I play an Epiphone Century Masterbilt, that is nowhere near as old as yours. I bought mine about 6 years ago when Epiphone stated making them again. I love it.
Present!... Epi Elite (first series, [the good one]), a few Gretsch Electromatics with Bigsby, A hand build Gretsch prototype with tear shaped soundholes (electric guitar, but it also sounds so nice if you use it without an amp...)
I bought an arch top Kalamazoo Gibson in Spain in about 1965. It looked very similar to your Epiphone, with the same bridge and tailpiece, and was being played in a bar with money being collected in it. I stripped it down to the beautiful mahagony and spruce and French polished it, also making a case. The number on the back of the head is 1170 and I presume it is from the 1930's. One of my sons is a good guitarist and I gave it to him a few years ago. I am from north London and live in the states and consider guitars and books to be sacred objects. I also wonder about the preious owners and how it made its way to Spain. Thank you for your presentations and I wish you continued success. All the best. Brian Barnett.
Rare arch top guitar owner here. I have a 1935 Gibson L-30 and I’m lucky to know some of its history. Back in July 2021, when you were still doing “guitar stories”, I sent you one with a pic. These old guitars are incredibly special, even if they can’t do the heavy lifting anymore. It’s like they hold the vibrations of music once played as well as the memories of the hands that once held them. ❤
I miss Guitar Stories. That was one of my very favorite segments Mary used to do. I'm sure you consider yourself fortunate to own such an instrument. I really hope to own a vintage guitar someday✌🏻
I do have a love for archtop guitars because my first guitar was a Harmony archtop which I later added an accoustic pickup to. I write songs and I could "hear" the songs in the harmonics of the chords.
I learned to play guitar on my dad's old yellow archtop guitar which also had an arched fret board. That thing was so hard to play. I don't know what he did with it and wish he was still around to tell me where it is, it was so beautiful. I remember being around 4-5 years old standing in the doorway of my parent's bedroom listening to him playing and singing.
I bought a Godin 5th Avenue Kingpin a few years ago. It gets played most days and sounds great both plugged in and unplugged. Not rare by any means but a great sounding, very playable instrument. Its quite a pretty thing too, even has a heart shape in its rosewood grain. Takes pride of place in my lounge. As you can possibly tell, I love it❤
Another archtop manufacturer is a Canadian company, GODIN Guitars. I used a GODIN 5th Ave Kingpin II for years. I now have an EPIPHONE ES 339 PRO as my "go to" because of shoulder problems with large body guitars. Love the sound of your EPI, it's very rich and full. Love your new songs!!!
My oldest guitar is a 59 Harmony Monterey tenor, made just a few months before I was born in December of that year. My father's father bought it new, so I'm the 3rd owner. Such a magnificent vintage tone.
Thank you Mary for your eloquent and informative description of your beautiful Arch Top and the history behind their creation. She sounds amazing within Your hands, please look after Her and help preserve Her for future finger pickers.
Awesome. I have a 1938 Gibson L5 original natural finish, original white pickguard. We are one family owner inherited from my great Uncle Tony, who was a professional jazz guitarist in New York City in the 30s and 40s. I still have the receipt from the New York Band Instrument Co. and original case. Walter Carter looked it up on the Gibson ledger and it's an early 1938. Sounds great!
Excellent info, thanks for that Mary. Pitched at just the right level, with just the right tone. A beautiful guitar, and a beautiful album, by the way!
Thank you for the history of the archtop! Besides an acoustic violin, I play a Hofner 500/1 bass and love the sounds of the archtop instruments. There are so many wonderful instruments out there to explore sound and music on. All the best!
After seeing your unboxing of this guitar I had to get an arch top. I do have a Gretsch and a Epiphone Century. But I wanted an acoustic and vintage. I look on line and found a Gibso L48 at Norm's rare guitars. One of the best things I've done. I can't tell you how much joy this guitar brings me.
What tha , how in the world did I miss this.... anyways I'm watching it now and I have played these guitars before a long time ago mellow and sweet... they have their place for sure... thanks Mary
I've got a '45 Epiphone Spartan and feel just as you do. This guitar has been well played and loved with the neck finish worn through long ago. I very much feel like the latest in a long series of caretakers and I plan to eventually pass it off to the next in good shape. For me the value of this guitar far exceeds the going market rate. It's the guitar I reach for every day.
