the offended and uneducated fan. And now Klonia, after getting so intimate with each other thanks to you "honey"-ing me, and I returning the familiarity, let's part ways again, I with my refinement and understanding of opera, you with... "Maestro" Carlo? Took the hint, darling Klonia?
Jesús.- En efecto, ya están extintos estos tenores, los últimos belcantistas ya han muerto: Kraus y Bergonzi. Y otro en Rossini ha se ha retirado: Rockwell Blake. Es mi parecer. Los demás son tenorcitos, aunque yo valoro muy bien a Camarena.- Un abrazo.
Scusate per chi Domingo è un grande cantante per gli spaltisti per i loggionisti come lui c'è ne sono altri 99 che cantano meglio di lui ci ha rovinato i Mass media
As I watch this I remember reading about the premiere of Lucia di Lammermoor in 1835, when tears were heard during the cello solo after he stabs himself, then the full hysteria from the audience at the end. People running up the aisles wailing and sobbing. Artists like Carlo Bergonzi can certainly deliver on that level, the same devastation that Gilbert Duprez, the first Edgardo, must’ve made the audience experience on that first night 😭
Magnificent. My only criticism was his stabbing suicide was pitiful. I could do a better job in the third grade. His dead chicken flop at the end kind of made up for it tho.
Carlo Bergonzi ist, meiner Meinung nach, als Edgardo (Lucia), als Pollione (Norma), als Alfredo (La Traviata) nicht übertroffen worden. Sein Rodolfo machte die La Boheme unter Tullio Serafin perfekt, sein Cavaradossi in der zweiten Tosca mit Maria Callas aus Paris adelte diese Aufnahme. Auch wenn Giuseppe di Stefano, merklich, an der Seite von Maria Callas sein Bestes gab, hört/ empfindet man den Unterschied!!! Das sind, tatsächlich, Unterscheidungen auf hohem Niveau!!!
Excellent singing from Bergonzi! It really is too bad there are mean-spirited people like “Ballet Janie” that respond to admiring comments with unnecessary hostility. Someone leaves perfectly innocent praise and there’s Ballet Jane spouting unsolicited and dismissive venom. It’s comes from insecurity and low self-esteem. It is sad, pseudo elitists like this that ruin opera groups I no longer join. All gracious commentary on opera are attacked by these jealous small people.
Rusty-I have probably taken more venom from Ballet Jane than anyone. I have tried to reason with her , but to no avail. I happen to think that the live Aida performance from the Met 1in 1963 was one of the greatest ever with Price, Bergonzi, Gorr and Sereni. The Nile scene in particular with Bergonzi almost sounding almost like a helden tenor finishing the scene with an extended high A which brought the house down at the Met. Ballet Jane who does have an extended knowledge of operatic singing technique . Basically says that Bergonzi "bottled" the final note by not singing a B. She says that he is a jumped up baritone. Yes he did start his career as a baritone as Caruso did. But even though I do not have the" expertise" of Jane. Another Bernstein thought very highly of him and used him as Rudolfo in his musical education programme on TV in the States. I am in agreement with contributor GermanOpera Singer that Bergonzi was the finest Verdi lyric tenor of the 20th century.. It's interesting that Ballet Jane can see a very small amount of merit in perhaps the finest live performance of Che Gelida Manina from La Boheme on his debut at the Met. And even that merit is given grudgingly .
People in movies: *get stabbed, fall down, start chocking and die dramatically* People in operas: *get stabbed but stand and keep singing their hearts out*
Diese ungehobene Aussprache ist der reiste Horror, so ein Prolet. Und dann noch die wollige Stimme, die fleischigen Töne, die fehlende Vollhöhe. Ich vestehe nicht wie er Karriere machen konnte. Der muss wohl sehr gute Freunde gehabt haben?
Wenn jemand keine Ahnung hätte, könnte man doch mutig sein. Ein Mann nur mit Vitamin B(eziehung) kann nicht solche Karriere machen. Er war in dieser Zeit nicht besser als Del Monaco, Corelli und Stefano, trotzdem war er auch ein bester Tenor in der Geschichte.
