Good comments, David. Excellent review. My L-8 arrived a couple of days ago and like you I'm very happy with it. If anybody wants to see how the L-8 can be really useful for a musician (as opposed to a podcaster) I recommend David's video where he takes it to a park and makes a live recording (I think there's a link at the end of this full review video). What I like most about the L-8 is the fact that you can access so many of its functions using physical buttons and knobs rather than having to scroll through menus. With the L-8 you rarely have to enter a menu, whereas in a lot of recording and/or mixing gear out there (including gear from Zoom) it's rare when you DON'T have to enter a menu to change or adjust something. Buttons and knobs cost money and take up space, so a lot of audio products have commonly-used features buried deep in menu structures. The downside of course is that it takes time to find menu items, assuming that you can remember where the software engineers decided to bury them. It's nice to see Zoom implement the more expensive option of physical controls, and they've done a very good job of organising them and making buttons light up when they are active, etc. It all makes the L-8 extremely user-friendly and saves lots of time. Number 2 on my list of likes is being able to send a stereo mix with reverb to FOH but at the same time record up to 8 individual tracks dry so that you can remix everything when you get home from the gig. Number 3 is the fact that it's battery-powered. I'm running mine off a USB powerbank via the USB cable, as you did in your live recording in the park. And number 4 is the size and weight. I was very surprised at how small it was when it arrived, and it's very light. The L-8 doesn't feel particularly solid or rugged, but I'm used to a heavy, bullet-proof Dynacord powermixer . I'm guessing that the L-8 is built to last so long as you don't drop it or sit on it and so long as you use a rugged case with internal foam shock protection to transport it. I've been waiting many years for a product that ticks the boxes that this one does. This is sure to be a classic and a bestseller for Zoom I think. PS: Some of those pad sounds will be a laugh to use during gigs, eh? And you can create your own. I'm looking through my collection of sound effects for sounds like 'Fight breaking out' or 'Huge female audience cheering madly' or even 'Police arriving to shut the place down'.
haha love the sound effects you're thinking of!!! 😉I always got a kick out of playing a siren through the PA every now and then for my own amusement! haha. Def one of my fav features is the fx to main FOH whilst still getting raw individual tracking! ....now if only I could gather with a bunch of cool muso's to record haha... there will come a time! 😊
@@neomerismedia1383 Wow, I missed your question two years ago. Sorry. I use an Anker PowerCore 26,800 mAh powerbank. On paper it has capacity enough to power the L-8 for well over 24 hours, although I’ve never checked in reality.
You and Grant Stinnett's review on this L8 are the best on RUclips right now. Yours has more detail and technical info but also very practical. His is very use case focused giving examples of how he has and will use it. Thanks again for this vid and the performance vid!
@@davidshanhun No but it's next on my gear purchase list. Going to use it to keep all of my instruments hooked up in my home studio as an Audio Interface. Also going to use it when my buddies come over and jam. Also going to use it in a live looping setup with drum machines, bass, guitar, synth etc hooked up. It's such a super versatile piece of kit. I look forward to watching you new vids on it!
Your very first point about the headphone cabling issue - Does that mean AKG 712 Headphone users are prevented from using their Headphones, because the ONLY input to those is a mini-XLR connector - which is really great, because if you ever mess up your headphone cable with those, you can just plug in another one - no trip to the repair shop, no trip to the cellar to get out the soldering iron...
great question but no - they are the exact headphones I use and they work great with this mixer. The mini-xlr connector you mentioned is the connection TO the headphones which can be anything (depending on your headphones). The other end of the headphone lead which will go into the desk is a 1/4 or 1/8' trs jack which plugs straight into the desk. Cheers for the question though.
@@davidshanhun awesome, much thanks for the answer :) Those headphones are indispensable to me. I bought Waves' "Abbey Road" virtual speakers/studio plug-in just to use with those headphones, where ever I have no speakers...
It was due to all your vodeos on the L8 that I purchased mine. I run a Podcast for just me (so, slight overkill at the mo) but its quality of recording far outweighs the Behringer I was using. I record direct to SD first so there is no PC noise to interfere and I am blown away (Rode Podmic and cloud lifter) Because of this setup I can now produce the tracks needed for my app, I really can not thank you enough for your reviews.
@@davidshanhun not bad at all. Tracked some live drums and it came out really good. One thing I don’t like or I’m not sure if I haven’t figured it out, is the fact that there’s no way to cut the volume for the monitors/speakers while recording! So I’ve been literally having to turn off the speakers when I’m ready to record; that’s annoying! 😵😩
@@iamtonyade just bring the master down - the recording is before any of the faders at all - so you'll still get your recording exactly the same - and means you can move any of the faders mid performance or have them completely on 0 and you'll still end up with the same individual .wav files for each channel.
@@davidshanhun Hey David! So I’m not sure if your advice pertains to recording via a DAW, but if I turn the master fader down, I get no sound in my headphones, which makes it impossible to record and hear what’s being recorded. Can you please help me out? Thanks so much man
Well, after quite some pain with Headphone monitor outputs, I got a couple of SB-5 DI boxes from Radial Engineering and it works perfectly also with Jack -> XLR. It's also possible to do it with other DI boxes, but this one really shines as it allows for summing L/R channels to single mono XLR or you can plug two jacks to it. I use that combo to bring sound to our JVC camera (XLR only input) at correct level. It seems the monitor outputs are preamped for headphones, so it's way too strong for other uses. DI box solves that.
Wow, someone that really knows how to make a painless review! Starting with the negative is the best. Reason I like that ... If I don't mind the negatives, I'll be happy to hear the rest. I hate learning what maybe a deal breaker after watching all a video. This is exactly what I needed to help me make a decision. Thank you
I've had a Zoom H6 for a few years now and am completely satisfied with it....but am getting the L-20. Have lots of impromptu get togethers and never know how many mics will be needed or instrument inputs etc. Would have needed 14 just before Christmas for a house party but the H6 did a pretty good job of recording the "room". Thanks for your great reviews it will save me some learning time. Also want to use it for recording rehearsals once we can get back to creative collaboration...Thanks again !!!
This is a great review and tutorial. I just picked one of these up for my Acoustic Project off of Ebay. I love you just got to the point of things! Thank you!
Excellent!! Very thorough explanation. You answered all my questions and made my decision so easy. This is the piece of gear that I need. Kudos and thank you for your time!!
You said it has no master output EQ but what does it have for per-track EQ? Does it have virtual tracks for bouncing overdubs when you use it as a recorder?
@@davidshanhun My podcast is Christian Music Archive podcast (christianmusicarchive.com/podcast) But I also use the zoom for a podcast that I help record (mercytoday.global)
My friend, thank you for this video. You brought up the subject of incorrectly labeled channels. I've had a zoom l8 for a few weeks and I couldn't record anything in garage band, only the feedback from the left channel was recorded (I selected 1 in the DAW).
on the monitor output, i believe you may need an xlr splitter cable (Y cable) because the monitor outs are sending an unbalanced stereo signal. without the splitter cable you may hear a muffled signal. cheers!
A stereo output which is wired to an XLR (pin1 ground. pin2 left pin 3 right (por vice versa)) creates a karaoke mixer - all the centre information is cancelled out by the differential amplifier on the receiving balanced input.
Hi David! Thank you so much for everything you put out here on this video!! It helped me a lot to understand this interface and to resolve a few issues I was stuck on!!! Blessings and all the best!
So, by now, I've actually bought one - in part thanks to your answer about the AKG 712... - it arrived this week...! So the L8 manual states, that the Master Headphone out will put out an identical signal to the master out. (going directly to active speakers in this case) So how come my speakers on the master-outputs are getting signal, but the master headphone-out is getting nothing? And I've used consoles since the 80's. I have an SQ-5 and getting along with it... what am I doing wrong?? Starting to wonder if I got a defective unit? I tested that headphone and cable are good. Thinking you might be the most likely one to know, since you've covered lots of details on this unit :D . As for my first unboxing impressions: I hate it. Plasticky, flimsy and the USB driver for PC sucks - it doesn't list up the channels - its just an in-transparent blob. I want to route PC audio to USB 3+4, i.e stereo channel 8, there is absolutely no way to assign that. Driver update from Zoom? nada. Gravely, I think all the controls are just held by their soldering joints and will not hold up, unless you keep it in a box full of cotton balls. But for battery powered, there is nothing else except MixPre 6II (which is more cumbersome to operate) and Behringer Flow8, which can only handle 2 condenser mics. (wish Behringer had aimed a bit higher on that, like 6 condenser mics for $320 instead of 2 condenser mics for $220 - because otherwise it would be a much better mixer than the L8 imo) Oh yeah and I forgot those Zoom Field recorders, with the same shitty plastic build. I'm not railing against plastic in general - Some other companies simply use higher quality plastic (Tascam, Sony) ** I'd say that you have to be damned sure, that you really need it battery operated before buying that. ** At least one, maybe both of the other Livetrak units have a metal housing, I think. Was it the L12 and L20 or only L20?
Hi David, thank you so much for this video! Helped a lot! We did a zoom (conference) choir rehearsal using the zoom (mixer) where me and the choir director sang and the rest of the choir sang at home with muted mics. The stream worked great! Wish you all the best! Greetings from a Brazilian stranded in Germany! :)
Excellent review David. No nonsense and very thorough. Seeing this and your other Livetrak L8 videos convinced me to buy the L8 but then I hit a snag. As primarily a guitar player I sometimes need to punch in on guitar tracks, usually using a foot switch, but this is not possible with the L8. It also seems that the only way to punch in is to press a button on the mixer - as you demonstrated for a vocal track in one of your videos. That’s OK-ish for a singer but impractical for a guitarist (and many other musicians). The L8 doesn’t even seem to allow preset punch in/out points to automate the process. Unless I’m misunderstanding or someone has a clever way around this (other than getting an assistant to press the button which is often not viable) it’s a deal breaker for me. Such a shame as in so many ways it is the ideal portable recorder/interface. By the way, for anyone concerned about using a combination of condenser and other mics with the L8, particularly ribbon mics, I’ve got around this in similar situations by using the inline Triton Audio ‘Phantom Blocker’ which passes signal but not phantom power. There may well be other similar gadgets available.
