Is this the BEST method for painting? 🤔 Monument Valley Grisaille
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- Опубликовано: 24 авг 2024
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In this painting demonstration I'm using:
Specialty Ray Aslan Copper Panel - Lead Primed 18"x24"
Cremnitz White (Lead White - Basic Lead Carbonate) / Cobalt Blue / Permanent Crimson / all available from blueridgeoilpaint.com
Rublev Oleogel as the painting medium
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Hey! Want to take your art to the next LEVEL? I make videos sharing vital painting techniques.
I'm Andrew and welcome to my channel! I just love to paint and I've been a professional artist for the last 18 years. I have now decided to give back and share what I have picked up in my career. I will show you techniques used by the old masters with step by step tutorials, across a wide range of subjects. We will also dive into the materials used in painting, and how to wield them with mastery! I will even feature content specifically designed to help you with your art career, with Q+A videos.
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This painting just blew my mind. Such a perfect contrast and value shifts varying on distances. I am fascinated by this painting. And learnt a lot today. What a wonderful way to end this year and getting inspiration for new year. Everlasting gratitude to you sir for your generous effort. Thanks and have a great time. 🙏🙏
Couldn’t agree more! Bravo Andrew!
Thank you very much!
@@AndrewTischlerArt 你生就一副上帝一样的手，无与伦比的震撼！
All I can say, your instructions and demonstration are magnificent .
andrew you are such a beautiful artist ive been making paintings for 27 years and i think i need to go back to oils i love all mediums ,thank you for inspiring me
Everything you do is genius and perfect in my mind and eye. Your instruction and visuals are so soothing, so wonderful that I don’t have to even like the subject matter, just benefit from the tutorial. I sent you messages before stating you are the best artist of the century and I say it still. Love you creations, your God given talent. Thank you for utilizing and working to be who and what you are. A true gift to humanity. Thank you sincerely with all my heart, thank you. Sincerely, Mary Lou🌷❣️
Wow, thank you!
*Important to consider here* "Sorry, love your work, but you did this incorrectly. In order for glazing over a grisaille to be effective and as beautiful as possible, you must paint the grisaille brighter than the actual scene. The whole point being that you're adding subsequent layers of transparent and semi-transparent pigment to create visual mixtures with light penetrating through them and reflecting off of a brighter base. Plus now when you add transparent lakes over these dark tones, the color won't show and your values which are accurate now will be inaccurate due to being darker than what makes sense."
I suggest you make a painting of Gen. Custer's last stand at Little Bighorn. For 2 main reasons: You make such great landscapes, and you look just like him. Would make a nice self-portrait, I'd say. :)
Wow what an amazing piece of work. Just fabulous technique and results on Titanium finushed copper panel! I could watch you work for hours Andrew. I love it just as it is as a grizaille, but would look amazing in colour as well I guess.
Thank you so much ❤💕Happy New Year xxx
love debs in Spain😘
Whooooooah! That looks cool! Monument Valley is just right over the hill from my house!
You never cease to amaze Brother, Crazy to see you've almost reached the 500K, Good job man, you've well earned it!
Andrew has been gifted with the critical eye of a true artist. Acquired techniques make work easier but the most essential tool of any artist is the brain and the eye through which one critically analyses and recognises the ideal proportions, perspectives and lines which are often already there but merely waiting to be brought out through sound draftsmanship. Basic rules and techniques can be acquired but a really good artistic eye is a quality which cannot be tought. You either have it or you never will.
Your vision is extraordinary.
Good to see you making a Grisaille. I ventured through a series a few months ago and found it really satisfying, but I had not chosen those color combinations for my B&W, I went with several dedicated greys, and found out they all had their own shades of blue which made using them very difficult when mixing them out with titanium white. I ended up pairing the grey out using burnt umber to balance it back into neutral. Great demo!
He painted this grisaille much too dark which is a fatal flaw in this process. It will have to be re-painted opaquely at this point to save the painting.
To me you are genius. Your work is mesmerizing. Far beyond what I typically see. I just discovered you and I can’t get enough, i learn so much by watching your light strokes , your finesse, tools you choose and what you create, truly brilliant.
Thank you so much 😀
OMG! What texture you had created 😱😱😱
I love the black and white
Learnt something new today . Never seen this stuff before . Thanks
Truly one of the best channels on YT. relaxing and wholesome.
Very Nice Process And The Finish Work Is Also Very Nice...!!!
