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Trying out a new camera setup with OBS. Sorry for the bad camera angle when I look down! Will try not to do that in the future. Just dusting off the cobwebs jamming on one of Simon Peter King's great backing tracks. Using the Neural DSP Cory Wong amp pack here

[@wellingtoncarvalho1621]

Great! I'll study these notes and riffs for sure!

[@rockyfolksy8639]

dang! tasteful phrasing as always Brian. 👌

[@BrianSheu]

Thank you!

[@paulgilbert3139]

Reminds me a lot of frank gambale, nice playing

[@Stevewatson3]

Very good man! I hope to get close to this level of fantastic at some point.

[@Truthinshredding1]

Just added you to my Rock Fusion Guitar players of note list.

[@M1967-y2n]

great...and such a beatiful sound!!

[@jamesrobinson529]

That was a jaw dropping improv!

[@michaellam4082]

Such fantastic playing!!

[@BaroqueBlues]

Awesome playing.

[@BrianSheu]

Thanks for listening!

[@GarethFerguson]

Nice tone bro

[@BrianSheu]

Thanks man! The Neural DSP plugins are really great!

[@Pabloherrero89]

Amazing!

[@sashapushman8883]

Cool! Fire!

[@venemusic5462]

NIICEEEEEEEEEEEE

[@Emoparker1]

How can ı get this guştar sound

[@ThePinnacleSFA]

i know this is late as all hell lol
but what scales/arpeggio ideas were you running through from 0:45 to around 0:55
that's the exact kind of playing i'm trying to get into and man i just don't think i'm visualizing the fretboard right haha. sick jam regardless!

[@BrianSheu]

Hey, so as a start for playing over an Aminor7 tonality, try emphasising the Major 6th and skipping the b7. You can play a pentatonic/blues scale emphasising the major6, skipping the b7 and it really emphasizes "dorian-ness". I'm doing a lot of Am6 arpeggios (or, if it's easier to visualize super imposing F#mb7 arpeggios...they're the same thing). You'll hear guys like Coltrane, any sax player really, do this kind of thing a lot on a modal jam, like Impressions