Thank you, I love watching this painting come together. Studying how shape and color mimic's the color shapes. Your bold brush work in delicious! One day hope to take a workshop and learn from you.
I think the yellowing of white oil paint is caused by the linseed oil that's used in most brands of oil paints. I noticed at 3:21 that the Gamblin white contains Safflower oil which doesn't yellow nearly as much. It will be interesting to see if that solves the problem for you. From what I read, I guess the PW4 (zinc white) is added as an attempt to reduce yellowing. M Graham uses walnut oil which yellows less. I also tried Lukas oils and they use sunflower oil for the lighter colors. Nice painting by the way....I enjoy watching your videos!
@@turnervinson Something else to look into is that storing paintings in darkness or subdued lighting can cause yellowing. Golden has a good article on this, search for "What is dark yellowing". I guess it's reversible by exposing the painting to sunlight.
@@turnervinson Something else to consider is that storing a painting in darkness or subdued lighting can cause yellowing. Golden has a good article on this. Search for “What is dark yellowing.” I guess it’s temporary and can be reversed by exposing the painting to sunlight.
ooops, I seem to have reached the point where I have watched every single Turner Vinson video including the free beginner one. Think I will have to go round them all again while practicing what I have learned 😁
Thanks for your demonstration. Enjoyed your process. I'm not an oil painter. I do acrylics, and actually like to watch the way oil painters go about their process of putting it down.
Another great painting. Enjoy the commentary again. It is always a question of what is best to do. Can't have it all , but use only what is essential to make the painting work.
I 'm not yet finished watching, I do that in portions just to let things come together. I love watching your process and talking us through it. In the meantime everything comes together in your painting as well! You're getting better every day!!
I'm really enjoying watching your videos, especially these longer ones. And I'm So Thankful to have found someone who does not speed up their videos! Also, what is the name of the Russian guy, or contact info, who sells the Russian easels? Thank you!
I'm pretty sure that if you put those yellowing paintings in the sunlight for a couple of days they will clear up. Anything with zinc in it will also tend to crack much more quickly, so I'd say stick with the PW6. Good luck!
Just an odd question from I don’t know where in my mind ……. Water colour Oils Acrylics Is it “doable “ to do a combination of these mediums in the one painting…. Successfully?
О как приятно видеть родной Подольский этюдник у меня таких три штуки трёх размеров от самого большого до маленького. Он тяжёлый но очень устойчивый крепкий практически вечный!!! Отличный этюд получился люблю такой лёгкий свежее восприятие цвета в духи импрессионизма
Mi piace vederti mentre dipingi..la tua abilità è impressionante..mi piace questo tipo di pittura..fatta solo di colore e pennello e tanta bravura..alla fine il quadro risulta leggermente astratto... come piace a me.. grazie e tanti saluti dall 'Italia 👏👍
По воздушной перспективе нет удаления , как -будто река стоит вертикально , по рисунку , чем предметы дальше тем и цвет и размер меняются . А так очень нравится ваша пленэрная живопись , широкими мазками !
The PW4 (Zinc White) although in small percentage is mixed in to help with the non-yellowing, gives it a more cool (bluish tone) and transparent vibe to the white, has quite many advantages. The yellowing was because of the excess of linseed oil, that, however is a not a disadvantage when Zinc white is mixed with Titanium dioxide. The main problem with PW4 is not the yellowing (that he smallest if one may say so), but cracking! Using in so thickly (as I did myself) on canvas will make your soul uneasy, especially after some years. I stopped using PW6/PW4 altogether only for this reason. Anything more than 2% PW4 in a mix of white will make the paint film brittle. Tested myself. PW6 after one year of oxidizing it almost like rubber where the same PW6/PW4 is almost like thin glass (unfortunately). Let you paintings done with PW6/PW4 take enough light, and the yellowing will disappear.
I'm glad you don't talk much while you paint. For me, i can watch and its meditative. I'm not watching to learn so much as to see how other artists approach thier work. I cant stand it when it's full on yapping all through, makes me switch off, hehe.
The Russian easel is apparently so good that you carry it everywhere, it's so old. Maybe that's why it's falling apart? Russian paints are really the best in the world. The Ladoga company is the Russian paints of the Nevsky Palette line.
