@dr.rabindranathmukhopadhya3439 indeed..On the tabla accompanying panditji is Ustad Sabir Khan and on flutes respectively Late Shri Ramakant Patil ji and Pt.Rupak Kulkarni ji.
Dear Panditji This is very old live program about 25 years ago as the same cassette with me and I am practicing rag Hansdhwani from same cassette since 25 yeas by listing many times.Lot of things learned and improved myself and adopted your style.Thanks panditji by seeing in video. Ravidas S Gone ( Flute player) AGM ( Vizag steel)
@@anoopsinghbhakuni9132 nfenr🎉frrnneenfrrnnefbbfnhhdkfmceecemmgeggmgffgveffefmfmmmmmfevffff d mfgmmbemembembembemhembembembembeemb3hmbembehmbefmbecmemhmebmhmbfmhmhmebmffbccbemhcecebmcbeemhmchebmcebbemhmhmfbmbfmbfmehemhmcbembembechmhmfbemhmhmhmhmhmhmecmcbemhmhmhmhmhmhmhmhmebhmbembemhmhmhmbevmhmembemhmbemehmmhmebmehmbecmhmbemhmbecmbfmhmmcemhmbecmhmbechmmbecmbevmhmfbbecmbecmcbemcebmbecmhmhmbecmbefmbfmhmbecmhmhmhmfbmbecmbecmebcmbecmbecmbecmbfmhmbecmcbembevemhmbecmhhmmbfemhmebmbecmbecmececcebbehmmbecemfvmemfebcvdbbcemebfmebvembcbbemebccbeccebdbcbebbecbmbefbmebmvefmdmdvdffdvddfmvdfffmfdfdmdmemmemmwvvvheebvfme😂mhmmmevmmevbmecbmevmecmevmevmefhmevbcbmcbcccbybmemcmemmemfmff❤️mecc❤️cbeebum❤️b❤️cmebceevh❤️bb❤️v❤️veb❤️bvfbc❤️ev❤️ee❤️v❤️evcbb❤️bmcf❤️ he mmeve❤️vvbvbevebcbcb
I am a musician from Argentina a lover of Indian classical music which has taught me so much about the deepness of sound, rhythm and movement. But I do not speak hindi so if you could subtitle this video I would love to know what this great master is saying... than you for posting anyway!!!
Hamsadhvani (meaning Sound of Swans) also spelled as Hansadhwani, is a rāga in Carnatic music (musical scale of Carnatic tradition of Indian classical music). It is an audava rāgam (or owdava rāga, meaning pentatonic scale).
Hey Bhagwan!!!!!! From the time stamp 11:13 to 11:16 there is a fly crawling around on Hari Ji's hand lol. He just keeps playing! Wahhh, that must of tickled haha
Dear Sir, I have been your fan since my younger age. I had purchased this cassette to practise Hansadhwani. I have a great respect for you. You are the pioneer in introducing flute in the world classical music but you don't take credit that's the real beauty of your greatness. Love 💘 you sir.
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Guruji ApKa yeh bat mare Jeevan me mil jati Hain sompurna. Lekin main Apke qualification k aspas kavi bhi nahi ja paunga guruji. Mere pranam apko Guruji. Asirbad kijiye mujhe sir. Mere Guruji Nahi Mila koi bansuri shikhne me ortha k karan. Online class me 1000 /- mangta Hain teacher. Is liye main Akela bajata hu Jo mujhe ata Hain.