Personally I love the “old time” painterly look that you did here. It looks perfect already. Yet I know if you decide to add color, it would be even better.
Amazing landscape indeed! Even though I've visited Monument Valley on several occasions, I can't imagine that area ever matching the beauty and awe inspiring landscapes of New Zealand.
It’s looking more beautiful and stunning in black and white
I was thinking the other day about a poet called Hovis Presley, he was a person I would have loved to have met. Such a kind and ridiculously talented man. You come into that category, your manner and of course, exceptional skill, are an absolute delight to see. I did a fine art degree in the 1970’s, spent my career as an illustrator in advertising, and now that I’m retired I have been able to go back to oil/acrylic painting things I’ve always wanted to do. I now live in West Wales so the landscape is beautiful, a painting everywhere!
WOW WOW & WOW! Thanks for sharing & happy new year to you & your family 🥂
I know this vlog was several months ago, but I have just recently got my wee shed up and running for painting!! Very excited as my hubby built it for me!! I am about to embark on my first grisaille painting!!!!! wish me luck, I have enjoyed this vlog very much!!! Thank you!
Fantastic ! Thank you so much for sharing. Looking forward to seeing a video of how you glaze color into this piece. As I understand, glazing can create a challenge with becoming too dark. I look forward to learning how you problem solve through the next stage. Thank you again for all you do to help younger painters.
Thank you! Cheers!
I can't wait to see the end result of this painting. Although not a practical technique for en plein air painting, I love the idea that painting a grisaille first, put the focus on really working out a solid composition based on values. Hmmm, might want to give that a go myself, especially since I love glazing!
I do acrylic in grays all first as well.
Makes it easier to adjust or fix composition
I believe you were the reason I started it
looking forward to the coloration stage. Thanks you for sharing your gift with us.
I just tried a grisaille and found the colors really drab with the dark underneath, I ended up doing the whole painting over top. I think there is instances when this method is good and not so good. I love your work Andrew, beautiful workmanship.😍 from Nova Scotia 🇨🇦
This is done incorrectly here - In order for glazing over a grisaille to be effective and as beautiful as possible, you must paint the grisaille brighter than the actual scene. The whole point being that you're adding subsequent layers of transparent and semi-transparent pigment to create visual mixtures with light penetrating through them and reflecting off of a brighter base. Plus now when you add transparent lakes over these dark tones, the color won't show and your values which are accurate now will be inaccurate due to being darker than what makes sense.
I should try doing underpainting again. I feel the whole idea of getting tones and details down first allows for having freedom of doing the color glazes later on.
Most aspiring artists want to have what the seasoned artist has in the way of quality brushes and other such tools to make good art. But as I’ve seen with my work, I’ve had brushes from all levels of quality and price,and it does come down to what you can do with what you have. I’ve seen great art with using just fingertips. So use what you can afford, and be creative!
This painting could be left as a monotone image, but I can’t wait to see what it could look like in color!
You can most definitely leave It as It Is, absolutely Amazing!
I'm amazed with the result. It looks so real and detailed. Thanks for sharing the awesome videos...
Amazing detail. You have a very patient attitude towards painting. I love how you compose from different photos. 😍
Happy New Year, Andrew! Thank you for being there as an inspiration and a mentor on my journey. Wish you and your family good health and Happiness!❤️😊 Always enjoy and look forward to your great contents!
Really like the monochromatic.
I've used grissaile for a couple of my portraits now mostly the commissions, I feel like I am able to ensure I'm concentrating one thing at a time, values and colour and composition. I will definitely try it with a landscape next.❤️
Amazing.. I actually love it in mono without colour. So dramatic. Love your paintings and your videos
If you use true burnt umber in your griseille it will dry fast. I like burnt umber, ultramarine plus white.
I’ve been a sub for a while now. You sir have a gift.
I m waiting for colour version. And i learnt many thing about painting from you, thankyou sir.
Beautiful work!! I love the different brushes you use and techniques I learned quite a bit from you!!
BEAUTIFUL understudy in tonal values! While I can't say as to working on copper, you mentioned you thought this might have been a method for painting on photographs, which is what I did for almost 20 years, before the advent of computer technology. We could do a transparent tint with Marshall's Transparent Photo Colors, using cotton wrapped skewers or toothpicks to apply thin paint, or a cotton ball, then blend with a wad of polyester. The photos were typically toned sepia for the "underpaint" to help with skin tones. Then advanced to brush painting on top of a photo, following the photo tones with colors. I learned to restore copies of damaged photos which people have saved from floods, fires etc, and using gouache paints for fast drying opaque undercoat via airbrush, then recreate missing parts by hand. It was very rewarding, and I learned to paint portraits doing that, but I polished my mastery watching you! By that time I was retired, but I still enjoy watching and always learning something. Thank you for what you are bringing to everyone! It is truly mastery on an "epic" scale!
