I don’t think I have ever been told or shown how to do this! It was one of those things you had to work out yourself. Definitely going to give the from the string approach a go… my wild one is too wild 😂
Hi Michelle! Oh, we can talk about this in your lesson or in class! 👍 And it’s true: I don’t see many tutorials on this…! Hope the ‘from the string’ approach works for you!
Oh my... all the flashery of the violin. As it's usually largo that brings out foibles in disciplines such as voice, that's what I listen for. I can't keep up with this stuff- but the way Ertan Torgul cuts that lovely device in half, or Ahram Kim makes it moan like (nameless popular Turtkish singer)- these approaches impart your chosen instrument a character that we the people often don't get to hear. Everyone thinks of flash and flourish- but the violin's deeper, darker side brings out so much. I'm almost there in cutting up microphones to get it. That F in Evaristo. I've heard it played as a tone- then I've heard it as some neural meltdown of expression. Widely expressive instruments in the right hands. I'm impressed, after having heard just half of it for so long. Thanks for your insights to those who actually produce these sounds.
@@violynnkuo Thanks for your own attentiveness. I enjoy the viols, as an outsider to them (it was always something else for me to pursue)- but the fact that the violin can stretch its voice beyond what we hear a la Quattro Stagioni's flurries or soli above an orchestra was a pet target of mine after mixing some for a Mr. Maksin's cello. I liken to the chalumeau of the clarinet, or the lower stops of harpsichord with leather, not plastic, plectra. There's a richness to be had from it. Usually, for me, the violins are up there with the other voices in chamber, but rarely, they have taken on their own pedestal. I asked Ahram Kim what strings she used, I knew not Super Sensitives- but she didn't say. I was too preoccupied during Ertan's appearance. They both get that mystic sound of breath. Think a tiny cello. That wide envelope. I used to think it stopped at the viola, but they got it. If anyone can appreciate that facet, you can. (And, monetized or not, the fact of your sharing your dedication with the World is remarkable. It is a gift to music in itself.)
Hi John, thanks for commenting and watching! I didn’t do anything different in this video. 🙂 I think in previous videos, I was just contending with unpredictable wind gusts 💨 and my amazing video editor (AV Virtual Productions) had to apply “de-wind”!
Thanks so much! That is a bow stroke that I have done, but couldn't explain exactly how I did it to students!!!! The farther contact point was the part I didn't realize that I was doing! This will help SO much!!!!!!!!!!!!!!!!!! Thank you!😊
Thank you for answering this question for me! I've been waiting! Your descriptions are so clear in your videos. I can usually do either the down bow or the up bow so I'll get on these exercises right away. Thank you! ❤🎻
Hi Daniel, it depends on tempo/speed of the notes but generally speaking, yes, it’s approximately the upper part… But definitely feel it in your bow stick, learn how it behaves, and adjust accordingly.
I don’t think I have ever been told or shown how to do this! It was one of those things you had to work out yourself. Definitely going to give the from the string approach a go… my wild one is too wild 😂
Hi Michelle! Oh, we can talk about this in your lesson or in class! 👍
And it’s true: I don’t see many tutorials on this…!
Hope the ‘from the string’ approach works for you!
Great! Thanks.
lynn, you are the best violinist and a great teacher, I keep coming back to you to learn so many techniques! Thank you so much!
Aww, that is absolutely the kindest and most genuine comment someone could write. 🙏 😊 Thank you SO much! 🥰 🎻
Oh my... all the flashery of the violin. As it's usually largo that brings out foibles in disciplines such as voice, that's what I listen for. I can't keep up with this stuff- but the way Ertan Torgul cuts that lovely device in half, or Ahram Kim makes it moan like (nameless popular Turtkish singer)- these approaches impart your chosen instrument a character that we the people often don't get to hear. Everyone thinks of flash and flourish- but the violin's deeper, darker side brings out so much.
I'm almost there in cutting up microphones to get it. That F in Evaristo. I've heard it played as a tone- then I've heard it as some neural meltdown of expression. Widely expressive instruments in the right hands. I'm impressed, after having heard just half of it for so long. Thanks for your insights to those who actually produce these sounds.
Thanks for watching and for your comment!
@@violynnkuo Thanks for your own attentiveness. I enjoy the viols, as an outsider to them (it was always something else for me to pursue)- but the fact that the violin can stretch its voice beyond what we hear a la Quattro Stagioni's flurries or soli above an orchestra was a pet target of mine after mixing some for a Mr. Maksin's cello. I liken to the chalumeau of the clarinet, or the lower stops of harpsichord with leather, not plastic, plectra. There's a richness to be had from it. Usually, for me, the violins are up there with the other voices in chamber, but rarely, they have taken on their own pedestal. I asked Ahram Kim what strings she used, I knew not Super Sensitives- but she didn't say. I was too preoccupied during Ertan's appearance. They both get that mystic sound of breath. Think a tiny cello. That wide envelope. I used to think it stopped at the viola, but they got it. If anyone can appreciate that facet, you can. (And, monetized or not, the fact of your sharing your dedication with the World is remarkable. It is a gift to music in itself.)
Dr. Lynn thank you for sharing your knowledge. Thank you for improving the audio quality on the video. It makes a huge difference 😊
Hi John, thanks for commenting and watching!
I didn’t do anything different in this video. 🙂 I think in previous videos, I was just contending with unpredictable wind gusts 💨 and my amazing video editor (AV Virtual Productions) had to apply “de-wind”!
Thanks so much! That is a bow stroke that I have done, but couldn't explain exactly how I did it to students!!!! The farther contact point was the part I didn't realize that I was doing! This will help SO much!!!!!!!!!!!!!!!!!! Thank you!😊
Agreed! It is indeed challenging to explain, isn’t it? 🙂
I’m so glad it helps, Sister Marie-Therese!
Bravissima. Sono autodidatta. Finalmente ho capito. Grazie a Lei. 🙏🎻🌹
I’m so glad it helped, Francesco!
Really clear and helpful. Gave me some fresh angles! Thanks.
I’m so glad, Janet! 😃
Thank you for answering this question for me! I've been waiting! Your descriptions are so clear in your videos. I can usually do either the down bow or the up bow so I'll get on these exercises right away. Thank you! ❤🎻
Yay! Sorry it took so long, Clara!
I hope it helps unlock things for you!
I tried to follow your Saltando bouncing today. It will take time to improve. Still your video is great inspiration for me. Thank you very much. 🙏❤️
You’re very welcome, Hareswar! Take your time with the tutorial and implement one idea at a time.
👍😎🎻🎯👏👏👏 professora incrível !!!...
Awww, thank you, Claudio!
Hey Lynn Kuo it's Jamal. Great playing. I love the sweet sound of the violin. It's soothing just like the harp.
Thanks so much, Jamal! I appreciate the kind words!
@@violynnkuoyour Welcome Lynn Kuo.
I m proud of you
😊 thanks 🙏 so much! Happy Holiday Season!
Bisa begitu ya tangan, indah bunyinya, cepat lagi.
amazing
Thanks so much, Linda! Glad it was helpful!
Was there any tip in particular that stood out to you? 🙂
Pinter, bagus, hebat. Apalagi ya.
I am interested 😮
Feel free to check out the free tutorials on my website as well: Www.violinwithdrlynn.com/tutorials
So we use upper bow part for better richochet 4 strong right
Hi Daniel, it depends on tempo/speed of the notes but generally speaking, yes, it’s approximately the upper part… But definitely feel it in your bow stick, learn how it behaves, and adjust accordingly.
Ingin belajar tapi sayang usia tidak memungkinkan.
Great!
Thanks, Dr. Carl!