So glad your hooking up with mylarmelodies Nick. I been a huge fan since I discovered his video on the Intellijel Metropolis. Yea! He is such s true sound alchemist.
Great demonstration and sounds with these four pedals and the moog model d. Blown away by the lengths of reverbs and delays here... Spot on Nick and Alex!
Absolutely love Mylar /Alex's enthusiasm as well as knowledge. Quite possibly one of my fave demo artists... Along with you Nick, Gaz, DivKid Ben and Carl Mikael of Cabinet of Curiosities.
But seriously. This is something deeply psychological. How can I skip from watching this video when it pops up on my YT feed? Really. "Rebirth of most influential electronic instrument with brutal amounts of exquisite effects". I mean seriously. This is just. Arh. I want it all. Twice.
Can you imagine how a cowbell would sound through all of these! Jokes!, love this so much, you should do a 1 hour special of lots of different synths through these.
This was really fun to watch. Seeing Alex and Nick just having fun with a minimoog and FX pedals was great :D I've been following mylarmelodies and sonicstate for quite some time and seeing them collaborate is awesome!
Look at the huge smile on nicks face ! We all know that a single Monosynth and some effects with character will always yield the most amazing results. And that’s simplicity and elegance dancing hand in hand. See nick laugh and have a good time is really profound. Peace My brothers. 👽🐕🎶Christo
The Eventide Eclipse has loads of these algorithms a plus more... along with the Sub 37... sound simply amazing together. As Alex says here the Eventide stuff can act like sound sources themselves so you need very little else - adding extra often muddies a mix. I uploaded a video of the Sub 37 with the eclipse - as I was amazed by the results.
As an H9 owner I suggest synth players also look at Pigtronix Echolution 2 Ultra Pro.....fantastic Halo, Reverse and Multi-Tap with wonderful LFO/Filter modulation. Easy to see that Nick is really looking forward to doing much more live performance as he has slowly been building up his kit over the last +2 years. Nick, doubt you'll have time, but it would be lovely to see you do a performance at Superbooth next year. ;)
Great demo, loved hearing the Time Factor, Pitch Factor and Mod Factor demos in particular (I've had a SPACE for a few years now) and they really have some unique magic in them too! :D
Perhaps it shows my lack of imagination but every time they demo an algo Im thinking 'Oh I could do this and I could do this!' Need me a H9 Max!!! Ive never seen Nick smile as much at a demo! Brilliant stuff.
Seriously, the Eventide Space is by far the essential fx pedal here, it just blows up the already fat tone of the Minimoog to the extreme. "Shimmer" just sounds out of this world and also the almost infinite reverb makes this combo so huge, it's goosebumps-city! The delay, which is also a no-brainer for a Minimoog, is probably delivered nicer elsewhere but that's for sure a matter of taste (to a totally different degree than the Space; the latter is a very though competitor to the Styrmon Big Sky IMHO).
Love the Eventide Space. Absolutely massive sound shaping potential. Was not aware of CV input potential (7:00). I had underestimated the other pedals, but they're pretty awesome. So versatile.
Neunaber Immerse Reverberator is an excellent lower cost alternative to either the strymon or the eventide. Not as many settings but a very high quality reverb for sure!
I used to own three H9's and sold them three years ago...what the hell was I thinking!?! But just last week bought a Eventide Space and I am truly hooked!
I wasn't aware of the Space pedal until tonight when I saw an ad for the Blackhole and did some searching. After this I'm really thinking a Space would be a great pedal to have for my little set up. I've been trying to think about which reverb pedal to get for ages. I know the Strymon offerings are highly regarded, but I don't know enough yet to choose between what's on offer.
well having owned just the space pedal for about a year or so, I have to say it was one of my best purchases. hard to not use it in everything, or go full ambient mode forever. it's just so freaking amazing. and it has some delay in there, some chorus, and I've only played and tweaked a few of the 100 presets that come with it. haven't started building my own programs in it yet. yes it's the price of a synth but it counts as one - maybe even more. time to work on my own moog+eventide video haha!
