MARSHALL DSL20HR - Because you're worth it!
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- Опубликовано: 13 июн 2020
- Checking out my new Marshall DSL 20 Head. Spoiler: It's totally awesome!
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0:39 Playing sloppy stuff with Tubescreamer
2:42 Playing sloppy stuff without Tubescreamer
2:54 How nicely it cleans up by rolling down the volume knob
4:33 How much gain do you have?
6:36 Tone shift knob
7:22 Reverb
8:31 EQ
9:54 Playing more sloppy stuff with Tubescreamer
11:33 Clean channel
12:59 Please like and subscribe!
#marshallamps #gear #tubeamp 
Видеоклипы
Timestamps in the description! 🤟✌
Can I get this kind of sound on “bedroom volumes”? Or I’ll have to crank it like JCM 800?
@@borodinski8960 You definitely do not have to crank it. In low mode you'll get a decent sound at "bedroom volume". My bedroom in general is a little louder btw. 😂
@@schorschharrison thanks for the answer. Great tone and playing btw
@@borodinski8960 Thank you very much! ✌
I can listen this all day, so wonderful, great job! You are my favourite guitarist now, because you play anything easily and your face look really enjoy.
Thank you so much! It really means a lot! Glad you enjoy the video. 🤟
Nice. Picking one of these up today. You're amazing dude , thank you for posting this !!
Thank you very much! Glad you like it! 🤘Have fun with your new amp! 🥳🙌
You are a fantastic reminder for people to just play and enjoy each moment.Greatness !
Thank you ever so much H K! ❤✌
I just ordered one of these and I am obsessively watching the tracking. Every video I've watched has given me the impression it has a nice take on that timeless marshall crunch and chime, but with more balls, and less loud. Exactly what I was looking for when I errantly bought the Egnater tweaker 40(as it had a switch for a marshall tone stack) which with gain maxed out sounds about 1/4 as ballsy as any of the tones in this video. It is perhaps is sounding a little more sizzly and less open in the mids than the full sized 100 watt head, but for the size, volume, and power difference, you can't expect a much else.
Excellent tone that represents marshall. I keep on coming back to this video again and again
Thank you so much! ✌
I dig the egg crates on the wall acting as sound control. We did the same thing in my buddy's basement in my first band as a teenager.
Hello im just asking about mic an amp, where do you input the the mic to the audio interface? or to the other amplifier? second whats the purpose micing an amp?
Just got mine a week ago and with a TS9 in the front it's great. With the TS9 in the front and a MXR EQ in the loop it's a really great from bedroom practice to being loud enough for use with a band. More than enough gain on the ultra gain channel too. Love my DSL20HR.
Awesome! I still need to try the fx loop thing. I've never done it before. Congrats to your new amp! Have lots of fun with it! 🤘✌
@@schorschharrison thanks! I got the tip from another guitarist on youtube by the name of Lambchopper678. Really opens up alot of tonal possibilities.
@@ESPE2M1 Makes totally sense, especially when you want to boost the volume of the channel to put a boost in the loop. Now I am excited, haha. 😅❤✌
I got this head a few months ago and I really like it. Very versatile little head!
Couldn't agree more! Can't wait to try it out in a band context.
Sounds great. I like the punchy highs of a Marshall tube amp. I just ordered the DSL 100 HR, can't wait for it to get here.
Thanks Craig! You can't go wrong with a DSL 100, if you dig the classic Marshall tone. ✌
It's great with or without the Tubescreamer, but I'd use the Tubescreamer for boosting solos, which is how I've used them for almost four decades.
Sounds fantastic!! Where did you have the knobs on the tube screamer set? Perfect classic metal tone!!
Thanks mate! Level and tone all the way up and distortion at 0. ✌
Hi, what kind of speakers are in that cab? Sounds great. I've bought my dsl20 this week. :-) And what kind the mic is?
Hi! The cab is loadad with Celestions G12T-75 and the mic is a Shure Beta 58. Congratulations mate! Hope you dig the amp as much as I do :-) Have fun!
That thing is tone galore, and with the awesome playing, this video was a blast. I'm buying the combo version tomorrow (DSL20CR), but will likely swap out the speaker, as I understand that's the weak part of the combo.