Hey Jimbro! Cheers for this comment/message brother - and yeah, so far I haven't figured out a way around this either. Would be amazing if you could use the 'mark' function to set punch in punch out, but I don't believe that's an option. Appreciate the details on the Phantom Blocker too!
You could probably use a Pyle Mini Hum Eliminator for the headphone jack issue. (Not for the hum elimination, although that part is nice.) it's has 2 TRS inputs and two TRS outputs + 2 XLR inputs and 2 XLR Outputs. You could probably use it playing live anyway.
Many thanks David, this was a great help to me setting it up......One important point all should know is the faders seem to remember their last settings, which is good but....they need to be wiggled when testing or nothing comes through. Thanks again.
Good review, David. I've also had a few Zoom devices over the years starting with a Zoom 9000 way back in '92. Most are great and some not as much. Sounds like a good little mixer there.
Thanks. I think this is a pretty stunning piece of kit! haha. Still finding many more things it can do... perhaps there'll be an updated review at some stage! 😂
Awesome review mate. My mixer/interface had output issues suddenly. Need an urgent replacement while the fix it under warranty. Definitely will sort out my immediate workflow issues.
I noticed in the manual that it says the 1/4 inch master out and the three 1/4 inch monitor outs are all stereo outputs. Which makes sense when using headphones. But how does that work if using the 1/4 inch master out to run a powered speaker with a 1/4 inch input? The speaker is a mono plug and cable will be a mono jack, but the output jacks on the board are stereo. Great review!
Hey Michael - I haven't tested this actually as haven't been panning anything much into a stereo mix that then gets sent to the monitor outputs. I presume you only get Left OR Right, just not sure which one, so if you have things panned in your mix you may lose some of the panning. If nothing is panned and your signal is basically mono then you're all good though. As mentioned above I haven't specifically tested this but that's what I would expect given the outputs from the 1/4 jacks are only working as mono.
@@davidshanhun if it is truly a stereo output, and you are panning anything that you record, you'll want to monitor in stereo. Get an adaptor... 1/4" trs to two mono 1/4" (or xlr, whichever you monitor input is)
Hi David, You really have become my go to for advice and kit (I already have the VL3X based on your videos!). Thanks for this - huge dump of information (and yes, the wallet is now £300+ lighter!). Thanks again, you've really helped me get on the road!
Thanks for doing this, David. There are always caveats no matter which multitrack mixer/recorder you look at. I would have preferred more hands on & views of the L-8 rather than your up-close face to be honest, or at least further from the camera - but I managed to get through the video due to the invaluable information. Cheers from Oz.
Hey FANTASTIC review! I wish this level of content quality was more normal. Speaking of noal, please share your lighting set up. Fantastic warm colors, super professional. Gimmee gimme..
aww thank you so much 😍 I am 98% certain I'm using a LUT from Matti Haapoja called Cinema on this vid - too much and it gets a bit crazy, but you can just dial in how much it affects the image. I was also sitting by a window, with the room light behind me being a bit orangey I think! Hope that helps! Got my first vid coming out in an hour or so using the L8 as a multitrack recording unit in case you ended up getting one! 🕺
David Shanhun Hey yes I did pick one up. It makes capturing interviews for the Radically Unstuck podcast incredibly simple! What a device it is. Just so happens Iam moving toward adding video to my production soon.
Hi David, excellent review, I love the L8 for traveling and recording ideas or jams. I'm thinking of getting one as the UI24 records straight to USB drive and will give you the multitrack and stereo recording options you need and comp and EQ, but not great for a plane or backpack. The DB es503 speaker gives you an antifeedback EQ which would be handy paired with the L8 for live settings.
thanks for this. I plan on getting this one for my gigs. been looking for a mixer that doesn't give noise in the output while I am streaming and I think this is good. WOuld be nice if you could do a video when you are connecting the mixer to your laptop for a live stream with obs
Hey Benjamin! I definitely rate it for recording and streaming, it's got a great sound/output and very clean, and it's good (but perhaps not great) for live shows. (I would love if it had the sweepable mids that the L-12 has for specific venues where certain frequencies are a bit of an issue).
@17:54 You say that your phone in receiving audio from the mixer. but didn't you just plug it into the 7/8 stereo INPUT on the mixer? Wouldn't that mean that whatever audio from your phone is being sent to the mixer? And not the mixer to the phone? This part of the video didn't make sense to me. On other mixers I used to stream, I would just connect the USB cable to my phone and then my stream gets the master mix output.
Great information! Thank you so much for this video. Just got one of these and this video was definitely helpful! You remind me of one of my Kiwi friends who lives in Christchurch. I will be coming there to tour someday. Thanks again!
Fantastic...this is just exactly the kind of video I needed to see before I purchase one. I have a tascam dp24 and its a complete pain in the butt!!!! hehehehehehe.... thanks a lot. Subscribed. Your video, was my selling point. Thanks again.
As a musician i wouldn't go for that unit tbh. I'm considering buying the Mackie profx3 serie for several reasons. However its analogue preamps are of better quality 192khz 24 bit recording, balanced XLR outputs and usb audio interface. This is also less expensive 159€ for the first model. I like its versatility and overall quality. The Zoom has advantages over the Mackie for live environment and post edition mainly but still too expensive from my pov.
technically trs to trs should work - the monitor mixes are stereo, and work fine with headphones which are a trs jack you're plugging in. ...actually testing now haha! YES - sent a trs (both ends) cable from the monitor mix into my headphone amp and stereo signal received just fine. 👌
I don’t understand , if the headphones put out on a TRS this should be fine to an xlr , it’s all the same internal wires going to the same places ? Not only that , you could use them as aux sends and have 6 aux sends if you used a TRS split to two TS cables no ? Ok you won’t have many channels to return them to. Edit , I see you did an update video addressing this , thanks for being conscientious enough to update , appreciate the review😊 which now makes me wonder , is there enough signal for an effects pedal to be returned to one of the buses if you use the headphones out as sends.
Thx David, your info and teaching is so simple to understand and apply . Have learnt good points from you on how to use L-8 mixer/recorder. I had a question Can you delete/remove at track file within a project ?
This is now quite an old unit really, but a pretty good simple option combined with the L8. amzn.to/2JZg71J (find what works for you though - there are all sorts of options similar to this!).
Hi David. This is by far the most informative of videos of the L8. It was just given to me as gift, I was pumped about setting it up as an interface with Logic Pro X. I DONT GET IT ! When I record on Logic I use input monitoring, and when I select input monitoring like usual in Logic while using this, I get feedback from the stereo channel 7 when set to usb. Which is the signal from the computer (including my input monitoring)? Right? Why am I hearing feedback? My output is XLR jack to jack into studio monitors. They just made it too confusing. Is there way to fix this? Goal: use it as an interface with LPX while being able to hear the master sound coming from the input monitoring (computer) without hearing feedback? I appreciate the video and any help in advance! Thanks
I thought recording a channel to SD card included gain but not EFX or EQ? When you demonstrated having a venue mic record only, you said you can leave this fader completely down. If I understand correctly, wouldn't that prevent anything from recording from that channel?
heya! When recording to the SD card it does include gain but not fx/eq/panning etc. BUT... the gain is different than the fader knob. The gain is the little dial at the top of the channel strip - whatever you set that to is the recorded level. The sliding fader simply decides how much gets sent to the mix. So, you can record with the fader completely down, and you still get a great clean signal for the recording.
Ok I've been experimenting with my L8 since last post. Very incredible machine indeed. I think I'm selling my Focusrite as I am not sure I will ever need it again. I even have 2 physical preamps - a K&K and a GAP pre 73 - that I'm not sure I will need again... Also, very important thing : My friend who has the L12 asked me if I could do Live Facebook with it, which I could without problem. He can't without an additional audio interface. Turns out the L12 and L20 are having issues being recognized by Facebook Live (you can ask me why because I had an exchange with Zoom Support on that matter). One little annoyance however - and I wonder if you noticed - but if you do Punch In Punch Out dubbing, the "TOC" sound made by the buttons of the L8 are noticeable in the recording. But overall... wow. I just hope it is a durable product (crossing fingers).
Thanks for your comment! Sorry I didn't get to it til now! 🤪 Interesting to hear that the L12 and 20 are having issues being recognised by FB! Hope it's sorted now! I did notice that the 'toc' noise from pushing the buttons is audible - there is a way around it if you're mixing down via the zoom only, and that is when you mix to the master, make a note of the time that you pressed the button on a specific track, and you drop the fader on that channel to zero at that point briefly. If you're punching in and out on a super small section it won't solve it, but works perfectly if you do a whole chorus at once etc. How are you finding it one month on? (sheesh I just noticed this is when your comment is from!). I've just uploaded my first full song recorded and mixed fully on the L8 - it goes live in about 50 mins!
@@davidshanhun I now know what the issue with the L12 and L20 and FB Live, as I spoke with a Zoom engineer. FB Live will accept only Channels 1 & 2. It just happens that the L8 sends the master to 1 & 2 (that's why in Logic your first track has to be set to Output 3, even if you are using the Input 1 on the L8). The L12 and the L20 use other channels to route the Master, so FB doesn't "see" it. The workaround is to use a third party app, or to use an intermediate device between the L12/20 and the computer, while the L8 is straight forward plug and play with FB Live. As to my impression so far with the L8.... I am delighted, and so happy I got it.
@@neomerismedia1383Zoom meetings has exactly the same issue...it only accepts incoming audio on USB channels 1 and 2, so a lot of the larger mixer/interface desks that don't output their main Mix on USB channels 1 and 2 have problems.
Great video!!! I have some questions: Can I use usb return 1-2 and 3-4 at the same time? If yes, the tracks 7 and 8 are in stereo? If I use a usb return at channel 7, can I still use the track 8 with line input ?
