You will have to watch the video a couple of times, there are Easter Eggs everywhere. Firstly; the van, watch "Ich Will", the prison van is the same, on the door to the clones, it says "Mutter", if I'm not mistaken 2010 was somewhere, the cage, well that was "Mutter" too, the clones had haircuts from 2010. In essence this is a goodbye to the old Rammstein, and this is the beginning of the new Rammstein, matured but not mellow.
The press has had a fight with Rammstein since the early days. Maybe because they don't like giving interviews either, and aren't like others in the music industry.
This video has so many hints and possible ways of interpretation: First of all there are references to earlier songs and videos like "Ich Will" ("heist", haircut, smoking), "Mein Herz Brennt" (grid, cave), "Deutschland" (red beam and coffin in space shown at the official countdown to the premiere) , "Liebe ist für alle da", "Mann gegen Mann" (masses of bodies), and of course: "MUTTER" (cave with grid, Till in cave, "Mutter 22" on the laboratory door). It looks like they are on a crusade (crosses in focus) using a car with "LIFAD 6" as number plate: LIFAD is the official fan community of Rammstein and also the name of their sixth album. They enter the Paris opera house and shoot their way towards the "laboratory". While doing so, they are "dirty", dressed up for the fight. Flake mages to get the door opened with his hacker tool. On the door you find the letters “Mutter 22”. This can have (at least for me) two meanings: Their third album Mutter was released in 2001 and will become 21 years old next year. Even more fitting is another explanation for me: Around the time of “Mutter”, the band had internal conflicts and they were even close to a split. Beside other things there were disputes about the artistic future. So, they open the door “of “Mutter” and behind it there are clones of themselves. And they somehow have a kind of similar looking to the fetus (a 200 year old dead fetus btw.) One could see those “clones” as former beings of them from the “Mutter” area. Beside that the always straight red beam (past and future / red thread) has lost its direction. Like the band wasn’t clear which way to proceed. The current Rammstein change their behavior, become soft, sentimental, … before they burn down the lab and their “Mutter” clones. For me it shows, that they had to break free from the situation they were in, but nevertheless it was their live and their success, … The following scene will introduce the cave to us. From above there are six statues looking / facing downwards into it. Down there are the band members in a cage surrounded by masses of creatures (for me the fans). The band members in the cage are attached to chains, which are pulled by the creatures (fans). The band is stuck in a cage is in hell. The masses are following them, but they are are also “tormenting” the band. The fans themselves are also stuck in hell themselves. Within the cave the band is first in the cage and has metal “helmets” on and the creatures don’t move. Then they get rid of the helmets and the fans start to move. The bands gets more energetic. Finally they get free and rise towards heaven, smiling, but there is still some firing of guns. With them the fans rise up. The next scene is still irritating: The band is on ground level of the opera again, moves towards the cage and they all jump into the cave. Now you see the “band-creatures” standing on top of the cave. They rise their arms and it seems that they are pulling down the giant statues from the top of the cave. Everything crushes down, but the straight red beams rises upwards. They had to crush the hell with the giant statues as “gods” at the top and the band caught in a cage at the bottom to have a straight direction again. While the credits of this incredibly insane production are shown, one can see the dead band members lying on the floor towards the laboratory door. Right in front of the door with still “Mutter-22” on it, we find the dead Flake with his not successful hacker tool trying to unlock the door. Is this an alternative ending? Maybe. Somehow. I get the idea, that there are two time layers woven together. In the past the crushed the hell, escaping the boundaries given by fans, public, media and very probably even themselves. They were successful and the band had a future, represented by the straight upward red beam. But history can repeat. They are always endangered to get trapped again, to be torn apart. And therefore in 2022 there can be a new “Mutter-Crisis” like in the original one. They have to be aware of it and have to fight it every time it happens. When they nowadays find their “clones” behind that door, they know, they have to “burn” them down, but they have now a more differentiated view onto the past and therefore there is also sympathy for and an emotional connection with their “clones”. But if they do not face the danger of getting trapped again (as clones or as caged creatures) there will be no future for Rammstein. Then band “THEN” would die and the red beam would disappear. But if they are aware of it and if they continuously succeed to avoid being trapped again, there IS a future for the band All these ideas written down here are my personal thoughts. They can be one explanation, they can be wrong, they can be one of many interpretations. I still have so many question marks myself. But also some ideas, that might be not totally wrong.
