Love this vid and what it's all about! (If you would make your rhythm guitar loop a 4 or 8 bar "swinging" or "funky" loop, I think your lines would shine thru better in the more jazzy context.) Awesome playing!
Thanks so much for your awesome lesson, can I ask when applying this method over 2 5 1 where the song has 2 beats for Dm7 and 2 beats for G13 then to Cmaj7 for 1 bar. So we have 3 chord changes happening in just 2 bars, this comes up quite often with jazz standards Have you got some advice for what thinking and approach is best in this situation to keep it seamless over quick chord changes. Really appreciate your lesson, kind regards Jack from Australia
Very good, informative lesson. For altered applications, I have also found that b3, b5, and 4 minor pentatonic can work. So, over G7alt: Bb minor pentatonic, Db minor pentatonic (watch for the Gb/F#), and C minor pentatonic (watch the C). And perhaps even B minor pentatonic, with the addition of the blue note (F), yields an interesting sound. Lots to explore with just five notes!
"What I'm talking about is how a Wayne Shorter or John Coltrane would use it." Why have you only got 581 subscribers? 582 now. 👍 Please turn your looper down though. (Yeah, more. 😉).
![How to REALLY use the PENTATONIC [Beginner to Pro]](/img/1.gif)
I love these inside-outside tricks!! Thank you so much for sharing these ideas.
Thanks for listening!
Many thanks for this great lesson!
Of course subscribed, I need to learn Jazz
That is really Beautiful. Great lesson. Thank you
I love doing the 2nd (E) over the I (D), and finishing up the idea in the I (E). Great lesson, man. Thank you!
The sound of those minor 3rd ones is a real great extra "jazzy" thing. Plus the flat 2nd! wicked.
Hey thanks for checking it out!
Love this vid and what it's all about!
(If you would make your rhythm guitar loop a 4 or 8 bar "swinging" or "funky" loop, I think your lines would shine thru better in the more jazzy context.)
Awesome playing!
Thanks for the feedback. I'll try that next time.
Subbed. I think I found what I'm looking for and going to watch other videos as well.
Thanks so much! Share it with your friends.
Thanks so much for your awesome lesson, can I ask when applying this method over 2 5 1 where the song has 2 beats for Dm7 and 2 beats for G13 then to Cmaj7 for 1 bar. So we have 3 chord changes happening in just 2 bars, this comes up quite often with jazz standards Have you got some advice for what thinking and approach is best in this situation to keep it seamless over quick chord changes. Really appreciate your lesson, kind regards Jack from Australia
Very good, informative lesson. For altered applications, I have also found that b3, b5, and 4 minor pentatonic can work. So, over G7alt: Bb minor pentatonic, Db minor pentatonic (watch for the Gb/F#), and C minor pentatonic (watch the C). And perhaps even B minor pentatonic, with the addition of the blue note (F), yields an interesting sound. Lots to explore with just five notes!
That's great too! I'm sure there's others that I have have missed. Thanks for your input!
Great lesson thanks.
Thanks for listening!
Thanks man
Thank you!
G 251 are Am n D…. Why not D maj pent. Is D pent ? Many thx
"What I'm talking about is how a Wayne Shorter or John Coltrane would use it."
Why have you only got 581 subscribers? 582 now. 👍
Please turn your looper down though. (Yeah, more. 😉).
Good lesson but would be nice if I could hear what you are saying
Sorry about that. I'll try and be better with the recording.
Nice video man, I subbed ya so I remember to check out your other videos too!
Thanks so much!