3 года назад
Track 7 & 8 , both are stereo. If you use Track 7 for USB , track 8 can use for line in. It is individual. If use TRRS for phone call, track 7-8 will combine.
I use L-8 as audio interface for my pc. This is my problem: when I talk with my friends on Discord for example, they ear not only my voice, but even everything that I’m listening on my Pc. I’m using channel 7, USB 1-2 on MIX A output. Furthermore, for let my freinds ear me, I have to use the MASTER red fader. How can my friends listen only my voice? What I can do? Thank you a lot.
Hey Stefano thanks for the comment. Yep this can be solved. The master output is what is set to come out usb 1-2 by default even if you're listening to Mix A. Here's how I would set it up. On the master mix make sure the only fader that is up is whichever channel your voice is on. Then switch to Mix A, and set the faders for your voice and channel 7 volume that you personally want to hear etc. A friendly reminder not to use the mute buttons as they apply to all mixes at once. Let me know how you go 👌
Another good vidéo fromage David ! Thanks for this review ! Zoom always good quality of matérials ! Most possibilty but not too much from live looping because simple configuration is better for my opinion ! Are you confortably with this mixer in live ,?
thanks! :) It's not the greatest option for live shows - but at it's price range, for being able to do live shows as well as record the individual tracks nothing else compares at this stage. The l-12 rather than the l-8 is much better suited to live shows (channel compression, sweepable mid eq, and proper monitor outputs). Hope that helps!
Hey David, your video was very informative! I bought the Zoom Livetrak L-12 a month ago and I have been enjoying every aspect of it. But I saw this video and you mentioned that the headphone outs don't work with xlr to 1/4 inch cables. Is this the same for the L-12? I am looking to buy a wireless IEM pack and most of them are XLR...
Hi Abel, I haven't tested the L-12 i'm sorry! There will be ways around it even on the L8, headphones work just fine that are stereo when plugged straight in, so I expect it's simply which way around they have the tip/sleeve/ring configured. If I were you I would buy a trs to xlr adaptor - amzn.to/2Z2eQvM - connect it to an xlr cable that you have and see if you get signal out into another mixer or similar. If you check it out would you mind letting me know?
Thanks for the video review! My only doubt with this mixer board is if I'll be able to livestream a 3 to 4 people podcast through OBS and record simultaneously to an SD card in individual tracks. Currently with my Zoom H6 as an audio interface on multitrack I can send a stereo signal to OBS or record multitrack on Adobe Audition but when I try to run both softwares at the same time , whichever program I opened first is the one that recognizes the Zoom and microphones and the other one does not at all, plus the zoom starts making this very weird and upsetting mechanical noises. If with this I can livestream the podcast and record each microphone individually at the same time for editing purporses later, then it'll be golden.
yep it's designed to do exactly that. Just press record on each track that you wish to record and they'll be captured by the SD card, then the master out will go to OBS for you to record and livestream at the same time. Means you won't need to open Adobe Audition until after the session/podcast, when you can import the individual track files in there from the Zoom's SD card. 👌
@@davidshanhun Thanks so much for the quick reply man! I think we're definitively gonna give it a try with the mixer and if so I'll post here my thoughts on it later on so it can help more people trying to find the right tool for their gig, For now absolutely subscribing cuz that was some quality content
David, I am looking at the Zoom LiveTrak L-8 vs the Tascam Model 12. I would use this mainly for recording, but possibly for small venues as well. I would need this for vocals only. Live and recording would be 4-5 tracks. I have an equalizer I can hook to it for live performance if needed. Would the Zoom LiveTrak L-8 be plenty for what I need, or would something like the Tascam Model 12 be a better fit for just vocals. I feel the Model 12 would be over kill for what I am needing, but I like the fact that it has compression and I can adjust the highs, mids and lows. Wanted to know what your thoughts were on this. Great detailed video on the zoom track 8.
Hey Tyler. You can adjust the EQ highs, mids and lows on the L-8 also - it is just done by selecting the track you want to adjust, and then adjusting the settings, then selecting the next track that you want to adjust etc. So EQ wise you're getting a similar setup as the Tascam just with a different way to set it. the thing I like about the Tascam is it has sweepable mids for each, plus an EQ with sweepable mids on the master also. I haven't heard the compression from the model 12 - but it is something I would appreciate having that the L-8 doesn't - purely for live however. If it's all being recorded and mixed in post, then it's really irrelevant, but for live it is a benefit for sure. One of the main reasons that I totally forgot to mention in this video for me choosing the L-8, is that I can film and record audio with individual tracking all powered by a phone battery bank (or if I wished AA batteries with the L8). Hope that helps you with your choice!
Hiya. I saw your RUclips channel. amazing and very informative and a pleasure to watch. I have a question. I am waiting delivery on zoom livetrack l8. how many audio streams can the Daw take? are 7 and 8 stereo. if so is it possible to use a splitter cable for each Chanel (7 and 8) and have 4 mono channels that combine to two stereo channels when streamed. So you would have a different source on ch7 left and a different source on ch7 right. and again for Chanel 8? if not can I use a splitter to put in TRRS input and use two separate sources one for left and one for right. and also use channel seven in the above manner or in a regular fashion. sorry, complex question but as I see from your RUclips channel..... a walk in the park for you. 🤣🤣
Woowwwwwww!!!! Ran across your video review of this Zoom mixer & glad as hell I did!!! Your laid back approach,knowledge of product, & musicianship as well, Jusy won you 1 more Follower!!Subscribed & Rang da bell babyyyy!!!!! LoL🤣😂 Also,the Key point to me was that You had 132 comments ,& YOU took the time to respond TO THEM ALL!!!!! I read ALL comments & replays BTW,& U SIR are a wonderful person & w/ ur attitude, approach, & knowledge "The Sky's Da Limit" 4 U bro!! Huge 2 thumbs up 4 that my man & Lookin 4ward to ALL ur up N coming vids & to when we BOTH can get back to gigging again!!!( I too am a freelancing musician) Oh yeah...bout 4got...the mixer..(HaHa)(as u put it) Welp,after learning bout All its capabilities w/ only a few minor drawbacks I too am going to be more than likely purchasing a Zoom for myself to use.Love all the live recording,mixing,live streaming aspects of it as I am going to be trying to get into ALOT MORE of this type stuff ( RUclips vids,possibly Podcasting, etc...) myself soon!! STAY SAFE David,& Rock On my friend😎🎸🎼🎸🤘 🤜🤛 🤝
@@davidshanhun I am in United States,state of North Carolina!!! Were starting to "get on over to the other side" of this Covid19 thing ourselves here as well.Then wouldn't ya know it,damn 2.nd day in ,bars & restaurants opened but NOT at full capacity,we had the highest death toll for one day since this whole freaking mess started.It was bad news,but I dont feel everything can just stay shut down forever ya know,its almost like terrorism, ya got to take the shit VERY SERIOUS,BUT...ya cant live your life in total fear either.Gona take a long ass time be4 things sort of get back to the " New Normal"(what I'm calling it) Anyways,✌ man & Stay Safe !!!😎🎸🎼🎸🤘🎸🎼
Thanks for your Tips. I want to ask you, how to handling, if The mixer cannot record? I was choose click the record button, the light Change to red, but te timeline no change, still 00:00. Thanks
David Shanhun, I recently learned the Roadcaster Pro has an issue with mix-minus: If a person calls in via iPhone (a mix-minus setup), they will not hear an audio input or RUclips audio. For example: a host and the guest (via mix-minus) analyzing a RUclips or other audio clip. Questions: If you know,… 1. Does the ZOOM LiveTrak L-8 suffer this mix-minus issue? 2. Will the guest (connected via mix-minus) hear the sound pads? Thanks in advance, yYM
no mix minus issues that I'm aware of anybody having with the l-8. They hear the master output of the desk including sound pads etc, and minus their signal.
Hey David, have you checked out the Tascam Model series? Their new unit Model 12 is not as portable as the L8, but seems like the best contender for all the same uses (and more perhaps, can be used as a DAW controller as well). It's still not officially out in the market I believe, but would be great to know what you think about it. Thanks :)
hey Ankit - I took a look online at the Tascam Model 12. Looks pretty nice. It has the two things I would wish most in the Zoom L-8 - compression, and EQ including a sweepable mid on the master output. Plus their combination of a sub out and aux out options are a nice setup - essentially a different way of doing the different mixes that the zoom l8 has. One of the main reasons I went for the L8 is that I envisioned doing a bunch of location recordings with 5 inputs - so the battery/power bank option was a strong factor in my purchase choice! What are you looking to use it for mostly?
@@davidshanhun Thanks for the reply! I completely agree, I think Zoom has always been top-tier for location recordings, I was just worried how long the battery on the L8 would last. I'm a singer-songwriter/music producer and I work with Sofar in Mumbai hosting shows in unconventional spaces. So, the Zoom would be awesome as a songwriting tool, but I feel the Tascam might be a foolproof option to mix a 3 hour live show with multiple artists as well as be a centrepiece of my small home studio. Unfortunately, it will be a while till the Tascam unit gets to my side of the world now, but glad I could get a fair comparison of the two units, thanks again!
GREAT Video bud really been trying to decide if i should buy one or not to get my videos onto You Tube and i really hope this will work if i video with my phone and then use final cut to edit it. Also for live vlogs. Then again for live once we get back to work. Stay safe bro and keep the great videos coming. So appreciate your knowledge and help. Maybe a live gig on you tube pleases 👏👏👍🏻👍🏻🏄♀️🏄♀️
Hey Wallace! Yep - this is pretty cool I think for having the direct output able to go into your phone! (provided you still have a phone input etc haha - trying to remember which apple phone stopped doing that). Would be a great setup for going live once we are doing gigs again - can have a totally mixed sound going to your livestream from the show - I hadn't actually considered that haha! (thankyou!!) Considering doing some livestreaming soon my friend. Hope you're well!