I have a Gretsch I got from a thrift shop that’s a beautiful jade green colour and it’s the reason I’m in absolute love with arch top guitars. It’s a joy to play and its bixby is fun to muck around with.
What a beauty. Theres just something about old archtops that is inspiring. I'm lucky to own a Framus 5/51 studio, made in December 1960, a tiny parlor sized archtop. With the small body size it has a really special sound even among other archtops, i absolutely love it. Great video and playing, as always
May I gently suggest that Lloyd Loar be mentioned in your list of originators, as, in 1922 he was hired by Gibson to re-invent the Gibson line, notably with the L5 which, along with others, is among the most prized archtops of all!
Lovely to see & hear you playing your Epiphone. Such a lovely sound. I fell in love with archtop guitars when I bought a 1936 levin model 6 Dansant some years ago. Sadly I had to sell it five years ago when I lost my job, I was gutted!. Since then things have picked up and I managed to find a 1951 model 6 Levin Dansant. I´m really lucky , I now live in Norway.. My neighbour is one of the best guitar doctors in Norway and has become a wonderful friend. He has repaired and rebuilt the 51 Dansant. Fixing cracks, restoring and resetting the neck, sanding a radius into what was a flat fretboard, refreting it, new tuners, a new pick guard. he's also added a Full Monty P90 neck pickup and an LR Baggs T bridge pickup, toggle switch, volume, tone and sweep pots.I decided to put GHS brite flat strings on it which has worked well. It´s become my go to guitar, great acoustic or through one or two amps. A boss acoustic singer and a Fender tweed blues deluxe reissue.The range of tones is amazing. Have great fun with your Epiphone I look forward to hearing it on more of your tracks. 😄
When I was 15 I found an old Kalamazoo in a Watford shop with my Dad… I remember it having a lump of carbon as it’s single neck pick-up …. worn down on the table side … the best sound I ever heard and been missing it ever since ..
Apparently , we are back to getting one Mary Spender video almost every day. You ARE spoiling us. Not that I'm complaining; no, no. Beeing spoilt is extremely enjoyable until reality strikes back,. so please keep going. Greetings from Germany and thanks for the album! I'm listening to it every day.
Another archtop lover here! My first was a ~1970 Univox Barney Kessel copy followed by a 1957 Gibson L-48, both bought when I was 18. The feel and sound helped define me as a player and I've owned quite a few wonderful archtops since then. The current favorites are a 1935 Gibson L-7, a 1965 Gibson ES-175, and a 1967 Epiphone Broadway.
I have the same model. More dinged up. The low strings played with fingers above the seventh fret are a revelation which permanently changed my approach to the acoustic guitar. Cellos. There is a need for more attention to lower dynamic techniques on guitar, there is so much poetry in these types of instruments beyond django and bluegrass and acoustic jazz and songwriters.
Love me some archtops! I have a 1932 Olympic that I bought sometime in the '90s -- it is somewhat smaller than yours and not in as good condition -- mostly just a wall guitar now. I also have a pre-1960 Harmony Archtone painted flat black with a dogear P-90 added in for a little fun; a 2016 Epiphone Inspired by Century '66, sunburst with a P-90 also; and a black Godin 5th Avenue Kingpin P90 (yep, I sense a theme here...)
I believe that unboxing was the first Mary Spender video I saw. I thought, “Now who’s this?” But I quickly liked your style and delivery. I’m glad I stuck around! Cheers!
I remember the unboxing on this one. It is great to see it cleaned up and in service. I have six guitars that I play regularly. It's not because I'm rich or really cool, it is because they are not co-located. My two favorites are archtops. One is an Orange Gretsch Electromatic hollow body, and the other is an early 1960s Harmony F hole acoustic. Besides the unique sound, they are more comfortable for me to hold and that of course makes playing more enjoyable. 🙂
Thanks for the video. That certainly is a beauty!! The solid spruce sounds amazing through decent headphones. I have a newer 1954 Gibson ES125, not as nice sounding acoustically with its laminated top, but the original P90 pickup sounds great plugged in. I also have a 1965 Epiphone Texan flat top which sounds great with the mellow old spruce, much better than my newer Taylor. ....Your playing is very nice. It's so much more interesting than typical Travis (or other) picking because it's unique. Thanks again for the video. Take care.