It's the other way around. The pw6 is the one which is yellowing over time (if you use a lot of linseed oil in the medium). However, pw4 are prone to cracking over time. Some say that a mix of pw6 and pw4 cancel out each other's deficiencies, but I don't trust that claim. I would choose yellowing over cracking any day, so I stick to pure pw6. According to Jackson's Art supplies: Titanium Dioxide White has a reputation for causing yellowing in oil paint. The yellowing is not caused by a mutation of the pigment itself. In fact, titanium white is one of the most colorfast of all pigments. Rather, the culprit is the pigment’s inert nature, which makes it less capable than other pigments of holding onto the oil. This creates a tendency for oil to migrate and form a thin film on the paint surface." So if you use stand oil, sun bleached linseed oil or some other non-yellowing oils in your medium instead of ordinary linseed oil, yellowing won't be a problem. I love your videos by the way. I often just let them run all the day on my tv screen.
In my experience alizarin crimson (unmixed) from van gogh loose a lot of its hue and/or saturation over time. I have heard other artists making sure they use alizarin crimson permanent instead. What are your experience? Love your painting style 🤓
![BLACK BAG - Official Trailer [HD] - Only in Theaters March 14](http://i.ytimg.com/vi/Du0Xp8WX_7I/mqdefault.jpg)
When I see a new TV post, my heart rejoices at the pop release of your pallet! Makes me smile…
watching you doing your own work is the best way to teach us!
HELLO!It's! Long time I saw you Last.I Like your paintings a I appreciat the way you teach us.I'm a grandma from Uruguay South América.
Hello Turner, I love watching you paint even when you're not talking. Thank you for this long video with the possible translation. Have a good week
Your own work..the best!❤
Thanks for uploading a longer video. They really help you feel the painting process and experience!
I love the freedom and energy in your painting.
thanks, love the composition and your technique, you captured the energy of the place👍
This video was much more informational than others you have produced. Thanks for additional insight about the whole of your process. 🎨🖌️
Love your videos- gives me inspiration to go out and paint
You have a nice mellow vibe and a very relaxed attitude towards your work ,thank you for the video.
Thanks so much for your demo! Love watching the whole process of painting! V inspiring for me as beginner!
Your observation skills are right on.
Super work. Very well done, sir. 👍
Beautiful work
Thank you, I love watching this painting come together. Studying how shape and color mimic's the color shapes. Your bold brush work in delicious! One day hope to take a workshop and learn from you.
Magnifique paysage, j adore,j aime bien la façon dont t vous peignez ,bravo!😀😀👍❤❤🇨🇵
I think the yellowing of white oil paint is caused by the linseed oil that's used in most brands of oil paints. I noticed at 3:21 that the Gamblin white contains Safflower oil which doesn't yellow nearly as much. It will be interesting to see if that solves the problem for you. From what I read, I guess the PW4 (zinc white) is added as an attempt to reduce yellowing. M Graham uses walnut oil which yellows less. I also tried Lukas oils and they use sunflower oil for the lighter colors. Nice painting by the way....I enjoy watching your videos!
I’m still experimenting with different brands, especially with white.
@@turnervinson Something else to look into is that storing paintings in darkness or subdued lighting can cause yellowing. Golden has a good article on this, search for "What is dark yellowing". I guess it's reversible by exposing the painting to sunlight.
@@turnervinson Something else to consider is that storing a painting in darkness or subdued lighting can cause yellowing. Golden has a good article on this. Search for “What is dark yellowing.” I guess it’s temporary and can be reversed by exposing the painting to sunlight.
ooops, I seem to have reached the point where I have watched every single Turner Vinson video including the free beginner one. Think I will have to go round them all again while practicing what I have learned 😁
Thanks for your demonstration. Enjoyed your process. I'm not an oil painter. I do acrylics, and actually like to watch the way oil painters go about their process of putting it down.
Another good one. Thank you!
I watched your missing tube of blue fall off the table🤓thanks for the video
My favourite one , love this painting 😍
Hi Turner I’ve missed your talkies, my mind wanders with the silent videos lol.
I also use rosemarys brushes. It's great that she keeps bringing out new ones too.
Another great painting. Enjoy the commentary again. It is always a question of what is best to do. Can't have it all , but use only what is essential to make the painting work.
I love that blue
Love your loose brushwork.
I like youre tekhnik n i wanna be like you painting... 👍🙏😀
wow very nice painting,
I 'm not yet finished watching, I do that in portions just to let things come together. I love watching your process and talking us through it. In the meantime everything comes together in your painting as
well! You're getting better every day!!
This was soooo good Turner… I also took your freebie class:)
I'm really enjoying watching your videos, especially these longer ones. And I'm So Thankful to have found someone who does not speed up their videos! Also, what is the name of the Russian guy, or contact info, who sells the Russian easels? Thank you!
Hey!!!!yay🌵❤️🌵
Também sou pintor mais gosto muito do seu trabalho parabens
Perfecto👏👏👏 es acrílico???
BJ...Świetna robota...Pozdrawiam z Polski...