Eventide or any other good fx company should make some kind of special fx station with loads of inputs and outputs and many fx to choose from to add to any inputs. It would be really nice to have something special which would be meant for a performing artist with lots of synths/drum machines etc live.
You must have an awful allot of gear over there Sonicstate.. Eventide space is so huge sounding that if you guys ever run out of space for it. i can hold the Eventide space for you guys, no problem, you are welcome.
I would LOVE to see a Venn diagram of Eventides stuff in terms of capabilities. It seems that a lot of their fx boxes (it's not a "pedal" if it's on a desk :) ) have very similar capabilities, which is of course understandable given they are "just" DSP algos. Obviously H9max does it ALL, but if you want multi routing etc, you need multi boxes.
I would love to see a video comparing some of these to the Strymon pedals. I have the Bigsky and the Timeline for use with my MS20, Minibrute, and Dreadbox Hades. I've often wondered about comparisons with the Eventide pedals.
dear Sonic State, can you please stop making videos. im trying to save some god dam money.. and there you go pairing up a model D and all the Eventides. oh look im on the internet.. oh look theres my credit card... must.. resist...
really pro have some self control man. please we cannot keep living in a world of fantasies, a world where nothing matters but what new synth you have in your room. please human lets wake up did, we already forget about about the great recession of 2007-2008. we cannot afford another one. lets have self control and only buy things e need. credit cards are garbage and the banks are stealing from each and every credit card owner.
Would be interesting to make a direct comparison between strymon and eventide pedals. The features are in the same ballpark - so if I was to buy an FX pedal... the decision would not be based on features but on sound. So ... how do they compare sound-wise?
H9 most definitely does work at line level, in fact we've been that same Model D at Synthfest and MPX through that H9 in the background! The H9 just takes signals up to +4dBu. From the manual: "Inputs are optimized for instrument in but will accept line-level signals up to 4dBU before clipping."
SourceDistributionTV Yes, but, I found I needed to reset input levels for every H9 preset. When I used it via effect send on my A&H Mixwizard3. I had to do a lot of tweaking to make presets usable. Then the goodness flowed!
I have an H9 that I use with both a sub 37 and a eurorack modular. It automatically compensates for different input levels and I've never had a problem with it. Not saying you're not having a problem with your setup, just throwing that out there for anyone who might be considering the h9
I'm a bit confused why Eventide offer a specific rackmount delay and rackmount reverb when they have units like the Eclipse that feature those effects plus a plethora of others. Same with these pedals...what exactly is the benefit of having multiple pedals if all the effects are inside the H9? Not trying to be rude I'm just undecided what to get.
I am quite new to music production, so could anyone help me to understand how all these devices are connected, what the setup looks like. So many cables, just could not figure it out. Many thanks folks! Great video, my type of music.
Audio can only be passed through one effect at a time and all the effects are chained into one long chain where the output of one box feeds into the input of the next box. If you were to lay them out, you could see the cables forming a long chain with the boxes as links inbetween. All of these effects can be bypassed, meaning that the incoming audio won't be affected and just passes through the box, but the audio still goes through all the boxes, even if it is not affected. Why can the audio not be split and run into different boxes simultaneously? It can, but since the actual time it takes to process the audio might vary slightly depening on the effect and the algorithm in question, it would sound off when the signal gets combined at the end again, even if the signal is only slightly off in its timing, hence the chain and not a parallel setup. Hope that was understandable.
Lots of pedals similar to Space, Timefactor, and Modfactor. Pitchfactor however, is in a class of it’s own. I love Space and Timefactor....Modfactor is just okay (prefer analog modulation). There is nothing else quite like Pitchfactor. Lots of octave pedals, and some that do a few pitch tricks, but its really unique. I could get rid of the rest, and replace with Strymon or Empress or many other equivalents, but Pitchfactor is one of a kind.
