If you're new to the channel, I'd like to offer a warm welcome! To see how this video fits into the big picture of fretboard understanding, check out this overview video: ruclips.net/video/tpC115zjKiw/видео.html or download a FREE 12-page overview e-book: fretscience.myshopify.com/products/building-fretboard-fluency-the-big-picture-pdf-ebook Individual cheat sheets and a heavily discounted bundle are available for purchase at: fretscience.myshopify.com 🎸🧪🤘
I bought your 10 pack PDF out of thanks for simplying modes more than any other video has for me to date, and the diagrams are simply amazing tools. I am appreciative of your hard work which has helped make me the musician I am today.
A great teacher is one who can simplify complex concepts and distill it to simple digests. Mr. Keith is one of the best teachers I've seen for guitar concepts. Fret Science is Invaluable and indispensible.
I’m a beginner guitar student and I absolutely love your lessons! They’ve helped me progress very quickly and have made difficult concepts much easier to get a handle on.🎉
Brewer, I've been playing for 50 plus years. I wish this program was around 50 years ago. I've gotten better by leaps and bounds after working just a few of the concepts here. Have a great , fun journey. You will be a monster player in a few years and get so much enjoyment out of playing. Enjoy!
90's GIT grad here: Keith, these teaching techniques are killer. I just bought the FS Bundle not only for the knowledge refresh but also to show my support for your channel. I look forward to future content.
Your channel, teaching methodology and ability to explain complex theory - especially with the fantastic visuals, is the best I’ve seen on RUclips - thanks so much for sharing and for taking the time to put this stuff together!
This lesson really helped a bunch of stuff fall into place in my understanding of what's going on in the song Rock + Roll by Eden. The guitar plays a bunch of pairs of notes up and down the neck on the low E and G strings with the shape changing depending on the position. I now realise the whole thing is all just notes from the D# major (or G# lydian?) scale on the E string, with corresponding major/minor thirds up on the G string.
Subbed. Watched all of your videos. Made my purchase of your bundle to support your channel. As a 60-yr old Mechanical Engineer, I love your systematic approach to teaching music. Thank you.
Thank you very much Keith. Been following your channel for about a year now and I think it is the best in understanding the guitar. I dig the academic way that you have structured it. The modes I hated for so long are now my best friends. Thank you again from New Zealand. Well done.
Lovin the sc 13e Martin. I have always been drawn to the sound of Martins! 🤞 I’ll get to enjoy a higher end one soon! Thank you Keith for sharing your knowledge with the videos. You rocked this one. It’s great to put a face on great teacher!
Your content is just so good, ive never understood music theory much at all until I found your channel! Much appreciation man, please keep up the awesome work
Keith, great to put a face with what I consider the genius behind the simple concepts offered here. This is bar none, the absolute best approach to the guitar fretboard I've ever taken. Really appreciate the work you've put in. I already purchased the full program and bought programs for my friends also. I'll be purchasing this one also. I always thought that learning and applying double stops is possibly one of the best ways to learn guitar in a very musical manner. Although I've used the concepts here, this will really help to clarify and help to make me a better player. Thanks so much!
@@fretscience Hi Keith. Possibly a future project for you to offer: Sometimes the most challenging thing for me, in a jam type atmosphere, is to quickly figure out the key center of a song. Usually what happens is some very advanced player will count off a tune without identifying the key center and even then, the actual key center (depending on the context) is not technically correct, but quite normal in that situation. For example: I do now know that if someone calls out a key as A, it could be actually A minor, A major or A7, etc. When I hear a dominant A7 with the b7, 3 and 5, I know that it's pretty safe to assume the key center is actually in the key of G, so I can apply the modal concepts to that key of G, but keeping in mind the root is in A. Analyzing a tune on the fly is by far my most challenging skill to develop. The whole process keeps me on my toes, no doubt, but that's part of growing as a player. I would love to see a sequential process for myself to practice at home that I can then use on stage to figure out the true key center (s). Much respect to you and thanks so much for the work you've put into developing your programs. Wonderful stuff!
