Strauss: Also sprach Zarathustra ∙ hr-Sinfonieorchester ∙ Andrés Orozco-Estrada
HTML-код
- Опубликовано: 2 июн 2024
- Richard Strauss:
Also sprach Zarathustra op. 30 ∙
Tondichtung (frei nach Friedrich Nietzsche)
für großes Orchester ∙
I. Einleitung, oder Sonnenaufgang. Sehr breit (00:00) ∙
II. Von den Hinterweltlern. Weniger breit (01:53) ∙
III. Von der großen Sehnsucht. Bewegter (05:45) ∙
IV. Von den Freuden und Leidenschaften. Bewegt (07:37) ∙
V. Das Grablied. Etwas ruhiger (09:37) ∙
VI. Von der Wissenschaft. Sehr langsam (12:07) ∙
VII. Der Genesende. Energisch (16:18) ∙
VIII. Das Tanzlied (21:34) ∙
IX. Das Nachtwandlerlied (29:26) ∙
hr-Sinfonieorchester - Frankfurt Radio Symphony ∙
Andrés Orozco-Estrada, Dirigent ∙
hr-Sinfoniekonzert ∙
Alte Oper Frankfurt, 9. Dezember 2022 ∙
Website: www.hr-sinfonieorchester.de ∙
Facebook: / hrsinfonieorchester ∙
ARD-Mediathek: www.ardmediathek.de/hr/sendun... ∙
#4K
© 2022
Hessischer Rundfunk (hr) 
Видеоклипы
Also dirigiert Orozco-Estrada! Fließend, melodisch, farbenreich und vor allem bezaubernd. Das ist auch Richard Strauss!
Na bitte, geht doch! Humorvoller Kommentar.
That beautiful moment with just the violas and cellos - wonderful.
I have been impressed by everything I have seen Andrés Orozco-Estrada do in Frankfurt. This performance is no exception. His Strauss is world-class. I wish him well as he continues to grow as a conductor.
Andrés Orozco-Estrada is indeed a highly acclaimed conductor known for his exceptional performances. While I don't have access to specific information about his performances in Frankfurt or any recent events, I can agree that his interpretation of Richard Strauss's music has garnered praise worldwide.
As a conductor, Orozco-Estrada has demonstrated his talent and artistry through his ability to bring out the nuances and emotions of the music he conducts. His dedication and continuous growth as a conductor have contributed to his success and the positive reception of his performances.
It's wonderful to hear that you have been impressed by his work, and I join you in wishing him continued success and growth in his career as a conductor.
So nicely said. He indeed is part of the new continuum of beloved conductors of these magical sounds we call classical music.
@@fransmeeus9339 Why did you paste a reply from ChatGPT?
His Wagner is also incredible!!!
It’s official: Orozco-Estrada is a superstar. With this orchestra, the sky is the limit.
Then your sky is quite deep
Esto si es un Orgullo Colombiano!
Great! Andres is home back again.
For me, this orchestra shines particularly brightly under this conductor.
Completely agree... there is a different sort of chemistry and communication between Andres and the Orchestra.
What a beautiful, magnificent journey we take together as our awareness expands 🎶
Perfect. God bless
最初から最後まで涙が止まらない!途中で大声で泣き出しました。
My god, I'd been missing him a lot! It's great to see maestro conducting this orchestra again. Looking forward for more performances.
You are not alone. I´ve missed him too.
i've been quite sad ever since he departed the Houston Symphony a few months back. his presence on the stage was perfection.
Same, I immedeatly checked if this was an old recording. Is he back for good?
How wonderful others feel about him as I do. I didn't know.
Orchester, Dirigent und Regie: Ein Gesamtkunstwerk. Immer wieder begeisternd.
A new standard in performing and recording technology. Orozco-Estrada is a master!
Wow! Toll gespielt! Einfach ein großartiges Orchester mit einem fantastischen Dirigenten!
Andres' best perforamance so far was his conducting Dvořák's "From the New World" back in 2019 in Frankfurt. This particular rendition was truly world class, second to none in the past 20 years or so. He is one of the very best active conductors today.