Aber ich denke nicht, dass alle Leute lügen, wer hier die Antwortungen geschrieben haben. Sie haben nichts zu tun mit der Beziehung von Bergonzi, sie haben nur richtige Ohren. Bergonzi war sicher ein guter Tenor in italianishen tenören Geschichte, von Caruso, Tamagno bis Pavarotti, Algna...
@@bernardokim75 Wer hat hier etwas von Lügen gesagt? Ich nicht. Und soll das heißen, nur diejeniegen die Ihrer Meinung sind haben gute Ohren? Ha ha. So typisch. Können Ihre guten Ohren seine fehlende Vollhöhe nicht heraushören? Oder die wollige Stimme mit der ungehobenen Ausprache? Die meinsten Menschen hier schreiben das gleiche was Sie überall lesen können, für JEDEN Sänger. Immer wieder das Gleiche, wie großartig, wunderbar, unerreicht ihr Lieblingssänger ist. Das heißt noch lange nicht die verstehen etwas von Opern.
![ARGENTINA vs. BOLIVIA [6-0] | RESUMEN | ELIMINATORIAS SUDAMERICANAS | FECHA 10](http://i.ytimg.com/vi/C3wPtKNbAOA/mqdefault.jpg)
Bravo,Bravo,Bravo,Bravo......a million times Bravo....impossible to sing this aria ant better.
Eccellente, grande Bergonzi!!!! SEMPRE CON NOI!
So heartbreakingly beautiful - such emotion in his voice... this is opera and why it's so powerful.
Thank you for you voice, Carlo!
Oh, how much i miss you, my lovely, courageous, wonderful GREAT Maestro, please, bless us from HEAVEN!!!! Your singing is our consolation in this world!!!
very beautiful...Bergonzi was one of the true greats...mille grazie per il tuo bel canto
Que voz tan suave y melodiosa. Con gran sentimiento. C. Bergonzi uno de los más grandes tenores del siglo 20.
This is my Maestro, I miss him so much!
I saw Bergonzi in Lucia at the Met in the 60's with Moffo. One of the greatest tenors of the 20th century.
the recording is precious. my favorite.
I saw Bergonzi in 1985 with Sutherland in Lucia at Covent Garden, 120 years between them, absolutely stunning.
His voice connects, deeply, Bravo! Love Carlo Bergonzi!
Straordinario. Fraseggio unico e scansione perfetta, paragonabile solo a quella di Di Stefano. Voce morbida e commovente....un grande Edgardo
This phrasing, these dynamics, his legato and musicianship has no rival.
Why they say his technique is so superb?
@@mstipich1 Why ? well, He had the best phrasing ever ( he is always singing , never shouting or screaming, He was always aristocratic, elegant and refined). His breath control was impressive, the legato, nuances, colors. And even his top notes ( he was never the king of high C's ) in a good day were marvelous.
@@ricardogigante881 Wish I could have ear and understanding of singing like you do. Great comment.
@@mstipich1 There's no need to envy him his ear or understanding, he's just a fan vaxing lyrically like many others. Bergonzi has the best phrasing ever? Why, has he listened to ALL tenors who have left recordings, beginning with those born in the 1840's and ending with those born in the 1990's, compared all these recordings with each other and made notes? He must have been terribly busy these past 50 years. Rest assured, Bergonzi did shout like every other tenor of the 1950-60's when it suited him. As to his so called top, he had very few good days.
@@arepo Well, long time ago I saw few TV interviews with his partners that praise Bergonzi's technique. As layman, I like Del Monaco's singing since it is very emotional and exiting. And Tito Gobi's
Qué emoción escuchar al maestro Bergonzi. Gran cantante con una voz y agudos potentes. Tuve el placer de verlo en el teatro Colón
Потрясающий
una mirabile interpretazione di carlo di classe bravura e precisione un grande
Raffinatissimo ed irraggiungibile!! ++++++
Grandissimo, non si finirebbe mai di ascoltarlo!