The Eventide boxes, or their massive rack units, are the closest thing to cheating that there is in electronic music. One can make a simple sound from a cheap VA sound glorious with proper FX. There are indeed amazing plugin FX available, but there is something to be said, a bit of magic to be had, by hitting the FX directly and before you hit the convertors.
So is this a commercial for the Model D or for the Pedals? I think the sound coming out of the Minimoog is too dense and complex for really hearing what the pedals are doing.
Agreed. I own a damage control pedal which is where strymon came from and its amazing. Although the history of eventide + USB compatibility may tip at least my scale in favor of eventides.
While I love the Eventide pedals and Own a H9 max and a Model D I am hoping you do a review of the minimoog soon. I always feel like I am shutting off my FX because they end up not improving it's sound.
An eclipse would give far more possibilities for less cash than 4 stompboxes ..but less tweackability of course.but for the money of 4 eventide stompboxes you can find a used dsp 4000 or h3000 which are legendary dream processors especially if you're after sci-fi stuff.
All the Eventide pedals, in the same room with Nick Batt, Alex Theakston, and a MiniMoog Model D?...I think I just heard a grain of sand strike the golden tuning fork...so excited I don't even know what I'm saying 😝😍😂 (and I think I hear the voice of God calling me to the rehearsal room...)
(How) does the Looper in the TimeFactor sync to midi ? Can you configure it so that it always matches with the beat or measure of the incoming midi clock when you hit start and stop on the looper?
How would you insert these pedals in your audio routing? All in series, all in parallel, how would this work in practice for a home studio with a simple mixer ?
Thank you guys, excellent job. Tell me, anyone who sees this, how would the Eventide Space hall reverb differ from a convolution reverb in the box, like Logic's Space Designer? Do you have a strong preference?
I have the Eventide Space and Time Factor. And I use Logic. I choose the Eventide because you can TOUCH THE CONTROLS. Watch the video again. I don't see a computer.
Danny Peculiarbleeps You don't need max for live. There are many ways of programming Ableton to send CV to a midi track. You can program a midi clip in session view to send midi out on an empty midi track, for instance. Max for live just makes it easy to make a custom device that is already setup for the eventide's CC numbers
Ok, I feel silly now) I did have a feeling that was the case, but the language he used confused me slightly at the time! I have the Space now, and love it to bits.
Strymon wins the delay and mod algos, the reverbs are very different, strymon are heavenly, beautiful reverbs. Eventide is darker, alien. For synths I prefer the Space, and for delay check out the Empress echosystem, that things have very nice algos and you can use two (any two algos) in series or paralell. Where no ones compete with eventide is the pitchfactor.
So glad your hooking up with mylarmelodies Nick. I been a huge fan since I discovered his video on the Intellijel Metropolis.
Yea!
He is such s true sound alchemist.
holy shit i didn't realise it was him!
I was trying to figure out how I knew that voice!
liverawkstar The hands-the voice > unmistakable!
Great demonstration and sounds with these four pedals and the moog model d. Blown away by the lengths of reverbs and delays here... Spot on Nick and Alex!
Eventide Space is a must have pedal. You can run the most boring turd of a sound through it and it will come out sounding like pure gold.
It may be the most indispensable item in my entire studio.
Mark GP Atherton Reverb is the fabric of life
It woud be interesting to compare the Space with the Strymon Big Sky
Top notch marketing. Hilarious
Lots of videos on YT doing just that. :) There's not that much in it, they're both wonderful.
Absolutely love Mylar /Alex's enthusiasm as well as knowledge. Quite possibly one of my fave demo artists... Along with you Nick, Gaz, DivKid Ben and Carl Mikael of Cabinet of Curiosities.
But seriously. This is something deeply psychological. How can I skip from watching this video when it pops up on my YT feed? Really. "Rebirth of most influential electronic instrument with brutal amounts of exquisite effects". I mean seriously. This is just. Arh. I want it all. Twice.