That's amazing! Thanks for the technical deep-dive. I learned something today!
Waiting to see the colored version if you did it. Great work.
Absolutely stunning! I LOVE the color. Looks like a photo from an old Arizona Highways Magazine. On point! I’m going to try this style. Your the man!
Wow! It's very impressive! 👏
the imense details you did with this is amazing
Very interesting your painting, in grisaille !
I'm a big fan of grisaille paintings. In fact, I like them so much I often don't add colour. Thank you Andrew for sharing your skills with us. Happy New Year and look forward to the next installment. 😎😎😎😎
Thank you Andrew!! I love painting Grisaille! My favourite part of painting, under every painting I do. I think it is the detail I love doing and feel sad when I put colour over it.
Great painting! As always 😍
Fascinating Andrew. It definitely has that WOW! factor. Thank you.
You are such an incredible artist and it's a joy to watch you process. You definitely are a Master! Can't wait to see the finished painting. Thanks!
This is absolutely stunning and will have to give this technique a try! Thanks for sharing
Andrew,
You're the BEST my friend!
God Bless you and I pray He Prospers all that you set out to accomplish in this New Year!
That was fun. I recently started a grisaille of my own, which I haven't done in years, just to do something outside of my usual. It's always an interesting technique.
Andrew, I have created similar underpaintings using just burnt sienna and white. Do you find an advantage to keeping the underpainting more neutral instead of bending towards warm or cool?
Regarding cheap tools versus expensive tools, an artist friend told me that he went out to paint en pleinair and when he got to the location he realized he forgot to pack his brushes. Unwilling to give up, he collected a bunch of sticks and painted with them. As you said, it's not about the tool but what you can do with the tool.
Thanks for another brilliant lesson!
Love the black and white Maestro ! the balance of light and shadow ,can wait to see it in full color,Wish you a blessing new Year 2023,from Puerto Rico!
The black and white is great, and being able to put glazing on would be awesome for depth
Awesome Andrew! That "stack in the distance " is either East or West Mitten. Loved my visit to the Valley!!
Love the black and white version!!!
It is super beautiful this way. I would leave it as it is. Amazing video, as usual. Congrats, sir.
Hey Andrew, you making some history, you are absolutely art master , you are Treasure
Thank you for a reminder! This is a great technique! You inspired me to do a tonal study (but with a diluted ink) to learn how to paint underwater rocks.
I live in northern Arizona and plan to do a painting soon of the mittens, as they are called, soon. This is fabulous!
I like where you're going with this one. Learning from you is a pleasure, and I am inspired by your trusty techniques. Great work 👍
Awesome instructions.
The comment about cheap brushes made me laugh. I was at a major art gallery in NZ showing Colin McCahon's work and the gallery staff were complaining about how he used rubbish materials for his supports. Almost like they'd never read anything about the artist and what drove him to paint.
大神你好！我是中国的油画爱好者，自从看了你视频，我学到了很多，衷心感谢你，上帝给了你一双神一样的手，你的画无与伦比！
I think what you say about tools and markmaking is true. However, it takes a practiced hand to create beautiful marks from any tool. A concert pianist can find beauty and range in any instrument but the inexperienced may need the ease and inspiration of tools that provide consistent results.
Looks fantastic as is, can’t Waite for the next phase.
Well done always amazing videos 👏🏻👏🏻👌🏻👍🏻
Sir , we miss ur podcasts! Please continue doing some more podcasts with different artist,such as susanlyon, Scott burdick, Renato muchillo, Cesar Santos, Nicolas uribe etc.
Great job!
I've been thinking about trying this method also to get better depth and contrast in my paintings. Thanks for making this video 👍
Thanks for showing your work. The grisaille looks almost if it is an ets project. Follow you for many years. I have showed some of your portraits to my students, this because how you paint the skin . Also bought your brushes. Love them. Especially the one with the slanted top. I think you call that a dagger? Didn’t work with this sort of brush before. Love to see this painting in color and how you do the glaze. Thank so much. Love from Holland (a 71 year old art teacher 😊)
Beautiful and happy new year mate!