Fantastic! Grande Bergonzi!
A legend who deserves the name!!! A dying art! Thank you for posting this
treasure of treasures!!!
This yr of Bergonzi singing really makes me cry. So touching
Bergonzi, what a great tenor he was!
This is what made me love opera even as a boy. Bravo Maestro Bergonzi. Purtroppo tutto e finito.
My alltime favorite... simply divine.
Magic voice and wisdom and courage, and a great, real man!
Bravissimo!!! 🥰😍❣
My father took me to my first Opéra at the Old Met . I was 12 , it was a matinee , Rigoletto. Bergonzi was the Duke , Gianna D’Angelo , Gilda , and Cornell MacNeil was Rigoletto . All sang do beautifully .
That emotion make me cry
Simply beautiful
Bergonzi une merveille dans son chant !
Wheat a handsome singing, my lovely Maestro!!!!!!!!
This is a very, very old style of singing which I so wish sould return. We've gotten to the point that volume is all it's about, and the beauty of long lines and the true elegance of these great masterpieces is obliterated. All we get now is vulgarity and brutish singing and are told it's the most brilliant singing since_________ insert your favorite singer. Bravo grande Bergonzi.
You ready to teach us how to sing like this again?
no more old school, sad. All fast food now...
@courtneybaritone01 But what if *our* fav singer is from the period decades BEFORE *your* fav singer? Then your lament is just an introductory pretext for heaping praise on your fav singer. Opera singing wasn't created in 1950, particularly bel canto singing. If you want belcanto singing you just go to the generations of singers who were trained in belcanto years and even decades before Bergonzi was born. Would have been more honest of you to just heap praise on the object of your affections like every other youtube fan and spare us the one-sided comparison. And if you haven't hear Bergonzi pouring out decibels indiscriminately like every other tenor you have listened very selectively only to the recordings in which he doesn't.
@@arepo Janie Honey if you don't like Maestro Carlo why do you have to leave your hate in every Bergonzi video.. sweetheart go listen whoever you like... not everyone understands refinement. Take the hint.
@@auntiezy4008 Honey, if you confuse critique with hate, your problem, not mine. If you believe someone can form an opinion about a singer without listening to them first, you are even more confused than I have thought it possible. I listen first, EXTENSIVELY, then I form an opinion, and because we live in a free world, I have the right to express my opinion. You would like to introduce censure? LOL. Poor Klonia, the knee jerk reaction of the offended and uneducated fan. And now Klonia, after getting so intimate with each other thanks to you "honey"-ing me, and I returning the familiarity, let's part ways again, I with my refinement and understanding of opera, you with... "Maestro" Carlo? Took the hint, darling Klonia?
Maestro!! Que entrega!! Bravo!!
che meraviglia...voce piena, potente, magistralmente gestita: grazie !
Questa voce stentorea che sembra non arrivare mai, ma quando arriva si apre il paradiso.
Si
Estos cantantes ya están en extinción por desgracia.
Jesús.- En efecto, ya están extintos estos tenores, los últimos belcantistas ya han muerto: Kraus y Bergonzi. Y otro en Rossini ha se ha retirado: Rockwell Blake. Es mi parecer. Los demás son tenorcitos, aunque yo valoro muy bien a Camarena.- Un abrazo.
Superb!
Grande, bravissimo Maestro Plinio Clabassi, maestoso basso!!!!
Thank you for your great and eternal gift to my profession!! Requiescat in pace...
wow I would give anything to see him live :) I know I come late but I wish it nonetheless
Grande tenore verdiano? No grandissimo tenore fra i più grandi di sempre
Canto maravilloso!!! Enorme Bergonzi!!!
I have just watched this clip and I am sure the bass was Clabassi. He was a big man both in stature and voice
Que ternura que agudos mímica waoooooo y waoooooo
que hermosa voz que dulcemente canta
As I have just posted elsewhere, either the second greatest tenor of all time or just in front of Caruso
Che meraviglia.