Attempt to translate the initial speech. {It seems like, this is the second part of a concert-where, this commentary is being given after playing the first part - in a particular *raag* - translator} Come, after playing *Raag Jog*, I want to share some thoughts with you. BTW, I would like to inform you at the outset that in our Indian culture we have two classical forms of music- one is the *hindustaani* music, and the other is the *kaarnaatik* music. You will find this only in India. There is no other place which has two different classical music forms. And today, in this programme, I have taken two *Raags* (raag - roughly translates to ~ allowed tones/order for the specific musical scale). The first one was *Raag Jog* - which is more popular in *hindustani* music. And the second one we are going to play is more popular in southern India (in *kaarnatik* music)- whose name is *Hansadhwani* (literally, sound of swan). Apart from this, I will also share, for your information, about my own childhood. That, I wasn’t born as a *baansuri* player (*baansuri* Indian flute - used in the *Hindustani* style). As I grew up, I started to learn vocal music in the beginning. And, then during singing, sometimes I used to sing *bhajans* (devotional song), and sometimes film songs. I used to listen to big musicians (*ustaad* - usually referred to musical master) and sing their compositions. I tried learning vocal music for about 2-3 years. In my family nobody had interest in music/singing. My father was a wrestler. And he used to tell me, “son, you also play wrestling with me”.. He used to take me to the gym (*akhaada* is the name used for gym). It was not the case that he “hated” singing/music, just that they didn’t like me make a living out of music. Well, how time flew.. I kept on singing. And then I kept on listening to great artists. BTW, Allahabad is my birth place. And a lot of musicians/artists would come here. For me, of all the instruments, the sound of *baansuri* seemed so nice, and so sweet, that I thought- why not I try playing the *baansuri*. From childhood, I have been seeing Krishna Bhagawan (one of the gods, an incarnation of Vishnu) also had a *baansuri* with him. I used to wonder, how nice the sound of *baansuri* should be - that we used hear in the epic stories that when Krishna played the *baansuri*, the cows would be mesmerized and enjoy that music; the peacocks would dance to his tunes. The *gopis* (maids) would come to him, play with him for this sweet music. After that, I chose *baansuri*, and had to do a lot of *tapas* (repeated concentrated efforts). There was no string, there was no skin. A very simple piece of bamboo. There are 6 holes over the length. One at the top-end. You need to blow from the top-end; control the six holes with fingers. With 6 holes, we need to produce 12 notes (as required in *hindustaani* form of music). So, to produce those 12 notes I need to find out the techniques of playing with my fingers, and this needed a lot of *tapas*. And today, this instrument has, not only in India, but in the whole world, become so famous. I don’t want to say this has become famous because of me; but surely because of god Krishna. Whereas, the name it got in the field of classical music- there I have spent a lot of effort. And, I am also aware that you all like my style of playing this instrument. In my style of playing, you can observe one thing. When I start with *aalaap* (the beginning piece of a concert with only long notes played in a slow manner, with no accompaniments), this *aalaap* is usually in the *dhrupad* style (one of the styles of *hindustaani* music). When I do *joD* that also belongs to *dhrupad* style. Whereas, while playing any composition, then it will be of *khayaal* style/form. This form is of very ancient times. This {I guess, he is referring to the *khayaal* form} I had the fortune of learning from our teacher - our “teacher mother”- Annapurna Shankar (*guru maa* - usually, most Indians refer to older ladies as *maa* = mother). Even these days, I go to her, to learn from her. Even as I learn more and more from her, I come to know how far away is it to reach the end of learning of the art of music. I also want to tell you, the amount of knowledge that an artist can get from the ancient form of education - in the *guru-shishya* style of education - ( *shishya* - student), that amount of knowledge is way much more compared to any modern “school” type of education. Even as I teach to students now, I still follow the *guru-shishya* style. Now, I want to tell something about *baansuri* itself. It is such an ancient instrument. I feel, this instrument is as old as the mountains. Can anyone tell how many years, or days old, a mountain is? When did this mountain begin to form? This instrument looks so simple. And why? Because, the lord Krishna himself made this. We didn’t make it. When Krishna made this, he would have thought it should not be difficult to make one. There shouldn’t be the need to tie a fine metal string, or skin of an animal. He just took a bamboo, made a few holes, and began blowing air… making music out of it. He began to play and dance amidst the *gopis* (maids of Vrindavan). But, the effort needed to play this, the energy needed to blow, the finger position, the amount of blowing needed to bring out a tone,- all these, we are able to realize now - that how much *tapas* is needed. How much *saadhanaa* (disciplined training) is needed. Why? That’s because from the mere 6 holes, we need to produce 12 tones, and over 2-2.5 octaves, by blowing and adjusting the finger movement. This is a very difficult task. Also, if it is tuned properly, somehow the tones get produced. But when this person (referring to himself) is not in-tune with the *swar* (pure note) from within, then it would be impossible to produce the clear notes from any instrument. Further, I want to tell this. That today, *baansuri* (flute, in general) has been considered as the oldest musical instrument the world over, not only in India. It has also become very popular, that many many people have this in their homes. And, most of the forms are very much alike. Yes, here in India, we make it out of bamboo. In some foreign countries, it is made of metal. And, in some other places, made of {unable to decipher the material} - with slight modifications in the shape, but with overall similar form. And, sound as well - there are slight differences. The metal flutes - produce metallic, sharp notes. The ones made of bamboo produce slightly different notes. But, for me, the dearest is the sound produced by bamboo. It also feels very natural. {end}. Key: All Indian words are within asterisks **, with a brief meaning in parentheses () Personal comments are in braces {} namaste🙏 Music begins at @8.11
प्लीज सर क्या आप मुझे हरिप्रसाद चौरसिया जी का नंबर दे सकते हैं मैं उनसे कब से बात करने की आशा कर रहा हूं किंतु नंबर नहीं मिल पाता मैं उनका नंबर बहुत खोजा मगर कहीं नहीं मिला क्या आप मेरी मदद करेंगे प्लीज प्लीज
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Supporting artists also deserve to be identified.
Somebody below said Ustad Sabir Khan on the tabla...
@dr.rabindranathmukhopadhya3439 indeed..On the tabla accompanying panditji is Ustad Sabir Khan and on flutes respectively Late Shri Ramakant Patil ji and Pt.Rupak Kulkarni ji.
Dear Panditji
This is very old live program about 25 years ago as the same cassette with me and I am practicing rag Hansdhwani from same cassette since 25 yeas by listing many times.Lot of things learned and improved myself and adopted your style.Thanks panditji by seeing in video.
Ravidas S Gone ( Flute player) AGM ( Vizag steel)
Ravidas Shamrao Gone on
Replying after 3 years ago, great sir ji❤️
How sweet ! La jabab,my respect to panditji
@@anoopsinghbhakuni9132 nfenr🎉frrnneenfrrnnefbbfnhhdkfmceecemmgeggmgffgveffefmfmmmmmfevffff d mfgmmbemembembembemhembembembembeemb3hmbembehmbefmbecmemhmebmhmbfmhmhmebmffbccbemhcecebmcbeemhmchebmcebbemhmhmfbmbfmbfmehemhmcbembembechmhmfbemhmhmhmhmhmhmecmcbemhmhmhmhmhmhmhmhmebhmbembemhmhmhmbevmhmembemhmbemehmmhmebmehmbecmhmbemhmbecmbfmhmmcemhmbecmhmbechmmbecmbevmhmfbbecmbecmcbemcebmbecmhmhmbecmbefmbfmhmbecmhmhmhmfbmbecmbecmebcmbecmbecmbecmbfmhmbecmcbembevemhmbecmhhmmbfemhmebmbecmbecmececcebbehmmbecemfvmemfebcvdbbcemebfmebvembcbbemebccbeccebdbcbebbecbmbefbmebmvefmdmdvdffdvddfmvdfffmfdfdmdmemmemmwvvvheebvfme😂mhmmmevmmevbmecbmevmecmevmevmefhmevbcbmcbcccbybmemcmemmemfmff❤️mecc❤️cbeebum❤️b❤️cmebceevh❤️bb❤️v❤️veb❤️bvfbc❤️ev❤️ee❤️v❤️evcbb❤️bmcf❤️ he mmeve❤️vvbvbevebcbcb
Bhagwaan aapko sangeet ke aur bhe samajh pradan karain
Aapko bahut shubhkamnaye aap aik saadhak hain
Hansdhwani is his ultimate mastery.
Absolutely ..revisit again and again
Amar Pronam roilo,,,bhalo thakben🎉❤🎉
I am a musician from Argentina a lover of Indian classical music which has taught me so much about the deepness of sound, rhythm and movement. But I do not speak hindi so if you could subtitle this video I would love to know what this great master is saying... than you for posting anyway!!!