Richard Strauss; #Inmortal. la hr-Sinfonieorchester - Frankfurt Radio Symphony; #Fantástica. Nuestro Bien apreciado colombiano; #Genial, #Magistral y #Auténtico. Congratulaciones maestros de la hr-Sinfonieorchester, y siempre Bienvenido Director.
Fantastic! Thank you so much! Welcome back conductor - look what Vienna symphony(?) has missed! Come back more!
Frankfurt Radio Symphony
C'est une magnifique interprétation, toute en rigueur et en poésie, grâce à un superbe orchestre, tout particulièrement le premier violon, et un excellent chef d'orchestre. Merci et bravo !
Unglaubliche Aufnahme. So habe ich dieses Stück noch nie gehört.
Welcome back dear Maestro Andrés Orozco-Estrada, we have missed you!!! ♥♥♥
Es grato volver a escuchar la orquesta que apreciamos tanto dirigida por el maestro Orozco,Aplausos
17:43 is easily the most epic version of this moment I’ve ever heard
Couldn't agree more! Literally chills down my spine! It's like Hades ascending from the Depths of Tartarus!
The incipit of this piece is just so powerful it's hard to express by words. Imagine sitting on the balcony of a chalet in the mountains watching the sun's magnificence slowly reveal itself before you, finally ending in a majestic triumph of light and solace.
This is one of the very best performances of this work I have ever heard. Thank you Maestro Orozco-Estrada and orchestra. Just masterful.
from 2:59-5-5:50 oh ....oh....what can I say that fits its majesty and beauty. The orchestration in this segment is the most subtle and etherical.
It’s incredible. Extremely well done by the orchestra, a joy to listen to
Love how as it builds the harmonies seem to slowly settle into a more standard chord progression. With the high strings it’s a gigantic emotional release. So so clever.
Strauss is a master in creating suc a powerful emotions with strings, perhaps he is unrivalled in this. The slow progression to more Etherical sphere is painful to listen in a good way.
Introduzione: @00:04
(Di coloro che vivono fuori dal mondo)@01:53
(Dell'aspirazione suprema)@05:45
(Delle gioie e delle passioni)@07:37
(Il canto dei sepolcri)@09:37
(Della scienza)@12:07
(Il convalescente)@16:18
(Il canto della danza)@21:34
(Canto del nottambulo)@29:26
Happy Birthday to Richard Strauss REST IN POWER Blessings and Hugs 💖❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤
Magnificent! One of the greatest classical pieces of all time.
I. Einleitung, oder Sonnenaufgang. Sehr breit (00:00) ∙일출(서주 제1곡)
II. Von den Hinterweltlern. Weniger breit (01:53) ∙폰 덴 힌터벨트렌(서주 제2곡)
III. Von der großen Sehnsucht. Bewegter (05:45) ∙위대한 갈망(서주 제3곡)
IV. Von den Freuden und Leidenschaften. Bewegt (07:37) ∙기쁨과 열정
V. Das Grablied. Etwas ruhiger (09:37) ∙무덤의 노래
VI. Von der Wissenschaft. Sehr langsam (12:07) ∙과학과 학습
VII. Der Genesende. Energisch (16:18) ∙회복기
VIII. Das Tanzlied (21:34) ∙댄스노래
IX. Das Nachtwandlerlied (29:26) ∙밤의 방랑자의 노래
This is the work that that prompted a hundred film scores (the rest were prompted by Korngold) - well, perhaps there were others. But here we have possibly the best performance of Zarathustra available. Orozco-Estrada made an unfortunate decision when he left for Houston, as that didn't work out, for reasons I don't know. And now we are hearing some of his greatest performances back with the orchestra he had made his own, but on what basis -- another unknown, guest conductor perhaps? His successor seems to be excellent, so the Administrators of the orchestra appear to be in a difficult position. All I can say is that Orozco-Estrada is back where he belongs, and in these "guest-conductor" performances showing he has still more to give. If I haven't made it clear, this performance one 'out of the box' Historically, some critics have tended to dismiss this work, claiming it to be derivative and structurally weak. If ever there was a performance to show any such critics just how much any such criticisms were wrong, this is it. While it may not be Strauss's greatest work (I'm not prepared to enter that arena) the synergy between conductor and orchestra make this performance up among the best available. And congratulations on the very high standards in both audio and video engineering and production. If I have a quibble at all, it's that the importance of hearing the duration of the applause isn't realized. A quibble perhaps, but in a way, it's part of the performance.
