What a cohesive and wonderfully rehearsed musical group! Such a treat to hear this tune played by them. It could not have sounded any better 400 years ago.
Sad to consider: would females even have been allowed to do this back in Shakespeare's time? People tell me females didn't get to perform in Shakespeare's plays. Juliet would have been acted by a boy/man. To my 20th century thinking, that's just wrong. These ladies are all wonderful to my ears, and I know how to play music like this. I'd admit to needing a full night's sleep to keep up with them.
@@micebones7544 Well, we have 21st century thinking now. I’m not sure what point there is in applying one era’s values to another era’s conditions. But it is interesting. If we go back 400 years before Shakespeare, Hildegarde Von Bingen wrote music for female singers. So values continually change.
I have read that dowland himself was considered quite brazen for not only performing in womans attire and in countertenor but also performing with women often. I would consider him a groundbreaker in not just that but his liberal mix of styles from across the continent, and i consider it in the vein of modern pop music.@@micebones7544
@@flyshacker Hildegard wrote her music in a convent, to be sung by the nuns. And there have been quite a few composer-nuns and singer-nuns throughout the centuries. In Shakespeare's time, families and groups of friends (both male and female) would get together after dinner with their music books and sing/play madrigals and other music together. But the English church and the English stage had prohibitions against girls and women performing at the time. Interestingly, in some other European countries, women were allowed to perform on stage.
The seamlessness of the transition from vocals to recorders made my jaw drop. Delightful. Exquisite musicianship from each of you and from the ensemble as a whole.
This Vivid Consort performance of John Dowland's Can She Excuse My Wrongs is off the charts! Incredible lute playing to vocals and the superbly virtuosic Renaissance recorders! Long live John Dowland.
You are listining to music only kings and queens whould've been able to listen to. Imagine what a blessing your life is compared to most people who came before you.
Hmm. The piece was published and there are manuscript copies from the time … many of Dowland’s pieces were the smash hits of the time and were well-known, widely circulated …you should actually be thankful for that rather than suggesting that the music was kept secret and under wraps!
Wow! The bass recorder player is so accomplished; she sounded like a dragonfly skipping quickly over touching water. I gasped that was so incredible. The group is tight and in the pocket.
Here I am thinking I'm getting pretty decent because I can play Irish traditional music on recorder, and then I see stuff like this. This tune is freaking hard! The woman on the tenor is some kind of goddess of recordering. Bravo to all! Oh - I know why it was so hard: they're playing in 415Hz, and I'm on 440Hz recorders. Pulling the head out makes it *much* easier to play along with!
Oh. My. GOODNESS!!! This was simply amazing. It's hard to choose my 'favorite' aspect of this performance because the entire piece, start to finish, top to bottom, is superb. The lute?? Please... David did it FAR more than 'justice,' he made it sing. Incredible technique and he stayed in that perfect place sort of in the background, and sort of featured. That is a very difficult balance to strike. The recorder solo by Chiu? I've never heard a recorder played like THAT! I have a completely new respect for the instrument after hearing it so masterfully played! The vocals? Simply outstanding! I can't tell from the credits which is which, so I'll call them soprano and alto. Soprano is obviously well-trained and has a delightful voice. The alto? I might surprise everyone, but SHE was my 'favorite.' Her lower harmonies were absolutely perfect both in pitch and in volume and in timing. She supported, rather than overpowered, the lead in just the right measure. This, to me, was the most unexpected and enjoyable part of the piece. Overall?? Extraordinary performances by every single member. Just WOW!!!!
You are all amazing, but I am guessing that it is Ms. Chiu who is out of this world on the recorder!! Wow!! Beautiful vocals, instrumentation & teamwork!!
Ich muss es wieder und wieder hören und jedesmal bin ich neu begeistert. Ich glaube es gibt keine leichtere elegantere erfreulichere Version als diese.❤
That was an incredible performance. Great rythm and drive and connection between the players. That recorder player is a genius. So fluid and rythmic and serpentine , like john coltrane. Superb.
Superb, When the recorders came out this song went stratospheric. Excellent song, excellent singing, recorder playing is really superb with Ms. Chiu's improvisation being as good as it gets. Lute complemented and supported the song perfectly. Loved this.
Beautiful, bright, INCREDIBLY dynamic and everyone is tight and locked into the texture. Sone of the finest musicanship you can find. And lovely to listen to!!!! I wish you were playing this in MY living room instead!!!
