Thank you for sharing these great stories! It's nice to see the merge between old and new technologies directly from people on the ground like you. And congratulations for this editing: It's well-paced, clear and funny.
Thank you for sharing these incredible memories. Very few insight information we can get from the early days of CG. And also since I'm a big fan of Tim Burton's Batman films, it's an incredible behind the scenes video for me. Thank you so much.
Loved this video! DVD documentaries for Batman Returns, the Star Wars prequels, Terminator 2, etc. are what led me to eventually pursue architectural rendering and compositing. I'm grateful industry pioneers such as yourself continue to share your stories and inspire others. I'm very curious - do you remember what resolution you all were scanning/outputting at during this time? Was it still a wild west, or was there a temporary standard like 1280x960? Thank you again!
Hi Monte! The scanner could scan a little over 3K, but for most of our 35mm work we scanned at 2K. The exact dimensions varied depending on the format & use: 35mm, 35mm VistaVision (8-perf horizontal), 65mm---sometimes even 16mm. I believe the Solitaire Film recorder could output 4k for the CG imagery we created for Imax format films.
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Very interesting, its just incredible to see all the hard work that happened behind he scenes!
Thank you for sharing these great stories! It's nice to see the merge between old and new technologies directly from people on the ground like you. And congratulations for this editing: It's well-paced, clear and funny.
Thanks for making this video man 👍 this stuffs amazing! You’re one passionate guy 😊
Also just wondering, did u ever meet Michael keaton😂?
Thank you for sharing these incredible memories. Very few insight information we can get from the early days of CG. And also since I'm a big fan of Tim Burton's Batman films, it's an incredible behind the scenes video for me. Thank you so much.
Loved this video! DVD documentaries for Batman Returns, the Star Wars prequels, Terminator 2, etc. are what led me to eventually pursue architectural rendering and compositing. I'm grateful industry pioneers such as yourself continue to share your stories and inspire others.
I'm very curious - do you remember what resolution you all were scanning/outputting at during this time? Was it still a wild west, or was there a temporary standard like 1280x960?
Thank you again!
Hi Monte! The scanner could scan a little over 3K, but for most of our 35mm work we scanned at 2K. The exact dimensions varied depending on the format & use: 35mm, 35mm VistaVision (8-perf horizontal), 65mm---sometimes even 16mm. I believe the Solitaire Film recorder could output 4k for the CG imagery we created for Imax format films.
Can you do one for the cave game
hello Stephen Stanton
digital effects should only be used to enhance practical effects, not the other way around