You suffer from the same viral infection as I do... ;-) Eventide should do a "4 pack deal".. oh, please
I love what Eventide do. I've lusted after a bunch of their gear ever since hearing the H3000 for the first time.
Andy's loving every minute of this!
Nick Batt thank you for letting us live vicariously through your videos.
Can you imagine how a cowbell would sound through all of these!
Jokes!, love this so much, you should do a 1 hour special of lots of different synths through these.
This was really fun to watch. Seeing Alex and Nick just having fun with a minimoog and FX pedals was great :D I've been following mylarmelodies and sonicstate for quite some time and seeing them collaborate is awesome!
Look at the huge smile on nicks face ! We all know that a single Monosynth and some effects with character will always yield the most amazing results. And that’s simplicity and elegance dancing hand in hand. See nick laugh and have a good time is really profound. Peace My brothers. 👽🐕🎶Christo
That moment at 8:17 is why we make electronic music. Those little moments of sheer joy and unexpected inspiration!
The Eventide Eclipse has loads of these algorithms a plus more... along with the Sub 37... sound simply amazing together. As Alex says here the Eventide stuff can act like sound sources themselves so you need very little else - adding extra often muddies a mix. I uploaded a video of the Sub 37 with the eclipse - as I was amazed by the results.
I watched this video when it first came out and i didnt realize that was mylarmelodies until today.
I can always count on Sonicstate to fulfill my synthesizer fantasies.
As an H9 owner I suggest synth players also look at Pigtronix Echolution 2 Ultra Pro.....fantastic Halo, Reverse and Multi-Tap with wonderful LFO/Filter modulation.
Easy to see that Nick is really looking forward to doing much more live performance as he has slowly been building up his kit over the last +2 years.
Nick, doubt you'll have time, but it would be lovely to see you do a performance at Superbooth next year. ;)
Great demo, loved hearing the Time Factor, Pitch Factor and Mod Factor demos in particular (I've had a SPACE for a few years now) and they really have some unique magic in them too! :D
Perhaps it shows my lack of imagination but every time they demo an algo Im thinking 'Oh I could do this and I could do this!' Need me a H9 Max!!! Ive never seen Nick smile as much at a demo! Brilliant stuff.
What a combo - absolute bliss.
MT LM hahaha - yes, they are rather splendid, too.
Nick, you have that can I have go NOW! Look going through this demo :)
This is how I roll. And yes, it's as fantastic as it is in this video.
Seriously, the Eventide Space is by far the essential fx pedal here, it just blows up the already fat tone of the Minimoog to the extreme. "Shimmer" just sounds out of this world and also the almost infinite reverb makes this combo so huge, it's goosebumps-city! The delay, which is also a no-brainer for a Minimoog, is probably delivered nicer elsewhere but that's for sure a matter of taste (to a totally different degree than the Space; the latter is a very though competitor to the Styrmon Big Sky IMHO).
Love the Eventide Space. Absolutely massive sound shaping potential. Was not aware of CV input potential (7:00).
I had underestimated the other pedals, but they're pretty awesome. So versatile.
Neunaber Immerse Reverberator is an excellent lower cost alternative to either the strymon or the eventide. Not as many settings but a very high quality reverb for sure!
damn this is so beautiful, those sounds are just so rich
Didn't expect to see mylar here! Love it
Watching for the 4th or 5th time, just noticed Nick's take on the delay - "supertight".🤣 That's it - I'm buying one!
I used to own three H9's and sold them three years ago...what the hell was I thinking!?! But just last week bought a Eventide Space and I am truly hooked!
I just bought a laptop for the price of one of those pedals. Still definitely worth it. They all sound incredible.
I'd love to see you guys doing a similar video on Strymon's pedals. :)
So cool i want both
Good lord, every pedal I fall in love with. Please stop!
Eventide, always WOW!