Scintillating performance from all involved. A someone trained in the English choral tradition, most of the Dowland performances on RUclips are far too fruity and Italianate for my taste. This ensemble understands the dry and crisp style that suits this music so well. These are artists with a deep understanding of the composer and the period - and it's a joy to listen to their work. You should also check out the jaw-dropping virtuosity of their recording of Henry VIII's Pastime With Good Company, also on RUclips.
Brilliant, I love the period lute and recorders, far better than Sting's version, not that it was bad. The singing here was amazing, especially the shouted ending, bravo!
I keep coming back to this performance. It is so good! The voices are sublime and the virtuoso recorder playing really rocks! I imagine this is how it may well have sounded and been sung in Dowland's day! Christine Gnigler delivers a great performances and Lorina Vallaster's harmonies are perfect. As for Sheng-Fang Chiu on recorder? Now that is virtuoso playing and incredible breath control! I'm off to get the cd!
An utterly delightful performance, with a very authentic Renaissance sound. So good to see people of this generation appreciating and interpreting ancient music so exquisitely.
I'm not so sure - the English of 1600 was far broader, this is RP, an issue of the 1930s which became questioned in HIP thinking in the 1980s. Dutch tonality is far closer to the original.
How can you possibly know that this is "authentic Renaissance sound"? Sure these folks are brilliantly skilled, but the music is dry and dull, which is why its so niche. Thhere MUST have been more to it. Skillful scholarship does not = authentic.
@@DavidOfWhitehills Try studying catches. These are like loop-station rounds, where the rests in each part align to produce something obscene. Pub songs. This is also the period when folk started to become common, particularly Scottish. Playford's Dancing Master is a first collection, followed by the Beggar's Opera. Headed the other way, Elizabeth I preferred dance, although some songs are in Shakespeare. On the Continent, you can go back far further, to the German and Spanish repertoires of the 14th Century onwards. What you may be suffering from is a surfeit of castrati. This produced an effete tone of countertenors in the Britten circle, typified by Alfred Deller: you should offset that with Tom Allen and Geraint Evans, whose wife was my own mentor.
@@DavidOfWhitehills Where this goes wrong, in particular, is that it uses Received Pronunciation when the original would have been sung in something closer to a modern Staffordshire accent. Short vowels, and flabby consonants. Sting went some way towards it, in his use of Geordie, which is close to the Burgundian Flemish of the 15th Century, the starting point of an entire school of Renaissance composition.
I've been singing since I was 6 yo. Palistrina, de Victoria, etc. in a Catholic boys choir at first. I'm 60 yo now, and this musical goddess has blessed me with perfect pitch in her first 3 notes of this. It is miraculous music that I can't stop listening to.
Great performance! And the cameraman portraying himself in a convex mirror winks to the Arnolfini marriage, a little gem in a musical gem... How many other details in this masterpiece remain to be discovered?
Absolutely awesome. It boggles my mind that we can listen to this music four hundred years after it was written and be so moved by it. It transports me to another world. Just incredible.
This arrangement/interpretation is brilliant. You have chosen a great composition and rearranged and interpreted it in an amazing way. I do not know why, but it reminds me of the best prog rock songs. Why does this video not have millions of views?
You're probably being reminded of Gentle Giant and Gryphon. Two "prog" bands that drew heavily on 16th century music. There's also Focus: a band that occasionally gave a nod to that era. Jan Akkerman's lute tune on Focus 3 comes to mind.
Wow! These ladies sing and play wind recorders with exquisite precision. And supporting the whole frame is the wonderful lute accompaniment. Perfection!
@@BrotherAlyx Yes, in the meanwhile I could find out, that one would rather call this instrument lute in English. But as a non-expert, you had initially irritated me with your comment. It could have been that in English this terminology makes perfect sense.
So glad I stumbled on this. Trying to play Dowland on recorder with a friend on lute but won't be able to match this! It's lovely. Deserves many more views!
Where has this been my whole life and why is this cover not on Spotify- I could listen to this forever, great cover you guys! This did not seem like an easy one to do so hats off for making it work
How many versions of this song have I heard. This just simply made me happy, out loud. Beautifully done, including that ending, a moments stillness, a link back to the setting of real life and real time. Thanks. Can't wait to show this to friends.
What an absolute delight :-). Well done by all participants. I'll make sure to refer people to this vid whenever they speak disparagingly about the recorder.