I think that is an excellent idea. I think there are many in the world that would be quite interested to see a translation of what he is saying here.
Hamsadhvani (meaning Sound of Swans) also spelled as Hansadhwani, is a rāga in Carnatic music (musical scale of Carnatic tradition of Indian classical music). It is an audava rāgam (or owdava rāga, meaning pentatonic scale).
In classical ragas, there are no lyrics, we have to appreciate just the 7 swaras,( sounds) sa, re ga ma ,pa , dha , ni ,sa
The swaras are Sa Re(shudh) Ga(shudh)Pa Ni(shudh) Sa. Hare Krishna.
Sublime and soulful music! No wonder the gopikas could not resist the urge to run to Yamuna on hearing lord Krishna! Thank you masterji!
I adore hariji. No doubt why his name starts from Hari. He is the God of bansuri! Pandit jasraj once said" Bhagwan ne Hari ko prasad mein di Bansuri"
Touch. to. heart
ullasv is
Hariprasad Chaurasia is a national treasure. So proud of what he represents-humility, hardwork and perseverance.
I am flutist from Pakistan Sindh . Love you guru jee
You are one of the greatest gifts of lord Krishna.
This is the best version. Listening to this for last 17 years..............
Mn tarpat HARI DARSHAN ko aaj...
Paay laagu,,, GURU JI. !!!
Apko koti koti pranam Guruji. Sadar Naman 🙌🙌🌹🌹
Still gives goosebumps! Knowing how hard to play like this and how beautifully guru ji has done it.
Hey Bhagwan!!!!!! From the time stamp 11:13 to 11:16 there is a fly crawling around on Hari Ji's hand lol. He just keeps playing! Wahhh, that must of tickled haha
Guruji Ko mera koti koti pranam...🙏🙏🙏
Dhanyawaad Gurujee
Vaatapi ganapatim bhaje 🙏🙏🙏
Dear Sir, I have been your fan since my younger age. I had purchased this cassette to practise Hansadhwani. I have a great respect for you. You are the pioneer in introducing flute in the world classical music but you don't take credit that's the real beauty of your greatness. Love 💘 you sir.
Great pt.......
& ustad sabir khan saheb tabla
young rupak Kulkarni N Hari ji... and the famous composition....god bless them...
With Sabir Khan on tabla
Yes😀
Tq u sir ji, aapka guidance flute lovers ko bahut encourage karta h sir.. U r great sir
You are great. Pranam Pt. Ji
When I listen to it I see images or feelings in my mind, of something very vivid and heart touching, of something I have lost long ago... Thank you.
Big like 960
Bohat ache sirji mera sangeet me koi nahi hain dooor hota jara hu me
Thanks!
A true legend ❤️
Namaste❤️
Beauty of Bhaaratiya music. May Allah bless us all with such gifts.
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Just humble respect. Short of words. Pranam!
Pranam pandit ji...
Thanks for watching
Please post more videos.. of interview with pt.hari prasad chaurasia
🙏🙏🙏
Magnificent!!!! No words to express the beauty of the whole experience!!
🙏🙏🙏🙏💓💓💓💓Jay ho Guruji ki
Soulful rendition by a pious.
Mesmerising music. Evergreen
Thnx T-series for posting and archiving it, its a tr8 to watch Guruji speaking about his life and then play Raag Hanswadhani
awesome n real supportive suggestion by guru ji
अद्भुत
Enchanting 😍😍😍🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥺
Wah Guru dev, Masha Allah
awesome Hariji
Ustad Sabir khan on Tabla!!!
Thnks T SERIES FOR THIS STEP
Thanks for posting this video.. u r really great
Виртуозно,что ещё добавить!
This is fantastic. Pandit ji one of the last true greats.
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Beautiful introduction
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so peaceful hai
simply awesome.
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Nice pandeet ji
Young panditji... this may be 70s video....