David Shanhun Hey David yea I’m hanging in no gigs as everything under Lockdown in London. So hence I want to use this time to upgrade my You Tube channel and get things happening and even a live twenty mins every second day from my living room. So this looks like the tool for me. I have the iPhone X max but ya e just ordered the Samsung S20+ so not sure if it’s the right move but let’s see. Yea we staying as safe as possible. Loads of Covid deaths sadly in London. Anyhow stay safe mate chat soon 👍🏻👍🏻🍷
I stream Live on Stage 10 I have tried so many times to use this mixer but I get everyone on headphones, speakers on there end turned down so no way the signal is getting fed back through the mic, but I cannot eliminate the echo on the recording. We do not hear it when we are broadcasting. I am going to go to a simple interface like Focusrite or Presonus if I cannot find a solution Any Ideas? Thank you so much
Send me a link to one of the recordings if you can - especially if the livetrak is in shot. Things like this are usually a simple solution, but there's a few things to check to find out exactly what it is in each case. Can also be an issue with how you setup audio in OBS (if you're using it to stream) rather than this desk in which case a Focusrite won't help you! Feel free to reach out - this stuff can be frustrating until you find what the issue is. 😊
Could I use two mono inputs to have one more stereoinput I mean could i make the two monofiles to a stero in postproduction, because I normaly only need two stereo inputs, but in some cases I would need three, so I was thinking to use two mono inputs as workarround.
Hello everyone, curious if the monitor outputs on this are powerful enough to run as actual stage monitors and for subs, etc. I know they say monitor for headphones, and know that sometimes the actual outputs are built for just headphones and not speakers. Any advice is appreciated!
hey Michael - these outputs are just built for headphones not a stage monitor/speaker. I have worked around it running these out into another desk then into a monitor - but I have another small desk that I can use to solve the issue. A couple of people have mentioned getting a mono summed cable that can solve the issue also - so might be an option for you. Otherwise the LiveTrak L-12 has proper monitor outputs.
I don't definitively know the answer sorry! I suspect you will be all good with the L12 given there is a L and R monitor output in addition to the stereo headphone outputs that the L8 has. Hope that potentially helps you!
Hello David ,, Do you have any idea if the l8 can be chain linked as slave to my main l8 ? The idea that im using the main l8 for mix and recording live music band , now the band had grown 😃 so more channels is needed, recently i have my hand on another l8 and want to sync. It or chain link it with my main but not by in/out typical method as i want to sync all the tracks in both mixers to record all in once and mot to worry about how to align the tracks on the S/W.
I can't think of a way of doing this off the top of my head, I'd suggest you prep them both for recording and simply hit the 'play' button to start recording on each at exactly the same time. There will still be some potential discrepancy between the exact press between different hands, but should give you pretty ace results. Otherwise - if you can split one track so it records on one channel for each mixer you'll have a reference track that is exactly the same to sync each set of audio to. Hope that helps - maybe not the ideal scenario but will work well. If I think of any other options to add a timecode that's the same etc I'll drop you another reply.
Great Review thanks! Way more detailed than others. Question do you think it is still worth it in 2023? Main use would be live streaming and recording events.
For the price it's still an ace unit. However - the CQ series from Allen and Heath would be my recommendation if your budget allows it as a combo of live and streaming. Otherwise for streaming/recording the Boss gigcaster, and the Rodecaster pro are really good options as well (focussed more on the streaming and recording side rather than running live events also).
Hi! Great video! Is it possible that with the mixer I can use live mode at the same time that I send sequences on the computer to the main Mix and send another sequence to headphones/monitors?
Yes - in 99.9% of cases this is absolutely fine (and I do this myself running both a dynamic sennheiser e845, as well as an aston origin condensor mic at the same time). There are a few cases to be aware of, mostly concerning older ribbon microphones. If you want to understand more about it, there's an excellent discussion on this topic here: www.pro-tools-expert.com/production-expert-1/2019/11/8/phantom-power-the-myths-busted
Hey David thanks for the review mate. 3 years on, have you seen anything else come onto the market worth taking a look at in the recording/mixer realm?
Hey Will - yeah there's a lot mate! I actually bought and sold a bunch of mixers last year around this (intended to do a video but that didn't happen in the midst of life), but it's great to see more and more mixers include individual recording direct to SD. The zoom stuff is great and for budget I really rate it - but just released is the Allen & Heath CQ series which is an excellent option. Most comes down to budget etc for this stuff though tbh - there's the m20x from RCF that's a pretty nice piece of kit with SD recording etc but they're all at a higher price bracket than where Zoom is. Essentially I'd still rate the zoom stuff for being able to do this really well at the price range and I like the overall sound from their desks... but they are missing the tools to deal with live sound really well when compared with the more expensive gear. So - it's a balance of what's needed or general budget overall haha! What are you running at the moment?
@@davidshanhun legend! I’m running a Behringer 1002b at the moment with a TC Helicon Play acoustic in front of it, and then simple recording with a Zoom H5. I’m always looking to improve the sound and have never been totally satisfied with the TCHPA which seems no matter what I try to make my vocal a bit “too digital” so was tinkering with the idea of just using effects off a board. ( I don’t use much effect anyway). Have had a good look at the Allen and Heath Zed series. Such a journey with our gadgets! Appreciate all your shared wisdom mate.
@@willpriormusic yeah funny journey to find and like our own sound eh! The best thing with a bunch of these kind of desks is if you're fx are coming from them - you can totally change or adjust them entirely in post if you wish to. Sometimes I've been in rooms where it requires massive amounts of reverb to sound 'normal' and others it's completely off to fit the room haha. If that same sound has to go out to your recording it's a tough call on what you prioritise eh? Best sound for the room or best sound for the recording haha! what part of the world are you in?
ah nice bro! I'm digging that series more and more as i look them over! got a mate that just ordered the cq20 so will get to have a fool around with it soon haha! @@willpriormusic
To reiterate: THANK YOU for YOUR TIME, EFFORTS & expertise…
most welcome Richard - thanks for the message!
Good comments, David. Excellent review. My L-8 arrived a couple of days ago and like you I'm very happy with it.
If anybody wants to see how the L-8 can be really useful for a musician (as opposed to a podcaster) I recommend David's video where he takes it to a park and makes a live recording (I think there's a link at the end of this full review video).
What I like most about the L-8 is the fact that you can access so many of its functions using physical buttons and knobs rather than having to scroll through menus. With the L-8 you rarely have to enter a menu, whereas in a lot of recording and/or mixing gear out there (including gear from Zoom) it's rare when you DON'T have to enter a menu to change or adjust something. Buttons and knobs cost money and take up space, so a lot of audio products have commonly-used features buried deep in menu structures. The downside of course is that it takes time to find menu items, assuming that you can remember where the software engineers decided to bury them. It's nice to see Zoom implement the more expensive option of physical controls, and they've done a very good job of organising them and making buttons light up when they are active, etc. It all makes the L-8 extremely user-friendly and saves lots of time.
Number 2 on my list of likes is being able to send a stereo mix with reverb to FOH but at the same time record up to 8 individual tracks dry so that you can remix everything when you get home from the gig. Number 3 is the fact that it's battery-powered. I'm running mine off a USB powerbank via the USB cable, as you did in your live recording in the park. And number 4 is the size and weight. I was very surprised at how small it was when it arrived, and it's very light.
The L-8 doesn't feel particularly solid or rugged, but I'm used to a heavy, bullet-proof Dynacord powermixer . I'm guessing that the L-8 is built to last so long as you don't drop it or sit on it and so long as you use a rugged case with internal foam shock protection to transport it. I've been waiting many years for a product that ticks the boxes that this one does. This is sure to be a classic and a bestseller for Zoom I think.
PS: Some of those pad sounds will be a laugh to use during gigs, eh? And you can create your own. I'm looking through my collection of sound effects for sounds like 'Fight breaking out' or 'Huge female audience cheering madly' or even 'Police arriving to shut the place down'.
haha love the sound effects you're thinking of!!! 😉I always got a kick out of playing a siren through the PA every now and then for my own amusement! haha. Def one of my fav features is the fx to main FOH whilst still getting raw individual tracking! ....now if only I could gather with a bunch of cool muso's to record haha... there will come a time! 😊
Any advice for the powerbank to buy ? Will receive my L8 in a few days....
@@neomerismedia1383 Wow, I missed your question two years ago. Sorry. I use an Anker PowerCore 26,800 mAh powerbank. On paper it has capacity enough to power the L-8 for well over 24 hours, although I’ve never checked in reality.
You and Grant Stinnett's review on this L8 are the best on RUclips right now. Yours has more detail and technical info but also very practical. His is very use case focused giving examples of how he has and will use it. Thanks again for this vid and the performance vid!
ah thanks so much Shane! Got two more videos on the L8 coming out today and tomorrow around multitrack recording with it - do you have one?
@@davidshanhun No but it's next on my gear purchase list. Going to use it to keep all of my instruments hooked up in my home studio as an Audio Interface. Also going to use it when my buddies come over and jam. Also going to use it in a live looping setup with drum machines, bass, guitar, synth etc hooked up. It's such a super versatile piece of kit. I look forward to watching you new vids on it!
@@sjpachica3 sounds like lots of fun to be had! 😊
Your very first point about the headphone cabling issue - Does that mean AKG 712 Headphone users are prevented from using their Headphones, because the ONLY input to those is a mini-XLR connector - which is really great, because if you ever mess up your headphone cable with those, you can just plug in another one - no trip to the repair shop, no trip to the cellar to get out the soldering iron...
great question but no - they are the exact headphones I use and they work great with this mixer. The mini-xlr connector you mentioned is the connection TO the headphones which can be anything (depending on your headphones). The other end of the headphone lead which will go into the desk is a 1/4 or 1/8' trs jack which plugs straight into the desk. Cheers for the question though.
@@davidshanhun awesome, much thanks for the answer :)
Those headphones are indispensable to me.
