*The Hippest of Dreams* 💃🏽🌌🎹🎙🎺✨ (-ft. Cyrille Aimée, Emmet Cohen, Wayne Tucker, Russell Hall, & Bryan Carter) 0:00 Darn That Dream (Jimmy Van Heusen; lyr. Eddie DeLange) -ft. Emmet Cohen, piano; Russell Hall, bass; Bryan Carter, drums 1:35 Emmet Cohen Introduces the Musicians 2:23 Vocalist Cyrille Aimée Takes the Stage 3:27 All of You (Cole Porter) 11:01 Trumpeter Wayne Tucker Makes Appearance 11:54 Too Marvelous For Words (Richard Whiting; lyr. Johnny Mercer) 22:54 Polka Dots and Moonbeams (Jimmy Van Heusen; lyr. Johnny Burke) 31:22 A Night In Tunisia (Dizzy Gillespie; lyr. Raymond Leveen) 40:37 Blue Moon (Richard Rodgers; lyr. Lorenz Hart) 49:57 Blue in Green (Bill Evans, Miles Davis) 1:00:07 Crazy Race (comp. Roy Hargrove; the RH Factor) 1:10:20 Les Feuilles Mortes (Autumn Leaves) (comp. Joseph Kosma; lyr. Jacques Prévert) 1:22:14 You’d Be So Nice To Come Home To (Cole Porter) - ft. Cyrille Aimée, vocals; Wayne Tucker, trumpet; Lex Warshawsky, bass; Pedro Segundo, drums/percussion 1:32:48 Sharing the Gratitude, Sharing the Love 1:36:07 Well You Needn’t (Thelonious Monk) - ft. all musicians *~*~*~*~*~*~ *~*~*~*~*~*~*~*~*~*~*~*~
wonderful ... wonderful .... thanks god someone is keeping the standards alive and kicking ....went and saw scott hamilton the other night and he's still doing a grand job of it ....
I absolute Y love. All of you .. emmet your freedom and fun and humor and. Incredible talent amaze me… andcyrille, you are the beyond incredible. . Thank you. For bringing such light and. Joy into everything you sing?!❤️❤️❤️
My fav (ballads): 22:54 Polka Dots and Moonbeams (Jimmy Van Heusen; lyr. Johnny Burke) 40:37 Blue Moon (Richard Rodgers; lyr. Lorenz Hart) 1:10:20 Les Feuilles Mortes (Autumn Leaves) (comp. Joseph Kosma; lyr. Jacques Prévert)
It's very clear : she's the one. Et c'est sans compter surtout cet orchestre, piano bien sûr, mais aussi trompette (wouah !), batterie (stunning !) et basse (delicious !). In brief, an unique moment of music ! Some recording to come with all of you ? A tour in Europe, perhaps ?
ESTUPENDO, EXELENTE, MARAVILLOSO, GENIAL ERES SOBRESALIENTE Y GRANDE EN EL PIANO 👌 👏👏👏Y POR SUPUESTO LOS MÚSICOS DE GRAN CALIDAD QUE TE ACOMPAÑAN, EL BAJO ¡WOW!👌 EL BATERISTA👌 EL TROMPETA👌 Y LA GRAN CIRILLE A.👌👏👏👏
"Kind of Blue" would never have become the classic that it is without Bill Evans -- Miles knew that, and recruited him for the sessopm, and "Blue In Green" IS Bill's composition, and his his influence is EVERYWHERE in the session.
Hi, probably it was okay from Facebook, but this video on RUclips has garbled sound in the first ten minutes, then later there are "buffering" instances throughout. Maybe the storm interfered with the transmission? Can you fix this?
I'm digging Wayne a lot, and from a musical perspective, Cyrille's vocal chops are enough that she doesn't need to use her wardrobe to exploit her sexuality.