It’s hard enough to figure out what to play in a jam setting when you *know* the key, but I hear you. I’ll have to get better at that before I can figure out how to teach it 🤣
You have a great way of explaining these concepts. Im always excited when I see you made a new video, because it means I'm going to understand the topic better than I did before!
Thanks for a wonderful visual guitar harmonized solo lines representation scale degree 3/6 intervals for us to see and play all over the fretboard. We welcome you for appearing live in this video. Great analysis of all the guitar fretboard videos I seen and also some practical songs analysis. Hope to see you share more often in the coming You tube channel.
Hey Keith…as a bass player and rather obsessed universal pattern seeker, I’m loving your content. Thank you very much. Subscribed! Playing bass with others usually involves outlining chords linearly while emphasizing rhythm and adding fills-all to support the song. Sometimes we’re asked to solo as well. I am actively trying to adapt your material for these purposes and wondering if you plan to do a video more focused on bass playing.
I’m not sure that I have much of anything bass-focused to say. I’ve considered doing a short video on how to adapt all of these patterns to other tunings, e.g., basses, but that doesn’t seem all that compelling. I’ve always wanted to learn to play good walking bass lines, so maybe if I figure that out 🤣 If you have specific ideas you’d like to see covered, let me know! 🎸🧪🤘
Thanks for this. It really builds off of the previous video which I think is what I was missing. I'm trying to apply these third shapes to the pentatonic scale, the same way you applied modes. It's obviously there, I just need to nail it down and memorize it.
You may find that it’s easier to jump from thinking about a pentatonic scale to thinking about the mode before playing thirds. That way, you only have one sequence of Major-minor-minor-Major-Major-minor-minor to memorize. There isn’t a universal pattern like that for the pentatonic scale-it depends on the underlying mode that you’re hearing whether you acknowledge it explicitly or not. My “hidden in plain sight” video is the method I use for this: ruclips.net/video/jrukJYI8ecY/видео.htmlsi=PJvubld17pDcrel-
@@fretscience Yes I understand what you're saying. I see the 3 NPS patterns in my head when I'm playing, which helps me to determine which mode I'm in. And then apply the major and minor thirds to that. So what's really happening is I'm applying it to the major scale and not the pentatonic scale, depending on what degree I'm in. Or something like that, lol.
"Fret Science" has a claim to guitar immortality for coining the term "WARP" as a shorthand term for the effects of the one-fret reduced interval between the 3rd and 2nd strings.
@user-ly8gh7rb8o Yes, I have a system that adapts the rectangle and stack concept to harmonic (and melodic) minor. It’s not quite at the top of my list, but I will eventually do a video on it. I’ll count your comment as a vote to do it sooner 😅
Great lesson! I have that same guitar, and I'm curious which profile you're using on the Fishman Aura pedal. From the photo, it look like you're using "concert" #3. Is that correct? Have you found that to be the best sounding profile for this instrument? Thanks!
Yes, I think that’s what I used. I just played around for about five minutes to find a setting that sounded full via my audio interface. Please let me know if you find a setting you like better! The tone control on the guitar was set to neutral, but I found it didn’t matter much. 🎸🧪🤘
Looks like another musician I enjoy: Fred Amisen. I get the explanation here, but I'm a year away from being able to use it because you sort of have to already be at the soloing stage I think.
It’s worthwhile to practice playing a harmonized scale up and down a string even before learning to improvise. These fingerings (especially the 6ths in the Nuno section) pop up *everywhere* in rhythm guitar parts. Practicing this will make those types of parts much easier to remember and understand.
Like a lot of rock music, it’s mainly in the Mixolydian mode. So in G Mixolydian, the normally sharp F is flattened, and you get the same notes as C major, but with the tonal center still being G
As I understand it, the tonal center is always in the name of the mode. It’s what your ear hears as home (otherwise you’re playing a different mode). Each mode shares the same notes as a different major scale. So D Mixolydian does indeed have the same notes as G major, but when you play it, D sounds like home. In Brown Eyed Girl, the notes are from C major, but the chord progression resolves to a G major triad, so it’s G Mixolydian.