I bought Waves' "Abbey Road" virtual speakers/studio plug-in just to use with those headphones, where ever I have no speakers...
@@Pharesm ooh don't know this plugin but use a few of the waves stuff. Might check it out!
@@davidshanhun ruclips.net/video/Euef8rtUYf0/видео.html
:)
It was due to all your vodeos on the L8 that I purchased mine. I run a Podcast for just me (so, slight overkill at the mo) but its quality of recording far outweighs the Behringer I was using. I record direct to SD first so there is no PC noise to interfere and I am blown away (Rode Podmic and cloud lifter)
Because of this setup I can now produce the tracks needed for my app, I really can not thank you enough for your reviews.
That's awesome Martin! Glad to hear you are able to create what you need! 👌
Thanks bro, good to see a review from another Kiwi! Rockshop have got these on sale for $545 so pretty sure I'm gonna grab one
yeah mate that's an ace price at the moment eh!
Finally got mine. Watching this as I unbox and set up, to get a better idea of what to do. Thanks for this amazing video bro!
most welcome! Enjoy the unit!
This was a great and very informative review. Thanks for taking the time out to share! I can’t wait for my Zoom L-8 to come in the mail tomorrow! 😊
whoop whoop! how's it going so far?
@@davidshanhun not bad at all. Tracked some live drums and it came out really good. One thing I don’t like or I’m not sure if I haven’t figured it out, is the fact that there’s no way to cut the volume for the monitors/speakers while recording! So I’ve been literally having to turn off the speakers when I’m ready to record; that’s annoying! 😵😩
@@iamtonyade just bring the master down - the recording is before any of the faders at all - so you'll still get your recording exactly the same - and means you can move any of the faders mid performance or have them completely on 0 and you'll still end up with the same individual .wav files for each channel.
@@davidshanhun I actually tried that, but when I brought the master down, I also couldn’t hear from the headphones any longer 🤷🏾♂️
@@davidshanhun Hey David! So I’m not sure if your advice pertains to recording via a DAW, but if I turn the master fader down, I get no sound in my headphones, which makes it impossible to record and hear what’s being recorded. Can you please help me out? Thanks so much man
Dude thank you for this video, it was exactly what I needed and the most complete video out there so far regarding the Zoom LiveTrak L-8!!!
Most welcome! Glad it helped! 😊
THE BEST 20 MINUTES OF WATCHING A REVIEW! THANK YOU!
ah that's awesome - thanks!
Well, after quite some pain with Headphone monitor outputs, I got a couple of SB-5 DI boxes from Radial Engineering and it works perfectly also with Jack -> XLR. It's also possible to do it with other DI boxes, but this one really shines as it allows for summing L/R channels to single mono XLR or you can plug two jacks to it. I use that combo to bring sound to our JVC camera (XLR only input) at correct level.
It seems the monitor outputs are preamped for headphones, so it's way too strong for other uses. DI box solves that.
Andrej! Thanks so much for suggesting this gem of a DI box. great solution to this issue and the mono summing option is also brilliant!
I’m getting it now because of you . Your description of all the features was very easy to listen & understand too
Wow, someone that really knows how to make a painless review! Starting with the negative is the best. Reason I like that ... If I don't mind the negatives, I'll be happy to hear the rest. I hate learning what maybe a deal breaker after watching all a video. This is exactly what I needed to help me make a decision. Thank you
ah cheers! what did you end up going with?
I've had a Zoom H6 for a few years now and am completely satisfied with it....but am getting the L-20. Have lots of impromptu get togethers and never know how many mics will be needed or instrument inputs etc. Would have needed 14 just before Christmas for a house party but the H6 did a pretty good job of recording the "room". Thanks for your great reviews it will save me some learning time. Also want to use it for recording rehearsals once we can get back to creative collaboration...Thanks again !!!
The L-20 will be epic! ...I've got some more videos to do on overdubbing with these units - I still missed so much off this review haha!
Thank you very much I learned so much about my Zoom LiveTrak L8. I mainly use it for podcasting but I see it so much more than a podcast Mixer
Awesome Rocky! Glad it was useful!
This is a great review and tutorial. I just picked one of these up for my Acoustic Project off of Ebay. I love you just got to the point of things! Thank you!
Thank you mate! Happy recording and creating with it!
Excellent!! Very thorough explanation. You answered all my questions and made my decision so easy. This is the piece of gear that I need. Kudos and thank you for your time!!
love it - it's a pretty great piece of kit!
You said it has no master output EQ but what does it have for per-track EQ?
Does it have virtual tracks for bouncing overdubs when you use it as a recorder?
Honestly one of the best reviews on a product ever, so much specific info! Thanks for this!
appreciate that Josh!
I just ordered mine for podcasting and a doing work for an internet radio station! I’m so stoked!
awesome Jeff! Enjoy when it turns up!
Great review, David. Helped me learn a couple of things I was trying to get for my podcast. Thanks for taking the time to do this!
Glad it was helpful! What's your podcast Dave?
@@davidshanhun My podcast is Christian Music Archive podcast (christianmusicarchive.com/podcast)
But I also use the zoom for a podcast that I help record (mercytoday.global)
This was such an amazing review, you gained a new subscriber!
Thanks Daniel! Welcome to the channel 😊
Great review David. Very informative, straight to the point and sounds and clips. Thanks mate!
Thanks 😊
Subscribed because of the first 1 minute. Good job with that intro.
Cheers!
Thx David, your info and teaching is so simple to understand and apply .
Have learnt good points from you on how to use L-8 mixer/recorder.
Best review of this board!! Got all the info, great job!
Thanks!
My friend, thank you for this video. You brought up the subject of incorrectly labeled channels. I've had a zoom l8 for a few weeks and I couldn't record anything in garage band, only the feedback from the left channel was recorded (I selected 1 in the DAW).
Thank you for taking the time to share the important things about the device. Really helpful. The only problem is, now I want one. :)
haha love it! Let me know if you end up getting one! 😜
on the monitor output, i believe you may need an xlr splitter cable (Y cable) because the monitor outs are sending an unbalanced stereo signal. without the splitter cable you may hear a muffled signal. cheers!
A stereo output which is wired to an XLR (pin1 ground. pin2 left pin 3 right (por vice versa)) creates a karaoke mixer - all the centre information is cancelled out by the differential amplifier on the receiving balanced input.
Hi David! Thank you so much for everything you put out here on this video!! It helped me a lot to understand this interface and to resolve a few issues I was stuck on!!! Blessings and all the best!
So, by now, I've actually bought one - in part thanks to your answer about the AKG 712... - it arrived this week...!
So the L8 manual states, that the Master Headphone out will put out an identical signal to the master out. (going directly to active speakers in this case)
So how come my speakers on the master-outputs are getting signal, but the master headphone-out is getting nothing?
And I've used consoles since the 80's. I have an SQ-5 and getting along with it... what am I doing wrong?? Starting to wonder if I got a defective unit?
I tested that headphone and cable are good.
Thinking you might be the most likely one to know, since you've covered lots of details on this unit :D
.
As for my first unboxing impressions: I hate it. Plasticky, flimsy and the USB driver for PC sucks - it doesn't list up the channels - its just an in-transparent blob. I want to route PC audio to USB 3+4, i.e stereo channel 8, there is absolutely no way to assign that. Driver update from Zoom? nada.
Gravely, I think all the controls are just held by their soldering joints and will not hold up, unless you keep it in a box full of cotton balls.
But for battery powered, there is nothing else except MixPre 6II (which is more cumbersome to operate) and Behringer Flow8, which can only handle 2 condenser mics. (wish Behringer had aimed a bit higher on that, like 6 condenser mics for $320 instead of 2 condenser mics for $220 - because otherwise it would be a much better mixer than the L8 imo)
Oh yeah and I forgot those Zoom Field recorders, with the same shitty plastic build. I'm not railing against plastic in general - Some other companies simply use higher quality plastic (Tascam, Sony)
** I'd say that you have to be damned sure, that you really need it battery operated before buying that. **
At least one, maybe both of the other Livetrak units have a metal housing, I think. Was it the L12 and L20 or only L20?
Hi David, thank you so much for this video! Helped a lot! We did a zoom (conference) choir rehearsal using the zoom (mixer) where me and the choir director sang and the rest of the choir sang at home with muted mics. The stream worked great! Wish you all the best! Greetings from a Brazilian stranded in Germany! :)
No eq on master? Great review, thanks. Gotta go🖐
Thanks for this full review of the Zoom LiveTrak L-8 mixer / recorder. This is really helpful.
yay! So happy it was helpful! 😊
Excellent review David. No nonsense and very thorough. Seeing this and your other Livetrak L8 videos convinced me to buy the L8 but then I hit a snag. As primarily a guitar player I sometimes need to punch in on guitar tracks, usually using a foot switch, but this is not possible with the L8. It also seems that the only way to punch in is to press a button on the mixer - as you demonstrated for a vocal track in one of your videos. That’s OK-ish for a singer but impractical for a guitarist (and many other musicians). The L8 doesn’t even seem to allow preset punch in/out points to automate the process. Unless I’m misunderstanding or someone has a clever way around this (other than getting an assistant to press the button which is often not viable) it’s a deal breaker for me. Such a shame as in so many ways it is the ideal portable recorder/interface.
By the way, for anyone concerned about using a combination of condenser and other mics with the L8, particularly ribbon mics, I’ve got around this in similar situations by using the inline Triton Audio ‘Phantom Blocker’ which passes signal but not phantom power. There may well be other similar gadgets available.
Hey Jimbro! Cheers for this comment/message brother - and yeah, so far I haven't figured out a way around this either. Would be amazing if you could use the 'mark' function to set punch in punch out, but I don't believe that's an option.
Appreciate the details on the Phantom Blocker too!
Great Review - and info thanks David.
Cheers Brett!
Absolutely the best review!
Thanks, keep it up
Aw thanks! 😊
You could probably use a Pyle Mini Hum Eliminator for the headphone jack issue. (Not for the hum elimination, although that part is nice.) it's has 2 TRS inputs and two TRS outputs + 2 XLR inputs and 2 XLR Outputs.
