hadelich seems to have used this exact edition since he conforms to the dynamic markings which I assume did not come from Bach but the editor. maybe this is a rare case of Bach writing some himself but if not (which I assume) its kind of weird that hadreich (who should know that) just flat out uses the dynamics of some editor rather than reimagining it himself. other than that a great recording!
See for yourself: upload.wikimedia.org/wikipedia/commons/a/ae/BWV1006_preludio_autograph_manuscript_1720.jpeg The dynamic markings are Bach's! The fact that this is so rare in his notation means that Bach really wanted this piece to be played that way, which Hadelich fortunately respects.
Meio que os dois: Ysaye criou as sonatas como um contraponto moderno às sonatas de bach, inspirado por uma performance de Szigeti da sonata 1 de Bach, a quem ysaye dedicou a primeira sonata. A sonata 2, onde aparece esse tema (obssesion) é dedicada a Thibaud, e é uma referência a maneira obsessiva porém livre desse violinista de estudar
I continue not to be able to hear correctly the passage beginning in the second system of p. 2. Everybody-everybody!-seems always to accent the last sixteenth note of each grouping. (I guess maybe to emphasize the changing voice-leading?) I can only hear the first sixteenth of each group if I slow down to .25%) Am I a failure? How do others hear the passage?
Are you talking about the Loure? There are two sections of the Praeludium that always throw me off, whether it is due to the performers accent, or my own mind telling myself there is an accent present due to the melodic line not being where one would expect it to be in the flurry of 16th notes.
![Bach: Violin Sonata No. 3 in C major, BWV 1005 [Hadelich]](http://i.ytimg.com/vi/wnNU69ZkxDw/mqdefault.jpg)
![Bach: Violin Sonata No. 3 in C major, BWV 1005 [Hadelich]](/img/tr.png)
![Bach: Violin Partita No. 1 in B minor, BWV 1002 [Hadelich]](http://i.ytimg.com/vi/wsLRMuhgRiI/mqdefault.jpg)
![Shostakovich: Symphony No. 5 in D minor, Op. 47 [Maxim Shostakovich]](/img/1.gif)
Braaaaaaaaaaaavo!!!❤❤❤!!!
Beautifully played Augustin! Thanks for posting! 🌺🦋🪴🌹🎻🎶🍎💐🎈🥰😝😀👍
Amazing!!! 😊
Bella la Gavotte en Rondeau! Ottima la dettagliata playlist.
Grazie ❤
hadelich seems to have used this exact edition since he conforms to the dynamic markings which I assume did not come from Bach but the editor. maybe this is a rare case of Bach writing some himself but if not (which I assume) its kind of weird that hadreich (who should know that) just flat out uses the dynamics of some editor rather than reimagining it himself. other than that a great recording!
See for yourself: upload.wikimedia.org/wikipedia/commons/a/ae/BWV1006_preludio_autograph_manuscript_1720.jpeg
The dynamic markings are Bach's! The fact that this is so rare in his notation means that Bach really wanted this piece to be played that way, which Hadelich fortunately respects.
@@miguelfontesmeira very interesting, thank you!
the fact that ysaye used the first two measures in one of his sonatas is so interesting actually, i wonder if it was a reference or a joke
Meio que os dois: Ysaye criou as sonatas como um contraponto moderno às sonatas de bach, inspirado por uma performance de Szigeti da sonata 1 de Bach, a quem ysaye dedicou a primeira sonata. A sonata 2, onde aparece esse tema (obssesion) é dedicada a Thibaud, e é uma referência a maneira obsessiva porém livre desse violinista de estudar
I continue not to be able to hear correctly the passage beginning in the second system of p. 2. Everybody-everybody!-seems always to accent the last sixteenth note of each grouping. (I guess maybe to emphasize the changing voice-leading?) I can only hear the first sixteenth of each group if I slow down to .25%) Am I a failure? How do others hear the passage?
Are you talking about the Loure? There are two sections of the Praeludium that always throw me off, whether it is due to the performers accent, or my own mind telling myself there is an accent present due to the melodic line not being where one would expect it to be in the flurry of 16th notes.
@@erika6651 No, sorry-the Preludio!
I can relate!