Mozart - Veni Sancte Spiritus, K. 47
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- Опубликовано: 8 фев 2025
- Veni Sancte Spiritus (Come, Holy Spirit), K. 47, is a sacred composition for choir and orchestra by Wolfgang Amadeus Mozart. He wrote it in Vienna in 1768 at age 12. He scored the work in C major for mixed choir SATB with a few solo lines, orchestra and organ. The text is a Pentecostal antiphon, Ad invocandum Spiritum Sanctum (For invoking the Holy Spirit), which begins with the same words as the sequence Veni Sancte Spiritus, but continues differently. Mozart added the subtitle Offertorium, mentioning the intended use during the offertory of a church service. The beginning of the words suggests Pentecost, but the general call for the Holy Spirit seems more likely to have been composed in the fall.
Performer : Collegium Instrumentale Brugense.
I was the Bass soloist for a performance of the piece and it was an absolute joy to perform! Thank you, Mozart, master of the classical era.
Imagine hearing this music in the universe after confirmation and praying to the Holy Spirit. Mozart, the child just confirmed, must have felt that spirit in ethereal music as if it really did enter his soul, this then is the fruit of the sancte spiritus he returned to us.
LMAO
My parish is playing it tomorrow for Whitsunday/Pentecost
@@mynameiskrysta Don’t laugh! Or The Spirt might enter YOU (when you least expect it!).
James, I see a color-shape for each note. Speaking of the spirit entering the soul, I always felt that C major, in fact the C note itself, is like fire. The burning passion. Do, it’s that feeling of being ignited. I would like to share a choral piece, the Agnus Dei, of which I converted to A432 hz tuning and did a synesthesia video to. Be well! The Acoustic Rabbit Hole. - ruclips.net/video/ZPXZgT9yNbA/видео.html
@@Acoustic-Rabbit-Hole that’s called synesthesia and i’m not worried about fictional ideas entering my body because a stranger in a youtube comment section told me it would happen
This work from the Classical period is mostly homophonic in texture with some sprinkling of polyphony. Beginning in 3/4 time or "perfect time" referencing the holy trinity it switches to 2/4 in the middle and maintains to the end. It has a brisk unchanging tempo indicating joy with the voices singing with crisp articulations. A lovely work written by a 12 year old prodigy, Mozart.
One of my favorite, beacause about spiritus sancte!!!
#mozart rings through the universe; never ending. Et in saecula saeculorem! Amin. Sending love to the whole world from #Australia
Veni sancte Spiritus:
Reple tuorum corda fidelium:
et tui amoris in eis ignem accende.
qui per diversitatem linguarum cunctarum
gentes in unitate fidei congregasti.
Alleluia.
Come Holy Spirit:
fill the hearts of your faithful,
and kindle your love in them.
You have gathered the nations
together in the unity of faith.
Alleluia.
Thank you very much for your translation!
Veni sancte Spiritus:
Reple tuorum corda fidelium:
et tui amoris in eis ignem accende.
qui per diversitatem linguarum cunctarum
gentes in unitate fidei congregasti.
Alleluia.
At age *12!!!* I was playing (the) baseball at age 12! I was also singing, so I guess it wasn't a total loss!!!
🇬🇧✴️🇺🇸✴️🇬🇧
Amore et gratia Dei. M
You can hear the influence of Handel in the final alleluia. Reminds me of the mighty amen fugue at the end of The Messiah.
@@thomasskoronski8625 Mozart had spent a year in London in 1764, a few years before this, that was only 5 years after Handel died. Handel had a very strong influence on the English music scene (you can hear in for example in Mozart's 1st symphony, and in the works of his exact contemporary Linley) so it's pretty likely he came across at least some of Handel's music. Mozart was of course very familiar later in his life, he arranged several Handel works for enlarged orchestra and the Requiem has strong influences of Handel in parts.
Tbt to acda auditions in sophomore year!
2:06
Tears.
What edition is this? Any chance you could put a link to the score? Thanks for posting the vid!
This is a public domain choral reduction score hosted on cpdl.org:
www.cpdl.org/wiki/index.php/Veni_Sancte_Spiritus_(Wolfgang_Amadeus_Mozart)
For the public domain full scores go to:
imslp.org/wiki/Veni_Sancte_Spiritus,_K.47_(Mozart,_Wolfgang_Amadeus)
성령이여 임하소서
At age f***ing 12.
and it kicks the crap out of the Michael Haydn.... just saying....
@@Highinsight7 Wow keep calm, M. Haydn was really a good friend of Mozart and influenced him with his requiem.
@@rossini9mozart10 I LOVE Michael Haydn....!!!!
He was influenced by his dad a lot so take it with a grain of salt that he actually purely wrote this piece by himself. He was very talented at playing though. Absolutely beautiful however.
Fabulous sumptuous EXCELLENT. I'll take 5, please. Al fresco. Innocently. Spyglass mind reading feasibility study wherein the heroes secure their🧸 contenders trust and the world likewise 🛸🎓🧘♂️
On est très sérieux quand on a douze ans.
0:55
Imagine having to perform this..oh wait😭
Allstate 2022, this song was mindbendingly difficult, but I got through it
3つくらい動画見たけどなんでどれもsancteの発音が合唱はサンクトゥスってsがつくの？
It should be for choir, piano, and orchestra.
Classical pieces are often transposed and other instruments used. Back in Mozart’s day and for a long time there were no copyright rules.
at what point do Mozart's compositions become interesting.... kv 0-50 includes professional technical know-how, but there's no point in waiting for any Hoffmeister quartet or Turkish march yet... mozart fans of course defend the works because they were composed at the age of 4-11.. .. I don't want this to sound like hate speech... Probably when he gets in touch with the works of Haydn or Bach, the compositions will have more personality.
It does sound like one