Thank you very much Heath! 🤘❤ Haven't tried the combo version. I guess it's the 12 inch Seventy-80 speaker in there? Can't say anything bad about it. Let your ears decide. ✌
That tone between 10 min and 11 is KILLER! Was the presence all the way down there too? What speakers in the cab? Killer demo, thanks!! I could tell you were having fun
Thanks again man! Presence was at 9 o' clock. Stock Marshall 4x12 cab with Celestion G12T. ✌
Do you think the amp is oud enough for rehearsing and small gigs? I'm in a metal band if that helps
It helps. If you do not have the loudest drummer mankind has ever seen, you'll be good to go. 😅
it’s so nice to see that i’m not the only guy that still uses egg cartons on the studio walls.
Haha. 😅 Never change a running system!
Amen!
Great tone and playing? That's a sub. I want this little bugger just blend with it's larger cousin, the/my 6505. Was killer to play in the store!
Thank you very much! ✌ Dude that's a good idea! Let me know how it turned out! 🤘🙌
Killer tone I never expect to see huge sound from ibanez RG guitar but you can do it awesome.
Thanks! 🤘❤️
Like the solo in the beginning of the video. Clever phrasing
Thank you very much Marcus! ✌
sounds really good man
Thank you so much Andrew! ✌
Great demo video!!!!
Thank you very much Eric! Glad you like it! 🤘❤
Sounds great. Am I able to plug this into my Focusrite Scarlett, so I can record on Reaper? I am hoping that's what the "emulator" inputs are for.
Thanks Christian! Haven't tried to use the amp that way yet so I cannot say anything good or bad about the sound quality. But yes, this is exactly what the emulated line out does. ✌
@@schorschharrison OK guess I'll just have to buy one and find out. 😁🤷♂️
@@CFChristian Haha! 😅 Go for it! You'll not be disappointed. It's a great amp. ✌😎
Sounds cool, bro!))
Thank you buddy! 🤘❤️
What are the pickups in that beautiful Ibanez guitar? Thanks, great playing. 😊
Thank you very much! ✌ These are IBZ/Dimarzio stock pu's.
Do you have a 5150 III? If so what are your preferred settings?
No, I have a Peavey 6505 though. Everything at 1o clock! 😁 Well, except for the master. Everything beyond 10 o clock kills me. ✌️
Sounds great!What Marshall Cab is that? Thx!
Thank you very much! Regular 4x12 with G12T 75W speakers. ✌🤘
I'm sorry for the dumb question... but at 4:50 what were your settings?!
Basically everything at 1 o clock except the presence control is at 9 o clock. And it's a fantastic question btw, since my close up shot didn't work out as planned in the video. 😂✌
I think it is time to sell my DSL15 head and get one of these. I am so glad I did not spend the money on adding an effects loop to the DSL15, procrastination pays off sometimes.
Haha, indeed! 😅
Nice video Carsten!
Have you tried this in a band situation? Will it be loud enough for rehearsals or even smaller gigs?
For reference/comparison an Orange Jim Root Terror (15W) works quite well in that sence according to me.
Just put a clean boost in the loop and there you have a volume boost (almost two channels)!
Thank you so much! ✌ Haven't tried it in a band context yet, but I'd say if you use it in a small practise room with a hard hitting drummer, it might get critical. For live I'd say it's perfect. I always mic my amp and play quieter live, than at rehearsals. The booster in the loop is a fantastic idea. Why didn't I come up with that?! 😅
@@schorschharrison Yes, a clean boost in the loop is a wonderful trick.
Try MXR Microamp for example. Works great!
And when it comes to loud enough. The cabinett does have a huge impact on that off course... A 4x12 will move lots of air while a 1x12...
@@VikingTorolf Will try! When I'm not using my Kemper, I always go for the 4x12. Air needs to be moved. 😀
It cuts through the mix as hot knive through butter.
My drummer is always begging me to lower the volume a bit 😀
i play mine in a semi-small rehersal room with a REALLY hart hitting drummer and the kick drum amplified over the PA and a loud-as-hell Bass Player plus 2nd Guitarists. we play modern punk/hardcore sound. i play trough a 4x12 Fryette and boost with a BOOS GE-7 which makes for a nice tight high gain sound.
on the gain channel i am never beyond 12 o'clock and on the classic channel around 10...11 o'clock for the mid-gain stuff (with an OCD in front).
this amp is lound as hell and has no problems keeping up at all.
those saying it is not loud enough, played their 100 W heads for too long on max volume :-)
@Carsten: turn down the presence to 9 o'clock or even lower und adjust highs and mids as needed. the fizzyness is in the overly brightness of the presence. its kind of annoying. the only annoying thing about this amp
Wish they would've put the crunch mode instead of the clean on the green channel - which is what I used on my dsl 100.
