Beethoven - Piano sonata n°4 op.7 - Michelangeli London 1982

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  • Опубликовано: 8 янв 2025

Комментарии • 37

  • @claudioacquistapace8977
    @claudioacquistapace8977 4 года назад +6

    Una interpretazione favolosa e, credo, difficilmente ripetibile. Solo Michelangeli, con il suo tocco, sa ricavare dal pianoforte una incredibile varietà di sonorità, tutte di cristallina purezza e bellezza.

    • @mariarizzo8816
      @mariarizzo8816 Год назад

      Ma nessuno si accorge che lo strumento sul quale suona ha un timbro e una dinamica potenziale totalmente diversi da qualunque altro strumento su cui suonano gli altri? Frutto di una preparazione da parte dei tecnici ossessiva e iperbolica.

    • @ArrauWhynot
      @ArrauWhynot Месяц назад

      @@mariarizzo8816Concordo, spesso alla gente non piace ragionare con la logica ma idealizzare i propri idoli come se avessero dei poteri magici e con questo non sminuisco Michelangeli ( uno dei miei pianisti italiani preferiti ) sono semplicemente realista.

    • @ArrauWhynot
      @ArrauWhynot Месяц назад

      @@mariarizzo8816Stessa cosa con lo Steinway di Horowitz, poi ovviamente lui di suo aveva un modo di suonare particolarmente eccentrico e speciale, aveva una vastità dinamica e tocco che in pochissimi hanno però rimane sempre un umano.

    • @mariarizzo8816
      @mariarizzo8816 Месяц назад

      @@ArrauWhynot ti ringrazio per la risposta

  • @mehmetiksel257
    @mehmetiksel257 4 года назад +4

    One of my favourite 32 sonatas. Real concert piece! Perfetto!

  • @JohannaCTjia
    @JohannaCTjia 8 лет назад +4

    Michelangeli and Beethoven.... Wonderful

  • @thomgeo8073
    @thomgeo8073 2 года назад +3

    Arturo You are my LOVE

  • @mariolongo7369
    @mariolongo7369 5 лет назад +3

    The Perfection!!!

  • @thomgeo8073
    @thomgeo8073 2 года назад +1

    Какая Глубина Души Всё это от Бога Он
    Через Бога Воскрещает любового Автора

  • @muellfrank
    @muellfrank 4 года назад +7

    i was there. unforgettable. on the stage two steinways, one for the other half with debussy. big evening. the greatest pianist.

    • @PeterWillsherWillsherMusic
      @PeterWillsherWillsherMusic 4 года назад +2

      Me too!

    • @Matthan678
      @Matthan678 3 года назад +2

      @@PeterWillsherWillsherMusic I was there too, still have the ticket stub! a great evening

    • @syourke3
      @syourke3 2 года назад

      He used two different pianos in the same concert, one just for Debussy?! That’s amazing! Could you hear any difference between the pianos?

    • @RaineriHakkarainen
      @RaineriHakkarainen Год назад

      Come on Frank! Not true!! ABM not the greatest! ABM no flow! No rhythmic vitalness! No genius! Really the greatest Wilhelm Kempff( the most beautiful sound!) Grigory Sokolov( the Giant! The Titan of Piano!) Emil Gilels( the King!) Artur Rubinstein( the GOD!) Sviatislav Richter Radu Lupu( the most colorful piano sound!) ABM played second-rated concertos like Mozart no 15! Haydn G major! Liszt no 1! ABM never played the best piano concertos like JS Bach 1052! Rachmaninov 1-3! Chopin 1-2 Brahms 1-2 Prokofiev 1-3 Saint-Saens no 2 Thaikovsky no 1!

    • @edwindepianist
      @edwindepianist Год назад

      @@Matthan678 What was the complete program please?

  • @innocenzobarrera1505
    @innocenzobarrera1505 5 лет назад +1

    ... impressionantemente bellissimo!

  • @yaelpalombo4093
    @yaelpalombo4093 2 года назад

    Perfezione!

  • @giorgioscriabin8725
    @giorgioscriabin8725 4 года назад +2

    Super

  • @notaire2
    @notaire2 6 лет назад +1

    Klare und perfekt artikulierte live Interpretation dieser jugendlichen Klaviersonate vom größten Komponisten im früh19. Jahrhundert. Echt genial!

  • @russosiculo
    @russosiculo 6 лет назад +2

    Il leggendario tocco di ABM...

  • @Fritz_Maisenbacher
    @Fritz_Maisenbacher Год назад

    From the very first bars, utterly boring.

    • @albertogrossi3883
      @albertogrossi3883 Год назад

      are you sure ?

    • @Fritz_Maisenbacher
      @Fritz_Maisenbacher Год назад +1

      @@donalwalsh1129
      It's not a problem of sound quality or acoustic.
      When I listen to music, I do not care about sound quality. It's for me a nonsensical point.
      The real point for me is that Michelangeli is making Beethoven as a dead corpse.
      His (pseudo) "classicism " is a very toxic poison to living music.
      So Barenboïm too.
      And yes, you guessed perfectly right, Artur Schnabel is my idol.
      Bravo !
      (and yes again, making music "safe" is completey stupid)

    • @Fritz_Maisenbacher
      @Fritz_Maisenbacher Год назад

      @@donalwalsh1129
      Dear Mr. Walsh,
      - "pseudo-classicism" is the (wrong) way to play a warm music like an arrogant fridge.
      - the point that I am not interested about acoustic is not a "lack" of sensibility (why are you insulting me, you asshole ?) , but a very conscious will of myself, as privileging music and not ear comfort.
      - I do not judge church acoustic, but recording acoustic.
      - If Michelangeli was synesthesic, yes, but he could have played with sensibility. Which is not the case.
      - I use the words I choose. Even if you are pleased or not.
      And yes, safety in music is stupid, even more, it's a treason, in many, many works a pianist is interpretating.

    • @steveegallo3384
      @steveegallo3384 Год назад +1

      @Fritz_Maisenbacher -- Meticulous exciting highly-nuanced performance.....BRAVO, Maestro....from Acapulco!

    • @donalwalsh1129
      @donalwalsh1129 11 месяцев назад

      Subtle. Belated greetings to you from Canterbury, England! Hope all is well with you in Acapulco despite hurricane 'Otis'.@@steveegallo3384