Hermosa voz sentimiento afinado vocalizar perfecto
A me piace tantissimo qui Bergonzi.
Bravo!!!!!
The art of singing at its highest level!
Sublime
Его сердце тоже поёт
RIP, Maestro! :(
Scusate per chi Domingo è un grande cantante per gli spaltisti per i loggionisti come lui c'è ne sono altri 99 che cantano meglio di lui ci ha rovinato i Mass media
Insuperabile
By far, the greatest rendition, only Pippo comes close.
Pippo still had a long long way to go... he never was able to come close to Bergonzi.
bravo bravo bravo
Nessuno come lui. Meraviglioso
Карло непререкаемый авторитет..его голос ласкает сердце
Bergonzi's singing is so beautiful. Can anyone tell me who that powerful bass is? Could be Clabassi?
Yes, could surely be.
ruclips.net/video/lcyhlGzRb8A/видео.html
Si me encanta
As I watch this I remember reading about the premiere of Lucia di Lammermoor in 1835, when tears were heard during the cello solo after he stabs himself, then the full hysteria from the audience at the end. People running up the aisles wailing and sobbing. Artists like Carlo Bergonzi can certainly deliver on that level, the same devastation that Gilbert Duprez, the first Edgardo, must’ve made the audience experience on that first night 😭
Duprez hatte eine funktionierende Vollhöhe und konnte gutes Italienisch. Der hier hat weder noch.
Magnificent. My only criticism was his stabbing suicide was pitiful. I could do a better job in the third grade. His dead chicken flop at the end kind of made up for it tho.
He made time stand still with his singing
Yes
In my top three
Нельзя объяснить словами..как прекрасно его работа на сцене..и голос
Anche il portamento a volte grossolano, meraviglioso
La meraviglia
un hombre de voz esquisita
Carlo Bergonzi ist, meiner Meinung nach, als Edgardo (Lucia), als Pollione (Norma), als Alfredo (La Traviata) nicht übertroffen worden. Sein Rodolfo machte die La Boheme unter Tullio Serafin perfekt, sein Cavaradossi in der zweiten Tosca mit Maria Callas aus Paris adelte diese Aufnahme. Auch wenn Giuseppe di Stefano, merklich, an der Seite von Maria Callas sein Bestes gab, hört/ empfindet man den Unterschied!!! Das sind, tatsächlich, Unterscheidungen auf hohem Niveau!!!
La sua voce stentorea, sembrava che non arrivasse mai, poi quando quando arrivava si apriva il paradiso, purgatorio, inferno e la bellezza assoluta
pure belcanto
Todays tenors ought to study this and learn how to sing properly.
까를로 베르꼰지의 실제 오페라 실황을 볼 수 있다니!
에드가르도의 루치아를 잃은 후의 비통함을 잘 표현한 영상
질리의 레코딩은 많이 들었는데...
Bergonzi canta de manera sublime. El bajo es Plinio Clabassi?
Sí, Plinio Clabassi.
Excellent singing from Bergonzi! It really is too bad there are mean-spirited people like “Ballet Janie” that respond to admiring comments with unnecessary hostility. Someone leaves perfectly innocent praise and there’s Ballet Jane spouting unsolicited and dismissive venom. It’s comes from insecurity and low self-esteem. It is sad, pseudo elitists like this that ruin opera groups I no longer join. All gracious commentary on opera are attacked by these jealous small people.
Rusty-I have probably taken more venom from Ballet Jane than anyone. I have tried to reason with her , but to no avail. I happen to think that the live Aida performance from the Met 1in 1963 was one of the greatest ever with Price, Bergonzi, Gorr and
Sereni. The Nile scene in particular with Bergonzi almost sounding almost like a helden tenor finishing the scene with an extended high A which brought the house
down at the Met. Ballet Jane who does have an extended knowledge of operatic
singing technique . Basically says that Bergonzi "bottled" the final note by not singing
a B. She says that he is a jumped up baritone.