I liked that, coupled with an overdrive, over the the high gain channel.
Still, it's not a bad amp.
Great video and playing 🤘
Thank you so much! Well, I guess most people are looking for a combination of a clean & dirty channel when buying a 2 channel amp. I like the crunch channel on the dsl 100 too! 🤘
What DiMarzios are you using in that RG? They sound great.
Thanks mate! These are stock pick ups. If I remember correctly they are called DiMarzio IBZ. ✌
@@schorschharrison Some of those IBZ pups sound great. Especially if they're made by DiMarzio.
I've got this amp and I'd like to give you the advice to really play around with that EQ. That amp tends to sound pretty fizzy and I didn't like it. My solution is to turn the treble all the way down and mids all the way up. Get your high end out of the presence control. That takes away that fizzy noise and provides a good classic Rock 'n' Roll Marshall tone. Don't be afraid to go extreme with the settings. I love it!
Awesome, will try! Thanks for the tip! ✌
@@schorschharrison Great!
Let me know how it works for you!
See, that works too, but I will probably throw an EQ in the loop to tame the high end.
I actually like the high end of this amp. I use it live and it cuts right through. But I can see how it can be a bit much for a jam tone
I have a lower end Marshall cab (code 412), do you notice a big difference using the 1960 cab? I guess what I'm asking is...is it worth the extra $?
It depends. The cab makes a hugh difference. I will upload a video on Sunday about this. ✌
@@schorschharrison I look forward to it thx
Awesome amp! Sound fantastic!
You also play very nice!
I had an Ibanez Thrash Metal from that tank series, and it sucked! lol
What cab is that?
Cheers from Portugal 🍺🤘
Haha. 😃 Thank you so much! It's a regular Marshall 4x12 Cab. ✌
@@schorschharrison do you know what speaker models are on it?
It really screams!
It's a JCM 900 with G12T-75 speakers. ✌
Hey Carsten, I like the high gain tones you’re producing. I just got one of these. Only had a couple hours to try it out so far. Think I definitely need a tube screamer to tighten it up. What cab is that you’re using and what speakers are in it? I’m using a 212 that came with the head in a bundle deal. Not shure if I dig it. Thinkin I might need something with vintage 30s in it. I think my cab has the 70/80s ? So what cab and what speakers are you using there? Nice playing by the way. I totally love playing obnoxious high gain guitar.
Thanks man! The cab is a regular Marshall 1960 loadad with Celestions G12T-75. What speakers are in your 212? I tried the head with several cabs and speakers. They all sounded great. A tube screamer or any booster of your taste will work wonders though.
Hey thanks for such a quick response. My cab is a Marshal MX212AR. It’s loaded with Celestion Seventy 80 speakers. I went with this rig cause it seems like a nice high gain amp that’s budget friendly. About to go do some playing and more experimenting. It definitely needs some tightening up. I’ll have to get myself a tube screamer. Trying some other stuff but not quite there yet. Thanks man.
@@DaN-up7me You will make this work for you I'm sure :-) Keep me updated on that! All the best!
@@DaN-up7me Hey, yeah I find the seventy 80 speakers to not be so good in high gain and generally only like it for cleaner stuff in an open back combo. My suggestion is to go with a pair of something of the greenback inspired variety, be it a proper greenback for the classic marshall kind of vibe, creamback 65 for a little smoother top end and a bit more low end than the greenback, or G12H30
Anniversary for more broad mids. But if super tightness if your goal, you may want to pair one of those with a V30 to balance it out.
Hey, I got some tones I’m diggin. Think I needed to break them speakers in. I’m using a boss bass overdrive in front of the ultra gain channel. Pretty chunky and crunchy. I wanna get my hands on a TS9. I’m guessing I would like V30s for speakers. A lot of the tones I like are using that speaker. I wanted a Mesa. Just not in the budget. Harley Benton supposedly makes a 212 cab with V30s for a steel.