You could probably use it playing live anyway.
Ah that's a cool option/idea. Thanks!
Many thanks David, this was a great help to me setting it up......One important point all should know is the faders seem to remember their last settings, which is good but....they need to be wiggled when testing or nothing comes through. Thanks again.
yes absolutely David!
Good review, David. I've also had a few Zoom devices over the years starting with a Zoom 9000 way back in '92. Most are great and some not as much. Sounds like a good little mixer there.
Thanks. I think this is a pretty stunning piece of kit! haha. Still finding many more things it can do... perhaps there'll be an updated review at some stage! 😂
Awesome review mate. My mixer/interface had output issues suddenly. Need an urgent replacement while the fix it under warranty. Definitely will sort out my immediate workflow issues.
hey Fin! will answer the question on your other message - hope you got this sorted!
I noticed in the manual that it says the 1/4 inch master out and the three 1/4 inch monitor outs are all stereo outputs. Which makes sense when using headphones. But how does that work if using the 1/4 inch master out to run a powered speaker with a 1/4 inch input? The speaker is a mono plug and cable will be a mono jack, but the output jacks on the board are stereo. Great review!
Hey Michael - I haven't tested this actually as haven't been panning anything much into a stereo mix that then gets sent to the monitor outputs. I presume you only get Left OR Right, just not sure which one, so if you have things panned in your mix you may lose some of the panning. If nothing is panned and your signal is basically mono then you're all good though. As mentioned above I haven't specifically tested this but that's what I would expect given the outputs from the 1/4 jacks are only working as mono.
@@davidshanhun if it is truly a stereo output, and you are panning anything that you record, you'll want to monitor in stereo. Get an adaptor... 1/4" trs to two mono 1/4" (or xlr, whichever you monitor input is)
Hi David, You really have become my go to for advice and kit (I already have the VL3X based on your videos!). Thanks for this - huge dump of information (and yes, the wallet is now £300+ lighter!). Thanks again, you've really helped me get on the road!
Thanks for the thorough review, man. This has really helped me. Cheers.
Glad it helped mate! 😊
This was super helpful. I am a mixer/live streaming noob so this was amazing.
thank you for this im the audio tech at my college radio trying to find us a better setup. this video really helps. cheers :P
Glad I could help! There's lots of good options for gear now it becomes hard to know sometimes what will be a good fit eh!
Thanks for doing this, David. There are always caveats no matter which multitrack mixer/recorder you look at. I would have preferred more hands on & views of the L-8 rather than your up-close face to be honest, or at least further from the camera - but I managed to get through the video due to the invaluable information. Cheers from Oz.
hehe this is the most common comment tbh. Feedback received haha!
Perfect, gets straight to the point, saved me heaps of time in my research, thanks!
Hey FANTASTIC review! I wish this level of content quality was more normal. Speaking of noal, please share your lighting set up. Fantastic warm colors, super professional. Gimmee gimme..
aww thank you so much 😍 I am 98% certain I'm using a LUT from Matti Haapoja called Cinema on this vid - too much and it gets a bit crazy, but you can just dial in how much it affects the image. I was also sitting by a window, with the room light behind me being a bit orangey I think! Hope that helps! Got my first vid coming out in an hour or so using the L8 as a multitrack recording unit in case you ended up getting one! 🕺
David Shanhun Hey yes I did pick one up. It makes capturing interviews for the Radically Unstuck podcast incredibly simple! What a device it is. Just so happens Iam moving toward adding video to my production soon.
@@drumgrandpa awesome! Podcast looks pretty interesting just took a look 👌 Might add to my listening list for later 😊
David Shanhun Hey thank you so much! I would love to have you on if youd like.
Hi David, excellent review, I love the L8 for traveling and recording ideas or jams. I'm thinking of getting one as the UI24 records straight to USB drive and will give you the multitrack and stereo recording options you need and comp and EQ, but not great for a plane or backpack. The DB es503 speaker gives you an antifeedback EQ which would be handy paired with the L8 for live settings.
Do you know what other mixer with this specs and price point?
There isn't anything I've found at the same price point. More expensive then yes there are a few options.
thanks for this. I plan on getting this one for my gigs. been looking for a mixer that doesn't give noise in the output while I am streaming and I think this is good. WOuld be nice if you could do a video when you are connecting the mixer to your laptop for a live stream with obs
Hey Benjamin! I definitely rate it for recording and streaming, it's got a great sound/output and very clean, and it's good (but perhaps not great) for live shows. (I would love if it had the sweepable mids that the L-12 has for specific venues where certain frequencies are a bit of an issue).
@@davidshanhun Thanks again. This is really useful intel
@@BenjaminSpartos most welcome 😊
@@davidshanhun maybe if you also don't mind sharing the best budget ligthing kit to bring out the best quality for a simple virtual stage setup
I bought it and it's amazing. Thanks to you :-)
ah that's awesome! Enjoy!
@17:54 You say that your phone in receiving audio from the mixer. but didn't you just plug it into the 7/8 stereo INPUT on the mixer? Wouldn't that mean that whatever audio from your phone is being sent to the mixer? And not the mixer to the phone? This part of the video didn't make sense to me. On other mixers I used to stream, I would just connect the USB cable to my phone and then my stream gets the master mix output.
ruclips.net/video/bJOtiL-Soxk/видео.html&ab_channel=ZoomSoundLab
It’s a trrs cable - sends and receives and designed for exactly this on the mixer.
thank you for this video, really helped me out a lot
most welcome and glad it helped!
Great information! Thank you so much for this video. Just got one of these and this video was definitely helpful! You remind me of one of my Kiwi friends who lives in Christchurch. I will be coming there to tour someday. Thanks again!
most welcome! Ah, love it - come tour in NZ and say hi 😊
Thanks David. That was very informative.
trust it was useful! :)
Fantastic...this is just exactly the kind of video I needed to see before I purchase one. I have a tascam dp24 and its a complete pain in the butt!!!! hehehehehehe.... thanks a lot. Subscribed. Your video, was my selling point. Thanks again.
As a musician i wouldn't go for that unit tbh. I'm considering buying the Mackie profx3 serie for several reasons. However its analogue preamps are of better quality 192khz 24 bit recording, balanced XLR outputs and usb audio interface. This is also less expensive 159€ for the first model. I like its versatility and overall quality. The Zoom has advantages over the Mackie for live environment and post edition mainly but still too expensive from my pov.
perfect. Glad you know what you want and what you'll use it for etc! All the best with your recordings!
Best review out. Have you tried a jack to headphone jack yet?
technically trs to trs should work - the monitor mixes are stereo, and work fine with headphones which are a trs jack you're plugging in. ...actually testing now haha! YES - sent a trs (both ends) cable from the monitor mix into my headphone amp and stereo signal received just fine. 👌
I don’t understand , if the headphones put out on a TRS this should be fine to an xlr , it’s all the same internal wires going to the same places ?
Not only that , you could use them as aux sends and have 6 aux sends if you used a TRS split to two TS cables no ? Ok you won’t have many channels to return them to.
Edit , I see you did an update video addressing this , thanks for being conscientious enough to update , appreciate the review😊 which now makes me wonder , is there enough signal for an effects pedal to be returned to one of the buses if you use the headphones out as sends.
Thx David, your info and teaching is so simple to understand and apply .
Have learnt good points from you on how to use L-8 mixer/recorder.
I had a question
Can you delete/remove at track file within a
project ?
Dear David.
Regarding 3:50 .... what graphic EQs would you suggest?
This is now quite an old unit really, but a pretty good simple option combined with the L8. amzn.to/2JZg71J (find what works for you though - there are all sorts of options similar to this!).
Great review David, thank You.
😊
Thanks, David. Excellent as ever.
Thanks! 😊
Hi David. This is by far the most informative of videos of the L8. It was just given to me as gift, I was pumped about setting it up as an interface with Logic Pro X. I DONT GET IT !
When I record on Logic I use input monitoring, and when I select input monitoring like usual in Logic while using this, I get feedback from the stereo channel 7 when set to usb. Which is the signal from the computer (including my input monitoring)? Right? Why am I hearing feedback? My output is XLR jack to jack into studio monitors. They just made it too confusing. Is there way to fix this? Goal: use it as an interface with LPX while being able to hear the master sound coming from the input monitoring (computer) without hearing feedback? I appreciate the video and any help in advance! Thanks
heya, do you have a live mic in the room whilst doing this? - eg what is your input monitoring signal?
I thought recording a channel to SD card included gain but not EFX or EQ? When you demonstrated having a venue mic record only, you said you can leave this fader completely down. If I understand correctly, wouldn't that prevent anything from recording from that channel?
heya! When recording to the SD card it does include gain but not fx/eq/panning etc. BUT... the gain is different than the fader knob. The gain is the little dial at the top of the channel strip - whatever you set that to is the recorded level. The sliding fader simply decides how much gets sent to the mix. So, you can record with the fader completely down, and you still get a great clean signal for the recording.
Ok I've been experimenting with my L8 since last post. Very incredible machine indeed. I think I'm selling my Focusrite as I am not sure I will ever need it again. I even have 2 physical preamps - a K&K and a GAP pre 73 - that I'm not sure I will need again...
Also, very important thing : My friend who has the L12 asked me if I could do Live Facebook with it, which I could without problem. He can't without an additional audio interface. Turns out the L12 and L20 are having issues being recognized by Facebook Live (you can ask me why because I had an exchange with Zoom Support on that matter).
One little annoyance however - and I wonder if you noticed - but if you do Punch In Punch Out dubbing, the "TOC" sound made by the buttons of the L8 are noticeable in the recording.
But overall... wow. I just hope it is a durable product (crossing fingers).
