Dvorak could have gone bombastic style with this but he was such a great writer that he made it exciting without overdoing. This piece to me is perfection
大好きな曲で私も総譜を持っています。 この曲は紛れもなく名曲で少なくともリヒャルト・シュトラウスの交響詩並みには世界中のプロオーケストラの定期のレパートリーに定着して然るべき劇的迫力と牧歌性,悲哀と情感豊かな楽想で満たされドヴォルザークのオーケストレーションの巧みさによってそれらが堅固にまとめられています。 この曲までのドヴォルザークの約35年間の創作活動がその最大にして最高の特色である叙情性と優しさに溢れた旋律を最後のオーケストラ作品に至る迄枯渇しなかったことを証明しています。 I think that this works is true masterpiece. It must to be the repertoire same worthy Richard Straus's Symphonic Poems(For instance,Dou Juan,Till Eulenspiegel's hilarious prank,Thus spoke Zaratustra,etc At least this Dvořák's symphonic poem, The Hero's Song, is a true masterpiece and must be played as often as, for example, Richard Strauss's Don Juan, Till Eulenspiegel's hilarious prank, and Thus spoke Zarathustra. It has to become a repertoire in the world professional orchestra. If you listen to the song with an open mind, you should naturally come to that conclusion.
The two measures at the start of the page at 15:34 comes from the beginning of the fourth movement of Dvorak's String Bass string quintet. It was a good idea, no reason to not re-use it.
Thank you. Please keep the Dvorak hidden gems coming. they are so good.
Dvorak could have gone bombastic style with this but he was such a great writer that he made it exciting without overdoing. This piece to me is perfection
大好きな曲で私も総譜を持っています。
この曲は紛れもなく名曲で少なくともリヒャルト・シュトラウスの交響詩並みには世界中のプロオーケストラの定期のレパートリーに定着して然るべき劇的迫力と牧歌性,悲哀と情感豊かな楽想で満たされドヴォルザークのオーケストレーションの巧みさによってそれらが堅固にまとめられています。
この曲までのドヴォルザークの約35年間の創作活動がその最大にして最高の特色である叙情性と優しさに溢れた旋律を最後のオーケストラ作品に至る迄枯渇しなかったことを証明しています。
I think that this works is true masterpiece. It must to be the repertoire same worthy Richard Straus's Symphonic Poems(For instance,Dou Juan,Till Eulenspiegel's hilarious prank,Thus spoke Zaratustra,etc
At least this Dvořák's symphonic poem, The Hero's Song, is a true masterpiece and must be played as often as, for example, Richard Strauss's Don Juan, Till Eulenspiegel's hilarious prank, and Thus spoke Zarathustra. It has to become a repertoire in the world professional orchestra. If you listen to the song with an open mind, you should naturally come to that conclusion.
Dvorak’s magnum opus imo...and possibly the inspiration for Richard Strauss’ Ein Heldenleben!
The two measures at the start of the page at 15:34 comes from the beginning of the fourth movement of Dvorak's String Bass string quintet. It was a good idea, no reason to not re-use it.
9:42
vintage dvorak. love it so much.
2:17 epic, really
This splendor Ó words cannot be tuned one
A 11:22, where did the d sharp go in the first violin staff? Which score is this? (who published it.). Someone should tell them.
i published it
@@shadmium3471 Huh? Where is the D sharp in the first violin key signature?
@@davidyoung6331 im sorry i forgot to put it there please forgive me
39/48, eh? Did I read that right?
It’s just 3/4 and 9/8 mashed together. “Lazy” notation for “I don’t want to tell you each time it changes so pay attention”
3:27
So jolly, not at all the pompous work the title might suggest.
14:22
A sadly neglected work.
6:30
7:36
9:42