Hi, love your art!! Is your free mini- course still available? Link isn't working. Thanks so much!!
I'm pretty sure that if you put those yellowing paintings in the sunlight for a couple of days they will clear up. Anything with zinc in it will also tend to crack much more quickly, so I'd say stick with the PW6. Good luck!
Just an odd question from I don’t know where in my mind …….
Water colour
Oils
Acrylics
Is it “doable “ to do a combination of these mediums in the one painting….
Successfully?
Turner, I was wondering if you sign your name on your paintings
О как приятно видеть родной Подольский этюдник у меня таких три штуки трёх размеров от самого большого до маленького. Он тяжёлый но очень устойчивый крепкий практически вечный!!! Отличный этюд получился люблю такой лёгкий свежее восприятие цвета в духи импрессионизма
Pw4 is Zinc white. Some brands combine them for lacking of titanium white. Thats why it gets yellow
Mi piace vederti mentre dipingi..la tua abilità è impressionante..mi piace questo tipo di pittura..fatta solo di colore e pennello e tanta bravura..alla fine il quadro risulta leggermente astratto... come piace a me.. grazie e tanti saluti dall 'Italia 👏👍
I don't like having to sign up for the service on the free workshop; so that stopped me from viewing it (just FYI).
Nice thank ypu.
Also if you storage your paintings in the dark, it tens to yellow the titanium white
Can we use your photos and try to paint them, I say try because I’m learning. Still
Are you keeping an eye out for bears?
You know Turner as artists we r our worse critics
По воздушной перспективе нет удаления , как -будто река стоит вертикально , по рисунку , чем предметы дальше тем и цвет и размер меняются . А так очень нравится ваша пленэрная живопись , широкими мазками !
Отлично 👍
🙏
The PW4 (Zinc White) although in small percentage is mixed in to help with the non-yellowing, gives it a more cool (bluish tone) and transparent vibe to the white, has quite many advantages. The yellowing was because of the excess of linseed oil, that, however is a not a disadvantage when Zinc white is mixed with Titanium dioxide. The main problem with PW4 is not the yellowing (that he smallest if one may say so), but cracking! Using in so thickly (as I did myself) on canvas will make your soul uneasy, especially after some years. I stopped using PW6/PW4 altogether only for this reason. Anything more than 2% PW4 in a mix of white will make the paint film brittle. Tested myself. PW6 after one year of oxidizing it almost like rubber where the same PW6/PW4 is almost like thin glass (unfortunately). Let you paintings done with PW6/PW4 take enough light, and the yellowing will disappear.
Yeah!!!
I'm glad you don't talk much while you paint. For me, i can watch and its meditative. I'm not watching to learn so much as to see how other artists approach thier work. I cant stand it when it's full on yapping all through, makes me switch off, hehe.
The Russian easel is apparently so good that you carry it everywhere, it's so old. Maybe that's why it's falling apart? Russian paints are really the best in the world. The Ladoga company is the Russian paints of the Nevsky Palette line.
I like your Art work
I do a little art
It's the other way around. The pw6 is the one which is yellowing over time (if you use a lot of linseed oil in the medium). However, pw4 are prone to cracking over time. Some say that a mix of pw6 and pw4 cancel out each other's deficiencies, but I don't trust that claim. I would choose yellowing over cracking any day, so I stick to pure pw6.
According to Jackson's Art supplies:
Titanium Dioxide White has a reputation for causing yellowing in oil paint. The yellowing is not caused by a
mutation of the pigment itself. In fact, titanium white is one of the most colorfast of all pigments. Rather, the
culprit is the pigment’s inert nature, which makes it less capable than other pigments of holding onto the oil.
This creates a tendency for oil to migrate and form a thin film on the paint surface."
So if you use stand oil, sun bleached linseed oil or some other non-yellowing oils in your medium instead of ordinary linseed oil, yellowing won't be a problem.
I love your videos by the way. I often just let them run all the day on my tv screen.
In my experience alizarin crimson (unmixed) from van gogh loose a lot of its hue and/or saturation over time. I have heard other artists making sure they use alizarin crimson permanent instead. What are your experience? Love your painting style 🤓
👏👌👍
Вижу родные красочки Ладога)
Fading your background colours out would help it look more natural too
Rosemary brush? 😶 🎨🖌️
Where shadows and reflections meet…🏞️✨🥷
Speaking of Montana
Milk River or Yellowstone River? 🙄?
Yes, Rosemary brand brushes. And the Bitterroot River
I like the way you do your videos. Just do your own work. I like the fact the you don't have to talk a lot. We can see what you are doing.
19:59
Old school
Hi
majstorski...