Thanks for your comment! Sorry I didn't get to it til now! 🤪
Interesting to hear that the L12 and 20 are having issues being recognised by FB! Hope it's sorted now! I did notice that the 'toc' noise from pushing the buttons is audible - there is a way around it if you're mixing down via the zoom only, and that is when you mix to the master, make a note of the time that you pressed the button on a specific track, and you drop the fader on that channel to zero at that point briefly. If you're punching in and out on a super small section it won't solve it, but works perfectly if you do a whole chorus at once etc.
How are you finding it one month on? (sheesh I just noticed this is when your comment is from!). I've just uploaded my first full song recorded and mixed fully on the L8 - it goes live in about 50 mins!
@@davidshanhun I now know what the issue with the L12 and L20 and FB Live, as I spoke with a Zoom engineer. FB Live will accept only Channels 1 & 2. It just happens that the L8 sends the master to 1 & 2 (that's why in Logic your first track has to be set to Output 3, even if you are using the Input 1 on the L8). The L12 and the L20 use other channels to route the Master, so FB doesn't "see" it. The workaround is to use a third party app, or to use an intermediate device between the L12/20 and the computer, while the L8 is straight forward plug and play with FB Live. As to my impression so far with the L8.... I am delighted, and so happy I got it.
@@neomerismedia1383 ah that's awesome to understand why! Thanks for following up with your reply on this!
@@neomerismedia1383Zoom meetings has exactly the same issue...it only accepts incoming audio on USB channels 1 and 2, so a lot of the larger mixer/interface desks that don't output their main Mix on USB channels 1 and 2 have problems.
Great video!!!
I have some questions:
Can I use usb return 1-2 and 3-4 at the same time?
If yes, the tracks 7 and 8 are in stereo?
If I use a usb return at channel 7, can I still use the track 8 with line input ?
Track 7 & 8 , both are stereo.
If you use Track 7 for USB , track 8 can use for line in. It is individual.
If use TRRS for phone call, track 7-8 will combine.
Did you find a solution?
I use L-8 as audio interface for my pc. This is my problem: when I talk with my friends on Discord for example, they ear not only my voice, but even everything that I’m listening on my Pc. I’m using channel 7, USB 1-2 on MIX A output. Furthermore, for let my freinds ear me, I have to use the MASTER red fader. How can my friends listen only my voice? What I can do? Thank you a lot.
Hey Stefano thanks for the comment. Yep this can be solved. The master output is what is set to come out usb 1-2 by default even if you're listening to Mix A. Here's how I would set it up. On the master mix make sure the only fader that is up is whichever channel your voice is on. Then switch to Mix A, and set the faders for your voice and channel 7 volume that you personally want to hear etc. A friendly reminder not to use the mute buttons as they apply to all mixes at once. Let me know how you go 👌
@@davidshanhun Thank you! i finally understood how it works... in the end! :D
@@stefanoricchiuti3726 yay! haha it caught me out a bit at the start too man!
Excellent review!
Thanks Darrin!
Thank You! With LIVE Streaming and performing LIVE, can u send the main mix to your iPad/Phone while simultaneously sending the same main mix to FOH?
yes you can.
Another good vidéo fromage David ! Thanks for this review ! Zoom always good quality of matérials ! Most possibilty but not too much from live looping because simple configuration is better for my opinion ! Are you confortably with this mixer in live ,?
thanks! :) It's not the greatest option for live shows - but at it's price range, for being able to do live shows as well as record the individual tracks nothing else compares at this stage. The l-12 rather than the l-8 is much better suited to live shows (channel compression, sweepable mid eq, and proper monitor outputs). Hope that helps!
Superb review..
Thankyou!
Hey David, your video was very informative! I bought the Zoom Livetrak L-12 a month ago and I have been enjoying every aspect of it. But I saw this video and you mentioned that the headphone outs don't work with xlr to 1/4 inch cables. Is this the same for the L-12? I am looking to buy a wireless IEM pack and most of them are XLR...
Hi Abel, I haven't tested the L-12 i'm sorry! There will be ways around it even on the L8, headphones work just fine that are stereo when plugged straight in, so I expect it's simply which way around they have the tip/sleeve/ring configured. If I were you I would buy a trs to xlr adaptor - amzn.to/2Z2eQvM - connect it to an xlr cable that you have and see if you get signal out into another mixer or similar. If you check it out would you mind letting me know?
Thanks for the video review! My only doubt with this mixer board is if I'll be able to livestream a 3 to 4 people podcast through OBS and record simultaneously to an SD card in individual tracks. Currently with my Zoom H6 as an audio interface on multitrack I can send a stereo signal to OBS or record multitrack on Adobe Audition but when I try to run both softwares at the same time , whichever program I opened first is the one that recognizes the Zoom and microphones and the other one does not at all, plus the zoom starts making this very weird and upsetting mechanical noises. If with this I can livestream the podcast and record each microphone individually at the same time for editing purporses later, then it'll be golden.
yep it's designed to do exactly that. Just press record on each track that you wish to record and they'll be captured by the SD card, then the master out will go to OBS for you to record and livestream at the same time. Means you won't need to open Adobe Audition until after the session/podcast, when you can import the individual track files in there from the Zoom's SD card. 👌
@@davidshanhun Thanks so much for the quick reply man! I think we're definitively gonna give it a try with the mixer and if so I'll post here my thoughts on it later on so it can help more people trying to find the right tool for their gig, For now absolutely subscribing cuz that was some quality content
@@drunkhas ah thanks! Yep, always a little interesting with gear trying to assess what will actually work for what we want to do eh!
David, I am looking at the Zoom LiveTrak L-8 vs the Tascam Model 12. I would use this mainly for recording, but possibly for small venues as well. I would need this for vocals only. Live and recording would be 4-5 tracks. I have an equalizer I can hook to it for live performance if needed. Would the Zoom LiveTrak L-8 be plenty for what I need, or would something like the Tascam Model 12 be a better fit for just vocals. I feel the Model 12 would be over kill for what I am needing, but I like the fact that it has compression and I can adjust the highs, mids and lows. Wanted to know what your thoughts were on this. Great detailed video on the zoom track 8.
Hey Tyler. You can adjust the EQ highs, mids and lows on the L-8 also - it is just done by selecting the track you want to adjust, and then adjusting the settings, then selecting the next track that you want to adjust etc. So EQ wise you're getting a similar setup as the Tascam just with a different way to set it. the thing I like about the Tascam is it has sweepable mids for each, plus an EQ with sweepable mids on the master also. I haven't heard the compression from the model 12 - but it is something I would appreciate having that the L-8 doesn't - purely for live however. If it's all being recorded and mixed in post, then it's really irrelevant, but for live it is a benefit for sure. One of the main reasons that I totally forgot to mention in this video for me choosing the L-8, is that I can film and record audio with individual tracking all powered by a phone battery bank (or if I wished AA batteries with the L8). Hope that helps you with your choice!
Thanks very much for going over this! Seems like a cool unit. They should make the pads larger and then they can double as a mini drum machine. Lol
That would be a cool addition eh!
Hiya. I saw your RUclips channel. amazing and very informative and a pleasure to watch. I have a question. I am waiting delivery on zoom livetrack l8. how many audio streams can the Daw take? are 7 and 8 stereo. if so is it possible to use a splitter cable for each Chanel (7 and 8) and have 4 mono channels that combine to two stereo channels when streamed. So you would have a different source on ch7 left and a different source on ch7 right. and again for Chanel 8?
if not can I use a splitter to put in TRRS input and use two separate sources one for left and one for right. and also use channel seven in the above manner or in a regular fashion.
sorry, complex question but as I see from your RUclips channel..... a walk in the park for you. 🤣🤣
Woowwwwwww!!!! Ran across your video review of this Zoom mixer & glad as hell I did!!! Your laid back approach,knowledge of product, & musicianship as well, Jusy won you 1 more Follower!!Subscribed & Rang da bell babyyyy!!!!! LoL🤣😂 Also,the Key point to me was that You had 132 comments ,& YOU took the time to respond TO THEM ALL!!!!! I read ALL comments & replays BTW,& U SIR are a wonderful person & w/ ur attitude, approach, & knowledge "The Sky's Da Limit"
4 U bro!! Huge 2 thumbs up 4 that my man & Lookin 4ward to ALL ur up N coming vids & to when we BOTH can get back to gigging again!!!( I too am a freelancing musician)
Oh yeah...bout 4got...the mixer..(HaHa)(as u put it)
Welp,after learning bout All its capabilities w/ only a few minor drawbacks I too am going to be more than likely purchasing a Zoom for myself to use.Love all the live recording,mixing,live streaming aspects of it as I am going to be trying to get into ALOT MORE of this type stuff ( RUclips vids,possibly Podcasting, etc...) myself soon!! STAY SAFE David,& Rock On my friend😎🎸🎼🎸🤘 🤜🤛 🤝
Hey John! Thanks so much for this comment my friend! Live shows are just getting started in New Zealand again! Where in the world are you?
@@davidshanhun I am in United States,state of North Carolina!!! Were starting to "get on over to the other side" of this Covid19 thing ourselves here as well.Then wouldn't ya know it,damn 2.nd day in ,bars & restaurants opened but NOT at full capacity,we had the highest death toll for one day since this whole freaking mess started.It was bad news,but I dont feel everything can just stay shut down forever ya know,its almost like terrorism, ya got to take the shit VERY SERIOUS,BUT...ya cant live your life in total fear either.Gona take a long ass time be4 things sort of get back to the " New Normal"(what I'm calling it) Anyways,✌ man & Stay Safe !!!😎🎸🎼🎸🤘🎸🎼
Thanks for your Tips. I want to ask you, how to handling, if The mixer cannot record? I was choose click the record button, the light Change to red, but te timeline no change, still 00:00. Thanks
Press record to arm for recording, then press play to start recording. If you’re still stuck though drop me another note and we’ll figure it out 👌
@@davidshanhun thanks, it works
David Shanhun,
I recently learned the Roadcaster Pro has an issue with mix-minus: If a person calls in via iPhone (a mix-minus setup), they will not hear an audio input or RUclips audio.