Mary I had an L30, which mysteriously "disappeared ". Putting a mic anywhere near it recorded beautifully. Enjoy your wonderful instrument. Reminds me a lot
I like it. Sounds almost exactly like my mid 50s ES-125 if I don't plug it in. Nothing beats that floating bridge for quickly fixing intonation with different string gauges.
I started playing guitar in high school jazz band, and my teachers were a classical guitarist who had studied with Christopher Parkening, and an old jazz guitarist who had been close friends with Les Paul. So, suffice it to say, playing finger style on an arch top is very much my thing. Cheers Mary!
I ve been playing archtops for a long time. My favorite is my Ibanez GB10 made in Japan in 2OO2. I have tried a L5 Lee Rittenour it was an awsome experience. And I love D'Angelico archtops vintage or even actual
I have a whole bunch of archtop guitars , my oldest acoustic archtop is either my gretsch model 30 or my Harmony built Supertone, both are from sometime in the mid 1930s, the gretsch is basically their less ornate copy of a Gibson L-5 . My desert island guitar is also an archtop a 1961 Gibson es125t electric thin line guitar, my dad bought it in the 80s in a pawn shop and I "borrowed" it soon after and couldn't let it go so he just said "it's yours now" and I love it so much
Sounds very nice. I have a Gibson L30 from around 1939. It's similar to the Olympic, being a smaller bodied cheaper models. The L30 was the original Lucille that BB King raced back into the burning bar to rescue... later models were the 335. She's a beauty in amazing condition.
Hi Mary! I have also archtop from 1937. It's a Gibson FDH. Gibson only made 123 FDH's in Kalamazoo factory for a London guitar shop Francis, Day & Hunter. I have serial number 120, in beautiful condition, one of the last ones they made. Greetings from Finland!
I ended up with my Grandpa Armstrong's 1949 L50 Gibson archtop. Recently put some Ernie Ball electric flatwounds on it. It sounds gorgeous! I don't dare take it it out in public for fear of it getting stolen. It also has it's original D'Armand pickup my Grandpa put on it. Everything's original on it except the tuners. Those didn't survive. Your's is gorgeous Mary! It looks very similar to mine. Sounds similar too. Great playing!
Hi Mary, I love your Epiphone Archtop. I own an Epiphone Zenith Masterbilt Archtop. I have had this for about 18 months, a beautiful guitar to play, naturally it has a trapeze bridge. The tone is so full, naturally due to it's size. The Epi is also Electro Acoustic, and also has a tuner. The tuner controls are situated underneath the lower F hole. I have recorded with it. It is a beautiful feeling guitar.
I have a Archtop, Arthur Hansel, built in Toronto Ont, Canada. It will be 75 years old this Nov 2023. I just brought it out of its case for this week's Jam session and The Wreck of The Edmond Fitzgerald.
Mary... Thank you for the email... your album is on the way! The photo side by side of L1-L2-L3 guitars is invaluable to me. Thanks for the excellence you always provide. Sincerely, Sam. The Gibson kid from 1964. I think I'll go play mine right now.
I recieved my physical copy of Super Sexy Heartbreak and am terribly excited about that! I feel happy to support what I deem to be some damned fine RUclips content. I'm sure I posted some comment when you posted about getting that awesome Epiphone. It's a real treasure! love & support to you & your admireable endevours, Mary! ❤❤
D’Angelico innovated a lot, and his original guitars are so beautiful they were the highlight of an exhibit on the art of guitars at the Metropolitan Museum of Art here in NYC about 12 years ago.
