"💡 Lightbulb moment!!! I wish I had this guitar system 30 years ago!" Discover how guitar players over 40 are finally making sense of the notes and improvising guitar solos on the fly, like the pros - FREE DOWNLOAD: www.guitarmasterymethod.com/J3oaDCFQsos
Funny because I’m going through the same experience. 30+ years of playing with just minor pentatonics. Same scale based on key regardless of chords. Only now learning triads and arpeggios.
I bought a lovely 70’s Strat when was younger and never bothered with any theory. You run out of things to play other than copying but after learning some theory 40 years later I’ve pulled that guitar out the case again and now it’s fun learning. I wish YT had been around then…
I really like the way that you break things down to explain not only what to do, but why it is done and the relationship to the full chords and progression. The simplicity of moving just one or two fingers to change the chordal tones in a progression is awesome.
A nice one, but it's sad music theory is perceived as boring, while it actually is an amazingly interesting thing if practiced slowly and systematically. This lesson is exactly an illustration how it can be done.
It’s clickbaity for sure, but it’s really about eliminating all of the intimidation surrounding music theory, whilst in the lesson actually working in practical concepts that can be used in real time without a dense academic approach attached to it. At the end of the day, music theory is a great tool. It’s even better when you cherry pick parts of it most relevant to the kind of guitar playing you identify with most!
This was extremely helpful! Thanks! I'm trying to move on from rhythm guitar to lead and this helps me use the knowledge I already have in different ways.
Eddie, you are the best. I am an older player, trying to get back into playing and you have helped me immensely. Your lessons are always insightful, interesting and easy to understand because of your enthusiasm, knowledge and teaching ability. Thank you so much.
Carlos S. uses triads lots as does Mark K., Jeff B., Green and Moore and BB. This is a revelation to playing sweet blues tunes. Thanks Eddie. I have a lot to practice now.
This is well taught . And kept simple. It’s kind of like . I always knew this. But too see it demonstrated makes a difference. A practical application makes it more fun. Good job sir . 👍Thunder Bay , Ontario , Canada
Man, a great lesson and the material you teach is so tasty! I've been going over the caged system and studied it thoroughly. Trouble with that is that, as it were, was spoilt for choice, not quite deciding from which section of the fretboard I should start. Your approach has put me on track to applying other chord shapes, using your solo idea as a reference point. Thanks!
one of the better video explanations of the process slowed down to speeds where anyone can understand it. Your connecting the dots skills for the learner (myself) is as fluent as your guitar playing. Thank you for the video... Im off to practice !
Love this type of structured lessons where everything is kept simple and explained. Liked and subscribed! One thing though - and it is only me being curios as a beginner learning the different pentatonic patterns - at 05:10 you explain that "we are in the G-pattern here", but isn´t it really the E-pattern since we are playing the A minor? The chord "inside" that pattern is A minor, or did I get something wrong here?
Please post the chord diagrams in your video. It is too difficult to find precisely where you say what string, on what fret, is that triad. Trying to go back and hear what you say the shape is and what chord it is is too cumbersome to bother any further with this.
"💡 Lightbulb moment!!! I wish I had this guitar system 30 years ago!" Discover how guitar players over 40 are finally making sense of the notes and improvising guitar solos on the fly, like the pros - FREE DOWNLOAD: www.guitarmasterymethod.com/J3oaDCFQsos
I love music theory
that is a dominant 6 chord, not a sharp 5.
Funny because I’m going through the same experience. 30+ years of playing with just minor pentatonics. Same scale based on key regardless of chords. Only now learning triads and arpeggios.
I bought a lovely 70’s Strat when was younger and never bothered with any theory. You run out of things to play other than copying but after learning some theory 40 years later I’ve pulled that guitar out the case again and now it’s fun learning. I wish YT had been around then…
Its never too late my friend! Keep rocking!
Same with me. I found it fun to explore theory.
Exact same.
I really like the way that you break things down to explain not only what to do, but why it is done and the relationship to the full chords and progression. The simplicity of moving just one or two fingers to change the chordal tones in a progression is awesome.