Said respectfully: Cyrille owns every ounce of her talent and her femininity. It’s myopic to equate volition with exploitation. Her confidence, mastery, & freedom in her craft outshine any scrutiny or faulty conclusions. This was a first-class performance that will be remembered for the phenomenal level of *musicianship* and the *joie de vivre* that she consistently brings to our jazz beloved. -& must you agree with me? Well, you needn’t. I think the real question is whether we are secure enough to handle the range of her artistry. 🙏🏽♥️
From a jazz sound live recording engineer to Cyrille -- there is NO need for you to work the mic directly into your mouth, a very rock and roll thing which has the very negative performance result of covering your face, reducing your contact with the audience. I've worked with and recorded Carmen, Sarah, Tony, Sylvia Symms, Joe Williams, Bill Henderson in live performance, and NONE of them ate the mic like you do. A GREAT position for the mic is a bit below your mouth, facing upward. And not too close -- the only good thing that does is make you louder in your monitor, but the very bad thing is that it destroys your dynamics. A mic pointed straight at your mouth boosts lows, making you muddy; close below your mouth, facing upward, avoids this.
Do the dynamics of mic placement compete with the epic impact of Monday’s performance? As a non-sound engineer (but as one who dedicated her studies to physics & human physiology) *Cyrille’s connection with the audience felt as if it resonated on every neurological, sensory, & mechanical level possible…* - our joy & adoration of this music were amplified by her skill, savvy, & fearless intuition. Cyrille - ma soeur, un performance extraordinaire.
![Megan Thee Stallion - Neva Play (feat. RM) [Official Video]](http://i.ytimg.com/vi/TpYTyAaTRts/mqdefault.jpg)
Cyril let Aimee and Emmet Cohen, two living legends. What ahoy they’ve brought.
Is Emmet nowadays one of the better, best jazzpianists ? Yes ?
Without a doubt one of the best.
I would say YES!!!
:/…
Why bother debating? :D
Yes!
Remember watching re-runs on Monday nights and wishing the major networks would broadcast some good music?
Always amazed by how the pros can take a standard like Autumn Leaves and instead of being bored of it, breathe new life into it 🤩
*The Hippest of Dreams* 💃🏽🌌🎹🎙🎺✨
(-ft. Cyrille Aimée, Emmet Cohen, Wayne Tucker, Russell Hall, & Bryan Carter)
0:00 Darn That Dream (Jimmy Van Heusen; lyr. Eddie DeLange) -ft. Emmet Cohen, piano; Russell Hall, bass; Bryan Carter, drums
1:35 Emmet Cohen Introduces the Musicians
2:23 Vocalist Cyrille Aimée Takes the Stage
3:27 All of You (Cole Porter)
11:01 Trumpeter Wayne Tucker Makes Appearance
11:54 Too Marvelous For Words (Richard Whiting; lyr. Johnny Mercer)
22:54 Polka Dots and Moonbeams (Jimmy Van Heusen; lyr. Johnny Burke)
31:22 A Night In Tunisia (Dizzy Gillespie; lyr. Raymond Leveen)
40:37 Blue Moon (Richard Rodgers; lyr. Lorenz Hart)
49:57 Blue in Green (Bill Evans, Miles Davis)
1:00:07 Crazy Race (comp. Roy Hargrove; the RH Factor)
1:10:20 Les Feuilles Mortes (Autumn Leaves)
(comp. Joseph Kosma; lyr. Jacques Prévert)
1:22:14 You’d Be So Nice To Come Home To (Cole Porter) - ft. Cyrille Aimée, vocals; Wayne Tucker, trumpet; Lex Warshawsky, bass; Pedro Segundo, drums/percussion
1:32:48 Sharing the Gratitude, Sharing the Love
1:36:07 Well You Needn’t (Thelonious Monk) - ft. all musicians
*~*~*~*~*~*~ *~*~*~*~*~*~*~*~*~*~*~*~
Appreciate Meira!