Didnt sound fizzy to me lol....sounds Awesome !!
It's all a matter of taste. ✌
hey, I've got the same DSL20 head, wonder the Marshall 4x12 cab is too loud for home practice with this head ?
It will definitely sound massive with a 4x12. I would check a 1x12 or 2x12 for home use, depending on how cool your neighbors are. 🙂🤘
@@schorschharrison hey man thanks for the rep, i ended up taking the 4x12 1960AV with Celestion G12s inside. What's ur amp settings for metal tone?
@@kopan14 Congratz! 🥳🙌 I set Bass, Middle, Treble and Gain to 1 o'clock. The rest depends on the cab and how loud you wanna go. 🙂 My presence is at around 11 o'clock and Resonance at 9 o'clock. ✌
@@schorschharrison hell yeah this amp is loud AF. I'm trying to understand the amp tonal settings for metal, will try yours as a starting point. Thanks again for the help. Keep rocking \m/
@@kopan14 Always a pleasure to help! Have fun! 🙌
I'm interested in what a tubscreamer achieves for you. I can't tell the difference between that and simply using the head's gain.
It compresses the sound a little more. The sound is getting tighter and it feels tighter while playing. The sound becomes a little bit smaller though. But that's necessarily not a bad thing. ✌️
Great playing!! Sounds like it can cover some Steel Panther? How does this amp compare to the SC20?
Thank you mate! Haven't had the chance to try one out yet. I assume the SC20 has a little bit less gain on board. The amp is perfect for SP sounds! 😅✌
@@schorschharrison do these get loud enough to hang with a drummer and a band?
@@cragginshred If you haven't the loudest drummer in the world behind the kit the amp will be loud enough. ✌
Geiles Review! Hab einen engl Metalmaster, Orange micro dark und einen joyo Zombie... Spiele die Teile an einer palmer 212 mit g12t75 und v30er im Mix! Am 4.8 Geburtstag und durch dein Review, beschenke ich mich selbst mit dem kleinen! Danke 😅Einen neuen Abonnenten hast du an Start 👍 Geiles gefrickel, Hut ab, gefällt!!
Haha, sehr geil! 😃✌ Das ist ein korrektes Geburtstagsgeschenk, feier schön! LG
@@schorschharrison vielen Dank 😀🎸
I know I'm a little behind the curve but I just bought one, and I'm waiting for it to arrive. I love the sound you are getting. What is in your cab? I love your guitar too, is it a 770? 👍👍👍👍👍
That's awesome! Anticipation is half the pleasure! 🤘 It's the standard Marshall 4x12 with G12T-75. The guitar is a 25th anniversary RG from Ibanez. ✌️
@@schorschharrison I have a 1994 RG 770, it needs a new bridge pickup. My Cab is a 1976 Marshall bottom cab with 25-watt Greenbacks. The amp I'm using at the moment is an EVH 5150 III, it's a little cold sounding. That's why I want a Marshall.
@@10thworldmusic54 Definitely a nice cab. Hope you keep the 5150 III. ✌️
@@schorschharrison Yes, I'm keeping the 5150 III it sounds great live, I also have a Victory 2 X 12 cab with Celestion vintage 30's that I run it through. I really like the way it sounds but I am looking for a warmer sound for my recordings. Right now I'm going direct into a twonote captor. There are some examples of my recordings on my page.
Yeah! I think i will buy it!
Best acting Guitarist in the Web. So much fun and funny things in this Video. Great Humor.very Kind Person. Great skills!
Vielen Dank! 🙌 ❤
Moin, welche Gitarre spielst du da? Meine Güte, die klingt Ultra gut 🤘🏼
@@akkordarbeit4020 Die hat eine sehr einprägsame Modellbezeichnung: Ibanez RG1XXVFPK 25th Anniversary. 😉🥃
Ah, leicht zu merken 🍻
Besten Dank.
sounds fabulous, what is this cab?
Thank you very much. The vanilla G12T-75 🙂✌️
Hi, what amp would you recommend me, orange cr120h or marshall dsl20hr?