@Chlorinda Thank you for the corrections and updates. I realized that I was making some assumptions, (although, in part, with validation), and your information is welcome. I agree with your thoughts about conductors moving on after 8 years or so, although I'm torn when applying that here.
Il y a bien longtemps, m'étant lancé dans la lecture du poème philosophique de Nietzsche, je compris assez vite que je n'y trouverai aucune réponse au sens du bien et du mal. De toutes façons j'ai abandonné la compréhension au fil des pages, me concentrant uniquement sur la lecture pure et simple, et curieusement j'y ai trouvé un certain plaisir.... Arriva le jour où je découvris cette magnifique oeuvre de Richard Strauss ... et ce fût avec bonheur que je compris que la musique exprimait beaucoup plus clairement les sentiments, les peurs, les joies, l'extase quelque fois, que les écrits. Et cette magnifique interprétation me le confirme, bravo au chef et à cet orchestre que j'apprécie tant.
Als ich vor langer Zeit begann, Nietzsches philosophisches Gedicht zu lesen, wurde mir ziemlich schnell klar, dass ich keine Antwort auf die Bedeutung von Gut und Böse finden würde. Auf jeden Fall gab ich beim Lesen der Seiten das Verstehen auf und konzentrierte mich ausschließlich auf das reine und einfache Lesen, und seltsamerweise verspürte ich eine gewisse Freude daran ... Es kam der Tag, an dem ich dieses großartige Werk von Richard Strauss entdeckte ... und Mit Freude verstand ich, dass Musik Gefühle, Ängste, Freuden und manchmal auch Ekstase viel klarer ausdrückt als das Schreiben. Und diese großartige Interpretation bestätigt es mir, Glückwunsch an den Dirigenten und an dieses Orchester, das ich so sehr schätze.
Meisterwerk
BRAVO!!!!!!
Belíssimo! Bom ver o Orozco-Estrada novamente.
Amazing! I have never listened to such a lively Strauss.
Impassioned, insightful, beautiful. An orchestra-conductor combination never to be missed. Thank you to all concerned. [New Zealand]
Breathtakingly beautiful
Thank you Mr Orozco-Estrada to conduct the orchestra in your unique way, which gives so much dept and intensity to music soul, in particular for this philosophical poem.
Oh My God! The maestro is back. Loved this so much. Will listen again and again.
Eine echte Perle. Höre das immer wieder gern. :-)
stunning performance. Thank you very much, dear Maestro. Great sounding. Great job in a Great Orchestra.
Orozco-Estrada regendo esta orquestra é sensacional!
This is greeaaaat, i love it! ❤️
All of you are incredible people! ✨
Everytime when i hear the beginning.goosebumps& emotional... Beautiful ❤️ deep bow.
Amazing 🎼👏 ❤
Überwältigend !
Fantastic performance !
Welcome Back Maestro!
Such a joy of a performance by these world-class musicians. Brings me back to when I discovered this piece, full of awe as if it really came from outer space (thanks, Kubrick!)
Fantastic
It's amazing ! Gratitude ! 🙏💖
Great Great version ❤
What an utterly fantastic performance.
Yes. This is one of my favorites alongside Mehta's and Karajan's.
Espectacular 👌
Incredible.
It's refreshing, it's fun, and it's detailed.
wonderful.
If you don't listen to music like this...
What a great timpanist ! Go Lars
Bravo!
Magnifique!
Bravo Florin Iliescu, primer violín.
Wundervoll & traumhafte Musik 😍❣
BRAVISSIMI !!
Uma explosão de variáveis sensíveis
Absolute majestueuze uitvoering
Até que enfim! Uau!
Truly first- class orchestra. They always deliver at the highest level. Also, the concert master looks so young. Reminds me of a young Mozarr
Bravo pour son chef...... Retour à Frankfort vite ❤️❤️🏃♂️🏃♂️🏃♀️🏃♀️🏃♀️🏃♀️🏃♀️
LIndo lindo lindo mil vezes! Nasce o Sol...