Shepherd's Chapel Network !!!!!!! Pastor Murray is an Anointed Servant of GOD who teaches the Word of GOD with Authority!!!!!!!
wonderful ... wonderful .... thanks god someone is keeping the standards alive and kicking ....went and saw scott hamilton the other night and he's still doing a grand job of it ....
OOh yes they're keepin the right stuff in its place. Thanks !
My favorite singer with my favorite band... looks like I'm going to be up all night watching and rewatching this. LOVE IT LOVE IT LOVE IT!!!!!!
Without a doubt the most soulful arrangement of Blue in Green I've ever heard. Nice job all!
It's official, CURLS are IN!
Roy’s tune was awesome, you guys did it beautifully.
Each second filled with exquisite harmonies, tones, intensity, just wow
Damn! Can't stop listening. And, can't stop looking at Cyrille!!! Swing on!
Tak!
Fantastic show as always! A Night in Tunisia just OFF 'DA CHAIN guys! Wow!!! :)
So good. Just an incredible band and I love Cyrille Aimee and Wayne Tucker.
I love the way Wayne looks the way he plays - totally chilled out. So Chet like.
Wow! That Blue Moon Trumpet was RED HOT! 🔥🔥🔥❤️
Love ya singin Dear Cyrille Aimée. And the Band too is gréât ❤ Yk
I absolute
Y love. All of you .. emmet your freedom and fun and humor and. Incredible talent amaze me… andcyrille, you are the beyond incredible. . Thank you. For bringing such light and. Joy into everything you sing?!❤️❤️❤️
YES!!! HE IS!!
WOW! This version of "Well, You Needn't"...
Great Great !!!! Musiciens are enormous ! And Aimée whaouuu i love you ! What a vacalist she is !
Bravo Cyrille !!!. Tengo 88 años. Aficionado desde los 12. LO HAS LOGRADO !!!!!. Eres única !!!!!!!. Besos.
Je découvre Aimée, c'est un régal !😃
Cyrille's scat lines really outline the changes, c'est super!
Blue Moon was absolutely amazing!
Sarah, Sarah, Sarah, Sassy! Her lovely ghost haunts every performance of Polka Dots and Moonbeams I have ever heard.
Autumn leaves! Yes!
Wonderdul. I saw cyrille Aimee on stage in Jazz in Marciac a few years ago.
Great great singer and wonderful band at Emmet’s place Thanks
Blue Moon was on fire!
You all are marvellous
love blue moon. what a groove
Catching up on performances I missed and this one is AMAZING!!!!
This is the first time I have heard the lyrics to Polka-dots and Moombeams! Nice!
ピアノ良し、ベース良し、ドラムス🥁良し、トランペット🎺良し、なんてったってボーカル👩🎤良し、こんなに楽しいジャズは、なかなか聞くことができません。最高です。！！！😄😄😄
As great as everything was; Wayne's flugelhorn solo on Polka Dots was extraordinary!
Awesome everyone indeed thanks for doing this.
Great jam sessions
this channel JUST SO MUCH Fun
My fav (ballads):
22:54 Polka Dots and Moonbeams (Jimmy Van Heusen; lyr. Johnny Burke)
40:37 Blue Moon (Richard Rodgers; lyr. Lorenz Hart)
1:10:20 Les Feuilles Mortes (Autumn Leaves)
(comp. Joseph Kosma; lyr. Jacques Prévert)
Thanks to all!
最高❣️心が伝わるたのしい演奏をありがとうございます😊
Wow! The moon was a different shade of blue last night! And I fell in love with green straight after 💖 (flugelhorn always gets me!)
Beauty set.
Cyrille 👏🏻👏🏻👏🏻👏🏻band 🔥🔥🔥🔥Wayne⭐️⭐️⭐️⭐️Bryan 👍🏼👍🏼👍🏼👍🏼
It's very clear : she's the one.
Et c'est sans compter surtout cet orchestre, piano bien sûr, mais aussi trompette (wouah !), batterie (stunning !) et basse (delicious !).
