Koblenz Guitar Festival 2020 | Gabriel Bianco - Sonata para Guitarra (Antonio José)
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- Опубликовано: 23 авг 2024
- Antonio José (1902 - 1936)
Sonata para Guitarra
I. Allegro moderato 0:20
II. Minueto 8:35
III. Pavana triste 11:55
IV. Final 18:12
Gabriel Bianco (Guitar)
Strings: www.savarez.com
Live at Kurfürstliches Schloss Koblenz, Kaisersaal, 15.10.2020
Koblenz International Guitar Festival & Academy
www.koblenzgui...
Highest standard of performance. Just Great.
1:28 Amazing ingenuity and a prime example of the artist becoming a part of the music!! His great use and execution of these harmonics gives this piece such a grand palate of sounds on the guitar. Bravo again!!!
Che temperamento!! Pero' un notevole autocontrollo, trattenersi a tratti , quasi scomparire per poi esplodere in un crescendo di passione e gioia, alternando questi stati d'animo, le note che sgorgano come da una sorgente inarrestabile. Complimenti all'interprete e all'autore
Incredible performance and play. So very sensitive. Every note was a joy for the ear. Big compliment for Gabriel Bianco! ❤️
Gracias por esta interpretación Gabriel, alejada de las interpretaciones para concursos. Pude disfrutar de cada una de las voces e ideas musicales.
Magnifique pièce et magnifique interprète!
Merci ❤
Gorgeous playing
Wow yes this is a guy to watch. Bravo!
Beautifully played. A real joy to listen to.
Bravo! extremely musical, technically flawless
Truly wonderful and inspiring interpretation from Gabriel Bianco. Thank you for the video ❤
Extraordinario todo, la obra, la interpretación y la grabación.
A lovely discovery....Antonio José, assassinated at 33 in the Spanish Civil War...aledgely disciple of Ravel ...
And what a fenomenal play by Gabriel Blanco, marvelous rendition of the piece...
Amazingly beautiful, what passion❤
Master performance
Découverte que cette sonate de A.José que GB sauve dans ses séquences les moins denses et magnifie dans ses moments de grâce !
Hace ya unos 10 años o mas, tube el privilegio de estar en una de sus precentaciones ( en el teatro de lavoragine en el departamento del meta colombia region de los llanos orientales) sus interpretaciones en vivo son espectaculares definitivamente mueve fibras del alma.
¿Gabriel Bianco estuvo en Villavicencio? Nunca me enteré...
Beautiful !!!
Очень нравится . И музыка ,и подача .Приятно слушать.
BRAVOOO !
Awesome
Brilliant.
Excellent music 👌👌👌
brilliant!!
1:25 nouvelle technique nasale BRAVO!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Pro trick : watch series on flixzone. Been using it for watching all kinds of movies during the lockdown.
@Tadeo Karsyn Definitely, been using Flixzone} for months myself :D
@Tadeo Karsyn Definitely, have been using Flixzone} for since december myself :D
@Tadeo Karsyn Yea, I've been using Flixzone} for months myself :)
The nose harmonic has been done before, but not often. It's quite brilliant though. Check out Goran Krivokapic playing Rodrigo's Zapateado.
Brasilian rosewood that Smallman? I think?.??
İnanılmaz
👏👏👏👏Bravo!
Guitar sounds amazing just wish I could hear it better. Rh harmonics are nice and all but they sometimes bug me when i’m straining to hear
@Berto Boyd I so agree! Barely audible.
It was not a melodic music but i really appreciate your technic and nuance. Thanks for uploading
What mics are those?? Thanks!
Schoeps
He’s good but he’s no Sean Shibe.
@@yosserc his interpretation isn’t as musical, colourful or as technically clean.
It’s pretty simple.
@@yosserc I don’t even think Bianco has the better sound either. That thin, plastic, nasal Smallman sound does him absolutely no favours. It has that hollow, apologetic honk that isn’t entirely Bianco’s fault but that all Smallman’s produce. Sean’s recording of the piece is quite acerbic but it is intentional (which you have stated). His live recordings, especially at the Wigmore, are entirely different. Try Sean’s recording at West Wicklow of the José sonata’s Pavana Triste, his sound is more beautiful to my ears. When Shibe plays a note, you know it’s him. I can’t say that about Bianco. It starts at 1:08:49.
Bianco’s minimal technical deficiencies hold his interpretation’s back, especially in that 5th Walton bagatelle, they’ve both played. Something Shibe’s interpretations aren’t held back by.
As for the “greatest” something I was never giving an opinion on. How sage like of you! Yamandu is a strange one because he has the worst ‘sound’ out of the 3. He’s wonderfully musical and technically eloquent (as all 3 are) but I’ve always noticed something ‘scratchy’ about his sound quality.
Bianco is better than Shibe in interpretation bruh just stfu
Don't talk about Shibe, better tell us about your version.
@@1guy1wisdomI’m no Shibe either pal.