I have a Kay Professional (circa 1932 ) with wonderful "Peaarl of Toilet seat "on its peghead . It is so full of a treble voice it was meant to take on the 4 string banjo sitting right next to it in the band .. ONe of the most interesting of the early musicians to take up the original Lowd Loar Gisbon L5 s was the Great Maybelle Carter who played that guitar through most of her long life (adding one or two for family use on stage ) .. SHe basically was the beginging of what we call Country Western today ... :)
My first guitar was was a Dutch very cheap arch top plywood Egmond guitar - almost impossible to play above the 3'd fret .... Then I got an old Höfner arch top - from around 1960- '61... in '67 for my 18'th birthday. In '69 I ordered a Swedish Levin arch top, I still have. it has become one of my most played guitars over the years... But it's very fragile - I have spend a fortune to repairmen over the years.. For a long time it was my "morning go to" guitar, the one I used to figure new things out.... Now it's more or less retired.. at the same time in '69 I bought a Harmony H 1215 .. I used it for a little blues now and then .... It's still okay .... The sad story is, I lost the Höfner in a repair shop in the '80th... They said they could not do what had to be done, and when I came to collect it, it was gone ... Well ... Lately I found an old 50'th Hoyer arch top guitar... from the son of the original owner... He had given up on it, because after his dad stopped playing for his living, he hang it on the wall and there it was accumulating nicotine a very thick layer for years.... very hard to remove.... But I restored it carefully and now it sounds quite good ... I always loved these guitars ...
Owner of an absolute one-of-a-kind archtop guitar here. It was made by an Italian immigrant to New York City named David B. Porrazzo in 1935, who seemed to have gotten his start making mandolins, later making the switch to archtops. Apparently he would rub raw egg white into the wood to preserve his guitars. Mine, in particular, has a spruce top, mahogany back and sides, an X-bracing, unusually for an archtop, and apparently for his guitars as well, since others I have been able to find have ladder bracing.
Gibson ES 125 (full width body, no pickups) here. Bought new by my father in about 1956 or so. It was the guitar I learned on as a kid. It's basically the Gibson cousin of the guitar in the video.
Hi, Mary! Thanks for letting us all have another peek at that lovely guitar. The additional history was very enlightening as well! As a person who grew up very near Westerly Rhode Island here in the States, I feel it my duty to mention Guild Guitars and their wonderful archtops as well (admittedly they were predominantly electric models). It is wonderful to see Guild return from obscurity after the buyout, to once again making premier products! Unlike Gibson, they didn't lose the recipe 🤷♂😬🙂
The first time I really noticed an acoustic archtop, and wondered what it was, was when I saw Dave Rawlings playing with Gillian Welch. I just looked and sounded so different.
![Natanael Cano - Amor Eterno [Official Video]](http://i.ytimg.com/vi/EO4prCs6WpM/mqdefault.jpg)
Archtop players - where y'all at?
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I have a recording king arch top from the 30s and love it. There's nothing like it
I play an Epiphone Century Masterbilt, that is nowhere near as old as yours. I bought mine about 6 years ago when Epiphone stated making them again. I love it.
Present!... Epi Elite (first series, [the good one]), a few Gretsch Electromatics with Bigsby, A hand build Gretsch prototype with tear shaped soundholes (electric guitar, but it also sounds so nice if you use it without an amp...)
Checking in: a blonde Epiphone Joe Pass that I play almost every day.
I bought an arch top Kalamazoo Gibson in Spain in about 1965. It looked very similar to your Epiphone, with the same bridge and tailpiece, and was being played in a bar with money being collected in it. I stripped it down to the beautiful mahagony and spruce and French polished it, also making a case. The number on the back of the head is 1170 and I presume it is from the 1930's. One of my sons is a good guitarist and I gave it to him a few years ago. I am from north London and live in the states and consider guitars and books to be sacred objects. I also wonder about the preious owners and how it made its way to Spain. Thank you for your presentations and I wish you continued success. All the best. Brian Barnett.
Rare arch top guitar owner here. I have a 1935 Gibson L-30 and I’m lucky to know some of its history. Back in July 2021, when you were still doing “guitar stories”, I sent you one with a pic. These old guitars are incredibly special, even if they can’t do the heavy lifting anymore. It’s like they hold the vibrations of music once played as well as the memories of the hands that once held them. ❤
I also have an L30. I don't know her history, but she's in great condition and plays and sounds amazing.
Another Gibson L-30 owner here, mine is a 1939/40 I believe. There's a video of it on my channel. It's one of my favourite acoustics.
I miss Guitar Stories. That was one of my very favorite segments Mary used to do. I'm sure you consider yourself fortunate to own such an instrument. I really hope to own a vintage guitar someday✌🏻
I do have a love for archtop guitars because my first guitar was a Harmony archtop which I later added an accoustic pickup to. I write songs and I could "hear" the songs in the harmonics of the chords.
I could listen to Mary talk for hours...so soothing!