In brief, an unique moment of music !
Some recording to come with all of you ?
A tour in Europe, perhaps ?
Sweetie Dee!
Wow. You guys just Jazz!
👋👋👋👋👋👋 bravo!!
Incredible!
Good now!
RH @ 39:20, here he is!
please make a clip of A Night In Tunisia!
Smok'in🎼🥁😎
ESTUPENDO, EXELENTE, MARAVILLOSO, GENIAL ERES SOBRESALIENTE Y GRANDE EN EL PIANO 👌 👏👏👏Y POR SUPUESTO LOS MÚSICOS DE GRAN CALIDAD QUE TE ACOMPAÑAN, EL BAJO ¡WOW!👌 EL BATERISTA👌 EL TROMPETA👌 Y LA GRAN CIRILLE A.👌👏👏👏
Aimee preciosa
❤️
A melhor!
Some Hargrove, woahhh
pEmmet!!! You guys gotsss to do a version of Fever by Peggy Lee
Wayne Tucker sounds a bit like Donald Byrd. And I mean that in the most positive way
11:53 YES; Diana, eat your heart out.
Well You Needn't - 1:36:06
"Kind of Blue" would never have become the classic that it is without Bill Evans -- Miles knew that, and recruited him for the sessopm, and "Blue In Green" IS Bill's composition, and his his influence is EVERYWHERE in the session.
Bryan Carter **tasteful.
how can we get tickets!!
1:41:02
@Emmet, you should’ve left the elastic band out yr hair!😄
I can’t believe someone stole all of her clothes!
Unbelievable.I hope she managed to go out out get some new clothes ^_^
Hi, probably it was okay from Facebook, but this video on RUclips has garbled sound in the first ten minutes, then later there are "buffering" instances throughout. Maybe the storm interfered with the transmission? Can you fix this?
Something is wrong with this recording sounds like someone is shaking jingle bells I’ve tried it on my TV in my headphones on my phone
I'm digging Wayne a lot, and from a musical perspective, Cyrille's vocal chops are enough that she doesn't need to use her wardrobe to exploit her sexuality.
Said respectfully:
Cyrille owns every ounce of her talent and her femininity.
It’s myopic to equate volition with exploitation.
Her confidence, mastery, & freedom in her craft outshine any scrutiny or faulty conclusions.
This was a first-class performance that will be remembered for the phenomenal level of *musicianship* and the *joie de vivre* that she consistently brings to our jazz beloved.
-& must you agree with me?
Well, you needn’t.
I think the real question is whether we are secure enough to handle the range of her artistry. 🙏🏽♥️
Dumb Official !!!
From a jazz sound live recording engineer to Cyrille -- there is NO need for you to work the mic directly into your mouth, a very rock and roll thing which has the very negative performance result of covering your face, reducing your contact with the audience. I've worked with and recorded Carmen, Sarah, Tony, Sylvia Symms, Joe Williams, Bill Henderson in live performance, and NONE of them ate the mic like you do. A GREAT position for the mic is a bit below your mouth, facing upward. And not too close -- the only good thing that does is make you louder in your monitor, but the very bad thing is that it destroys your dynamics. A mic pointed straight at your mouth boosts lows, making you muddy; close below your mouth, facing upward, avoids this.
Do the dynamics of mic placement compete with the epic impact of Monday’s performance?
As a non-sound engineer (but as one who dedicated her studies to physics & human physiology) *Cyrille’s connection with the audience felt as if it resonated on every neurological, sensory, & mechanical level possible…*
- our joy & adoration of this music were amplified by her skill, savvy, & fearless intuition.
Cyrille - ma soeur, un performance extraordinaire.
なんていうかトランペットが垢抜けないな、蟠りが残るソロって言うか。惜しい感じの。
Pooh
sound is not good
it gets sorted out after a few minutes, so scroll forward a bit and listen again