Julien Malaussena: “(Ep)Scra'p”

Julien Malaussena: “(Ep)Scra'p” (2013)
Rémy Reber - guitar, Joseph Bona - video montage
For the score and additional information about this composition please use the following link:
www.babelscore...

[@clunystrachan]

Wow. And beautifully presented too.

[@vincentdesille991]

Bravo Remy ! Super version.

[@remyreber3025]

Merci Vincent !

[@guitarsupport]

Phantastic performance, superb!

[@remyreber3025]

Thank you !

[@crawlingamongthestars3736]

Really demonstrates the possibilities of the instrument, if one is so inclined to go exploring.

[@remyreber3025]

🎛️ keep exploring ;)

[@JavierBravo-guitarra]

Bravo! great piece and great performance!!

[@PabloRubino]

Outstanding! Both the interpretation and the composition. Congratulations, it was a pleasure to hear!

[@remyreber3025]

Thank you ! :)

[@jonatanpinadulucmusic]

So musical and expressive, good stuff!

[@remyreber3025]

Thank you :)

[@remyreber3025]

Thank you NewMusicXX for posting our version of this incredible Julien Malaussena's solo guitar piece ! Best Regards. Rémy Reber

[@julienvincenot7974]

bravo Rémy, c'est énorme !

[@remyreber3025]

Salut @@julienvincenot7974 merci beaucoup !!!! J'espère que tout va bien pour toi ;)

[@julienvincenot7974]

tout va bien ! ;) j'espère que toi aussi, bises from (unusually warm) Massachusetts

[@gerardlevot9333]

Julien Malaussena's"(Ep) Scrap" by Rémy Reber. The noise eitheir random, disorder, fuss, or orchestrated, domesticated with the help of the musical and sound gestures, here those of Rémy Reber, belongs to MUSIC. And it is a privilege for musicians for more than 100 years to explore this area in many directions: be sensitive to SOUNDS of which we are, each of us, a tiny and sound component. If singing and playing music complete our exile from the night or the loss of Paradise, interrupting our ancient submission to the world, then the fair exchange between music and noises becomes indispensable: the cricket's song would be extinguished from the sufferings of the world. land deprived of the fertilising, dry and repeated noise of the insect. This is exactly what Julien Malaussena's piece shows, a fruitful and loyal exchange. MAGNIFICENT !

[@kizaruuu6925]

Here is another beautiful playing!😍😍

[@remyreber3025]

Thanks ;)

[@kizaruuu6925]

@@remyreber3025 remy make another video like this please....

[@remyreber3025]

@@kizaruuu6925 , for shure.

[@johnarrigo-nelson2353]

Just, bravo! Beautiful!

[@acslaterlol]

a whisper, a march and then lightning captured in a case. beautiful new batch of uploads as always.

[@abc-dp3fo]

¡Impresionante!

[@BabelScores]

Score and more here : www.babelscores.com/fr/catalogue/instrumental/epscrap2958

[@calogerobuttacavoli78]

Excellent!

[@guitareenavignon4773]

Bravo Rémy ! Superbe interprétation ! Et d'ailleurs la vidéo va certainement aider le déchiffrage de ceux qui s'y attaqueront.

[@remyreber3025]

Merci Cyprien :)

[@LaurinaHawks]

Interessant: es hört sich natürlich nur nach Krach und Gerassel an, aber als jemand, der mal richtig "Gitarre" gelernt hat, sehe ich die Kunstfertigkeit darin.

[@guidoretro]

Genial

[@gerardlevot9333]

"(Ep) Scrap" de Julien Malaussena par Rémy Reber. Le bruit qu'il soit aléatoire, qu'il soit désordre, tapage, qu'il soit orchestré ou domestiqué avec le secours des gestes sonores et musicaux, ici ceux de Rémy Reber, appartient à la musique. Et c'est un privilège des musiciens depuis plus de 100 ans d'explorer dans de nombreuses directions ce domaine : soyons sensibles aux bruits dont nous sommes, chacun d’entre nous, une infime et sonore composante. Si le chant et la musique achèvent notre exil de la nuit ou la perte du Paradis, interrompant notre antique soumission au monde, alors l’échange loyal entre la musique et les bruits devient indispensable : le chant du grillon s’éteindrait des souffrances de la terre privée du bruit fécondant, sec et répété, de l’insecte. C'est exactement ce que montre la pièce de Julien Malaussena, un échange fécond et loyal. MAGNIFIQUE !

[@mindbodylightsound10]

How do you do that with the scrolling score?
it's a cool piece. Could be shorter.

[@klangschatten5610]

Блеск.

[@FendiMazalan]

extended technique

[@remyreber3025]

Indeed ! :D

[@carlolaurenzi2814]

Well Enveloped Emptiness... As often happens, the guitar ends up being an underestimated instrument. By guys who don't have any will or interest in discovering it and learn the potential that still has. There's no any really meaningful use of the extended techniques. Just a deceiving conception.

[@remyreber3025]

Hi Carlo, even if the composer wrote music for many kind of instruments and ensembles, it's hard to think there would be a lack of will or interest in discovering the guitar as he is actually a guitar player & teacher himself. I know the very beginning could be heard as meaningless, with its heterogeneity and density in the use of extended techniques. I see it as an initial chaotic moment from which emmerge a refined writing. I'm sad you felt only emptiness in it, as it's for me a strong and truely poetic music form with a really dramatical evolution in its use of musical gestures. Thanks for your comment anyway. All the best ! Rémy Reber