Hi Diego! It's really a matter of taste. I'm a Marshall guy all the way and would recommend the DSL20HR (not solid state 😂). ✌
@@schorschharrison mmm that’s ok, how well does marshall dsl20hr take pedals?? I’m looking for Frusciante (RHCP) tone
@@diegomerino1977 Perfectly well! 🤘
@@schorschharrison oh that’s good bro, thank you so much!🤘🏼
Awesome tone man, is that cab loaded with chinese made g12 T75?
Thank you very much! 🙌Yes, made in China G12T75. ✌
@@schorschharrison even so sounds awesome but the other video o did with greenbacks really did justice to the classic hard rock tones that amp can achieve, keep them coming man that amp is amazing but you really seem knowing how to dial it right 🤘
@@PedroPereira-iw1rk Thank you ever so much! 🙌 And indeed, I prefer the Grenbacks also! 🤘
I find yours the best demo of the amp. Everyone else lead tones and a little bland but yours just has that classic 80s hair metal lead sound I love. Is it all stock? I can't figure out why you're sounds so much better
Thank you ever so much! 🙌🔥 It's all stock. Just guitar / boost pedal / amp. I do like the sound of a traditional Marshall 4x12 cab that a lot of people dislike. Maybe the difference is to not use always a V30 for everything. 😅
@@schorschharrison do you still play it much? Or prefer kemper
@@joshmuz9018 I use the Kemper way more often as it is so much more convenient (I hate this word 😅) But there's nothing better than driving to my rehearsal space, crank the thang and play it until my ears are ringing. Nothing can or will replace this feeling. 🙃
@@schorschharrison haha I know exactly what you mean. I record with s gear. But when I get to crank my Marshall or fender tube amps it's a whole other world entirely. Keep rocking legend!
@@joshmuz9018 You too bro!
It's always hard for my ears from this end but can it emulate any Dokken/Lynch Mob tones?
Emulate...Well, if we could play like George...😅
@@schorschharrison hahah sorry misusage of the word. I'm not native in english. I play over a crappy mod amp and would like to come close to that specific tone without busting the bank..so can it ? :)
@@schorschharrison oh and yes George is transcended god so playing like him is a no go to begin with :P
If you crank the gain, it can. 😀
you think this can play with a band using a 2x12?
For sure! ✌
I think the tone shift is good if you’re you’re using a middy speaker like a greenback
I wouldn't consider a greenback as midrangy but the tone shift makes the guitar react weird if that makes any sense. The amp feels so cool while playing and as soon as you engage the tone shift, it feels sticky. Hard to explain. 😂 Certainly depends on what kind of guitar (pick up wise) you'll plug in. ✌
@@schorschharrison In the video you didn't re adjust the tone knobs when you activated the tone shift and then say "I don't get it" Perhaps you should've experimented with it before making the vid that way you could actually demonstrate settings you thought best when using the tone shift. Thats helpful to people.
@@kellyjackson7889 Thanks for the input! Indeed I tried, but couldn't make it work for me. That doesn't mean that you can't get great results with it. I was referring to a live situation and/or using it in a band context. To me it just doesn't make sense to kill the whole midrange with that function and then try to compensate it with crazy EQing afterwards. Remember you will have to use the same EQ for the clean channel as well. So it needs to be balanced. And it is. Until you hit the tone shift. 😅✌
The tone shift sucks...its not a musical option whatsoever. It scoops everything but bass and treble and its a terrible muddy sounding mess. If you adjust the eq section and presence/resonance to make the tone shift sound useable it will barely get to where the amp was with it off and then youve got awful settings to deal with. It may work if you engaged it and then eq'd everything with an eq pedal but thats too much fartin around.
@@BigTyronie meh it’s not meant to sound like it was when it’s off smh
BADASS PLAYING AND REVIEW!!! I CAN NOT DESIDE BETWEEN DSL20HR and H&K TB DELUXE20.....🙄
KEEP ON ROCKIN YOU METAL HEAD!!!🤘🤘🤘
Thank you so very much! ✌ Haven't tried the H&K yet, but I recommend the DSL 20HR day & night. 😅
@@schorschharrison THANKS BROTHER ! Please tell me one more thing- Did you try it via integrated emulated output?
