Gioachino Rossini - Semiramide (Frizza/ Ligorio)
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- Опубликовано: 28 авг 2024
- Teatro La Fenice - Stagione 2017/ 2018
Gioachino Rossini, Semiramide
nel centocinquantesimo anniversario della morte
CAST
Semiramide Jessica Pratt
Arsace Teresa Iervolino
Assur Alex Esposito
Idreno Enea Scala
Azema Marta Mari
Oroe Simon Lim
Mitrane Enrico Iviglia
L’ombra di Nino Francesco Milanese
Direttore Riccardo Frizza
regia Cecilia Ligorio
scene Nicolas Bovey
costumi Marco Piemontese
light designer Fabio Barettin
movimenti coreografici e ballerina Daisy Ransom Phillips
Orchestra e Coro del Teatro La Fenice
maestro del Coro Claudio Marino Moretti
ballerine Olivia Hansson, Elia Lopez Gonzalez, Marika Meoli, Sau-Ching Wong
riprese video Oxymore production
Consulta il libretto
www.teatrolafe...
Many thanks for posting this! Bravo Rossini, what a delight, what an heritage!
Cuánta energía, arte y emisión que genera Rossini. Con una interpretación magnífica. Que más se puede pedir?????. Gracias amigos!!!!!!
My favorite Rossini opera....done here in its entirety, with a stellar cast. Absolutely glorious fioritura. Outstanding! Bravi tutti quanti!
Bellissima produzione di Semiramide alla Fenice, che è poi il SUO Teatro. Bene tutto, cantanti, orchestra, direttore, messa in scena e regia. Grazie per averla condivisa. Un plauso particolare a Teresa Iervolino.
Oh My God!! What a wonderful production! Phenomenal performances by Jessica Pratt and the entire cast! This is one of the most remarkable and unforgetable recordings of this Rossini opera which I love so much!
Una pruducción única de una obra grandiosa, que solo loa italianos pueden crear y el fabuloso teatro La Fenice representar.
Magnifique ce duo, magique
Merci,
Rossini y el "Bel canto" un gran sinónimo conjuntamente con Bellini y Donizetti. Esas florituras son adorables, encantadoras.
Grandioso Rossini!!
Very good. A much underrated Rossini opera.
Bellissima.... Grazie.
Rossini reached the height of civilivation with this still stunning opera.
I had not listened to Rossini for a long while, but this reminds us again of his greatness. Bravo!
Thank you for sharing this wonderful production.
J'ose espérer que le confinement a aidé pour affronter une telle oeuvre! Merci pour les sous-titres.
Bravo 👏 it’s awesome thank you I enjoy watching beautiful preformed excellent awesome voice’s thank you for sharing!!!!!! Beautiful people. Wow.
Serata meravigliosa con bravissimi interpreti.
Eccellente
Teresa Iervolino, vera voce di contralto rossiniano.
il giorno dopo acqua altissima a Venezia e bufera Vaja sulle mie montagne.
Sublime artistico e naturale!
This recording gives me memoryes from my first consert sitting in an orchestra. I think this is very beautyfull played of the orchestra of La Venice. Very good oboe-clar-basson-all of them…
No matter what critics can be brought we must enjoy this production . IT îs a difficult performance for artists and I am sure they do their Best .
ARSACE SCENES:
I ATO:
41:39 - Recitativo - Eccomi Alfine - Sozinho.
47:31 - Cavatina - Ah Quel Giorno - Sozinho (Best and hardest aria in the opera).
53:38 - Recitativo - Ministri - Arsace & Oroe.
56:09 - Recitativo - "É Dunque Vero?" - Arsace & Assur.
58:02 - Dueto - "Bella Imago" - Arsace & Asssur.
1:30:15 - Recitativo - Nè Viene Ancor - Arsace, Semiramide & Mitrane.
1:34:39 - Dueto - Serbami Ognor - Semiramidi & Arsace .
1:51:32 - Quinteto - Qual Mesto Gemito - Todos.
II ATO:
2:36:00 - Recitativo - Ebben, Compiasi Omai - Arsace e Oroe.
2:38:43 - Aria Com Coro - In Si Barbara Sciaura - Sozinho.
2:58:29 - Recitativo - Non, Non ti Lascio - Semiramide & Arsace.
3:01:53 - Dueto - Giorno D'orrore - 318/343 - Arsace & Semiramidi.
3:38:18 - Recitativo - Qual Densa Notte - Arsace, Oroe & Assur.
3:44:31 - Recitativo - Dei! Qual Sospiro! - Arsace, Assur & Semiramide.
3:44:54 - Tercetto - L'usato Ardir - Semiramide, Arsace & Assur.
3:47:25 - Recitativo - Ninia Ferisci - Pag 395/397 - Todos.
I am new to this opera and this production. What’s so special about Arsace?
