Belísssimo. Deus cochilou, Händel, então, agradeceu e nos deu essa maravilha. Das interpretações que escutei, esta é uma obra prima do canto. Minha preferida. Perfeita.
I've definitely heard this in Sosarme. It's entirely possible he (typically) recycled the music in other works (or that it was pulled into Sosarme from one of them). It's such a beautiful piece, I can't blame him for wanting to re-use it!
Wonderful !!!❤
Claron McFadden is simply AMAZING
Marvellous !
Excellence.very impressive.it is extremely pleasant .
Ah, the most talented Claron and Christopher. Unsurpassed.
Amor, Pasión, Sensualidad Eterna
Belísssimo.
Deus cochilou, Händel, então, agradeceu e nos deu essa maravilha.
Das interpretações que escutei, esta é uma obra prima do canto. Minha preferida. Perfeita.
❤
I've definitely heard this in Sosarme. It's entirely possible he (typically) recycled the music in other works (or that it was pulled into Sosarme from one of them). It's such a beautiful piece, I can't blame him for wanting to re-use it!
Per le porte del tormento passan l'anime a gioir.
Gyönyörű!
QUE HERMOSO...POR DIOS...Y LLAMAN MUSCIA A LA PORQUERIA QUE HOY HACEN...ESTO SI ES MUSICA, LA LENGUA DE LOS ANGELES....
@Shekhina01 He's a countertenor.... just not one with a big voice.... and that is a natural sound..
Великолепно!
Геннадий Глазунов не ожидал )))
This is from "Partenope", third act, same lyrics. Maybe Handel borrowed it for this.... But it's definitely Partenope
que vuelvan los castratis....
I can't stand Christopher Robson's singing. I wish I could, because he can act, but the falsetto is so fake sounding!