Absolutely beautiful Andrew; thank you for the process and inspiration!
The painting is wonderful as it is, I would not continue with colors. Happy New Year!
As always.... your videos are a highlight of my day and month. I would like to advance one day financially and take one of your in-depth courses but until that day I will feast on these fantastic videos. Many blessings to you and family
Absolutely phantastic! It looks really interesting just the way it is now. It might be due to the particular lighting or just my imagination, but I certainly see very faint shades of red, blue and green. This very slow drying and the smooth surface are certainly inviting for detailing by scraping away. And it almost appears like a mezzotint to me. Well done and have a good new year!
👋Absolutely fantastic, Andrew. I'll try grisaille in the near future. You're such an inspiration. Have a healthy and fabulous year '23 ! Thanks for everything.👍🧡
Thank you for your videos. I have a little paint RUclips channel and i appreciate very much your teach for make better.
I really want to learn this technique. The painting you did of your wife and this one are just magical. I also think it would aid me moving towards painting as someone that sketches with ink, charcoal and pencil.
Leave it blank and white I love it!❤
Happy new year Andrew.
All the best next year will be amazing.
Love your work and channel.
G.
Beautiful
Epic works! 🙂🙂
Thank you very much. I have some worn out fan brushes that I soon plan to modify. Good idea!
Absolutely love this! Do ypu have a tree demo? If not can you make one? I Love painting trees but am having difficulty with leaves.
You're a beast mate!
Wow Incredible already thx so much
wonderful sharing
I like this just as it is in B/W.
Fantastic job Andrew!!!
Cobalt blue was absolutely not the reason of your drying issue, it comes from Oleogel. All cobalt pigments dry fast, cobalt salts are actually used as dryer ! Oleogel is fat and is in particularity a slow dryer ( the safflower formula is even worse) that's why it should not be used in the underpainting.
Otherwise great painting ! :)
I had the same thought, my Michael Harding cobalt blue for example has the words "Drying; very fast" written on the label. The crimson in the demo could be a reason for slow drying too, especially if it was alizarin.
Just a pointer. The reaction that binds the paint in the copper is not chemical is electrostatical. If it was chemical it would happen only in a very few pigments (that were more electronegative than copper)
Amazing work Andrew, you`re a master painter, Happy New Year my friend! 🍾😃👍
The best painting method is the one that works for you as an individual. Though most should do better at avoiding cliche and amateurish techniques, which are easy to spot--like using the same size brush for an entire painting. The matrix created by using a variety of brush sizes, marks and mark types is really important--as an example. In the case of the painting featured in the video, this level of detail in an underpainting is unnecessary and probably detrimental to a finished full color oil based painting. I'd keep it as it is. I prefer to do a light watercolor wash type underpainting using raw umber. I like the neutral tone/temperature of raw umber compared the warmth in burnt umber or raw sienna, though it depends on the brand of oil paint. I'm a believer in fat over thin when it comes to oils, so I always keep the underpainting "washy". If I want to get to color sooner, I'll use acrylic raw umber over oil, since it dries in a few minutes. But, I generally prefer to keep it oil based, as I like having a light wash of oil over the substrate. The oil paint "behaves" better once there is a first layer, rather than painting directly over acrylics, for me at least.
Technical refinement is kind of amusing as a subject. I got into this argument with a fellow student in graduate school over Vermeer. We had all just gone tot he Met in NYC to see the Vermeer and the Delft School exhibition. What was striking to me, is the other painters in that show obviously had a much better formal technique, as their painting still looked crisp and full colored. Vermeer's work in contrast had obviously faded because of "improper technique", which is what we were arguing about. What really got my friends goat, was my presupposition that this is why Vermeer's work is far more loved than those other's painters. That many of his painting have mellowed with age. They're soft around the edges, colors not as vibrant as they originally where. It was easy to see in the Museum, when comparing directly with Vermeer's colleagues from the same time/area. Vermeer has actually benefited over time from the flaws in his techniques. My friend adored Vermeer as God, so this idea didn't go over very well, But I stand by it.
Sorry for the long winded response. I taught art at the University level for 20 years, and sometimes miss it. I need to pick up a brush again, or atleast some pencils.
❤❤❤ Thank You!
Hello: I really like your painting style. I hope to meet you one day, and paint with you a painting, a landscape.
amazing! continue with glazing
I think it looks wonderful and could stay the way it is!!! But at the same time I would like to see how you make it colored😅