Bellini - I Puritani - Credeasi misera (Juan Diego Flórez) 2009
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- Опубликовано: 16 июл 2014
- Credeasi misera
Bellini - I Puritani (Nino Machaidze, Juan Diego Flórez, Gabriele Viviani, Ildebrando d'Arcangelo, Nadia Pirazzini, Gianluca Floris, Ugo Guagliardo) Michele Mariotti
Orquesta y Coro del Teatro Comunale de Bolonia
Teatro Comunale de Bolonia, 2009
Die italienische Opernmusik des belcanto ist wirklich ein einmaliger Höhepunkt in der Opernmusik unwiederholbar und einmalig. Das ist vorallem dem meisterhaften Gesang von Juan Diego Florez zu danken, der den schwierigen Belcantogesang mit den wunderbar langgezogenen Melodien Bellinis wundervoll und virtuous meistert. Bravo Diego Florez.
La voce di Florez è bellezza, luce, sole. Entra nel cuore e lo riscalda.
¡¡¡MAGNIFICO!!!.
A really great talent, should be a great more famous than he is, a really good and powerful Tenor, and there are not many around at the moment
Amazing Juan Diego, brillant and clear also The high Notes Bravoooooo 🎵🎵🎵
Awful high notes
Adoro questo brano! Meraviglioso!
belisissisimo!!!!!!!!!!!wonderful!!!!!!!!
A pure and clean sound!
Lacking in proper technique
It is absolutely superb.
wunderschön !!! edda Lemmer
Juan Diego !
👏 BRAVO BRAVÍSSIMO 👋👋👋✋✋✋
Un pur enchantement... j'en ai les larmes aux yeux.
FABULEUX, magnifique!!!
That's a wonderful DVD - in 2 disques - difficult arias but glorious performation of both, Juan Diego Florez and Nina Machaidze. Genial and bravious rendition,
Krimhilde Amann
Fantabuloso
Bravissimi...
Er ist der Beste und Leidenschaftlichste !!
Vittorio Terranova
Salvatore Fisichella
fantabuloso,,.--
Juan D. Flórez doskonale sprawdza się w tej roli.
bravo hanzek,prekrasen tenor imaš
GRANDE!!!!
Juan Diego Flórez honra a Vincenzo Bellini en la pureza, incomparable técnica y el profundo sentimiento que emana de su voz privilegiada que paralelamente se fusiona a su actuación insuperable y genial. Pues como decía Giuseppe Verdi las arias deben ser bien cantadas y actuadas. Oyéndolo y viéndolo me produce la impresión que Arturo se ha incarnado en él. He perdido noción cuantas veces lo he visto y escuchado en I Puritani y me conmueve profundamente. p.s.- Juan Diego es el sueño de los grandes compositores que él interpreta. Ellos se sentirían no solo orgullosos de él sino inmensamente respetado y distinguido pues es único y extraordinario.
Jose is my favourite tenor. Magnificent!
La voz de Flórez llega hasta el fondo del alma, es sublime!!!
Maravilloso Flórez, sostiene esa nota perfectamente afinada y limpia. Una delicia escucharlo
Bravissimo jdf
Superlativo.
Fantastic!
Wonderful.Thank you for posting.♫♪ ॐ¸¸.•*¨*•♫♪
no high F like lawrence brownlee but still a magnificent performance.
And Camarena refuses to do it.
What are you talking about, Brownlee hit that high f like it was nothing
Bravo Florez, greatest leggerio tenor of our time !
Listen also to Bruce Brewer 's version in the 80ies.
You will hear the first rendition of the high F5 and a wonderful legato
wow
While his voice may be a tad small and light in tone, I find it also one of the purest and most penetrating I've heard since a prime Jussi Bjorling.
Bjornling and Florez sound very little alike and Florez is clearly nasal
Bjoing is a very great tenor, Florez is very very bad and nasal
@patrick tee @sacredtemplar8 @bach lover jussi bjorling was a spinto tenor and jd florez a leggiero. He does "focus" his sound unfortunatley and I think he pushes his voice waay more than a leggiero ever should (leave that to the spintos) but still he is not the same category as Bjorling who had perfect technique and also was two fachs lower. His voice is light in tone (regardless of focus) because he's a leggiero tenor. You have heldentenor, dramatic, spinto, lyric, leggiero.
Do we have to???? Arnold Bourbon Amaral
@@lxf9914 Pavarotti is a tenore leggero. Kraus is a tenore leggero. Don't you think they sound a Little different from florez? Maybe they had a thing called 'voice'....
Singing this area in chest voice only to switch into some kind of falsetto to hit the F5 to me sounds unnatural and unbalanced. I think the Forez modification does this area real justice and his singing is still absolutely amazing. His natural voice has a nasal component; so what? That is his natural sound; not a technical flaw.
It's not a modification, he is singing the original version. Bellini never wrote that pathetic F5 screech
@@giannis_tar C'est dans la partition
Il fa sovracuto c'è nella partitura. Quello che manca è invece la chest voice del cantante che canta tutto in falsettone e omette pure il fa5
@@giannis_tar I'm a trained Tenore Di Grazia and I can guarantee you that high F is in the score I've sung it without going into falsetto
Decía el gran tenor Kraus que ese fa sobre agudo para un tenor,era infame. casi nadie lo hace. Por lo general todos hacen E5. Y ya es bastante, y comprensible.
