Gracias por el aporte y orientación, yo tenia ya un tiempo tratandonde improvisar y nunca ningun libro me fue suficiente hasta que encontre eate y se me da facil lo que este libro enseña, entiendo lo que dices sobre aprender conseptos sobre la improvisacion, pero este libro abrio mi mente en otro nivel, en otras palabras, se me da facil ka imrpovisacion cromatico o intervalica, si la juego tonal automaticamente y de manera normal la hago cromatica, puedo hacer lo que yo quiera y suena bien. Pero estudiare a bert ligon para saber se estas cosas o george gerzone. Gracias
¡Muchas gracias por compartir tus pensamientos! Este es un gran libro y es sin duda uno de los pocos libros de música en los que sé que seguiré trabajando a lo largo de mi vida. Kenny Werner, Mike Longo y Rand Blake son algunos otros que me apasionan por igual. ¡Muchas gracias!
I struggle so much with these superimpositions... I get the first progression, the tritone substitution, but then it gets crazy. I mean he doesn't explain enough what side-slip is for example... It's just not clear enough. I know my scales, arpeggios, altered, diminished, whatever... Anything. I can even play out by feel. But I want clearer explanations on why these specific chords, and also am I supposed to hear both keys at the same time, is it like a mix of 2 keys that has ONE specific color? If so do all different key superimposition have a specific color? A degree of "out sounding"?... Lots of question.
I completely appreciate your frustration!! Personally I've studied all of the outside approaches which I've encountered and my conclusion is that any note is justifiable over any chord. The method you apply is not really relevant, it's more about adding direction and 'forward motion' to the phrase. Since playing completely freely and using the natural shapes and patterns of the guitar as my structure I've become really 'free' and happy with my outside playing, compared to beforehand where I was mentally distracted by trying to apply a particular and often challenging concept. These methods are great for training the ear in the practice room but I've concluded that they're not for me for the time being and I can scratch the itch using more comfortable approaches. Cheers!
Cheers for that, Paul. Well that would be nice!! There are so many guys I would love to chat with, maybe one day this channel might be big enough to make some of them a reality 😅🤞 cheers!
@@CharlesHarrisonMusicTuition my gosh!! You are too kind, Mate.. And to think that you are one of the few peeps who inspire me to go Berserk and Neanderthal when it comes to note choice. Thank you for the inspiration, Charles! You take care..
Gracias por el aporte y orientación, yo tenia ya un tiempo tratandonde improvisar y nunca ningun libro me fue suficiente hasta que encontre eate y se me da facil lo que este libro enseña, entiendo lo que dices sobre aprender conseptos sobre la improvisacion, pero este libro abrio mi mente en otro nivel, en otras palabras, se me da facil ka imrpovisacion cromatico o intervalica, si la juego tonal automaticamente y de manera normal la hago cromatica, puedo hacer lo que yo quiera y suena bien. Pero estudiare a bert ligon para saber se estas cosas o george gerzone. Gracias
¡Muchas gracias por compartir tus pensamientos! Este es un gran libro y es sin duda uno de los pocos libros de música en los que sé que seguiré trabajando a lo largo de mi vida. Kenny Werner, Mike Longo y Rand Blake son algunos otros que me apasionan por igual. ¡Muchas gracias!
@@CharlesHarrisonMusicTuition hablás castellano también :-O?
Hey thanks ! I might get this one , seems interesting .
Dave Liebman is the man, give it a go if you've checked out the Garzone! Cheers for taking the time to comment
"A single chord vamp like Footprint. That sort of things."
Well spotted, I meant Impressions!
I struggle so much with these superimpositions... I get the first progression, the tritone substitution, but then it gets crazy. I mean he doesn't explain enough what side-slip is for example... It's just not clear enough. I know my scales, arpeggios, altered, diminished, whatever... Anything. I can even play out by feel. But I want clearer explanations on why these specific chords, and also am I supposed to hear both keys at the same time, is it like a mix of 2 keys that has ONE specific color? If so do all different key superimposition have a specific color? A degree of "out sounding"?... Lots of question.
I completely appreciate your frustration!! Personally I've studied all of the outside approaches which I've encountered and my conclusion is that any note is justifiable over any chord. The method you apply is not really relevant, it's more about adding direction and 'forward motion' to the phrase. Since playing completely freely and using the natural shapes and patterns of the guitar as my structure I've become really 'free' and happy with my outside playing, compared to beforehand where I was mentally distracted by trying to apply a particular and often challenging concept. These methods are great for training the ear in the practice room but I've concluded that they're not for me for the time being and I can scratch the itch using more comfortable approaches. Cheers!
Great book!
An absolute killer!!
I do have this book which I bought ages ago .. but I’m a slow reader..
Trying to get this book with audio for a long time.. 😢
I've just checked. They stock it on Amazon both the CD and digital download versions. Go and snap one up!!
What’s the George Garzone (sp? ) book that you recommended?
Hello, I recommend Garzone's apple ebooks which contain examples in all common keys and performance clips with piano accompaniment. A great watch!
Does this book comes with cd also?
Yes sir, digital download on some editions though 💿
Nice overview. I bet you Dave would do a ZOOM call with you. Bet.
Cheers for that, Paul. Well that would be nice!! There are so many guys I would love to chat with, maybe one day this channel might be big enough to make some of them a reality 😅🤞 cheers!
My Bible...
Yeah boy, you're the man! Checked out your vids, you're crushing it my dude ;)
@@CharlesHarrisonMusicTuition my gosh!!
You are too kind, Mate..
And to think that you are one of the few peeps who inspire me to go Berserk and Neanderthal when it comes to note choice.
Thank you for the inspiration, Charles!
You take care..
@@blacklonggadogg keep doing what you're doing, sounds killer!
@@CharlesHarrisonMusicTuition will do my best, Mate..
Hope to jam and/or do a collab with you in the future.
Cheers from Taiwan.