Watercolour from a Dead Tree on the Veluwe
HTML-код
- Опубликовано: 15 сен 2024
- For beginners and the more advanced.
Paper:
Saunders Waterford Rough 300 grams
Brushes:
Princeton Aqua Elite
A quill, a few rounds and a rigger
Pigments from Maimeri.
Alizarin
Cobalt Blue
Phthalo Blue
Phthalo green
Burnt Sienna
Burnt Umber
Raw Sienna
Paynes Grey
@stcuthbertsmill3194
@maimerispa
@PrincetonbrushCo
Thank you once again Edo. I appreciate you sharing your experience and knowledge so generously.
Blessings on your journey.
Thank you very much Achille.
Beautiful painting Edo, I love the panorama format
The Letterbox format is always a nice format to paint on. But you know that of course.
Thanks for this wonderful tutorial, Edo. I really like the harmony of greens and especially the contrast in the middle ground. The eye is drawn to it.
A Harmony is much easier when you chose one blue or one green you mix your greens from.
Thanks for stating how you mixed each green Edo. I'm learning a lot from you.
Well, I have one green. And I mix it with every earth tone I have. and it works.
But with a other brand you can have a different outcome. Not so important. As long it is a nice green.
So many great lessons in this one painting... thank you, Edo!
Thia one did have a lot of techniques in it. try them to incorporate in your own work.
Great teacher lots of soft and hard edges 👍🌺😀
Thank you very much Margaret.
I really enjoyed watching this one! The phthalo green addition I’m liking a lot too, Edo. And the purples! Very nice. Thanks for letting us watch.
Thanks Jim, glad you liked it! You can warm it up, and cooling it down. it is a nice green.
Thank you for your generosity❤ I love your style.
My pleasure. Thank you so much
Another beautiful painting Edo thank you
Thank you very much Geoff. Appreciate it !
Thank you Edo, very nice and informative too
Thank you very much Sam
Definitely frame this painting. Great demo on layering. Thanks!
There are not much paintings I make I like myself. But this one came off nice.
Edo I love you art, you are also an amazing teacher!
Thank you so much! Wonderful compliment!
Thank you so much, it looks very beautiful.
Thank you so much
Beautiful! I wish I could get Maimeri watercolours here in Canada, when I can paint I do use Winsor Newton and Daniel Smith. Thank you for sharing your beautiful work with us❤
Thank you so much KIm! If I have no access to Maimeri, I would choose W&N.
DS and me don't go together. I just cannot seem to work with it.
Only the best can it seems.
Thank you Edo, for another work of art.
Thank you very much Donald.
bravo!!!
Thank you very much
Inspirerende aquarel, Edo!
Leuk om mijn stukje Nederland op You Tube in aquarel te zien. De hei staat nu prachtig in bloei, dat is ook een aquarelwaardig onderwerp!
Had ik dat geweten, had ik toch zeker meer paars en Violet in de voorgrond geplaatst!
Maar natuurlijk is deze demo, alleen maar een aanleiding om met de techniek aan de slag te gaan, en ook de hei er in te mengen!
Another great tutorial Edo, thanks for sharing the brush stroke effects and color mixes, beautiful painting.
The effects are one thing, doing them another. It is a lot of practise! Thanks
Dear Mr Hannema, Wonderful painting and demo. I paint with student quality paints so likely I am not getting your wonderful greens but I always learn something from your videos. Thanks for sharing, Lisa
Hello Lisa, I can tell you that you can make perfectly fine Art with Study quality paints.
I have myself from Aquafine and Cotman from Daler Rowney. and I can make the same art with as I do with my Maimeri paints. Only I prefer maimeri, because they use the genuine pigments, and all tubes are holding single pigments.
Further my greens are not intensiously mixed like I do. I mix just a light green which I think is nice. And from that same puddle I make a dark green by adding the colours to make it dark, Untill I like the dark green. And from that same puddle I make a warm or a cool grey if needed. I do this because I want to stay harmonieus. I dont have 100 of swatches what my tubes can make for different greens. When you do that you are A) to slow with painting further. and B) it is nu use, because every other badge you buy is slightly different. so a mix from 10 blue and 90 yellow can be 15% blue and 85% yellow.
Maybe I do a watercolour shortly with study quality. Because I do read a lot of your questions.
And I think that the study ones are by far better for beginners too!
Thank you for your thorough answer. I know that Winsor Newton Cotman's Paynes grey have very little blue in it so I try to add a touch of indigo before using. My greens were good, or at least I think so, but they lacked the clarity of yours. Ah, but that's part of what makes you a professional :o)
I'd love to see a demo with student quality paints and will keep an eye out for it. Kind regards, Lisa
@@allanandlisafraser8798 Greens are difficult to keep fresh. They become dull very easy.
Even the speed how you apply makes a difference with greens. Because a part of it get sucked into the paper. And the duller particles stay on top when you paint to slow. The paper gets wetter that way. When you need practise, try to paint on Bockingford or Montval Canson.
Pigments stat on top more with these sort of paper.
Thank you for this great tutorial, Edo. There is a lot to learn from it and a really nice picture.
good to hear that you have something on this. thanks!
Thank you for showing your mixing of colors and explaining, very nice painting!
Thank you very much. SO nice you liked it!
I like it, Edo! 👌
Thank you very much Wolfgang. Good to hear from a watercolour crack like you!
👍🌺😀
Leuk om je een keer een landschap uit mijn omgeving te zien schilderen. Doet me enigszins aan de Edese hei denken! De Veluwe kent zoveel verschillende soorten landschappen, een enorme inspiratiebron. Het zou leuk zijn als je een keer de bloeiende heide probeert 😄🫢.
Wat leuk, wij hebben familie in en rond Ede. Fam. Krul. Neven en nichten voornamelijk. Bloeiende hei moet geen probleem zijn. Ga het is proberen. Maar waarschijnlijk niet als demo.
Bedankt voor je compliment Wim.
Thanks so much for this great lesson Maestro. I really enjoyed this painting and it is very beautiful. I always learn a great deal from you.
I just wonder if could make a foggy/misty morning with foggy tree line in the background, a serpentine river, and a tree with branches above the river on the right side field. I am trying to do something like that but I am having some difficulty. Thanks 🙏.
Thank you so much for your compliment.
And you ask me for a recipe. And there is not a recipe for it. Only practise. It could take years.
My skills did not come by mail. I struggle since 1987.
It took me more than 10 years to paint the poles on a wad by Texel how I saw it in my mind. Yes I did have a lot of difficulties. But that is part of learning watercolour.
Read the article about it.
edohannemawatercolourartist.wordpress.com/2016/01/21/skills-on-texel/
Thanks so much for the article. It’s good to know how you struggled with watercolor too. I often think that my watercolor struggles are only mine and that there is no hope or future for me in it. But reading your article is refreshing because I never read about an artist learning struggles but his accomplishments only. Thanks again Maestro.
awesome tutorial Edo, I'm hoping to carve out some time today to try it out with my colours, since there's quite a few in there I don't have specifically. What are you using as a palette there? looks like a sheet of perspex?
Indeed, just a sheet of white perspex. works very nice. Thanks for the compliment Adam.