Everything is BRILLIANT here : the originality of the setup, the sound recording, the choice of the shootings, and of course the choice of the piece and these seasoned and soulful musicians 💚
I chanced upon this performance. Some minutes later I am staring at the view from our upstairs window wondering what on earth I can say to describe how good that was and how it made me feel. Still haven’t managed to find the words which probably says it all anyway 😊
Wow. Aside from the sheer musicality of that session, I'm surprised at the acoustics of that room. Just by looking, I wouldn't have guessed that it would have been possible to pull that quality of sound out of that space.
Wonderful, beautiful and exstremly well played by the recorders and the lute. Also the singer/singers did it wonderful.Maybe we shall move back to John Dowlands times?
That was so good! The singer and lutenist were terrific, and I loved it when the three recorders came in together. Awesome improvisation by the recorder player, too. Very spirited. It rocked!
What a cohesive and wonderfully rehearsed musical group! Such a treat to hear this tune played by them. It could not have sounded any better 400 years ago.
Sad to consider: would females even have been allowed to do this back in Shakespeare's time? People tell me females didn't get to perform in Shakespeare's plays. Juliet would have been acted by a boy/man. To my 20th century thinking, that's just wrong. These ladies are all wonderful to my ears, and I know how to play music like this. I'd admit to needing a full night's sleep to keep up with them.
@@micebones7544 Well, we have 21st century thinking now. I’m not sure what point there is in applying one era’s values to another era’s conditions. But it is interesting. If we go back 400 years before Shakespeare, Hildegarde Von Bingen wrote music for female singers. So values continually change.
I have read that dowland himself was considered quite brazen for not only performing in womans attire and in countertenor but also performing with women often. I would consider him a groundbreaker in not just that but his liberal mix of styles from across the continent, and i consider it in the vein of modern pop music.@@micebones7544
@@flyshacker Hildegard wrote her music in a convent, to be sung by the nuns. And there have been quite a few composer-nuns and singer-nuns throughout the centuries.
In Shakespeare's time, families and groups of friends (both male and female) would get together after dinner with their music books and sing/play madrigals and other music together. But the English church and the English stage had prohibitions against girls and women performing at the time. Interestingly, in some other European countries, women were allowed to perform on stage.
If anyone ever says "I wonder if anyone has done an insane solo on a recorder" please direct them here.
The seamlessness of the transition from vocals to recorders made my jaw drop. Delightful. Exquisite musicianship from each of you and from the ensemble as a whole.
Just a
I think 6556
ווח
Exactly sing for ever until you can play by ear. Reading music is a piece of pisss after.
The singers were so good, I had zero expectations they would play and instrument.😂
This Vivid Consort performance of John Dowland's Can She Excuse My Wrongs is off the charts! Incredible lute playing to vocals and the superbly virtuosic Renaissance recorders! Long live John Dowland.
👍And those fine young artists!
Virtuoso on the flute too. Every now and then I'd come back to this video and listen.
Yes it's so beautiful! And I am always so please to see the decor of this place. What an amazing taste.
@@zardoz7900Those are recorders, not flutes. ;)
@@jasperkok8745 a recorder is a flute ;) ;)
When the recoder drop hits just too hard, damn.
Sheng-Fang Chiu!!! What a great, emotional, beautiful recorder solo, and embellishments everywhere. Well done!
Yeah, she crushed it.
The john coltrane of the tenor recorder. Man shes a genius
Great stuff everyone. Full of life ! Little did John Dowland realise that people would still be playing hi music 400 years later.
...and will for next 400 years, it seems.
Ars longa vita brevis
You are listining to music only kings and queens whould've been able to listen to. Imagine what a blessing your life is compared to most people who came before you.
Hmm. The piece was published and there are manuscript copies from the time … many of Dowland’s pieces were the smash hits of the time and were well-known, widely circulated …you should actually be thankful for that rather than suggesting that the music was kept secret and under wraps!
The way she opens up with the recorder flourish and the other two flow in behind so seamlessly is what gets me
Wow! The bass recorder player is so accomplished; she sounded like a dragonfly skipping quickly over touching water. I gasped that was so incredible. The group is tight and in the pocket.
it is a tenor recorder
Here I am thinking I'm getting pretty decent because I can play Irish traditional music on recorder, and then I see stuff like this. This tune is freaking hard! The woman on the tenor is some kind of goddess of recordering. Bravo to all!
