WiDOR - Allegro Symph. 6, St.-Eustache Paris MARCO DEN TOOM
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- Опубликовано: 18 май 2014
- Allegro (Symphonie 6) Ch.-M. Widor
Marco den Toom at the Van den Heuvel-organ, Saint-Eustache Paris.
www.marcodentoom.nl
Photo's by Johan Kats, Cees v/d Wal, Dirk-Jan van Silfhout, Jaco van Houselt & Con Passione.
Available on cd: SYMPHONIC COLORS, www.sth.nl
** Greatest Organ Music of all time ** 
Видеоклипы
The audio recording is one of the best for RUclips I have ever heard
Een dikke 10 , jammer dat ik geen 11 kan geven. Alles is in balans. Techniek, snelheid, agogiek, toucher, interpretatie, registratie. Geweldig !
Prachtig!
His thinking interpretation of using the soundscape and atmosphere is magnificent! It fits perfectly.
That low C at 07':00"... ♥ oh boy oh boy... ♥ made my day. Utter devastation.
It sounds better thru Klipshorns!
je reécoute : magnifique, Marco den Toom, vous inspirez bien cet instrument magnifique de St Eustache avec cet Allegro de la Vieme de Widor, que j'apprécie particulièrement , merci beaucoup !
Un vrai choc cette interprétation. Quel instrument et quel organiste!👏👏👏
Wij zijn zelf aanwezig geweest bij het in gebruik nemen van dit orgel in sept. 1989. Dit is voor mij de mooiste ervaring geweest van een orgelconcert. Deze prachtige kathedraal en een organist als Jean Guillou vergeet je van je leven niet.
I love this recording and LOVE this organ. Love Marco's interpretation. Such feel for this piece. Widor would have to give praise. I pray to God above to make it to a Sunday concert there.
In heaven it would be an eternal concert! What about that?
Het gaat hier niet alleen om de stukken, maar ook om de manier waarop ze worden vertolkt. Ik heb dit allegro nog nooit zo expressief gehoord. Widor zou dit fantastisch hebben gevonden. Marco doet veel meer met de klank. Bij bepaalde passages plaatst hij accenten door uiterst geraffineerde registraties. De vertragingen en versnellingen ontstaan door een intensievere beleving van de materie en de drang deze bevindingen naar het publiek uit te dragen. Een enthousiast publiek bezoekt ook later orgelconcerten. Wij moeten ons afvragen "Wie gaat er over 30 jaren nog naar een orgelconcert"? Wanneer iemand uitsluitend puristisch wil spelen kan hij graag concerten voor 20-30 mensen blijven geven.
Marco den Toom is een groot kunstenaar, die ook dorpsorgeltjes symfonisch laat klinken. Dit zou juist voor andere organisten zeer inspirerend moeten zijn. Er zijn overigens maar weinig organisten die bang zijn voor iemand die beter speelt. Voor de plaatselijke organist is het wel een blamage, wanneer het publiek zich na een dergelijk concert gaat afvragen waarom zij hun instrument nog nooit zo mooi konden horen. De opmerking, dat deze interpretatie meer over de organist dan over de componist zegt, ontstaat door het gewend zijn aan uitvoeringen die onderling weinig verschillen. Dan nog een simpele verklaring over deze speelwijze: "Marco speelt zo, omdat hij het kan!"
Hartelijke groet,
Evert Groen.
Bruch vioolconcert
HBNN blp
Waarom de plaatselijke organist niet beter speelt dan de gast is nooit mijn angst geweest omdat ik geen concert organist was maar eerder de gemeenschap door “steun” dichter tot een diepere beleving en gebed wilde brengen. Ik kende mijn instrument, en probeerde mijn diep respect voor mijn instrument en zijn bouwer alsmede de geest van he moment, de Heilige Mis, te vatten in klankkleur en melodie.
Btw, ik luisterde ook graag naar wat een gast uit mijn instrument kon halen.