The level of Rammstein videos is something else definetly . Nice reaction. This one has a lot of references of previous videos from all 30 years existence of group.
I've read that Rammstein was asked whether this is a goodbye of the band and they answered that this is not their intention and they don't have plans to end up with their music. The whole album - which has a kind of melancholic touch (even in the funny tracks) - was made under the impression of personal losses of the band members. In this context, lyric-wise "Adieu" looks to me as the feeling of a lost fight against death ... not of the own death, but of loved ones ... and to finally accept that there is nothing to stop it. A kind of sad acceptance of the inevitable. Video-wise they are referencing to the time when they had produced their album "Mutter" and almost parted and had to reinvend themselves - which they did fortunately.
@@kevinty7 If you want to try another good German band, listen to NULL POSITIV and their songs "Wo Rauch ist, ist auch Feuer" or "Independenz'" or "Amok". I believe that yo will not be disappointed.
![Felix "Unfair" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/Oswujxm2Ag0/mqdefault.jpg)
The ‘melancholy’ piano music over the end credits is a remix of “Zeit” by Ólafur Arnalds.
True. So this is like the circle of life. After Adieu it will start with Zeit again.
excellent 👍🏽
You will have to watch the video a couple of times, there are Easter Eggs everywhere. Firstly; the van, watch "Ich Will", the prison van is the same, on the door to the clones, it says "Mutter", if I'm not mistaken 2010 was somewhere, the cage, well that was "Mutter" too, the clones had haircuts from 2010. In essence this is a goodbye to the old Rammstein, and this is the beginning of the new Rammstein, matured but not mellow.
thank you👍🏽🙌🏽
The press has had a fight with Rammstein since the early days. Maybe because they don't like giving interviews either, and aren't like others in the music industry.
👍🏽
Rammstein is a perfect blend of music, poetry, and visual art. They are one of a kind. ❤
💯👍🏽
Hi Kev! Keep up your reactions!
will do👍🏽thank you
Right You are! Since when does the press know anything? Keep up the good work!
😂👍🏽
This video has so many hints and possible ways of interpretation:
First of all there are references to earlier songs and videos like "Ich Will" ("heist", haircut, smoking), "Mein Herz Brennt" (grid, cave), "Deutschland" (red beam and coffin in space shown at the official countdown to the premiere) , "Liebe ist für alle da", "Mann gegen Mann" (masses of bodies), and of course: "MUTTER" (cave with grid, Till in cave, "Mutter 22" on the laboratory door).
It looks like they are on a crusade (crosses in focus) using a car with "LIFAD 6" as number plate: LIFAD is the official fan community of Rammstein and also the name of their sixth album.
They enter the Paris opera house and shoot their way towards the "laboratory". While doing so, they are "dirty", dressed up for the fight. Flake mages to get the door opened with his hacker tool.
On the door you find the letters “Mutter 22”. This can have (at least for me) two meanings: Their third album Mutter was released in 2001 and will become 21 years old next year. Even more fitting is another explanation for me:
Around the time of “Mutter”, the band had internal conflicts and they were even close to a split. Beside other things there were disputes about the artistic future. So, they open the door “of “Mutter” and behind it there are clones of themselves. And they somehow have a kind of similar looking to the fetus (a 200 year old dead fetus btw.) One could see those “clones” as former beings of them from the “Mutter” area. Beside that the always straight red beam (past and future / red thread) has lost its direction. Like the band wasn’t clear which way to proceed. The current Rammstein change their behavior, become soft, sentimental, … before they burn down the lab and their “Mutter” clones. For me it shows, that they had to break free from the situation they were in, but nevertheless it was their live and their success, …
The following scene will introduce the cave to us. From above there are six statues looking / facing downwards into it. Down there are the band members in a cage surrounded by masses of creatures (for me the fans). The band members in the cage are attached to chains, which are pulled by the creatures (fans). The band is stuck in a cage is in hell. The masses are following them, but they are are also “tormenting” the band. The fans themselves are also stuck in hell themselves.
