Miles Davis & Sonny Stitt, "Autumn leaves", live in Paris, 1960

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  • Опубликовано: 19 май 2017
  • Miles Davis & Sonny Stitt, "Autumn leaves", live in Paris, 1960
    Miles Davis, trumpet, out on **
    Wynton Kelly, piano
    Paul Chambers, bass
    Jimmy Cobb, drums
    Sonny Stitt, tenor saxophone, alto saxophone *
    1) Walkin' (R. Carpenter)
    2) Autumn Leaves (J. Prevert-J. Mercer-J. Kosma)
    3) Four (M. Davis)
    4) Unknown Title **
    5) 'Round Midnight (B. Hanighen-C. Williams-T. Monk) *
    6) No Blues (M. Davis)/ The Theme (M. Davis) **
    7) Walkin'
    8) If I Were a Bell (F. Loesser)
    9) Fran Dance (M. Davis)
    10) Two Bass Hit (J. Lewis-D. Gillespie)/ The Theme (M. Davis)
    11) All of You (C. Porter)
    12) So What (M. Davis)/ The Theme (M. Davis)
    October 11, 1960, Olympia Theatre, Paris
    Live concert, broadcast by Europe-1 Radio.

Комментарии • 12

  • @caponsacchi9979
    @caponsacchi9979 3 года назад +1

    Miles keeps hunting for that one note to make your skin crawl (and is occasionally successful). But Stitt hits the jackpot of unusual, inventive melodic sequences; and Wynton Kelly reminds you of what jazz is like when it SWINGS!

  • @kikomarcuello2424
    @kikomarcuello2424 4 года назад +4

    el solo de Sonny Stitt es brutal .

  • @fernandojavier2009
    @fernandojavier2009 6 лет назад +1

    Extraordinary

  • @JudyK1
    @JudyK1 Год назад

    ❤❤❤

  • @caponsacchi9979
    @caponsacchi9979 3 года назад +3

    Miles and Stitt -- 2 opposing MO's. Miles was, like Ezra Pound, determined "to make it new" regardless of violations of rules of harmony and chord movement. Stitt was an assimilator, a master of all the saxophones, esp. alto and tenor. When asked why he didn't try to sound "different," he pointed to Art Tatum: "Look man, you can't get no better than that." He was right. The extreme emphasis on modes soon gave way to free jazz and to the deification of Ornette, who had trouble playing conventional tunes and scales. Miles was in the middle, eventually settling on Shorter as a successor to Coltrane--someone who, unlike Stitt, Mobley and George Freeman, was completely comfortable playing in modes. But listen to Stitt--the "most perfect" saxophonist of all.

  • @jiyujizai
    @jiyujizai 2 года назад

    😃🌱💚🌸

  • @MarkTarmannPianoCheck_it_out
    @MarkTarmannPianoCheck_it_out 2 года назад +1

    sonny spends much of the two choruses basically goofin on Cannonball Adderly's style. 5:27 like 5:43
    "see? Miles i can do that too, in my sleep" But in between, he's like ", now, here's what SONNY has to say about autumn leaves...." that's what i hear him doing anyway :)

  • @tomasvanecek8626
    @tomasvanecek8626 Год назад

    Stitt is the most tiring shlt.. no invention, even that old time vibrato
    and out of tune, esp on alto..

    • @markosvarelas769
      @markosvarelas769 Год назад +1

      but listen at 10:04

    • @pigslam
      @pigslam Год назад +3

      he sounds fine, get your ears checked