Ja zeker!
Fiery, magical, imaginative....a very compelling performance! Thank you so much!
Incroyablement beau 🎶🎵toute la majesté de Widor, la virtuosité de l’organiste et sur un instrument exceptionnel
Merciiiiiiiii👏👏👏🎵
RAA (rien à ajouter) !
A truly inspiring version.
Блестящий!
Dear Marco; I think you are able to enter into the very spirit intension of the various composers you play. "Empathy" is the word. A gift from on high that you're generous enough to share. Thank you!
Absolutely breathtaking! I love this organ. I love your interpretation. I love the stop selection. Awesome!
Fabulous--and the audio recording is wonderful.
Feels like you're there!
Certainement l'une des plus belles si ce n'est la plus belle interprétation de cette pièce !
BRAVO! BRAVO! BRAVO! GRAZIE MARCO!
d'excellentes performances, impressionnant, je peux être le vôtre impressionné. S'il vous plaît plus sur YT
Incredible performance.
Wat zul je genoten hebben van dit fantastische orgel. En dat breng je op de luisteraar over!
a very nice organ and the music ... grandios ..
Mooi gedaan. Gedurfde interpretatie, waardeer ik. Fraai opgenomen ook.
That the French would choose a Dutch organ builder was a surprise to me. However They did NOT disappoint! To my ear, this organ qualifies as a twentieth-century Cavaille-Coll. The solidity of the grand French romantic, with the added sprightliness that only the Dutch can contribute. Marco-you are pretty damn good yourself!!! Thank you. I will be buying the CD..
It was a European competition: Klais (Bonn, Germany) and van den Heuvel (The Netherlands) were the finalists and got the same number of votes, but the contract went to van den Heuvel.
@@drbobdrake This organ has only been rebuilt by Van den Heuvel, it was already in the church.
@@cromorno8749 They did keep the case from the old organ, but only a few stops.
@@at0mcollision so how much Cavaille-Coll is left in this instrument? Really ashame what they did to the cavaille-coll over the years. Organ sounds good now but would've loved to have heard the original C-C
@@ericgarner6175 CC never worked on this instrument, however there are a few ranks left from Ducroquet and Merklin.
Het orgel is mijn orkest ~ César Franck. En hier wordt conform die uitspraak gespeeld. Schitterende uitvoering!
Marco Del Toom nos teclados da Saint Eustache é tudo de bom, de fantástico, de monumental. Ele está a altura do magnífico instrumento que considero um dos melhores da Europa. Sou fã deste cara.
In de prachtige St. Eustache laat Marco den Toom op imponerende wijze een stuk van de grote componist Charles Marie Widor klinken.
Mijn complimenten!
C'est tres formidable! The Dutch Van den Heuvel instruments are certainly fantastic sounding instruments in the totally French voicing of 19th century master organ builder Cavaile-Coll!
excelencia en la obra, el instrumento, la ejecucion. sin la musica el mundo seria un infierno, con la musica es un trozo de cielo en nuestras manos.gracias desde Argentina
Wow, was für ein mitreißendes Spiel und geschmack- sowie effektvoll registriert! Den Teelöffel 'Guillounium' kann man gut heraushören.
Best interpretation of this piece ever on youtube. Danke!
Sheer brilliant playing by Mr Toom. So expressive. What an organ: The King .....
Great performance !
Adembeneemend mooi , geen woorden voor ...geweldig
Joke pauw
Great thank you so much.
merci maître Jean pour cet instrument hors du commun , c'est une formule 1 pour sa puissance et sa magnifique sonorité qui vous emmène dans les étoiles!!!
Now that's the way to do it! Thrilling. Thanks Marco.
Charles Davis no that is not the way to do it because it is too fast!!
Don't forget to switch on your sub woofer with this recording!
Mooi gespeeld en opgenomen zodat het geen overgebonden lawaai wordt in de ruimte . Het blijft mooi helder ; goed gedaan !