@@pawelpap9 That’s a very difficult role for contraltos or mezzo-sopranos…
@@esteban_iribarne As this shows... I didn't find the mezzo here up to the bel canto task. Probably the best music is allotted her character, but she didnt rise to its level
BONJOUR UN sublime opéra et une magnifique production NAMASTE ❤❤❤❤❤❤❤❤
Bravo!!! Great Production sound and visually thanks for uploading
What a treat! Marvellous to see and hear. I am so grateful to those who publish such great music on the internet.
Quand le covid aura tout tué ce que j’aime il me restera cette musique
🦯🦯
Oui on j’crois
@@antoineginettelanteribouve6470 m
Absolut fantastisch. Danke für diesen Hochgenuss 😘😘
The aria beginning at 50:38 is a total delight; color, agility, joy and controlled speed - a tour de force! Brava, Teresa Iervolino!
Un periodo
Music great. Staging sucks.
that’s the cabaletta of the aria, but not the whole aria
Radiant! Bravi tutti! 🌞. Agree with most of the comments so far.
Me encantó esta ópera, Felicitaciones!!!!.
Gracias por compartirla. Saludos desde Buenos Aires
Da Buenos Aires un saluto a Silvia
The wonderfulness of this footage is out of this world
The depths of my emotion is immeasurable
Absolutely beautiful
Bravissimi Alex Esposito e Jessica Pratt, anche gli altri contribuiscono a questa impressionante esecuzione.
Grazie, una grande edizione con la magnifica Jessica, un grandioso enea scala e un bravissimo esposito👏👏👏👌💖💖💖💖
If you like your women on the hefty side, Assyria three thousand years ago was the place to be! Seriously, though, this is a really fabulous performance of an outstanding opera. Thank you.
love those jugs
Tuve el acierto de ir a una de estas funciones, en la siempre maravillosa Venecia. En una de las salas del teatro estaba expuesto el manuscrito original de la obra, recientemente restaurado. Fue una función brillante, la puesta en escena luce mucho más en directo que en esta grabación. Iervolino soberbia. Los otros tres sobresalientes. Cuatro horas que pasaron en un suspiro. Una noche memorable.
The mezzo is so 😍😍😍😍
Belle mise en scène , moderne sans excès . Superbe nterprétation . ET film plutôt bien réussi . Bravissimo!
Merci
Splendide ed elettrizzanti Pratt e Iervolino : mi sono piaciute tantissimo😍🌈. La scenografia invece l'ho trovata di cattivo gusto.
Bravi! Auguri!
Simplesmente FABULOSO!
Du grand Rossini. Bravissimo !
Una preciosidad y magnifica toma de sonido
Hello from Poland 🎼🌏🇵🇱❤
Grazie mille!
Golden performance of grandiose opera. Bravo!
Grazie
GRAZIE MILLE
Grazie mille! spettacolo superbo che gioia!!
grande produzione di quest'opera raramente vista in scena. Una bella sorpresa per me: Alex Esposito e Teresa Iervolino nel duetto (58.06 ff.)
Vi
Did Maestro Frizza use Rossini's critical edition of the score?
@@edwardamosbrandwein3583 Sorry, I don't know.
@@edwardamosbrandwein3583 yes, There are not other editions
@@riccardofrizza7872 Thx maestro.
I said this because for decades (prior to Phillip Gossett's 1992 critical edition) the opera was not performed uncut and as originally written (Sutherland's studio recording attests to this)
This production is actually nice to look at. Why is that such a rarity these days?
LaDivinaLover
Because modernist theatre designers are Marxist and Constructivist oafs trying to make things relevant. I’m also sick of them; they spoil everything.
@@jamesgibson2179 My only complain, in the opening scene the chorus looks like a bunch of chefs. But good production.
James Gibson so true, they have destroyed opera of today
Because the title role is very very demanding and most prima donnas nowadays are not good enough despite the promotional efforts
Superbe représentation de Semiramide. Un opéra trop peu joué car la partition musicale est "dantesque". Peu de chanteurs osent l'affronter et l'on comprend pourquoi ! Bravo, bravo, bravo.
Iñiziaĺmeen5te e grañďiòsaa
very good presentation, he is my favorite ...
¡Una excelente presentación!
Che bella produzione !
Divine!
P
grazie per averlo condiviso
Excelente!
BRAVOOOO
Colossal, Magnificent, 'voluptuous'...😎
Thanks you for French substitles !
Bravo!
ms Iervolino is everything to me
The power is not a Power, the Powers are yours to master.
Ms Iervolino is a sensation!
Meravigliosa...
Apparently people hired as singers are now allowed to just fit the coloratura in at their vocal convenience, no matter where the notes fall in a particular tempo, or just leave out the notes if it worries them.......got it.
Une mise en scène et un décor exceptionnels, des interprètes spectaculaires, particulièrement chez Pratt et Iervolino, pour servir un opéra d’une rareté appréciable et d’une grande beauté.
