All the names of the series are in the description, I have also added the option of subtitles in English and Japanese with the names of all the series. You can go back or forward frame by frame Frame Advance: Press the " . " Key / Rewind frame: Press the " , " key Remember, animation is not made to pause as animation is made up of the entire sequence of drawings that create the illusion of movement, so there is no point in evaluating the "quality" of animation based on an individual drawing. Even so, I highlight the option to move forward and back frame because it is always interesting to see the animator's work in each particular drawing, in addition to helping a lot to understand how his work works.
There are several sequences that stand out a lot, but his work in Magnetic Rose is at an impressive level of realistic animation. Inoue mentioned that he only corrected the faces, keeping the rest of Arai's drawings, which is significant because Inoue was very demanding with animation supervision to the point of redrawing half of it from scratch. In Arai's sequences for the film you can see excellent handling of the movement of the characters, paying attention to making drawings with volume and a strong feeling of weight, which are very similar to Inoue's work from that time.
His drawings look very three-dimensional The part where Eva falls to the floor after Heintz's shots feels too realistic, each bullet impact is represented well and when she falls you feel the weight a lot
![[作画 MAD/AMV] Toyoaki Emura (江村豊秋) Sakuga](http://i.ytimg.com/vi/dWfVLJLHvZs/mqdefault.jpg)
![[作画 MAD/AMV] Toyoaki Emura (江村豊秋) Sakuga](/img/tr.png)
![[作画 MAD/AMV] Gunplay (銃) Sakuga](http://i.ytimg.com/vi/HJhrc6ObTBU/mqdefault.jpg)
All the names of the series are in the description, I have also added the option of subtitles in English and Japanese with the names of all the series.
You can go back or forward frame by frame
Frame Advance: Press the " . " Key / Rewind frame: Press the " , " key
Remember, animation is not made to pause as animation is made up of the entire sequence of drawings that create the illusion of movement, so there is no point in evaluating the "quality" of animation based on an individual drawing.
Even so, I highlight the option to move forward and back frame because it is always interesting to see the animator's work in each particular drawing, in addition to helping a lot to understand how his work works.
There are several sequences that stand out a lot, but his work in Magnetic Rose is at an impressive level of realistic animation. Inoue mentioned that he only corrected the faces, keeping the rest of Arai's drawings, which is significant because Inoue was very demanding with animation supervision to the point of redrawing half of it from scratch.
In Arai's sequences for the film you can see excellent handling of the movement of the characters, paying attention to making drawings with volume and a strong feeling of weight, which are very similar to Inoue's work from that time.
2:21 That rotation is incredible!
Amazing! Thank you
His drawings look very three-dimensional
The part where Eva falls to the floor after Heintz's shots feels too realistic, each bullet impact is represented well and when she falls you feel the weight a lot
Yes, all the Magnetic Rose sequences are of a very high level