For me, stalled intermediate
“rhythm” player, GMM bringing life to the ideas from numerous books I’ve bogged down on. Bravo.
A nice one, but it's sad music theory is perceived as boring, while it actually is an amazingly interesting thing if practiced slowly and systematically. This lesson is exactly an illustration how it can be done.
It’s clickbaity for sure, but it’s really about eliminating all of the intimidation surrounding music theory, whilst in the lesson actually working in practical concepts that can be used in real time without a dense academic approach attached to it.
At the end of the day, music theory is a great tool. It’s even better when you cherry pick parts of it most relevant to the kind of guitar playing you identify with most!
This was extremely helpful! Thanks! I'm trying to move on from rhythm guitar to lead and this helps me use the knowledge I already have in different ways.
Eddie, you are the best. I am an older player, trying to get back into playing and you have helped me immensely. Your lessons are always insightful, interesting and easy to understand because of your enthusiasm, knowledge and teaching ability. Thank you so much.
Carlos S. uses triads lots as does Mark K., Jeff B., Green and Moore and BB. This is a revelation to playing sweet blues tunes. Thanks Eddie. I have a lot to practice now.
Thanks for the great lesson! That combo of triads sounds Santanaesque … if there’s a word for it👍
Great lesson thanks Eddie
Leonard GMM
Thanks Eddie.
Eddie, your the best teacher I have ever heard play
Nice, I'm detecting Knofler vibes!
This is "top shelf" value. Thanks.
Thank you. Always ready to learn new things.
Thank you
Really really helpful for me man. Many thanks.
glad that your this topic do thanxxxxx
Thank you so much sir I learn a lot of things from you ❤
Excellent.
Great job.
Very helpful as you talk us through it. Thank you
Very cool video, thanks for the nice explanation
This is well taught . And kept simple. It’s kind of like . I always knew this. But too see it demonstrated makes a difference. A practical application makes it more fun. Good job sir . 👍Thunder Bay , Ontario , Canada
Man, a great lesson and the material you teach is so tasty! I've been going over the caged system and studied it thoroughly. Trouble with that is that, as it were, was spoilt for choice, not quite deciding from which section of the fretboard I should start. Your approach has put me on track to applying other chord shapes, using your solo idea as a reference point. Thanks!
Very well done…..I subd
one of the better video explanations of the process slowed down to speeds where anyone can understand it. Your connecting the dots skills for the learner (myself) is as fluent as your guitar playing. Thank you for the video... Im off to practice !
Wow good lesson thank u merci
Nice playing, not boring music theory stuff at all. It is music theory though.
Hi Eddie, I always appreciate your lessons. Great topics and great breakdowns of everything
I meant to say thankyou as well
Great, thank you very much
Great Lesson Eddie 👍 well explained.
Thanks I have learn a lot from you - I used triad and inversion a lot in gospel playing - can you do a session or two only on gospel music thanks
Love this type of structured lessons where everything is kept simple and explained. Liked and subscribed! One thing though - and it is only me being curios as a beginner learning the different pentatonic patterns - at 05:10 you explain that "we are in the G-pattern here", but isn´t it really the E-pattern since we are playing the A minor? The chord "inside" that pattern is A minor, or did I get something wrong here?
Thank you very much. Great video. Rock On.
Good stuff. Just what I needed
playing 40+ yrs but now Eddie is adding the missing pieces and they are in the hundreds !!!
Love you so mch
Great video! Earned my sub.
Which pedals do you use to get that wonderful sound on your guitar ? 🙂
more nashville joy
It's the 60's Spiderman cartoon theme song!
Why do you use a sharp 5 chord and not a flat 5?
What green pick is that?
It’s a D-Grip pick!
Confusing why do press multi-table string with left hand than only pick 1 string? Do they vibrate across?
I think you’re referring to my hybrid picking. It’s a technique I use that uses both the pick and the middle and ring fingers on my picking hand
I missed that will have to watch again.
The strings that are in the same tune that the one you picked will vibrate
Please post the chord diagrams in your video. It is too difficult to find precisely where you say what string, on what fret, is that triad. Trying to go back and hear what you say the shape is and what chord it is is too cumbersome to bother any further with this.