Hi Simon! Your smooth explanation and interest makes me love your videos. I am a darbuka player for a few months now and I find your experience nicely filling the gaps in RUclips sources for darbuka.
Im playing darbuka 2 monts😢 and i think im learning some rols with fingers but i need try this ones when i get beter to practice this ones cause for beginer its hard i think do u making online class and tell me how much time i need to be at least 30% of 100%
That is “normal” split finger technique… the super split builds up on that and is more or less a systemic way of training that use of the fingers. What exactly is your question?
@@simontressin2406 my question is more about the overview , like i know these ones: - right1, right3 then left1, left3 - arabic alternation - right then left1,left3 - right1 , left13 then right 3, left13 - right1 , left 1 then right 3, left 3 My questions are: 1) are these that i summed up the only ones that exist? 2) which one is the best? Thanks :)
@@mevlutkelle4083 It might sound obvious: There exist all possibilities you can think of. The best is what creates the sound you desire or which is needed to play the music. I can tell what I see as most commonly used: In Turkey mostly R1L1R3L3 and R1L1L3 the/and/or R3L1L3 Also index middle Ring of the right together as one. In Arabic countries mostly R3L3 or sometimes R3L2 Also R1L3L2 I prefer most of them time R1L1R3L3 and R1L1L3 the/and/or R3L1L3 Also A mix of R1L1R3L3 and super split I keep developing the thoughts on my choices…
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Hi Simon! Your smooth explanation and interest makes me love your videos. I am a darbuka player for a few months now and I find your experience nicely filling the gaps in RUclips sources for darbuka.
Excelent i have been looking for this explanation for a long time ❤
Interesting! I will try this tecniks! Thanks! Im waiting more videos!
Wonderful channel and video. So nice 👏🏽
Thanks David! Thanks for your visit.
We have the same trubles with tamburello in Italy 😂
Nice and informative videos on your channel! Are all your darbukas clay ones from Egypt? They sound really good :)
Thank you Zimon !
Could show the tabla technique slowly please?
Im playing darbuka 2 monts😢 and i think im learning some rols with fingers but i need try this ones when i get beter to practice this ones cause for beginer its hard i think do u making online class and tell me how much time i need to be at least 30% of 100%
Thanku verimi aç bro veri Naizent veri her Fulya formation
wow
Thank you for sharing
what about this one? : right1, right3 and then left1, left3
That is “normal” split finger technique… the super split builds up on that and is more or less a systemic way of training that use of the fingers.
What exactly is your question?
@@simontressin2406 my question is more about the overview , like i know these ones:
- right1, right3 then left1, left3
- arabic alternation
- right then left1,left3
- right1 , left13 then right 3, left13
- right1 , left 1 then right 3, left 3
My questions are:
1) are these that i summed up the only ones that exist?
2) which one is the best?
Thanks :)
@@mevlutkelle4083
It might sound obvious:
There exist all possibilities you can think of.
The best is what creates the sound you desire or which is needed to play the music. I can tell what I see as most commonly used:
In Turkey mostly R1L1R3L3 and R1L1L3 the/and/or R3L1L3
Also index middle Ring of the right together as one.
In Arabic countries mostly R3L3 or sometimes R3L2
Also R1L3L2
I prefer most of them time R1L1R3L3 and R1L1L3 the/and/or R3L1L3
Also A mix of R1L1R3L3 and super split
I keep developing the thoughts on my choices…
Thank you very much for your answer simon🙏🙏
@@simontressin2406 Yes, thank you that is a nice food for thought and exercise ideas. R1L1R3L3 and R3L1L3 struggle is real 😅
Interesting but you talk too much
He is very talented and why do so many people have to be nasty and critical ?