What a lovely video. Makes me appreciate my late '90's Gibson 135 a little more!
I learned to play guitar on my dad's old yellow archtop guitar which also had an arched fret board. That thing was so hard to play. I don't know what he did with it and wish he was still around to tell me where it is, it was so beautiful. I remember being around 4-5 years old standing in the doorway of my parent's bedroom listening to him playing and singing.
David Rawlings who plays with Gillian Welch, I believe, solely plays an Epiphone Olympic.
His is something like a 1935.
I bought a Godin 5th Avenue Kingpin a few years ago. It gets played most days and sounds great both plugged in and unplugged. Not rare by any means but a great sounding, very playable instrument. Its quite a pretty thing too, even has a heart shape in its rosewood grain. Takes pride of place in my lounge. As you can possibly tell, I love it❤
Great guitar. Love vintage instruments. Rock on 🤘
Not a guitar player myself, but on hearing you play several different guitars you use, I love it the most when you use this 1937 Epiphone
I have an Epiphone Emperor from the same year, Mary. The old Epiphones are spectacular!
Another archtop manufacturer is a Canadian company, GODIN Guitars. I used a GODIN 5th Ave Kingpin II for years. I now have an EPIPHONE ES 339 PRO as my "go to" because of shoulder problems with large body guitars. Love the sound of your EPI, it's very rich and full. Love your new songs!!!
My oldest guitar is a 59 Harmony Monterey tenor, made just a few months before I was born in December of that year. My father's father bought it new, so I'm the 3rd owner. Such a magnificent vintage tone.
I have a 1942 But the tailpiece wood is brittle.
I would replace it with a metal tailpiece.
It is 5 years older than I am.
Thank you Mary for your eloquent and informative description of your beautiful Arch Top and the history behind their creation. She sounds amazing within Your hands, please look after Her and help preserve Her for future finger pickers.
Awesome. I have a 1938 Gibson L5 original natural finish, original white pickguard. We are one family owner inherited from my great Uncle Tony, who was a professional jazz guitarist in New York City in the 30s and 40s. I still have the receipt from the New York Band Instrument Co. and original case. Walter Carter looked it up on the Gibson ledger and it's an early 1938. Sounds great!
I love old guitars! It looks and sounds beautiful. Thank you.
I have a 1960s archtop like that, sounds so good. ❤😂❤
Received your Album a couple of days ago. Great listening. Keep up your excellent work Mary. Thank you :)
Thats such a stunning guitar, I love archtop acoustics
Excellent info, thanks for that Mary. Pitched at just the right level, with just the right tone. A beautiful guitar, and a beautiful album, by the way!
I have a 1946 Gretsch Synchromatic 100, a 1953 Gibson ES125, and a 1981 Blonde ES335.
I am in love with that old Epiphone gorgeous.
Thank you for the history of the archtop! Besides an acoustic violin, I play a Hofner 500/1 bass and love the sounds of the archtop instruments. There are so many wonderful instruments out there to explore sound and music on. All the best!
After seeing your unboxing of this guitar I had to get an arch top. I do have a Gretsch and a Epiphone Century. But I wanted an acoustic and vintage. I look on line and found a Gibso L48 at Norm's rare guitars. One of the best things I've done. I can't tell you how much joy this guitar brings me.
What tha , how in the world did I miss this.... anyways I'm watching it now and I have played these guitars before a long time ago mellow and sweet... they have their place for sure... thanks Mary
Stay awesome Spender! 🎸
It sounds incredible.
I own a Gibson 1960 archtop and luv the sound it produces.
I've got a '45 Epiphone Spartan and feel just as you do. This guitar has been well played and loved with the neck finish worn through long ago. I very much feel like the latest in a long series of caretakers and I plan to eventually pass it off to the next in good shape. For me the value of this guitar far exceeds the going market rate. It's the guitar I reach for every day.
I have a Gretsch I got from a thrift shop that’s a beautiful jade green colour and it’s the reason I’m in absolute love with arch top guitars. It’s a joy to play and its bixby is fun to muck around with.
What a beauty. Theres just something about old archtops that is inspiring.
I'm lucky to own a Framus 5/51 studio, made in December 1960, a tiny parlor sized archtop. With the small body size it has a really special sound even among other archtops, i absolutely love it.