For example: a host and the guest (via mix-minus) analyzing a RUclips or other audio clip.
Questions: If you know,…
1. Does the ZOOM LiveTrak L-8 suffer this mix-minus issue?
2. Will the guest (connected via mix-minus) hear the sound pads?
Thanks in advance,
yYM
no mix minus issues that I'm aware of anybody having with the l-8. They hear the master output of the desk including sound pads etc, and minus their signal.
I’m very curious about the quality of the preamps. Any info on that?
I'm really happy with them - but don't have a huge amount of info to send you sorry!
sir David 🙋 do you experience evident white noise using this mixer?
Hey David, have you checked out the Tascam Model series? Their new unit Model 12 is not as portable as the L8, but seems like the best contender for all the same uses (and more perhaps, can be used as a DAW controller as well). It's still not officially out in the market I believe, but would be great to know what you think about it. Thanks :)
hey Ankit - I took a look online at the Tascam Model 12. Looks pretty nice. It has the two things I would wish most in the Zoom L-8 - compression, and EQ including a sweepable mid on the master output. Plus their combination of a sub out and aux out options are a nice setup - essentially a different way of doing the different mixes that the zoom l8 has. One of the main reasons I went for the L8 is that I envisioned doing a bunch of location recordings with 5 inputs - so the battery/power bank option was a strong factor in my purchase choice! What are you looking to use it for mostly?
@@davidshanhun Thanks for the reply! I completely agree, I think Zoom has always been top-tier for location recordings, I was just worried how long the battery on the L8 would last. I'm a singer-songwriter/music producer and I work with Sofar in Mumbai hosting shows in unconventional spaces. So, the Zoom would be awesome as a songwriting tool, but I feel the Tascam might be a foolproof option to mix a 3 hour live show with multiple artists as well as be a centrepiece of my small home studio. Unfortunately, it will be a while till the Tascam unit gets to my side of the world now, but glad I could get a fair comparison of the two units, thanks again!
GREAT Video bud really been trying to decide if i should buy one or not to get my videos onto You Tube and i really hope this will work if i video with my phone and then use final cut to edit it. Also for live vlogs. Then again for live once we get back to work. Stay safe bro and keep the great videos coming. So appreciate your knowledge and help. Maybe a live gig on you tube pleases 👏👏👍🏻👍🏻🏄♀️🏄♀️
Hey Wallace! Yep - this is pretty cool I think for having the direct output able to go into your phone! (provided you still have a phone input etc haha - trying to remember which apple phone stopped doing that). Would be a great setup for going live once we are doing gigs again - can have a totally mixed sound going to your livestream from the show - I hadn't actually considered that haha! (thankyou!!) Considering doing some livestreaming soon my friend. Hope you're well!
David Shanhun Hey David yea I’m hanging in no gigs as everything under Lockdown in London. So hence I want to use this time to upgrade my You Tube channel and get things happening and even a live twenty mins every second day from my living room. So this looks like the tool for me. I have the iPhone X max but ya e just ordered the Samsung S20+ so not sure if it’s the right move but let’s see. Yea we staying as safe as possible. Loads of Covid deaths sadly in London. Anyhow stay safe mate chat soon 👍🏻👍🏻🍷
Didn't get your opinion about outs. Can i use this outs with three headphones with extension cables on stage? Why not?
headphones are sweet as - that's what they are designed for as outputs 👌
I stream Live on Stage 10 I have tried so many times to use this mixer but I get everyone on headphones, speakers on there end turned down so no way the signal is getting fed back through the mic, but I cannot eliminate the echo on the recording. We do not hear it when we are broadcasting. I am going to go to a simple interface like Focusrite or Presonus if I cannot find a solution Any Ideas? Thank you so much
Send me a link to one of the recordings if you can - especially if the livetrak is in shot. Things like this are usually a simple solution, but there's a few things to check to find out exactly what it is in each case. Can also be an issue with how you setup audio in OBS (if you're using it to stream) rather than this desk in which case a Focusrite won't help you! Feel free to reach out - this stuff can be frustrating until you find what the issue is. 😊
Could I use two mono inputs to have one more stereoinput I mean could i make the two monofiles to a stero in postproduction, because I normaly only need two stereo inputs, but in some cases I would need three, so I was thinking to use two mono inputs as workarround.
yep that works
Hello everyone, curious if the monitor outputs on this are powerful enough to run as actual stage monitors and for subs, etc. I know they say monitor for headphones, and know that sometimes the actual outputs are built for just headphones and not speakers. Any advice is appreciated!
hey Michael - these outputs are just built for headphones not a stage monitor/speaker. I have worked around it running these out into another desk then into a monitor - but I have another small desk that I can use to solve the issue. A couple of people have mentioned getting a mono summed cable that can solve the issue also - so might be an option for you. Otherwise the LiveTrak L-12 has proper monitor outputs.
Monitors jack 2 jack... Bummer!
Would you say the L12 does that better?
I don't definitively know the answer sorry! I suspect you will be all good with the L12 given there is a L and R monitor output in addition to the stereo headphone outputs that the L8 has. Hope that potentially helps you!
Hello David ,, Do you have any idea if the l8 can be chain linked as slave to my main l8 ? The idea that im using the main l8 for mix and recording live music band , now the band had grown 😃 so more channels is needed, recently i have my hand on another l8 and want to sync. It or chain link it with my main but not by in/out typical method as i want to sync all the tracks in both mixers to record all in once and mot to worry about how to align the tracks on the S/W.
I can't think of a way of doing this off the top of my head, I'd suggest you prep them both for recording and simply hit the 'play' button to start recording on each at exactly the same time. There will still be some potential discrepancy between the exact press between different hands, but should give you pretty ace results. Otherwise - if you can split one track so it records on one channel for each mixer you'll have a reference track that is exactly the same to sync each set of audio to. Hope that helps - maybe not the ideal scenario but will work well. If I think of any other options to add a timecode that's the same etc I'll drop you another reply.
@@davidshanhun Aha ,, I will try the idea of splitting the track into channels on each , it will make life easier to sync the other. Thank you 🙏,,
Great Review thanks! Way more detailed than others. Question do you think it is still worth it in 2023? Main use would be live streaming and recording events.
For the price it's still an ace unit. However - the CQ series from Allen and Heath would be my recommendation if your budget allows it as a combo of live and streaming. Otherwise for streaming/recording the Boss gigcaster, and the Rodecaster pro are really good options as well (focussed more on the streaming and recording side rather than running live events also).
@@davidshanhun Thank you for the response, I am not familiar with the CQ nor the Boss one, I will take a look at them. Thank you!.
Where do you plug your speakers into for the sound to come out. Thanks in advance.
into the two main outputs on the unit (the two xlrs).
Excellent Info And Full Respect
Thanks! 😊
Channel 1 is actually input 3 . Master out is 1 and 2. Your DAW needs to select input 3 for your first track.
Correct, but you can re-assign these if you wish also.
Hi! Great video! Is it possible that with the mixer I can use live mode at the same time that I send sequences on the computer to the main Mix and send another sequence to headphones/monitors?
you've got two channels you can send from the computer to the desk and can then send those wherever suits - main/a/b/c etc. so yes 👌
Can't thank you enough for this vid. Great job 👏🏾 👍🏾
Cheers Keith!
Great review, thanks so much, it was very complete. (PS: you are so near the lens, seems like you will eat us :-))
hehe! I think I must have been trying to leap out of the screen at people when I filmed this one 😂😜
Can plug in condenser mic and dynamic mic at the same time and press phantom button?
Yes - in 99.9% of cases this is absolutely fine (and I do this myself running both a dynamic sennheiser e845, as well as an aston origin condensor mic at the same time). There are a few cases to be aware of, mostly concerning older ribbon microphones. If you want to understand more about it, there's an excellent discussion on this topic here: www.pro-tools-expert.com/production-expert-1/2019/11/8/phantom-power-the-myths-busted
Hey David thanks for the review mate. 3 years on, have you seen anything else come onto the market worth taking a look at in the recording/mixer realm?
Hey Will - yeah there's a lot mate! I actually bought and sold a bunch of mixers last year around this (intended to do a video but that didn't happen in the midst of life), but it's great to see more and more mixers include individual recording direct to SD. The zoom stuff is great and for budget I really rate it - but just released is the Allen & Heath CQ series which is an excellent option. Most comes down to budget etc for this stuff though tbh - there's the m20x from RCF that's a pretty nice piece of kit with SD recording etc but they're all at a higher price bracket than where Zoom is.
Essentially I'd still rate the zoom stuff for being able to do this really well at the price range and I like the overall sound from their desks... but they are missing the tools to deal with live sound really well when compared with the more expensive gear. So - it's a balance of what's needed or general budget overall haha! What are you running at the moment?
@@davidshanhun legend! I’m running a Behringer 1002b at the moment with a TC Helicon Play acoustic in front of it, and then simple recording with a Zoom H5. I’m always looking to improve the sound and have never been totally satisfied with the TCHPA which seems no matter what I try to make my vocal a bit “too digital” so was tinkering with the idea of just using effects off a board. ( I don’t use much effect anyway). Have had a good look at the Allen and Heath Zed series. Such a journey with our gadgets! Appreciate all your shared wisdom mate.
@@willpriormusic yeah funny journey to find and like our own sound eh! The best thing with a bunch of these kind of desks is if you're fx are coming from them - you can totally change or adjust them entirely in post if you wish to. Sometimes I've been in rooms where it requires massive amounts of reverb to sound 'normal' and others it's completely off to fit the room haha. If that same sound has to go out to your recording it's a tough call on what you prioritise eh? Best sound for the room or best sound for the recording haha! what part of the world are you in?
Yeah great points those! Will be interesting to have a look when the A&H CQ reach our shores. I’m in NZ mate. Down in Martinborough 👍.
ah nice bro! I'm digging that series more and more as i look them over! got a mate that just ordered the cq20 so will get to have a fool around with it soon haha! @@willpriormusic