Within the cave the band is first in the cage and has metal “helmets” on and the creatures don’t move.
Then they get rid of the helmets and the fans start to move. The bands gets more energetic. Finally they get free and rise towards heaven, smiling, but there is still some firing of guns. With them the fans rise up.
The next scene is still irritating: The band is on ground level of the opera again, moves towards the cage and they all jump into the cave. Now you see the “band-creatures” standing on top of the cave. They rise their arms and it seems that they are pulling down the giant statues from the top of the cave. Everything crushes down, but the straight red beams rises upwards. They had to crush the hell with the giant statues as “gods” at the top and the band caught in a cage at the bottom to have a straight direction again.
While the credits of this incredibly insane production are shown, one can see the dead band members lying on the floor towards the laboratory door. Right in front of the door with still “Mutter-22” on it, we find the dead Flake with his not successful hacker tool trying to unlock the door.
Is this an alternative ending? Maybe. Somehow.
I get the idea, that there are two time layers woven together. In the past the crushed the hell, escaping the boundaries given by fans, public, media and very probably even themselves. They were successful and the band had a future, represented by the straight upward red beam.
But history can repeat. They are always endangered to get trapped again, to be torn apart. And therefore in 2022 there can be a new “Mutter-Crisis” like in the original one. They have to be aware of it and have to fight it every time it happens. When they nowadays find their “clones” behind that door, they know, they have to “burn” them down, but they have now a more differentiated view onto the past and therefore there is also sympathy for and an emotional connection with their “clones”. But if they do not face the danger of getting trapped again (as clones or as caged creatures) there will be no future for Rammstein. Then band “THEN” would die and the red beam would disappear. But if they are aware of it and if they continuously succeed to avoid being trapped again, there IS a future for the band
All these ideas written down here are my personal thoughts. They can be one explanation, they can be wrong, they can be one of many interpretations. I still have so many question marks myself. But also some ideas, that might be not totally wrong.
Rammstein - uncomparable 🖤
👍🏽
The level of Rammstein videos is something else definetly . Nice reaction. This one has a lot of references of previous videos from all 30 years existence of group.
Thanks Lucia🫶🏽
The Outro is from the Song Zeit
👍🏽
This video/Song is a masterpiece, art
👍🏽
Honestly surprised you didn't catch they were all dead at the end disnt actually make it to the vault ....
aaahhhhhh, thanks Brian, no, that passed me by, got it now though, nice one👍🏽🙌🏽
I've read that Rammstein was asked whether this is a goodbye of the band and they answered that this is not their intention and they don't have plans to end up with their music. The whole album - which has a kind of melancholic touch (even in the funny tracks) - was made under the impression of personal losses of the band members. In this context, lyric-wise "Adieu" looks to me as the feeling of a lost fight against death ... not of the own death, but of loved ones ... and to finally accept that there is nothing to stop it. A kind of sad acceptance of the inevitable.
Video-wise they are referencing to the time when they had produced their album "Mutter" and almost parted and had to reinvend themselves - which they did fortunately.
great info thank you👍🏽
Check their song: "Schwarz"
on the list then Kermit👍🏽
@@kevinty7 If you want to try another good German band, listen to NULL POSITIV and their songs "Wo Rauch ist, ist auch Feuer" or "Independenz'" or "Amok". I believe that yo will not be disappointed.