Bellissimo
¡Por favor! ¿Cómo interrumpen una clase de ópera como ésta, con unos comerciales? ¡NO HAY DERECHO!
Also the duets at 1:38:58 and 2:21:50.
This is an impressive production, but what was Rossini thinking when he wrote an opera nearly four hours long?
He was thinking of those of us who like to work while listening to this glorious music, and can't get enough of it.
In Rossini’s days, there was not much diversions. No malls, cinemas, internet, social media, tv etc etc. the leisured class had plenty of time.
@@virginiawai8485 And that was good. The golden age!
@@RichardTaylor1630 - Omg. It's 4:45 in the morning and I don't want to turn it of it's so beautiful!!
@@virginiawai8485 - Lol!! I thought the conductor was Rossini until I looked up a synopsis on Wiki and checked, tried to get a pic of him. Lmao!! That makes more sense. If Rossini was that popular of a conductor, I would've heard of him, I'm a musician and a HUGE fan of classical music. From Mozart to John Williams.
Bravo
Un'antidipazione straordinaria di quell'atmosfera melodrammatica che verrà dopo con Verdi
Lovely
Preciosa overtura
La exigencia vocal de esta partitura raya en la tortura para los interpretes solistas .
Son qua 👍👏‼️Plaudente
Il terzo di sèguito lavoro òttimo di maestro Frizza, che ho sento recentemente: "Aida" al Teatro La Fenice, "I Pirata" al Teatro alla Scala, e "Semiramide" adesso. Lui sta alla fila prima degli direttori italiani e quindi mondiali. Il cast buono, soprattutto Signore/Signori Iervolino e Esposito. Ma, ahimè, la Signora Pratt, la cantante eccellenta, ha i grandi problemi con la voce. Paragonate la in "Convenienze ed inconvenienze teatrali" (La Scala, 2009), e adesso in "Semiramide". La sua voce qui - come l'uccello ferito. Ma lei era molto suggestiva alle ambedue finale. Il allestimento anche non pessimo, mi piace l'immagìne di Nino, quello è la scena diffìcilissima per ogni regista.
Penso, che Rossini sarèbbe contento.
concordo in pieno su tutto.
Jessica Pratt es estupenda ....sin duda fiel exponente actual del Bel Canto
Was the High E in Bel raggio an expression of the big O because of all the hunky men cavorting around her?
Wow -- I can't wait to sink my teeth into this later tonight, looks like it's going to be fabulous
Enea Scala, je t'adore
ENEA SCALA 🌺💖 !!!!!!
Opera straordinaria con alcune delle più belle pagine di musica scritte da Rossini.. io qui sento non un grande gusto nelle variazioni e spesso un'intonazione non precisa; siamo molto lontani dalle esecuzioni che hanno fatto storia con Sutherland e Anderson in testa in questi ruoli. Peccato..
meravigliosa opera
For whatever reason, the Arsace swallows her voice in many passages rather than keeping the tone clear and forward. She clearly has the range and technical capacity but if she keeps forcing the voice down into her throat she will not last long. Compare this to Pratt's perfectly placed, forward resonant singing to hear the technical issue involved handled correctly.
SIMPLEMENTE BELLÍSIMA Y MARAILLOS PUESTA EN ESCENA
❤❤❤❤❤
Tutti grandi, ma Alex Esposito addirittura fantastico, l'unico che in questo ruolo che non mi ha fatto rimpiangere Samuel Ramey
Semiramide is a very long opera -reminds of the anecdote about the wife who dragged her reluctant husband to an opera performance and the opera was "Semiramide" - after the 3 and a half long performance or such was over the husband declared - " if this was a SEMI ramide I'd hate the have to sit through the WHOLE thing!
Opera e Interpretación Fuera de Serie, pero se agradecería que los Subtítulos estuvieran en Italiano. Viva la Opera Italiana🎉❤🌹💥
❤
curious to ask..why the subtitle is French? thx
Fotan Heaku why not?
Because it's better like that ;-)
Because these productions are financed by French TV. By the same token it also explains why there are no English subtitles.
Brilliant!
I heard June Anderson, Chris Merritt and Sam Ramey in this opera in the 1990's. Today's Rossini singers just don't cut it for me. Semiramide's coloratura aria "Bel raggio lusinghier", as sung here, is rather embarassing to hear. Vergogna!
bravo!
Also - and maybe most commonly - Gioacchino. But, as the story goes, that is how he himself wrote his name.
Pratt's coloratura used to be much more fluid....
Trovo questa edizione non esaltante.
1:23:35
brava la soprano, voce da lirica, co un do leggero ma non trascurabile Joanna Wos e' voce possente dovrebbe ascoltarla e cantare con voce possente
Жаль, что нет перевода на русский... А Джессика совсем во вкусе Кустодиева.
Почему эта опера попала в разряд комических?