In Decadence Dance, A sounds like home, but the notes are from D Major, making it A Mixolydian. In the fragment from Blackbird, the notes are from F Major, but G sounds like home, making it G Dorian.
I’m sorry to hear that you are having difficulty accessing your purchased content. Downloads are provided instantly on the confirmation page when you purchase, and you also receive an email receipt containing a download link. Further, you can create an account on Gumroad.com with the email address you used to make your purchase, and with that account you can access and download the content forever via the Gumroad website or app.
Ha! I ordered a sample from one of the on-demand shops, but I haven’t set up a storefront for merch. At the moment, only about 5 or 6 people have Fret Science t-shirts, and that’s all the swag that exists 🤣
My husband spotted the mug, I was showing him your comment and he said Oh Keith he's got some of the best videos on RUclips , you can tell him I said so ! So there you go.
If you're new to the channel, I'd like to offer a warm welcome!
To see how this video fits into the big picture of fretboard understanding, check out this overview video: ruclips.net/video/tpC115zjKiw/видео.html
or download a FREE 12-page overview e-book: fretscience.myshopify.com/products/building-fretboard-fluency-the-big-picture-pdf-ebook
Individual cheat sheets and a heavily discounted bundle are available for purchase at: fretscience.myshopify.com
🎸🧪🤘
Another great example of this is the beginning of Just Seen A Face by the Beatles…super fun! Thanks!
I almost never leave comment on youtube, but your lessons, way to explain and visuals are just top-notch.
Thank you! 🎸🧪🤘
I bought your 10 pack PDF out of thanks for simplying modes more than any other video has for me to date, and the diagrams are simply amazing tools. I am appreciative of your hard work which has helped make me the musician I am today.
Many thanks for your support and your kind words! 🎸🧪🤘
A great teacher is one who can simplify complex concepts and distill it to simple digests. Mr. Keith is one of the best teachers I've seen for guitar concepts. Fret Science is Invaluable and indispensible.
Thanks so much for your kind words! 🎸🧪🤘
I’m a beginner guitar student and I absolutely love your lessons! They’ve helped me progress very quickly and have made difficult concepts much easier to get a handle on.🎉
That’s fantastic to hear…rock on! 🎸🧪🤘
Brewer, I've been playing for 50 plus years. I wish this program was around 50 years ago. I've gotten better by leaps and bounds after working just a few of the concepts here. Have a great , fun journey. You will be a monster player in a few years and get so much enjoyment out of playing. Enjoy!
90's GIT grad here: Keith, these teaching techniques are killer. I just bought the FS Bundle not only for the knowledge refresh but also to show my support for your channel.
I look forward to future content.
That’s awesome to hear…thanks for your kind words and your support! 🎸🧪🤘
Your channel, teaching methodology and ability to explain complex theory - especially with the fantastic visuals, is the best I’ve seen on RUclips - thanks so much for sharing and for taking the time to put this stuff together!
Thanks for your kind words! 🎸🧪🤘
This lesson really helped a bunch of stuff fall into place in my understanding of what's going on in the song Rock + Roll by Eden. The guitar plays a bunch of pairs of notes up and down the neck on the low E and G strings with the shape changing depending on the position. I now realise the whole thing is all just notes from the D# major (or G# lydian?) scale on the E string, with corresponding major/minor thirds up on the G string.
Nice…recognizing those types of patterns makes songs much easier to learn! 🎸🧪🤘
Your presentations are outstanding and thank you! Today, the mystery is solved, now able to connect “the voice” to a face. 😊
So great to finally see you and I love your wonderfully instructional approach. Hoping that you will produce more and frequent videos.
Thank you! This one took much longer than expected - I still have a lot to learn about video editing 🤣 🎸🧪🤘
@@fretscience you are doing very well. Keep up the good work.
