The Passacaille from Armide (Caroline Copeland, Brooklyn Baroque)
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- Опубликовано: 16 июл 2012
- Fourty-fourth Baroque and Beyond Festival presented by Hoff-Barthelson Music School.
Choreography by Guillaume-Luis Pecor.
Brooklyn Baroque:
Andrew Bolotowsky, flute
David Bakamjian, 'cello
Rebecca Pechefsky, harpsichord
Sunday, March 6, 2011 
Видеоклипы
![J.-B. LULLY «Armide» LWV 71 [Passacaille. Les Plaisirs ont choisi pour asile]](http://i.ytimg.com/vi/MH_uFihnXJc/mqdefault.jpg)
The potency of the dancer is even stronger because she's wearing a mask. It's like watching her soul doing the work of enlivening the body through a sublime performance.
She recalls a noh player in Japan.
I'm practically illiterate when it comes to dance, but her precision and grace mesmerized me... the small detail that caught my attention is how gracefully she exits the stage, after bowing to the audience, completely in character. Thanks to this performance I'm in love with baroque dance.
She is like a doll. Music, dancing. costume all sublime!
Brava, Mrs. Caroline! Your point on historical dance movements has gotten me hooked! I was a former ballerina years ago until I ended up being bored to death.. Five years later, I stumbled upon this fine artistry of historical emphasis rather than conventional classical ballet, which can be acknowledged thoroughly as a performance method. 😊 Thanks, Mrs. Caroline Copeland, [rather than the other same named celebrity], for educating us all!!
Superb performance, its a joy to see dancers personal approach to this beautiful 17th century dance, this interpretation is so quickly elegant.
Such an ethereal result, full of grace, poise and elegance. A true artist.
How not to be moved by the sharpness of her feet and the delicacy of her interpretation ! Certainly one of the best baroque dancer in North America.
Какая прелесть! Музыка, исполнение и танцовщица нашли друг друга и в итоге полный ВОСТОРГ! БРАВО! БРАВО! БРАВО!
So elegantly done! The beginning of ballet we can see. Wonderfully well performed.
Increíble vituosismo de la bailarina y los músicos. Dignos del gran Lully. ¡Aleluya!
Superbe. La France que j’aime tant
Merci! Sublime! So delicate! The beauty itself!
So graceful, and animated; like a danced poem - a masked woman gliding through the space. The hand gestures are especially expressive and nuanced. The intricate foot work accentuates dancer’s relationship to both the earth and the air. 👏🎭🎼💗
Maravillosos músicos y bailarina. Que privilegio escucharlos y ver su mágica danza!
Un pasacalles lleno de elegancia y delicadeza, en la música y en el baile
Ils devaient bien s'amuser à lépoque. une trés belle passacaille.
He empezado el año 2023 viendo / oyendo esta hermosa pieza y la encantadora interpretación de la bailarina. No se puede pedir más para empezar un año. Muchas gracias.
At midnight when the clock chimes, the painted doll becomes animated and starts to dance. A mischief of mice usually scurrying to and fro looks on enchanted...
elegance , douceur d ún temps poutant assez dur pour les pauvres
Excellent ensemble performance!
An important aspect is that she does not hide her mask - it is plain to see, above her hair,. This is a dancer under a mask that hides individualism, feelings, humanity. What emerges is a cold, perfect dance.
Magnific
Enchantment
جميله جدا روعه حضور شكل جديد مبدع تعبير راءع
What a lovely dance wish we could see the whole dance and her feet
choose FUL SCREEN ?
@@anthonywallis1102 no, camera doesn't catch whole feet many times, I underestand Mehlinda Heartt, I love to watch the feet
here's one from CZECH REPUBLIC more academically recorded ruclips.net/video/Q7sBrOtTnjY/видео.html
Wow, My best friend, I liked the video very much, thanks you for sharing, stay safe, stay blessed
I don’t know what I’m watching or how I got here, but I like this.
ruclips.net/video/MH_uFihnXJc/видео.html
@@anthonywallis1102 I don't click on hyperlinks, sorry.
@@AA-ej6ji Extrait d' "Armide" (1686)
[4:00] - Passacaille d'Armide pour deux clavecins [D'Anglebert / Lully] -
Capriccio Stravagante Les 24 Violons - Skip Sempé & Olivier Fortin (clavecins) - try looking this up then within YT. You will find the full score
@@anthonywallis1102 Thank you, I appreciate that.
❤️💕💕
Congratulations!..👍👌🎼👏🎶👏🎶🤝🙏🌻🥀❤😊
👏👏👏👏👏👏👏❤
👏👏👏👏👏
🙏👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻💐🎉🤗
♥️ :||:
Plaire à Louis XIV
MERCI POUR L'INTERPRETATION.CEPENDANT JE PREFERE LA VERSION BRILLANTE AVEC NATHALIE VAN PARYS,QUI A FAIT PARTIE DE LA COMPAGNIE RIS ET DANCERIES.
I think the tempo is realy fast for dancing
What kind of flute was that an playing? Great dance!
I think, baroque transverse flute jacques Martin Hotteterre.
@@brobrosu1600 Correct. Also called "flûte d'Allemagne" (German flute); wooden with ivory joints which connect three pieces: head (with the mouthpiece), body (with most of the holes), and foot with one keyed hole. Jacques-Martin Hotteterre (1673 - 1763).
It’s a pity there are not two dances which this piece deserve
There are three original choreographies of the period! (1 french one from Pécour 1712 in the Gaudrau Collection and 2 of L‘Abbée from London - one version for solo and one for two women with nearly the same steps).
La música de oye, los pasos de danza se ven. Por qué tantos minutos de grabación a los músicos para interrumpir continuamente a la danza? No me he gustado.
マスクはもっと、可愛らしく作られるべきだと思う❣️
The mask should smile more💦
It would have been nice if the flautist could play in tune.
Una buena solución para cuando la bailarina es fea.
On ne voit pratiquement jamais ses pieds
Très juste. C'est une très grossière erreur de la part de celui ou celle qui filmait. Quel dommage, toute la grâce de cette danse est gâchée par ce cadrage calamiteux.
@@BaoBao-yu5bu Le cadreur a manifestement été gêné par la présence très proche du public. Un dézoomage plus important aurait montré les têtes des spectateurs du premier rang.
Particulièrement médiocre, aucune grâce. 0/20