Oh - I know why it was so hard: they're playing in 415Hz, and I'm on 440Hz recorders. Pulling the head out makes it *much* easier to play along with!
Damn she shreds on that recorder! Awesome
That is an apt analogy: it reminded me of a rock guitarist shredding his instrument.
Oh. My. GOODNESS!!! This was simply amazing. It's hard to choose my 'favorite' aspect of this performance because the entire piece, start to finish, top to bottom, is superb. The lute?? Please... David did it FAR more than 'justice,' he made it sing. Incredible technique and he stayed in that perfect place sort of in the background, and sort of featured. That is a very difficult balance to strike. The recorder solo by Chiu? I've never heard a recorder played like THAT! I have a completely new respect for the instrument after hearing it so masterfully played! The vocals? Simply outstanding! I can't tell from the credits which is which, so I'll call them soprano and alto. Soprano is obviously well-trained and has a delightful voice. The alto? I might surprise everyone, but SHE was my 'favorite.' Her lower harmonies were absolutely perfect both in pitch and in volume and in timing. She supported, rather than overpowered, the lead in just the right measure. This, to me, was the most unexpected and enjoyable part of the piece. Overall?? Extraordinary performances by every single member. Just WOW!!!!
Well said!
Do you mean tenor? Thats the lower one here! Not to discredit the two altos! Theyre all mind-blowing.
You are all amazing, but I am guessing that it is Ms. Chiu who is out of this world on the recorder!! Wow!! Beautiful vocals, instrumentation & teamwork!!
Ich muss es wieder und wieder hören und jedesmal bin ich neu begeistert. Ich glaube es gibt keine leichtere elegantere erfreulichere Version als diese.❤
Stimme dir zu. @ensemblemenestrel hat aber auch eine schöne Variation.
That was an incredible performance. Great rythm and drive and connection between the players.
That recorder player is a genius. So fluid and rythmic and serpentine , like john coltrane. Superb.
Superb, When the recorders came out this song went stratospheric. Excellent song, excellent singing, recorder playing is really superb with Ms. Chiu's improvisation being as good as it gets. Lute complemented and supported the song perfectly. Loved this.
Superb!!! Thank you from my heart
I, for one, welcome the return of roving bands of lute & recorder players.
Spectacular recorder playing by Sheng-Fang Chiu!!!
I am utterly entranced by this performance. I can't stop thinking about it.
Beautiful, bright, INCREDIBLY dynamic and everyone is tight and locked into the texture. Sone of the finest musicanship you can find. And lovely to listen to!!!! I wish you were playing this in MY living room instead!!!
Scintillating performance from all involved. A someone trained in the English choral tradition, most of the Dowland performances on RUclips are far too fruity and Italianate for my taste. This ensemble understands the dry and crisp style that suits this music so well.
These are artists with a deep understanding of the composer and the period - and it's a joy to listen to their work.
You should also check out the jaw-dropping virtuosity of their recording of Henry VIII's Pastime With Good Company, also on RUclips.
Holy moly that recorder improvisation was amazing!
Brilliant, I love the period lute and recorders, far better than Sting's version, not that it was bad. The singing here was amazing, especially the shouted ending, bravo!
I keep coming back to this performance. It is so good! The voices are sublime and the virtuoso recorder playing really rocks! I imagine this is how it may well have sounded and been sung in Dowland's day! Christine Gnigler delivers a great performances and Lorina Vallaster's harmonies are perfect. As for Sheng-Fang Chiu on recorder? Now that is virtuoso playing and incredible breath control! I'm off to get the cd!
An utterly delightful performance, with a very authentic Renaissance sound. So good to see people of this generation appreciating and interpreting ancient music so exquisitely.
I'm not so sure - the English of 1600 was far broader, this is RP, an issue of the 1930s which became questioned in HIP thinking in the 1980s. Dutch tonality is far closer to the original.
How can you possibly know that this is "authentic Renaissance sound"? Sure these folks are brilliantly skilled, but the music is dry and dull, which is why its so niche. Thhere MUST have been more to it. Skillful scholarship does not = authentic.
@@DavidOfWhitehills Try studying catches. These are like loop-station rounds, where the rests in each part align to produce something obscene. Pub songs.
This is also the period when folk started to become common, particularly Scottish. Playford's Dancing Master is a first collection, followed by the Beggar's Opera.
Headed the other way, Elizabeth I preferred dance, although some songs are in Shakespeare.