I wasn't aware of the Space pedal until tonight when I saw an ad for the Blackhole and did some searching. After this I'm really thinking a Space would be a great pedal to have for my little set up. I've been trying to think about which reverb pedal to get for ages. I know the Strymon offerings are highly regarded, but I don't know enough yet to choose between what's on offer.
Greaaaaaaaaat. I have a Space and TimeFactor, I was trying to refrain from getting the PitchFactor. Guess that isn't happening.
Got all 4 of these, they are great :)
Alex Theakston, the UK version of Amos Gaynes on how demo a product.
That is so great thank you 💚
well having owned just the space pedal for about a year or so, I have to say it was one of my best purchases. hard to not use it in everything, or go full ambient mode forever. it's just so freaking amazing. and it has some delay in there, some chorus, and I've only played and tweaked a few of the 100 presets that come with it. haven't started building my own programs in it yet. yes it's the price of a synth but it counts as one - maybe even more. time to work on my own moog+eventide video haha!
Eventide or any other good fx company should make some kind of special fx station with loads of inputs and outputs and many fx to choose from to add to any inputs. It would be really nice to have something special which would be meant for a performing artist with lots of synths/drum machines etc live.
You must have an awful allot of gear over there Sonicstate.. Eventide space is so huge sounding that if you guys ever run out of space for it. i can hold the Eventide space for you guys, no problem, you are welcome.
I wish all this was ours, Alex brought it down for the shoot...
You don't have Alex's email by chance, do you? Just need to let him know I have space for the Space and the Model D.
Haha! What Space and Model D? I don't remember seeing a Space and Model D... **dives out the window**
Bastian Music they don't own the gear.
I would LOVE to see a Venn diagram of Eventides stuff in terms of capabilities. It seems that a lot of their fx boxes (it's not a "pedal" if it's on a desk :) ) have very similar capabilities, which is of course understandable given they are "just" DSP algos. Obviously H9max does it ALL, but if you want multi routing etc, you need multi boxes.
I'm getting the feeling that "shimmer" is the new "PWM'...
Now i know what Nick want for christmas :)
Jeezus, that guy again.
MORE LIKE THIS!
the whole time Nick is like yeah whateva let me do it!
Very nice. Thanks :D
5:15 Simon goes "wtf is he doing"
Awesome video! As if i didnt want an eventide space already... i shouldnt have bought this Hall Of Fame pedal for DJing D'oh!
I would love to see a video comparing some of these to the Strymon pedals. I have the Bigsky and the Timeline for use with my MS20, Minibrute, and Dreadbox Hades. I've often wondered about comparisons with the Eventide pedals.
Watching this patiently awaiting my H9 Max pedal being delivered, positively salivating at the amount of aural pleasure its going to bring 😂
dear Sonic State, can you please stop making videos. im trying to save some god dam money.. and there you go pairing up a model D and all the Eventides. oh look im on the internet.. oh look theres my credit card... must.. resist...
mindseyerobot Sonic State puts infinite reverb on GAS.
LOL....... yes, gotta have the toys !!
really pro have some self control man. please we cannot keep living in a world of fantasies, a world where nothing matters but what new synth you have in your room. please human lets wake up did, we already forget about about the great recession of 2007-2008. we cannot afford another one. lets have self control and only buy things e need. credit cards are garbage and the banks are stealing from each and every credit card owner.
lol i know man i was joking two. trust me bro i have a lot of synths at home.
a synth fuelled recession............................. my lord
Would be interesting to make a direct comparison between strymon and eventide pedals. The features are in the same ballpark - so if I was to buy an FX pedal... the decision would not be based on features but on sound. So ... how do they compare sound-wise?
oh gracious such porn. that's some setup. the sound in person is unimaginable I'm sure. a cake with really really good frosting
Unfortunately, it wasn't addressed that the H9 does not accept line level inputs, which makes it not so great for synthesizers.
he isnt showing the H9 in this demo
They talk about the H9 at the end of the video.
