0:00 - I. De l'aube à midi sur la mer - From dawn to noon on the sea/From dawn to midday on the sea 8:47 - II. Jeux de vagues - Play of the waves 15:55 - III. Dialogue du vent et de la mer - Dialogue of the wind and the sea/Dialogue between wind and waves
I am so sad to see some of the most wonderful things going without greater views and acclaim. Debussy is a world treasure and I hope that many more people will explore this stuff, especially with great and beautiful recordings such as this. Thanks so much for posting it!
Then listen to the Jean Martinon, if you don't already know it. The Boulez is wonderful but the Martinon is so muscular and powerful- it leaves every other performance for dead.
Esta obra me sigue pareciendo (al igual que la primera vez que la escuché, ya hace años) absolutamente genial. Debe ser de las más fascinantes jamás escritas para orquesta. Se puede visualizar absolutamente rodo. Y el discurso fluye de una forma perfecta, con colores y personalidad únicos. Increíble.
Other than Ansermet, I can't recall any other conductor of Boulez's stature that had a background in mathematics. I would be very interested to know what they thought of each other, for obvious reasons.
LA MER DE DEBUSSY É UMA DESSAS OBRAS QUE REPRESENTA APENAS O ENTRETENIMENTO COMO PEÇA DE CONCERTO. PORQUE O SEU CONTEÚDO TEMÁTICO É FALHO E COMPLETAMENTE DESASSOCIADO DA INTENÇÃO ORIGINAL DE DEBUSSY. ÊLE PRÓPRIO SE LAMENTOU DE QUE SUA INSPIRAÇÃO O HAVIA TRAÍDO.
Il vero orrore è lei. Diriga ciò che vuole come vuole ed eviti di dare giudizi semplicemente ridicoli su colleghi certamente incommensurabilmente più talentuosi di lei. Ho già sbagliato a definirla "collega" di un Boulez.........
One of the trully great readings!
Masterpiece of music.
No performance is as interesting and intriguing and captivating as the performance of La Mer
La Mer is unrivaled by any other sea music
Bought this CD (as well as the other Boulez Debussy one that came out at the same time) and listened to it EVERY DAY that summer!
0:00 - I. De l'aube à midi sur la mer - From dawn to noon on the sea/From dawn to midday on the sea
8:47 - II. Jeux de vagues - Play of the waves
15:55 - III. Dialogue du vent et de la mer - Dialogue of the wind and the sea/Dialogue between wind and waves
I am so sad to see some of the most wonderful things going without greater views and acclaim. Debussy is a world treasure and I hope that many more people will explore this stuff, especially with great and beautiful recordings such as this.
Thanks so much for posting it!
13:24 Exhilarating!
Best recording of this I have ever heard for sure!
Yes, this probably is the best.
I have 29 superb recordings of this. Still the best, Mr. Boulez with the Cleveland masters. Such a GREAT orquestra!!!
@William oh yes, such a masterpiece. Fritz Reiner/Chicago Orchestra on RCA is another absolute TOP. Anything from Reiner and Chicago.
Then listen to the Jean Martinon, if you don't already know it. The Boulez is wonderful but the Martinon is so muscular and powerful- it leaves every other performance for dead.
@@derfreischutz4380 For me, Reiner has no equal.
Esta obra me sigue pareciendo (al igual que la primera vez que la escuché, ya hace años) absolutamente genial. Debe ser de las más fascinantes jamás escritas para orquesta. Se puede visualizar absolutamente rodo. Y el discurso fluye de una forma perfecta, con colores y personalidad únicos. Increíble.
La plus belle
原來布列茲身為一個作曲家,他也深諳其他作曲家曲子之曲意！以前一直漏聽,漏藏本版本,差點造成遺珠之憾！聆賞後至少可以確定第二及末樂章非常👍👍,第二樂章可以聽出海水到最後正在退潮！？潮水及海面上的波光,以日本風的旋律表現出來,饒富氣氛！末樂章剛開始在其他版本一直聽不出曲意,原來那是在描寫夕陽下海面上的光影變化！？當然是從這個版本聽出來的,最後的日落盡雲中也大致可聽出來,希望現在還買得到這個版本！
Good guy!!
21:00 Matrix !
Other than Ansermet, I can't recall any other conductor of Boulez's stature that had a background in mathematics. I would be very interested to know what they thought of each other, for obvious reasons.
Grande version. Toutefois la très belle version de Martinon a l’avantage d’avoir une meilleure prise de son : orchestre plus proche et plus coloré.
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least insane classical music fan
8:04
4:44
LA MER DE DEBUSSY É UMA DESSAS OBRAS QUE REPRESENTA APENAS O ENTRETENIMENTO COMO PEÇA DE CONCERTO. PORQUE O SEU CONTEÚDO TEMÁTICO É FALHO E COMPLETAMENTE DESASSOCIADO DA INTENÇÃO ORIGINAL DE DEBUSSY. ÊLE PRÓPRIO SE LAMENTOU DE QUE SUA INSPIRAÇÃO O HAVIA TRAÍDO.
Che orrore già al inizio nessun p subito. E uguale uguale. Clarinetto non sono mai insieme
Porco italiano coronavirus
Il vero orrore è lei. Diriga ciò che vuole come vuole ed eviti di dare giudizi semplicemente ridicoli su colleghi certamente incommensurabilmente più talentuosi di lei. Ho già sbagliato a definirla "collega" di un Boulez.........