Subbed. Watched all of your videos. Made my purchase of your bundle to support your channel. As a 60-yr old Mechanical Engineer, I love your systematic approach to teaching music. Thank you.
More absolute gold from this channel. I can’t thank you enough for all that you are doing here.
Thanks, Tom…much appreciated! 🎸🧪🤘
Keith! Your videos are pure gold thank you so much! 🎉🤘
My pleasure! 🎸🧪🤘
3 days late but am ready to get my mind blown yet again. This channel keeps giving
Glad you’re back…thanks for the kind words! 🎸🧪🤘
Also great to see a face to this amazing content you've been providing. Thank you sir!
Much appreciated, Neil! 🎸🧪🤘
This is good stuff. Time to play with this, and the re-entrant tuning on my ukuleles...
Thank you very much Keith. Been following your channel for about a year now and I think it is the best in understanding the guitar. I dig the academic way that you have structured it. The modes I hated for so long are now my best friends. Thank you again from New Zealand. Well done.
That’s awesome to hear…thanks for sticking around! 🎸🧪🤘
Lovin the sc 13e Martin. I have always been drawn to the sound of Martins! 🤞 I’ll get to enjoy a higher end one soon!
Thank you Keith for sharing your knowledge with the videos. You rocked this one. It’s great to put a face on great teacher!
Thanks for your kind words! 🎸🧪🤘
This is one of the greatest youtube channels all time, the quality of the contents are just absurd
Much appreciated, thanks! 🎸🧪🤘
Your content is just so good, ive never understood music theory much at all until I found your channel! Much appreciation man, please keep up the awesome work
Thanks for your kind words! 🎸🧪🤘
Best Guitar videos on RUclips! Great job! 👍🏾
Much appreciated, thank you! 🎸🧪🤘
This is just brilliant. I LOVE the fretboard animations.
Thanks! 🎸🧪🤘
Excellent video! The SC-13e has been my favorite guitar for a few years now. Highly, highly recommended!
Thanks, Eric! 🎸🧪🤘
Keith, great to put a face with what I consider the genius behind the simple concepts offered here. This is bar none, the absolute best approach to the guitar fretboard I've ever taken. Really appreciate the work you've put in. I already purchased the full program and bought programs for my friends also. I'll be purchasing this one also. I always thought that learning and applying double stops is possibly one of the best ways to learn guitar in a very musical manner. Although I've used the concepts here, this will really help to clarify and help to make me a better player. Thanks so much!
Thanks so much for your kind words and support! 🎸🧪🤘
@@fretscience Hi Keith. Possibly a future project for you to offer: Sometimes the most challenging thing for me, in a jam type atmosphere, is to quickly figure out the key center of a song. Usually what happens is some very advanced player will count off a tune without identifying the key center and even then, the actual key center (depending on the context) is not technically correct, but quite normal in that situation. For example: I do now know that if someone calls out a key as A, it could be actually A minor, A major or A7, etc. When I hear a dominant A7 with the b7, 3 and 5, I know that it's pretty safe to assume the key center is actually in the key of G, so I can apply the modal concepts to that key of G, but keeping in mind the root is in A. Analyzing a tune on the fly is by far my most challenging skill to develop. The whole process keeps me on my toes, no doubt, but that's part of growing as a player. I would love to see a sequential process for myself to practice at home that I can then use on stage to figure out the true key center (s). Much respect to you and thanks so much for the work you've put into developing your programs. Wonderful stuff!
It’s hard enough to figure out what to play in a jam setting when you *know* the key, but I hear you. I’ll have to get better at that before I can figure out how to teach it 🤣
You have a great way of explaining these concepts. Im always excited when I see you made a new video, because it means I'm going to understand the topic better than I did before!
Awesome, thank you! 🎸🧪🤘
Thank you very much! greetings from Argentina!
Very glad you’re here…greetings from Massachusetts! 🎸🧪🤘
Thanks for a wonderful visual guitar harmonized solo lines representation scale degree 3/6 intervals for us to see and play all over the fretboard. We welcome you for appearing live in this video. Great analysis of all the guitar fretboard videos I seen and also some practical songs analysis. Hope to see you share more often in the coming You tube channel.