🙏🙏🙏🙏🙏🙏❤️
Wow 👍👌👌👌👌
Thank you so much, I have been looking for this version of Raag Hamsadhvani as this involves little tabla or percussion.
Guruji ApKa yeh bat mare Jeevan me mil jati Hain sompurna. Lekin main Apke qualification k aspas kavi bhi nahi ja paunga guruji. Mere pranam apko Guruji. Asirbad kijiye mujhe sir. Mere Guruji Nahi Mila koi bansuri shikhne me ortha k karan. Online class me 1000 /- mangta Hain teacher. Is liye main Akela bajata hu Jo mujhe ata Hain.
Im also a flute lover.Same case,nobody practises music music in my family.
❤❤
Attempt to translate the initial speech.
{It seems like, this is the second part of a concert-where, this commentary is being given after playing the first part - in a particular *raag* - translator}
Come, after playing *Raag Jog*, I want to share some thoughts with you.
BTW, I would like to inform you at the outset that in our Indian culture we have two classical forms of music- one is the *hindustaani* music, and the other is the *kaarnaatik* music. You will find this only in India. There is no other place which has two different classical music forms.
And today, in this programme, I have taken two *Raags* (raag - roughly translates to ~ allowed tones/order for the specific musical scale). The first one was *Raag Jog* - which is more popular in *hindustani* music. And the second one we are going to play is more popular in southern India (in *kaarnatik* music)- whose name is *Hansadhwani* (literally, sound of swan).
Apart from this, I will also share, for your information, about my own childhood. That, I wasn’t born as a *baansuri* player (*baansuri* Indian flute - used in the *Hindustani* style). As I grew up, I started to learn vocal music in the beginning. And, then during singing, sometimes I used to sing *bhajans* (devotional song), and sometimes film songs. I used to listen to big musicians (*ustaad* - usually referred to musical master) and sing their compositions. I tried learning vocal music for about 2-3 years. In my family nobody had interest in music/singing. My father was a wrestler. And he used to tell me, “son, you also play wrestling with me”.. He used to take me to the gym (*akhaada* is the name used for gym). It was not the case that he “hated” singing/music, just that they didn’t like me make a living out of music.
Well, how time flew.. I kept on singing. And then I kept on listening to great artists. BTW, Allahabad is my birth place. And a lot of musicians/artists would come here. For me, of all the instruments, the sound of *baansuri* seemed so nice, and so sweet, that I thought- why not I try playing the *baansuri*. From childhood, I have been seeing Krishna Bhagawan (one of the gods, an incarnation of Vishnu) also had a *baansuri* with him. I used to wonder, how nice the sound of *baansuri* should be - that we used hear in the epic stories that when Krishna played the *baansuri*, the cows would be mesmerized and enjoy that music; the peacocks would dance to his tunes. The *gopis* (maids) would come to him, play with him for this sweet music. After that, I chose *baansuri*, and had to do a lot of *tapas* (repeated concentrated efforts). There was no string, there was no skin. A very simple piece of bamboo. There are 6 holes over the length. One at the top-end. You need to blow from the top-end; control the six holes with fingers. With 6 holes, we need to produce 12 notes (as required in *hindustaani* form of music). So, to produce those 12 notes I need to find out the techniques of playing with my fingers, and this needed a lot of *tapas*. And today, this instrument has, not only in India, but in the whole world, become so famous. I don’t want to say this has become famous because of me; but surely because of god Krishna. Whereas, the name it got in the field of classical music- there I have spent a lot of effort. And, I am also aware that you all like my style of playing this instrument.
In my style of playing, you can observe one thing. When I start with *aalaap* (the beginning piece of a concert with only long notes played in a slow manner, with no accompaniments), this *aalaap* is usually in the *dhrupad* style (one of the styles of *hindustaani* music). When I do *joD* that also belongs to *dhrupad* style. Whereas, while playing any composition, then it will be of *khayaal* style/form. This form is of very ancient times. This {I guess, he is referring to the *khayaal* form} I had the fortune of learning from our teacher - our “teacher mother”- Annapurna Shankar (*guru maa* - usually, most Indians refer to older ladies as *maa* = mother). Even these days, I go to her, to learn from her. Even as I learn more and more from her, I come to know how far away is it to reach the end of learning of the art of music. I also want to tell you, the amount of knowledge that an artist can get from the ancient form of education - in the *guru-shishya* style of education - ( *shishya* - student), that amount of knowledge is way much more compared to any modern “school” type of education. Even as I teach to students now, I still follow the *guru-shishya* style.