On the Continent, you can go back far further, to the German and Spanish repertoires of the 14th Century onwards.
What you may be suffering from is a surfeit of castrati. This produced an effete tone of countertenors in the Britten circle, typified by Alfred Deller: you should offset that with Tom Allen and Geraint Evans, whose wife was my own mentor.
@@DavidOfWhitehills Where this goes wrong, in particular, is that it uses Received Pronunciation when the original would have been sung in something closer to a modern Staffordshire accent. Short vowels, and flabby consonants. Sting went some way towards it, in his use of Geordie, which is close to the Burgundian Flemish of the 15th Century, the starting point of an entire school of Renaissance composition.
Best version I have come across .... Versatility and musicality
the living room being a perfect setting for Dowland
Brilliant!!
That transition from singing to recorders! I can only say.... It blew me away!!
The acoustics of a living room add a special charm and freshness to your interpretation of this popular work by John Dowland.
The neighbors must love this 😀
@@michaelstevens9256 Turn down that damned lute!! hahah.
I've been singing since I was 6 yo. Palistrina, de Victoria, etc. in a Catholic boys choir at first. I'm 60 yo now, and this musical goddess has blessed me with perfect pitch in her first 3 notes of this. It is miraculous music that I can't stop listening to.
Love it wonderful ❤
Great performance! And the cameraman portraying himself in a convex mirror winks to the Arnolfini marriage, a little gem in a musical gem... How many other details in this masterpiece remain to be discovered?
Absolutely awesome. It boggles my mind that we can listen to this music four hundred years after it was written and be so moved by it. It transports me to another world. Just incredible.
SUPERB!! EXQUISITE!! You've singlehandedly ignited my desire to further explore John Dowland's music!
No words. Such an amazing finding
2:12 mindblown tenor shred. Exquisite techinque and musicality.
Wow! The solo at 2:13 is incredible!❤️👍
Especially the 10 seconds after the first 10 seconds of that solo. It’s almost jazzy, and yet very fitting.
Beautiful. I felt as if we were invited to that room, to share that moment with you. Love Dowland, it's pure poetry and bliss.
This song has haunted me for decades. My dad had it on a cassette tape of music for two lutes but I never knew the name.
Whoa! I have never seen someone rip on the recorder like that! Bravo Ms. Chiu!
Delightful. That flute solo...gosh😍😍😍
And Sheng-Fang Chiu is sooooooo beautiful.
A study is diction for singers. Lively,energetic, theatrical presentation
DELIGHTFUL!!!
The diminutions in the recorder solo are just amazing
Fantastisch, herrliche Consort-Musik im 21 Jahrhundert. Das würde ich gerne mal live erleben.
got chills when they whipped out the recorders
Fantastic! Great job. John Dowland would be a rockstar today!
Amazingly good! I play this on lute alone but with voice and amazing recorder it really comes alive!
Truly an arresting way in which to present this music.
beautifull and wonderfull
Sweet music from heavenly angels. Who could ask for more?
Melody, ritm.... All way better than today's music. Great performance too!
This arrangement/interpretation is brilliant. You have chosen a great composition and rearranged and interpreted it in an amazing way.
I do not know why, but it reminds me of the best prog rock songs.
Why does this video not have millions of views?
You're probably being reminded of Gentle Giant and Gryphon. Two "prog" bands that drew heavily on 16th century music. There's also Focus: a band that occasionally gave a nod to that era. Jan Akkerman's lute tune on Focus 3 comes to mind.
It should do, it does deserve for sure !
Prog Galliard.
To me it has the Elizabethan overtones of some of Jethro Tull. Love it
My thoughts exactly 👍
I first heard Sting sing this…it brings me to tears each time. Your rendition is lovely, your voices are beautiful, thank you!
This totally eclipses...
Wow! These ladies sing and play wind recorders with exquisite precision. And supporting the whole frame is the wonderful lute accompaniment. Perfection!
Oh my ... found this only today but it's jaw dropping beautiful. Thank you so much for sharing, listening to this made my day
La partie solo jouée à la flute à bec ténor est vraiment une pure folie ! J'en suis hypnotisé.
Extraordinary- I’ve played this piece and I’ve heard it 100 times - but not like this. Absolutely world-class really brilliant. Well done
Einfach nur wun-der-bar, wun-der-voll. Danke für diese Musik. Ich liebe Dowland.