Great video and playing, as always
Nice looking guitar 😊😊
Very interesting and informative. Thank you!
May I gently suggest that Lloyd Loar be mentioned in your list of originators, as, in 1922 he was hired by Gibson to re-invent the Gibson line, notably with the L5 which, along with others, is among the most prized archtops of all!
I recently built my own archtop based on a 1937 Epiphone Spartan. Really cool yours is still played.
Lovely to see & hear you playing your Epiphone. Such a lovely sound. I fell in love with archtop guitars when I bought a 1936 levin model 6 Dansant some years ago. Sadly I had to sell it five years ago when I lost my job, I was gutted!. Since then things have picked up and I managed to find a 1951 model 6 Levin Dansant. I´m really lucky , I now live in Norway.. My neighbour is one of the best guitar doctors in Norway and has become a wonderful friend. He has repaired and rebuilt the 51 Dansant. Fixing cracks, restoring and resetting the neck, sanding a radius into what was a flat fretboard, refreting it, new tuners, a new pick guard. he's also added a Full Monty P90 neck pickup and an LR Baggs T bridge pickup, toggle switch, volume, tone and sweep pots.I decided to put GHS brite flat strings on it which has worked well.
It´s become my go to guitar, great acoustic or through one or two amps. A boss acoustic singer and a Fender tweed blues deluxe reissue.The range of tones is amazing.
Have great fun with your Epiphone I look forward to hearing it on more of your tracks.
😄
Great info thank you Mary amazing history & all things music! 🎶
cool finger snap edit!!!
This purchase of yours back then made me a subscriber Mary, its now in a good home with someone whom will love it and play it.
When I was 15 I found an old Kalamazoo in a Watford shop with my Dad… I remember it having a lump of carbon as it’s single neck pick-up …. worn down on the table side … the best sound I ever heard and been missing it ever since ..
Apparently , we are back to getting one Mary Spender video almost every day. You ARE spoiling us. Not that I'm complaining; no, no. Beeing spoilt is extremely enjoyable until reality strikes back,. so please keep going.
Greetings from Germany and thanks for the album! I'm listening to it every day.
Hello Mary . Glad to see this guitar again. Love its tone and look. I have an Epiphone Century. I love its very unique sound and tone. Cheers
Another archtop lover here! My first was a ~1970 Univox Barney Kessel copy followed by a 1957 Gibson L-48, both bought when I was 18. The feel and sound helped define me as a player and I've owned quite a few wonderful archtops since then. The current favorites are a 1935 Gibson L-7, a 1965 Gibson ES-175, and a 1967 Epiphone Broadway.
You mic'd it up really well, sounds great
I have my Dad’s 40s era Martin Archtop guitar. Beautiful sound.
I have the same model. More dinged up. The low strings played with fingers above the seventh fret are a revelation which permanently changed my approach to the acoustic guitar. Cellos. There is a need for more attention to lower dynamic techniques on guitar, there is so much poetry in these types of instruments beyond django and bluegrass and acoustic jazz and songwriters.
My primary guitar currently is a Guild T-50 Thinline. I also have a Guild Starfire III and a Prestige NYS Deluxe.
Thanks for the history lesson Mary. I have owned a few Epiphones although none were vintage like your '37.😊
I have an Olympic from 1941 that a friend recently restored. Sweet little archtop, fun to play.
What a little beauty!
A friend had a les paul shaped but hollow bodied f-hole Silvertone guitar…. it was also one of the best, almost totally unknown now ..
Love me some archtops! I have a 1932 Olympic that I bought sometime in the '90s -- it is somewhat smaller than yours and not in as good condition -- mostly just a wall guitar now. I also have a pre-1960 Harmony Archtone painted flat black with a dogear P-90 added in for a little fun; a 2016 Epiphone Inspired by Century '66, sunburst with a P-90 also; and a black Godin 5th Avenue Kingpin P90 (yep, I sense a theme here...)
Iconic! Truly the poor man's Stradivarius.
Do love an arch top 👍🏻💚
I just got out my 1947 L-12P to play some tunes today. Good to see archtops on the web.
I have the smaller bodied 1934 model. Bought it for £15.00 at a car boot sale. Excellent little guitar.
Atch top have a gorgeous sound
I believe that unboxing was the first Mary Spender video I saw. I thought, “Now who’s this?” But I quickly liked your style and delivery. I’m glad I stuck around! Cheers!