That is the primary reason why I like H&K ....... AND OF COURSE THE COSMIC BLU LIGHT!😁
@@myguitarcloud5987 Haven't tried it yet. But I assume with a good IR it will sound decent. To be fair, if you consider to use the amp mostly as a recording tool without a real cab, maybe the H&K might be the better option. ✌
@@schorschharrison Hmmmm... I assume that also..... Thank you for your time brotha! See ya on instagram:)
I should have bought one of these a few years ago when they were $300usd cheaper.
I feel you! 🤘❤️
Thanks for making the best demo ever ! I can hear and see what your doing little by little compared to moron editing where i can't see anything.
Thank you so much Christopher. ✌
What speakers did you use?
G12T-75. ✌
Thank you :)
Amazing 👍
😘
Nothing's better than getting a new amp....except maybe another guitar! Lambchopper678 has some good videos with this Marshall.
Nice demo,DSL20 i'm coming..😁
Thank you Frank! 🙌 Have fun with a killer amp! 🤘🥳
@@schorschharrison your welcome,i'm so excited..😁
@@schorschharrison how to buy .do you have link.
@@Brad143 I'm not affiliated: www.thomann.de/de/marshall_dsl20hr.htm
Can you do a band rehearsal (heavy metal, so loud drummer
s :D) with DLS20 paired with 2x12 easily?
Well, at least I can. 😂 No, seriously. My drummer in crime plays insanely loud and I didn't have any issues.
@@schorschharrison hahaha, thanks for the reply! Haven't played for 5-6 years, sold pretty much everything (but never had tube amp), and now I wanna buy tube one and 2x12 cabinet. Was thinking about Fireball 25 or even Black Spirit 200 (I know it's not tube amp), but this DSL20 also sounds nice and it's 50% cheaper haha (living in damn Balkans -.-'). What would be your suggestion? :))) ps great playing (didn't compliment you in first message, my bad)!
@@kanaziras Thank you man! 🙂🤘 I really like the Fireball 25 but haven't played it yet. Maybe this will be my next purchase. Hard to make a decision between the two. When you're more into metal save up for the Fireball!
@@schorschharrison I am also leaning towards a fireball25 as I am a simple man, give me good distortion and that's it... I don't use clean at all :D haha, thanks for the replies! Also Merry Christmas\m/
Do you think this watt can gig ?
Absolutely, don't worry! 🤘
I know this is an old video a d this was asked 4 months ago but these are in the 115db range cranked. Its not quiet at all. A 50 watt is about 5-10db louder cranked. A 100 watt is another 5db cranked.
1:06 you just pulled a Iron Maiden there for a moment
By accident. 😂✌
Incredibile sound....
Thank you very much! 🙌
👍😎
Yep. That's what a Marshall is for, green lite off.
🤘❤️
I agree that the Voice button does the DSL no good. It's like Marshall's very poor attempt at a djenty tone, and that's just not Marshall's thing, and the djent crowd are not Marshall friendly, but prefer amps like the Mesa Recto and Peavey 6550, etc. When I hear a Marshall I want to hear a clear, biting crunch, which is what you get...till you push the awful voice button. So far as I'm concerned, the DSL line get all the gain I'd every need. The only issue I have with Marshall is they are very spiky sounding. From day to day, the amps just don't sound the same, and you really have to let them warm up to get any tonal stability. This is why I haven't owned a Marshall since 1994. I've found that Boogies, Fenders, Randalls (tube) and Peaveys work great for me and give me a lot more control.
Then you might dig the sound from the Marshall JVM. ✌
My friend bought this amp and a mx412 which is the suggested cab for it. He hated it and kept it quiet because it sounded best low volume and would be kinda odd if he turned it up. I took it and used it for two weeks and all the issue was is the speakers needed to be hit with higher output to break them in. After that it became dynamic responsive and musical. Just a heads up for people buying the head and a new cab. Gotta break it in.
11:20-11:30 he's in the zone lol
😅
Gekauft! Angeschlossen...verknallt.
Ähnliches Grinsen wie du im Gesicht gehabt. Das Teil macht ja mal richtig Laune.
Haha, sehr gut! Glückwunsch! Jo, das Teil schockt mega. 🤘
the friggin internet really does bring out the cringe in people!
I'm buying this amp and it's all your fault.
Haha! 😅 You won't regret it. ✌
This guy creeps me out..... with those faces
No need to, I'm a nice guy actually. ✌❤
I like it. He's having fun. That's what it's all about