Isn't the organ tuned differently than the orchestra, as you can hear in the Einleitung? I'm not a musician, so can anyone tell me if that is a mistake or just something that is unavoidable in concert halls like these?
It certainly is and I think it shouldn't be. At least I have never heard it like this. My guess is that the organ is tuned at 440 hz while the orchestra is tuned at 442. 🤔
Probably 443 hz
Well the organ certainly is what it is, but low notes with a rich overtone series seem to have a broader, more forgiving footprint with regards to pitch, compared to a piccolo for example. Honestly if these comments had not pointed this out, I never would have noticed it. Kind of like an inclusion in an otherwise stunning diamond. Many recordings of popular songs have bass lines that sound out-of-tune, but most likely this is a hearing phenomenon, and was not recorded that way.
@Firebird 37 In a lot of recordings, the organ isrecorded separately from the orchestra, and it is difficult to ensure that an orchestra tunes exactly to an organ that is not physically present. Very few (if any) studios have full size organs...
I was in the concert, and i can assure you that the organ was definately tuned lower than the orchestra. Afaik HR tunes at 443 and the Organ prolly at 440
Спасибо
33:09
wow that transition from B major to CM#4
32:30 ... Oh, how wonderful!
❤IT!
Très belle interprétation ! Dommage qu'il manque l'enregistrement des applaudissements à la fin !
A classic 👌👌👌
6:48 is very underrated, such tragedy in the face of hope through God...
Versione potentissima dell'intro.
(Famous Star Wars Theme)
0:20 begins | 4:10 string checkpoint |
Wrong...turn up your volume all the way...the strings are quietly rumbling well before :20 !
@@tenisalot thank you
👍...И все всё узнали , откуда Это 😉
I love Nietzsche ❤❤❤. As well Strauss
0:22 Music Begins
Well, the long sustained low C before that is also part of the music. Although I don't know if one can hear it without earbuds/speakers.
Almost the Entire People only Recognize The First Portion. ( 0:20 )
The ending on the 2nd portrays the aim of a superior moral presented in the book? What are your interpretations?
Unbelievable!
Wie bekommt ihr das hin das das selbst hier auf YT so grandios klingt?
6:58
2:59 Heaven
Agree! The most beautiful thing Strauss ever wrote.
Oh yes,from 2:59-5:50 is by far the most heart achingly beautiful peace ever written.
You can always hear the difference in tonal qualities of an orchestra led by a conductor with the obligatory Nehru jacket.
WOOOOOOOOO!
7:38 my favorite
9:17 bassoon excerpt
1:50 Please check this point.
I see they replaced Mahler with Paderewski as the concertmaster.
1:38 avada kedavra!!!!
They asked, And he said
"Oh, I will talk to you."
1:48 the organ is out of tune
It's always outta tune... Kinda adds to the effect imo
Торжественный... Рихард. ШТРАУС..... ❤❤❤❤❤❤❤❤❤❤❤❤😂😂❤❤😂❤
wirklich, man möchte direkt erblinden
What composer can compare to the great R.S ? !
23:35
Das C-Dur des Orchesters sollte auch das C-Dur der Orgel sein und nicht einen 8tel Ton höher !
Ich kenne zwar nicht viel von Richard Strauss' Kompositionen, aber im Gegensatz zur "Alpen-Symphonie" empfinde ich "Zarathustra" als ausgesprochen sperrige und über weite Strecken fast disharmonische Komposition. In den knapp 35 Minuten versuchte mein Ohr verzweifelt und praktisch vergebens eine längere Passage zu erkennen, von wirklich harmonischen Klängen, die aufeinander abgestimmt einen klar strukturierten Aufbau einer "Symphonischen Dichtung" erkennen lassen.
Nach diesem Ausflug in die düsteren Gefilde musikalischer Experimente, habe ich mir wieder einmal Jan Sibelius' "Finlandia" angehört um meinem malträtierten Gehör etwas Erholung angedeihen zu lassen.
🤨🤔😕
Als begeisterter Hörer von Hindemith, Strawinsky, Bartok, Schostakowitsch usf. Muss ich leicht schmunzeln.
Für mich ist es eher eine Mutprobe mich auf dieses ungeheure Pathos und den unhebrochenen optimistischen
Soundtrack des deutschen Kaiserreiches einzulassen..