Very cool...thanks
I remember the unboxing on this one. It is great to see it cleaned up and in service. I have six guitars that I play regularly. It's not because I'm rich or really cool, it is because they are not co-located. My two favorites are archtops. One is an Orange Gretsch Electromatic hollow body, and the other is an early 1960s Harmony F hole acoustic. Besides the unique sound, they are more comfortable for me to hold and that of course makes playing more enjoyable. 🙂
Thanks for the video. That certainly is a beauty!! The solid spruce sounds amazing through decent headphones. I have a newer 1954 Gibson ES125, not as nice sounding acoustically with its laminated top, but the original P90 pickup sounds great plugged in. I also have a 1965 Epiphone Texan flat top which sounds great with the mellow old spruce, much better than my newer Taylor. ....Your playing is very nice. It's so much more interesting than typical Travis (or other) picking because it's unique. Thanks again for the video. Take care.
Mary I had an L30, which mysteriously "disappeared ". Putting a mic anywhere near it recorded beautifully. Enjoy your wonderful instrument. Reminds me a lot
Thanks of this fascinating history!
I like it.
Sounds almost exactly like my mid 50s ES-125 if I don't plug it in.
Nothing beats that floating bridge for quickly fixing intonation with different string gauges.
I started playing guitar in high school jazz band, and my teachers were a classical guitarist who had studied with Christopher Parkening, and an old jazz guitarist who had been close friends with Les Paul. So, suffice it to say, playing finger style on an arch top is very much my thing. Cheers Mary!
You are so lucky to have such a beautiful sounding Instrument!
I ve been playing archtops for a long time. My favorite is my Ibanez GB10 made in Japan in 2OO2. I have tried a L5 Lee Rittenour it was an awsome experience. And I love D'Angelico archtops vintage or even actual
I have a whole bunch of archtop guitars , my oldest acoustic archtop is either my gretsch model 30 or my Harmony built Supertone, both are from sometime in the mid 1930s, the gretsch is basically their less ornate copy of a Gibson L-5 . My desert island guitar is also an archtop a 1961 Gibson es125t electric thin line guitar, my dad bought it in the 80s in a pawn shop and I "borrowed" it soon after and couldn't let it go so he just said "it's yours now" and I love it so much
Sounds very nice. I have a Gibson L30 from around 1939. It's similar to the Olympic, being a smaller bodied cheaper models. The L30 was the original Lucille that BB King raced back into the burning bar to rescue... later models were the 335. She's a beauty in amazing condition.
Hi Mary! I have also archtop from 1937. It's a Gibson FDH. Gibson only made 123 FDH's in Kalamazoo factory for a London guitar shop Francis, Day & Hunter. I have serial number 120, in beautiful condition, one of the last ones they made. Greetings from Finland!
I ended up with my Grandpa Armstrong's 1949 L50 Gibson archtop. Recently put some Ernie Ball electric flatwounds on it. It sounds gorgeous! I don't dare take it it out in public for fear of it getting stolen. It also has it's original D'Armand pickup my Grandpa put on it. Everything's original on it except the tuners. Those didn't survive. Your's is gorgeous Mary! It looks very similar to mine. Sounds similar too. Great playing!
Hi Mary, I love your Epiphone Archtop. I own an Epiphone Zenith Masterbilt Archtop. I have had this for about 18 months, a beautiful guitar to play, naturally it has a trapeze bridge. The tone is so full, naturally due to it's size. The Epi is also Electro Acoustic, and also has a tuner. The tuner controls are situated underneath the lower F hole. I have recorded with it. It is a beautiful feeling guitar.
I have a Archtop, Arthur Hansel, built in Toronto Ont, Canada. It will be 75 years old this Nov 2023. I just brought it out of its case for this week's Jam session and The Wreck of The Edmond Fitzgerald.
thank you for the history
I loved the cut to the Lucille and back with the guitar changing in the background. Top editing 🙂.
Have a lovely Gretch from the same era! That Epi sounds wonderful!
I've got one. An old Framus that I have been playing recently. I just wish it had a more modern neck profile.
Mary... Thank you for the email... your album is on the way! The photo side by side of L1-L2-L3 guitars is invaluable to me. Thanks for the excellence you always provide. Sincerely, Sam. The Gibson kid from 1964. I think I'll go play mine right now.