H9 most definitely does work at line level, in fact we've been that same Model D at Synthfest and MPX through that H9 in the background! The H9 just takes signals up to +4dBu. From the manual: "Inputs are optimized for instrument in but will accept line-level signals up to 4dBU before clipping."
SourceDistributionTV Yes, but, I found I needed to reset input levels for every H9 preset. When I used it via effect send on my A&H Mixwizard3. I had to do a lot of tweaking to make presets usable. Then the goodness flowed!
I have an H9 that I use with both a sub 37 and a eurorack modular. It automatically compensates for different input levels and I've never had a problem with it. Not saying you're not having a problem with your setup, just throwing that out there for anyone who might be considering the h9
seems like these have been around forever, guess these are as good as it gets
I'm a bit confused why Eventide offer a specific rackmount delay and rackmount reverb when they have units like the Eclipse that feature those effects plus a plethora of others. Same with these pedals...what exactly is the benefit of having multiple pedals if all the effects are inside the H9? Not trying to be rude I'm just undecided what to get.
What is NOT mentioned is that the H9 will switch sample rate, based on the algorithm.
lol I saw this when it first came out, before I was geeking out to mylarmelodies. Talk about TimeFactor!
I wish I'd seen this a year ago when I was shopping for a big sky. Now I have my big sky, but I can't really let it go.
I am quite new to music production, so could anyone help me to understand how all these devices are connected, what the setup looks like. So many cables, just could not figure it out. Many thanks folks! Great video, my type of music.
Audio can only be passed through one effect at a time and all the effects are chained into one long chain where the output of one box feeds into the input of the next box. If you were to lay them out, you could see the cables forming a long chain with the boxes as links inbetween. All of these effects can be bypassed, meaning that the incoming audio won't be affected and just passes through the box, but the audio still goes through all the boxes, even if it is not affected.
Why can the audio not be split and run into different boxes simultaneously? It can, but since the actual time it takes to process the audio might vary slightly depening on the effect and the algorithm in question, it would sound off when the signal gets combined at the end again, even if the signal is only slightly off in its timing, hence the chain and not a parallel setup.
Hope that was understandable.
This insanely dense reverb would likely shake the door frames of my house indefinitely. Turns volume knob to zero, house frame keeps vibrating.
Lots of pedals similar to Space, Timefactor, and Modfactor. Pitchfactor however, is in a class of it’s own. I love Space and Timefactor....Modfactor is just okay (prefer analog modulation). There is nothing else quite like Pitchfactor. Lots of octave pedals, and some that do a few pitch tricks, but its really unique.
I could get rid of the rest, and replace with Strymon or Empress or many other equivalents, but Pitchfactor is one of a kind.
The Eventide boxes, or their massive rack units, are the closest thing to cheating that there is in electronic music. One can make a simple sound from a cheap VA sound glorious with proper FX. There are indeed amazing plugin FX available, but there is something to be said, a bit of magic to be had, by hitting the FX directly and before you hit the convertors.
Would have loved to hear that in stereo! :)
EDIT: Nevermind, ti is stereo. But the reverb doesn't sound as wide as it could be, for some reason?
at 8:10 you can hear the voice of Winston Churchill. Awesome.
This sounds good. Imagine this pedals with and Ob-6, and you'll be in heaven;-)
mylarmelodies :)
is the eventide guy him?
Priceless 8:17
Forget PWM it's shimmer shimmer shimmer for Nick 😜
The only problem with H9 is the lack of knobs. It requires lot of menu diving. Otherwise I would buy it immediately.
8:18 i cried lmfao
Thank God for Ventris DR- still pricey but saved a bunch
So is this a commercial for the Model D or for the Pedals? I think the sound coming out of the Minimoog is too dense and complex for really hearing what the pedals are doing.
Would love to see Eventide put out some dedicated effect modules (in Euro of course).
By which I mean, my credit score would hate it.
dedicated modules... you mean like a reverb... or a delay... hmm...