Yes he did start his career as a baritone as Caruso did. But even though I do not
have the" expertise" of Jane. Another Bernstein thought very highly of him and
used him as Rudolfo in his musical education programme on TV in the States.
I am in agreement with contributor GermanOpera Singer that Bergonzi was the
finest Verdi lyric tenor of the 20th century.. It's interesting that Ballet Jane
can see a very small amount of merit in perhaps the finest live performance
of Che Gelida Manina from La Boheme on his debut at the Met. And even
that merit is given grudgingly .
Is that Richard Gill with Bergonzi in that scene.
Why the breathing noise was so loud?
People in movies: *get stabbed, fall down, start chocking and die dramatically*
People in operas: *get stabbed but stand and keep singing their hearts out*
Bergonzi uno de los grandes tenores del siglo XX. Sobre todo en verdi. En el final de Lucía canta muy bien pero no supera a Gigli y a kraus.
Siempre tiene que haber un listo. Como tú. Si tanto sabes, dale tus opiniones a los cantantes. Te harán el mismo caso que nosotros: ninguno.
@@felixdelvallevigon6157 in democracia hay libertad de expresion
Los supera a los dos.
@@rockyfood8903 A Kraus no lo supera en este papel ni en sus mejores sueños. Bergonzi era un maestro pero sobre todo en repertorio Verdiano.
@@felixdelvallevigon6157 Ahora resulta que la libertad de expresión es pecado. Seguimos viviendo en una dictadura.
Cosi si canta… voce coperta e sul fiatto
SuperMagren Not a real tenor but a real proletarian... Double whammy, OY. And so modest into the bargain 😜️ , all his life.
Who is the baritone?
Perfecta interpretación como todo lo que cantó...Es muy.raro escucharle un error vocal...
Sono le prime 8 note a connotare la divinità
This is only style!!!!!!
Cantante completo! ( Nel senso canta anche con le mani ! )
Peccato per la dizione della S … sccc…. Per il resto grandissimo
Dio cantava
Nice but half tone lower...
Voce verdiana, ma grande interpretazione
Lo so, ma mezzo tono sotto è più facile.
mellifluo
Diese ungehobene Aussprache ist der reiste Horror, so ein Prolet. Und dann noch die wollige Stimme, die fleischigen Töne, die fehlende Vollhöhe. Ich vestehe nicht wie er Karriere machen konnte. Der muss wohl sehr gute Freunde gehabt haben?
Wenn jemand keine Ahnung hätte, könnte man doch mutig sein. Ein Mann nur mit Vitamin B(eziehung) kann nicht solche Karriere machen. Er war in dieser Zeit nicht besser als Del Monaco, Corelli und Stefano, trotzdem war er auch ein bester Tenor in der Geschichte.
@@bernardokim75 Jede Menge Sänger die es heutzutage mit Vitamin B geschafft haben. Was heute funktioniert, hat damals auch funktioniert.
Aber ich denke nicht, dass alle Leute lügen, wer hier die Antwortungen geschrieben haben. Sie haben nichts zu tun mit der Beziehung von Bergonzi, sie haben nur richtige Ohren. Bergonzi war sicher ein guter Tenor in italianishen tenören Geschichte, von Caruso, Tamagno bis Pavarotti, Algna...
@@bernardokim75 Wer hat hier etwas von Lügen gesagt? Ich nicht. Und soll das heißen, nur diejeniegen die Ihrer Meinung sind haben gute Ohren? Ha ha. So typisch. Können Ihre guten Ohren seine fehlende Vollhöhe nicht heraushören? Oder die wollige Stimme mit der ungehobenen Ausprache? Die meinsten Menschen hier schreiben das gleiche was Sie überall lesen können, für JEDEN Sänger. Immer wieder das Gleiche, wie großartig, wunderbar, unerreicht ihr Lieblingssänger ist. Das heißt noch lange nicht die verstehen etwas von Opern.