Thanks, Calvin! 🎸🧪🤘
Hey Keith…as a bass player and rather obsessed universal pattern seeker, I’m loving your content. Thank you very much. Subscribed!
Playing bass with others usually involves outlining chords linearly while emphasizing rhythm and adding fills-all to support the song. Sometimes we’re asked to solo as well.
I am actively trying to adapt your material for these purposes and wondering if you plan to do a video more focused on bass playing.
I’m not sure that I have much of anything bass-focused to say. I’ve considered doing a short video on how to adapt all of these patterns to other tunings, e.g., basses, but that doesn’t seem all that compelling. I’ve always wanted to learn to play good walking bass lines, so maybe if I figure that out 🤣
If you have specific ideas you’d like to see covered, let me know! 🎸🧪🤘
Hi Keith. Thanks for sharing your knowledge. Your pedagogy is Fab too!!
Thank you! 🎸🧪🤘
Thanks for another great video Kieth and congratulations on 1 year of Fret Science. I have found it extremely helpful to my playing. Thank you!!!
Much appreciated! 🎸🧪🤘
Your science is great Keith. Thank you very much.
Glad you liked it…thanks for watching! 🎸🧪🤘
Hey Keith, this is a great video with great visuals!
Thanks! 🎸🧪🤘
WOW!!!!!!!!!!!!!!! THANK YOU!!!! KEITH, INFINITELY!!!!!!! FOR THIS AWESOME EXPLANATION, (AS ARE ALL OF YOUR LESSONS!!!!!!!!!!)
Glad it helped! 🎸🧪🤘
Thanks for this. It really builds off of the previous video which I think is what I was missing. I'm trying to apply these third shapes to the pentatonic scale, the same way you applied modes. It's obviously there, I just need to nail it down and memorize it.
Also, if I'm not mistaken, I think Led Zeppelin's Down by the Seaside has a really nice, easy minor third section.
You may find that it’s easier to jump from thinking about a pentatonic scale to thinking about the mode before playing thirds. That way, you only have one sequence of Major-minor-minor-Major-Major-minor-minor to memorize. There isn’t a universal pattern like that for the pentatonic scale-it depends on the underlying mode that you’re hearing whether you acknowledge it explicitly or not. My “hidden in plain sight” video is the method I use for this: ruclips.net/video/jrukJYI8ecY/видео.htmlsi=PJvubld17pDcrel-
@@fretscience Yes I understand what you're saying. I see the 3 NPS patterns in my head when I'm playing, which helps me to determine which mode I'm in. And then apply the major and minor thirds to that. So what's really happening is I'm applying it to the major scale and not the pentatonic scale, depending on what degree I'm in. Or something like that, lol.
@robbdogg9134 exactly! 👍
Thank you ,your the best I've seen in you tube'
Much appreciated! 🎸🧪🤘
Nice to finally see your face Keith. Thanks for everything you've done :D
Thanks, Jon! 🎸🧪🤘
got the pdf's package, thanks for putting this all together
Much appreciated, thanks!
"Fret Science" has a claim to guitar immortality for coining the term "WARP" as a shorthand term for the effects of the one-fret reduced interval between the 3rd and 2nd strings.
While I’d love to be the one to popularize it, the term “warp” is adapted from Jon Finn’s “warp refraction threshold”
Well done. Thank you.
thanks so much for your usefull videos.
I’m glad you’re finding them useful! 🎸🧪🤘
such a great channel!
Thanks…glad you like it! 🎸🧪🤘
Спасибо, Кит! Ваши видео очень помогают!
Thank you, your video is very helpful! I recommend you to a guitarist I know.
Much appreciated, thanks! 🎸🧪🤘
@@fretscience Please tell me, do you plan to create a similar system for harmonic minor?
@@fretscience I mean your system with rectangle and stack.