Wirklich eine außergewöhnliche Interpretation des Stückes !
These songs were made for dancing and you can feel it
Lovely renaissance ukulele!
Is this really an ukulele? It has at least 12 Strings, ukulele has only 4.
@@stoerg2012 Sigh.
@@BrotherAlyx Yes, in the meanwhile I could find out, that one would rather call this instrument lute in English. But as a non-expert, you had initially irritated me with your comment. It could have been that in English this terminology makes perfect sense.
@@stoerg2012 I was joking. 🤡 I know it’s actually a fiddle.
GREAT CLASS !!!!! thanks to your young nature to sing John Dowland, a great melodist !
Absolutely virtuosic flute playing. Lovely rendition
I've lost count how many times I've listened to this! Fantastic arrangement - please keep making music!
Growing up on Deller Consort and NY Pro Musica, this is a delight to find young folk keeping that tradition alive, Bravo...!!!
So glad I stumbled on this. Trying to play Dowland on recorder with a friend on lute but won't be able to match this! It's lovely. Deserves many more views!
Where has this been my whole life and why is this cover not on Spotify- I could listen to this forever, great cover you guys! This did not seem like an easy one to do so hats off for making it work
Beautiful! and so expertly played 👋👋👋👋
How many versions of this song have I heard. This just simply made me happy, out loud.
Beautifully done, including that ending, a moments stillness, a link back to the setting of real life and real time.
Thanks.
Can't wait to show this to friends.
I hope yall will do more John Dowland and other baroque music together! Phenomenal performances, music and skill.
What an absolute delight :-). Well done by all participants. I'll make sure to refer people to this vid whenever they speak disparagingly about the recorder.
Wow. talk about an abundance of talent! Voice and recorder too. Lute playing also great. Thanks!
Everything is BRILLIANT here : the originality of the setup, the sound recording, the choice of the shootings, and of course the choice of the piece and these seasoned and soulful musicians 💚
… Everything but the man-bun 😢
This is one of the best things I have ever seen in my life.
you are all absolutely marvellous. Downland would be proud I'm certain.
I chanced upon this performance. Some minutes later I am staring at the view from our upstairs window wondering what on earth I can say to describe how good that was and how it made me feel. Still haven’t managed to find the words which probably says it all anyway 😊
Great group!!!! Continue , pleaseeeeeeeeeeee
Glorious!! Long live the queen!
Mittelalterliche Musik , wie schön
Wenn die Jugend musiziert geht mir das Herz auf!
I wish I could see you perform live! I am a huge fan of Dowland and your interpretation is incredible! WOW!
*Sick* recorder solo at 2:12!
Beauty at its best, in any sense: music, the ambiance, the day, the ladies, flutes, and the guitar player. Awsome!
4:36m of goosebumps 🥹🥹🥹
This is an excellent interpretation of Dowland. It takes me back to my school studies of Renaissance. Beautiful.
Great that the words are included under the description, so we can all sing along.
Lovely, its so refreshing to see real musicians performing great pieces like this in such a casual setting.
Wow. Aside from the sheer musicality of that session, I'm surprised at the acoustics of that room. Just by looking, I wouldn't have guessed that it would have been possible to pull that quality of sound out of that space.
Wonderful, beautiful and exstremly well played by the recorders and the lute. Also the singer/singers did it wonderful.Maybe we shall move back to John Dowlands times?
That was so good! The singer and lutenist were terrific, and I loved it when the three recorders came in together. Awesome improvisation by the recorder player, too. Very spirited. It rocked!
I have just come across this: brilliantly conceived, brilliantly executed. I love it!
What a complete joy and wonder - what you share with your wonderful talents - and express together - is a blissful revelation! Thank you so much.
Danke für diesen Aug' und Ohrgenuss!!! Ein Geschenk ganz besonderer Art!!!
Vielen Dank, Marie, das freut uns sehr!
I love Dowland, and have always loved this song. This is a fantastic arrangement and performance of it.
probably the best I would say.
Marvellous, if perfection is a word in music interpretation, this is time for it!
Still my favourite piece ... this rendition is so lyrical ... inspiring to listen to .. wunderbar!
This is wonderful music-making: performed with a brilliant balance of energy and poise. Thank you all so much!
Just another day at home singing and playing Dowland to perfection….❤
"Makita" at the end spice up the visual part 😉. Great playing, masterful solo. Thank you.
This is absolutely wonderful!!! I love it!