LA NOTA AGUDA QUE DA FLOREZ ES UN DO# 5. SE DARÍA EL E 5 SI BAJARAN TODA LA PARTE MEDIO TONO PERO SI LA CANTAN EN EL TONO ORIGINAL Y NO QUIEREN DAR EL FA 5,TIENE QUE DAR DO#5 PORQUE EL E 5 NO ES DE LA TONALIDAD.
Kraus decía lo que le convenía. Es extremadamente difícil; es infame si está mal ejecutado.
Bella voce e basta!
"bella"???
Un gridolino nasale
@@Tkimba2 leggeri i leggeri -lirico ltenori sono nasali di natura
For my surprise, I often find that listeners await eagerly for the cry of a high note, instead of attend the accurate play of the operatic role to consider the singer total values. For that, this fragments are so repeatedly edited, as if a "good day or a not so good day" can make a definite difference between a good artist and a bad artist. Same happens in modern music,contests of any kind, where people goes mad when the singer attacks an expected impresive hig cry of a single sound, instead paying atention to what the rest of the song means in the whole sense of desired expression.
It is as reading news papers only to judge or consider the quality of news or comments by the sintetized large text head lines printed .
Please, listen with more dedication. There are also, musicians playing. secondary actors, chorus and a lot of important things associated to an opera representation or a entertaining show.
Gerardo Fontanes Great Juan Diego Florez i Love his Voice, his sound is Natural
The whole aria "credeasi misera" is wonderful, with or without the high f.
You are right !
Geat tenors have big magnificient high notes...
Also, listen to Lawrence Brownlee's high F
Lucky me, I heard that high F live. The whole aria was superb and at the time I didn't know about the interpolated high note added by some tenors. Boy did I jump!
A tenor truly worthy of the incredibly difficult high notes demanded by Bellini. Is this vid available on DVD? I want it!
No es difícil comprar el DVD.
Creí que si iba a hacer el fa
Florez hit E5 instead of F5. I think that could be a wise decision. He doesn' t need to overuse his vocal cords to reach F5. Even Pavarotti hit F5 by fallsetto in this role. Florez is one of the greatest leggiero tenor ever!
+Jackey Eom No. florez hit a C# instead of F5
+TheDunkanDiet yes, you're right. it was c#.
I do not read music so could not tell. But, I think he hit that note with a lot of power and tone. Most who try to go much higher will have to use a falsetto or something like it. I would give anything to hear such a production today. These singers were in their absolute prime, 8 years ago. I think singing these arias too often will end one's operatic career! Was the score written with an F?? I wonder?
Yes, it was written with an actual high F. But in those times it was meant to be sung in falsetto, though. Very few modern tenors have managed to hit that high F in pure head voice instead of falsetto (To name a few: Lawrence Brownlee, Gregory Kunde, William Matteuzzi)
I think to me it is high enough as it is without hitting that note. I love the opera and few can sing it at all. I think quite a few have tried
I saw JDF in La Fille Du Regiment at the Met a few years ago. The audience was warned he had a bad cold before the performance. He still nailed the 9 high Cs.
👏👏👏👏👏👏👏👏👏👏👏👏🇵🇪❤
He's only singing up to the Db, not the F as written in the score.
I think he can easily sing high f
TRAUMHAFT
¿Y EL FA 5?
Che squallore ridurre tutta l'opera alla discussione su questo o quell'acuto...
Infatti non si nota quanto Florez sia pessimo a prescindere dall'acuto
infatti, poi la nota in sé stessa è brutta, e manco si sente l'altezza.
A tono
Очень мызыкален, но до чего же бедный голос
Bellini wrote top a top F. Where is it ?
Está ópera no es para la voz de Juan Diego Flórez por eso nunca la volvió a cantar está ópera es para un tenor como Alfred Kraus o Celso albelo o Javier Camarena sus voces son más adecuadas para este rol
Exacto
Correcto
Claro que la volvió a cantar. Le sale con una belleza difícil de igualar.
lego soldier
No
that is not a high F it's a high Db. If you don't have the range don't sing it
This is from a time where tenors used to sing in falsetto voice. He has the range, but he made a good decision not to sing it. Imagine cracking at that point, would like to see you deal with that.
Oh I love a good fight there's nothing wrong with a good fight head clear the air. That's what my French grandmother used to say LOL keep up the good work. Arnold Bourbon Amaral
he’s just doesn’t want to listen like a woman that’s all
It's optional, and it arguably sounds shit. Tenors should stay away from it at whatever cost.
He's a leggiero tenor, so he must've sung the high F. It's like a lyric tenor singing Ab instead of a high C.
Pavarotti is better
No, they both give me chills. Pavarotti is Pavarotti and Forez is Florez, just like steak is not lobster. Neither is better or worse, both are marvelous!
@@darkfeather6857 Well said!
Malo, muy malo.
Y por qué malo! Tarado
Sin duda es una hermosa voz. Hay que ser sordo para no gozarla
No se quien dice que esta opera no es para florez creo que no entiende mucho porque kraus muy bueno. Pavaroti buenisimo y dijo que n. Juan. Diego seria su su cesor hoy es el mejor puede con cualquier opera no se le resiste ninguna repito es el mejor ssaludos