Take my money!!!! Damn I'm now torn between these and the Strymon Pedals :(
Agreed. I own a damage control pedal which is where strymon came from and its amazing. Although the history of eventide + USB compatibility may tip at least my scale in favor of eventides.
Oh, hello John Carpenter
While I love the Eventide pedals and Own a H9 max and a Model D I am hoping you do a review of the minimoog soon.
I always feel like I am shutting off my FX because they end up not improving it's sound.
please release those pedals as 19" rack version. having a few pedals on the desk makes such a mess
An eclipse would give far more possibilities for less cash than 4 stompboxes ..but less tweackability of course.but for the money of 4 eventide stompboxes you can find a used dsp 4000 or h3000 which are legendary dream processors especially if you're after sci-fi stuff.
All the Eventide pedals, in the same room with Nick Batt, Alex Theakston, and a MiniMoog Model D?...I think I just heard a grain of sand strike the golden tuning fork...so excited I don't even know what I'm saying 😝😍😂 (and I think I hear the voice of God calling me to the rehearsal room...)
Who better effect to the Minimoog Model D: Strymon Big Sky or Eventide Space?
Marek Hofman I prefer the Strymon BS
Marek Hofman No best. 2 different flavors
If I don't appear in that room after St. Peter opens the pearly gates, I'm going to feel kinda let down.
I always thought it was pronounced event-tide. Is it really even-tide?
wow
Holy fuck.
(How) does the Looper in the TimeFactor sync to midi ? Can you configure it so that it always matches with the beat or measure of the incoming midi clock when you hit start and stop on the looper?
Ton yes it can be synced that way
Ahh this wonderful setup is propably over 5000€
Thank god for behringer d and soundtoys
How would you insert these pedals in your audio routing? All in series, all in parallel, how would this work in practice for a home studio with a simple mixer ?
You can run them in send mode, just run in fully wet mode, eg: no dry signal - aux send to pedal, return back into the mixer
Thank you guys, excellent job. Tell me, anyone who sees this, how would the Eventide Space hall reverb differ from a convolution reverb in the box, like Logic's Space Designer? Do you have a strong preference?
I have the Eventide Space and Time Factor. And I use Logic. I choose the Eventide because you can TOUCH THE CONTROLS. Watch the video again. I don't see a computer.
I'd love UAD to do a plugin version of that space reverb
Eventide has tons of plugins, the Blackhole uses the algorithms from the Space Reverb and the Ultraverb has tons more.
thanks I'm thinking of buying Blackhole, still would love a UAD version as big reverbs are usually taxing on CPU
Weird - seems someone forgot to wire the 2nd cable for the ModFactor...
Question: is he saying you can't automate the different parameters in Ableton unless you have Max for Live?
Danny Peculiarbleeps You don't need max for live. There are many ways of programming Ableton to send CV to a midi track. You can program a midi clip in session view to send midi out on an empty midi track, for instance. Max for live just makes it easy to make a custom device that is already setup for the eventide's CC numbers
Ok, I feel silly now) I did have a feeling that was the case, but the language he used confused me slightly at the time! I have the Space now, and love it to bits.
How are you running the effects? Each in a parallel fx loop?
'SUPER TIGHT'
Just like your mother, Trebek.
How are the All connected to the synth at the same time
Try this with Strymon.
we are dealing with real pedals only .... :p
Strymon wins the delay and mod algos, the reverbs are very different, strymon are heavenly, beautiful reverbs. Eventide is darker, alien. For synths I prefer the Space, and for delay check out the Empress echosystem, that things have very nice algos and you can use two (any two algos) in series or paralell. Where no ones compete with eventide is the pitchfactor.
I second that, Strymon Big Sky with my Polysix.....game over
The dynamic range of a Strymon is more narrow.
Does the EHX cathedral compare?
''There aren't many things in life that are more satisfying than, well, a brand new Model D into a reverb that is almost infinite'' -> NO PWM NICK
ace!