I recieved my physical copy of Super Sexy Heartbreak and am terribly excited about that! I feel happy to support what I deem to be some damned fine RUclips content. I'm sure I posted some comment when you posted about getting that awesome Epiphone. It's a real treasure! love & support to you & your admireable endevours, Mary! ❤❤
D’Angelico innovated a lot, and his original guitars are so beautiful they were the highlight of an exhibit on the art of guitars at the Metropolitan Museum of Art here in NYC about 12 years ago.
You Make it Sound Good , This Guitar as a Unique Sound and I Like It...
I have a Kay Professional (circa 1932 ) with wonderful "Peaarl of Toilet seat "on its peghead . It is so full of a treble voice it was meant to take on the 4 string banjo sitting right next to it in the band .. ONe of the most interesting of the early musicians to take up the original Lowd Loar Gisbon L5 s was the Great Maybelle Carter who played that guitar through most of her long life (adding one or two for family use on stage ) .. SHe basically was the beginging of what we call Country Western today ... :)
❤ Brilliant episode Mary, thanks, for all you do and share !
My first guitar was was a Dutch very cheap arch top plywood Egmond guitar - almost impossible to play above the 3'd fret .... Then I got an old Höfner arch top - from around 1960- '61... in '67 for my 18'th birthday.
In '69 I ordered a Swedish Levin arch top, I still have. it has become one of my most played guitars over the years... But it's very fragile - I have spend a fortune to repairmen over the years.. For a long time it was my "morning go to" guitar, the one I used to figure new things out.... Now it's more or less retired.. at the same time in '69 I bought a Harmony H 1215 .. I used it for a little blues now and then .... It's still okay ....
The sad story is, I lost the Höfner in a repair shop in the '80th... They said they could not do what had to be done, and when I came to collect it, it was gone ...
Well ...
Lately I found an old 50'th Hoyer arch top guitar... from the son of the original owner... He had given up on it, because after his dad stopped playing for his living, he hang it on the wall and there it was accumulating nicotine a very thick layer for years.... very hard to remove.... But I restored it carefully and now it sounds quite good ... I always loved these guitars ...
Owner of an absolute one-of-a-kind archtop guitar here. It was made by an Italian immigrant to New York City named David B. Porrazzo in 1935, who seemed to have gotten his start making mandolins, later making the switch to archtops. Apparently he would rub raw egg white into the wood to preserve his guitars. Mine, in particular, has a spruce top, mahogany back and sides, an X-bracing, unusually for an archtop, and apparently for his guitars as well, since others I have been able to find have ladder bracing.
It is a lovely instrument
I remember that guitar!
Fred McDowell used a Harmony archtop. Harmony archtops are pretty cool too. I'm getting an ES-125 Gibson.
I remember Dave Resume of "Dave's World of Fun Stuff" leet a very "Goochy" helmet on the original video!
Great job!
I have and play a Gretsch G5034TFT. I enjoy the tremmolo with which it is equipt very mutch.
Beautiful instrument
Great tone....
Such a great mix of beautiful guitar sounds and very interesting guitar facts in every video. Love this channel. Keep up the good work Mary 👏
I have a Gretsch archtop, and I love it
Gibson ES 125 (full width body, no pickups) here. Bought new by my father in about 1956 or so. It was the guitar I learned on as a kid. It's basically the Gibson cousin of the guitar in the video.
I am elderly now. When I was a teenager I had 2 archtops like that. They were good. You need to put a pickguard.
Hi, Mary! Thanks for letting us all have another peek at that lovely guitar. The additional history was very enlightening as well! As a person who grew up very near Westerly Rhode Island here in the States, I feel it my duty to mention Guild Guitars and their wonderful archtops as well (admittedly they were predominantly electric models). It is wonderful to see Guild return from obscurity after the buyout, to once again making premier products! Unlike Gibson, they didn't lose the recipe 🤷♂😬🙂
Great video! I play and record with a 1937 Slingerland May-Bell Style 76 (round soundhole), on which I installed a floating CC pickup.
The first time I really noticed an acoustic archtop, and wondered what it was, was when I saw Dave Rawlings playing with Gillian Welch. I just looked and sounded so different.