Now, I want to tell something about *baansuri* itself. It is such an ancient instrument. I feel, this instrument is as old as the mountains. Can anyone tell how many years, or days old, a mountain is? When did this mountain begin to form?
This instrument looks so simple. And why? Because, the lord Krishna himself made this. We didn’t make it. When Krishna made this, he would have thought it should not be difficult to make one. There shouldn’t be the need to tie a fine metal string, or skin of an animal. He just took a bamboo, made a few holes, and began blowing air… making music out of it. He began to play and dance amidst the *gopis* (maids of Vrindavan). But, the effort needed to play this, the energy needed to blow, the finger position, the amount of blowing needed to bring out a tone,- all these, we are able to realize now - that how much *tapas* is needed. How much *saadhanaa* (disciplined training) is needed. Why? That’s because from the mere 6 holes, we need to produce 12 tones, and over 2-2.5 octaves, by blowing and adjusting the finger movement. This is a very difficult task. Also, if it is tuned properly, somehow the tones get produced. But when this person (referring to himself) is not in-tune with the *swar* (pure note) from within, then it would be impossible to produce the clear notes from any instrument.
Further, I want to tell this. That today, *baansuri* (flute, in general) has been considered as the oldest musical instrument the world over, not only in India. It has also become very popular, that many many people have this in their homes. And, most of the forms are very much alike. Yes, here in India, we make it out of bamboo. In some foreign countries, it is made of metal. And, in some other places, made of {unable to decipher the material} - with slight modifications in the shape, but with overall similar form. And, sound as well - there are slight differences. The metal flutes - produce metallic, sharp notes. The ones made of bamboo produce slightly different notes. But, for me, the dearest is the sound produced by bamboo. It also feels very natural. {end}.
Key:
All Indian words are within asterisks **, with a brief meaning in parentheses ()
Personal comments are in braces {}
namaste🙏
Music begins at @8.11
Inspirational
great
+Shambhu C Ray Thanx for watching. Your comment appreciate us...!! Keep watching.
it's great man
just loved it
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দুনিয়ায় যে যাকে বেশী ভালোবাসে.পর জনমে তার সাথেই বসবাস হয় ... আমি এই জীবনে চৌরাসিয়াকে ই বেশী ভালোবাসি.. আমার পর জনম যেনো হয় চৌরাসিয়ার সাথে
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ultimate....
Hi, Thanks for watching, Subscribe our channel for more latest updates. Don't forget to like, share & comment.
he is right
Bhagwan shrikrishna has made the flute.
🙏🙏🙏🙏😊🙏
You should try to incorporate videos of other tabla maestros as well
🙏🙏🙏🙏🙏
devine feeling
wah
🙏!
😍😍
Captions please!
Vatapi Ganapati!!
naman
I like
Please include the Tabla artist's name in the description. Otherwise it will remain as a huge mistake from your part.
नेपाली में मिलेएगाआ
प्लीज सर क्या आप मुझे हरिप्रसाद चौरसिया जी का नंबर दे सकते हैं मैं उनसे कब से बात करने की आशा कर रहा हूं किंतु नंबर नहीं मिल पाता मैं उनका नंबर बहुत खोजा मगर कहीं नहीं मिला क्या आप मेरी मदद करेंगे प्लीज प्लीज
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Updates...!!_*
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bit.ly/2tRZAze
I consider hariji as the reincarnation of Lord Krishna
14: 27 - 14: 30
abarnaniya
व्यर्थ के कार्यों में समय लगाने के स्थान पर हमारे युवकों युवतियों को इस प्रकार की कला पाने का प्रयास करना चाहिए।
Виртуозно,что ещё добавить!
abarnaniya