@user-ly8gh7rb8o Yes, I have a system that adapts the rectangle and stack concept to harmonic (and melodic) minor. It’s not quite at the top of my list, but I will eventually do a video on it. I’ll count your comment as a vote to do it sooner 😅
Great lesson!
Thank you! 🎸🧪🤘
Thank you
Glad it was helpful…I really love this particular lesson! 🎸🧪🤘
You and Fred Armisten separated at birth!😊
Great stuff, subscribed and liked.
I don’t see it 🤣🎸🧪🤘
Great lesson! I have that same guitar, and I'm curious which profile you're using on the Fishman Aura pedal. From the photo, it look like you're using "concert" #3. Is that correct? Have you found that to be the best sounding profile for this instrument? Thanks!
Yes, I think that’s what I used. I just played around for about five minutes to find a setting that sounded full via my audio interface. Please let me know if you find a setting you like better! The tone control on the guitar was set to neutral, but I found it didn’t matter much. 🎸🧪🤘
@@fretscience Thank you!
Merci beaucoup.
Pas de quoi! 🎸🧪🤘
Thanks!
Much appreciated, thanks! 🎸🧪🤘
Looks like another musician I enjoy: Fred Amisen. I get the explanation here, but I'm a year away from being able to use it because you sort of have to already be at the soloing stage I think.
It’s worthwhile to practice playing a harmonized scale up and down a string even before learning to improvise. These fingerings (especially the 6ths in the Nuno section) pop up *everywhere* in rhythm guitar parts. Practicing this will make those types of parts much easier to remember and understand.
Thought wait….what’s going on here? Nice to put a face with voice. Love your videos.
Much appreciated! 🎸🧪🤘
Love the Martin,I want one. Not necessarily the $8500+ model…
The one I played is under $2k. Not inexpensive, but nowhere near the high end of guitar prices! 🎸🧪🤘
This is cool
It’s one of my absolute favorite lessons 🎸🧪🤘
Hi Keith sensei
Correct me if I’m wrong, but the opening lick on brown eyed girl results in playing the song in G major, not C-major
Like a lot of rock music, it’s mainly in the Mixolydian mode. So in G Mixolydian, the normally sharp F is flattened, and you get the same notes as C major, but with the tonal center still being G
The telltale natural F occurs in the second phrase, over the C chord.
I always thought if the tonal centre is G, this would result in a D Mixolydian scale
As I understand it, the tonal center is always in the name of the mode. It’s what your ear hears as home (otherwise you’re playing a different mode). Each mode shares the same notes as a different major scale. So D Mixolydian does indeed have the same notes as G major, but when you play it, D sounds like home. In Brown Eyed Girl, the notes are from C major, but the chord progression resolves to a G major triad, so it’s G Mixolydian.
In Decadence Dance, A sounds like home, but the notes are from D Major, making it A Mixolydian. In the fragment from Blackbird, the notes are from F Major, but G sounds like home, making it G Dorian.
paid for the fret science bundle and never received the download .Whats going on
I’m sorry to hear that you are having difficulty accessing your purchased content. Downloads are provided instantly on the confirmation page when you purchase, and you also receive an email receipt containing a download link. Further, you can create an account on Gumroad.com with the email address you used to make your purchase, and with that account you can access and download the content forever via the Gumroad website or app.
🤯🤯🤯🥳🥳🥳
👍👍👍
Where can we order the FS mug?
Ha! I ordered a sample from one of the on-demand shops, but I haven’t set up a storefront for merch. At the moment, only about 5 or 6 people have Fret Science t-shirts, and that’s all the swag that exists 🤣
@@fretscience I will be watching for a storefront in the future, we love the mug but a shirt would be even better!
My husband spotted the mug, I was showing him your comment and he said Oh Keith he's got some of the best videos on RUclips , you can tell him I said so ! So there you go.
I don’t think I know your husband, but he has good taste 🤣
🌸 Promo_SM
?
Rhiannon
Great example!
Good stuff
Thanks! 🎸🧪🤘
Good info. Thank you.