Fiery performance!!
Mr. den Toom please schedule a concerto in CC at Saint Sulpice with AROSS volunteers (Pierre-François Dub-Attendi) I’d love to watch you playing my favorite organ and you are one of my favorite organists, thank you in advance
Excellent use of registration for such a diverse organ. This is afterall a symphony and the resources of the organ should be used to tgeir full advantage. His registration allowed for passages to be heard more clearly in a room with very difficult acoustics to work around. I've heard this piece on a much smaller baroque organ and with two people pulling stops it was just as majestic so one should not compare to the limitations of St Sulpice. You should listen to the redition of Allegro Vivace also by this excellent artist to get an idea how Widor's music can be successfully played on different era organs.
BEAUTIFUL... I was hoping this was the whole Symphony.... not just the first movement...!
Maestosità assoluta......✌️👍
L'orgue qu'il faut pour cette oeuvre. Quel son !
Pierre Louis manifestement vous avez oublié le chapitre widor dans vos cours... La registration à st eustache est criarde et Le tempo n'est pas celui de l'auteur mais l'interprétation est brillante....
Klonk weer eens fantastisch!
Incredible
Благодарю!🙏🌹👏
super. geweldig
Dear Marco; Wow... perfect tempo. Most organists either play it too slow or there's too much reverb in the room to actually hear the individual voices. But you, my dear... did it with style!! In my not so humble opinion, Charles would have pissed his pants to hear what you just did with his composition. Breath taking. Absolutely breath taking. !!!
Charles! We meet again! This is perhaps one of my top favourite pieces of organ music... Ever.
Hi William; Have you ever listened to "Sophie Improvisation" on RUclips? This lady knocks me out. She specializes in 'French' improvisational methods and (I think) she maybe the best in the world at what she does. Give a listen and tell me what you think. Sincerely, CVD
Charles Davis Then you need to listen to Daniel Roth...
@@charlesdavis7087 @CVD I agree with you on Sophie-Veronique Cauchefer-Choplin. A great, great, great, *GREAT* improviser. A definitely Must-hear organist :)
@@praestant8 I'm not daring to introduces "levels" between organists... :) it would be such nonsense as music never can be a competition...
... but Sophie Veronique just buries Daniel.
Of course : they have not the same way to play, and we agree there is no pun intended to Master Roth in my statement - as he is, and always will, one of the top organists nowadays.
But Sophie Veronique clearly nails it.
I love this instrument. They really lucked out with this installation.
Charles Brown It wasn’t luck, but careful planning.
Beautifully executed phrasing and you brought out the unique sounds of the Van de Heuvel out wonderfully. Timing wonderful.
A spectacular performance that's a sheer joy to listen to on my audio system...I definitely need to purchase this audio CD!
Bravissimo
Prachtige uitvoering Marco!!! Kende het werk niet. Genieten.
Sinto falta do vídeo de Den Toom nos teclados do Saint Eustache.
instrument et organiste dignes de Widor !
Eccellente!!!
excellent
When the world bends around, when the structures of a civilization falter, it is good to return to that which in history does not flex, but on the contrary recovers courage, gathers the separated, pacifies without bruising. It’s worth recalling that the genius of creation is also moving in an history devoted to the destruction..
Have you been reading too much French philosophy?
@@dissilymordentroge5818 Yeah ! in particular "les chants de Maldoror" of comte de Lautréamont.... and others ;-)
Is it C0 at 7:00?
Yes!
Indrukwekkend!!
What is the action on this instrument? Sounds like a tracker but the visuals tend to indicate not.
It is mechanical, but with a second, digital console.
hij demonstreerde heel goed de mogelijkheden van een basilisch orgel
is het van de Nederlandse orgelmaker van den Heuvel
Ja
Manmanman besef je wel hoe getalenteerd je bent? Tis niet alleen techniek. Jouw muziek is nooit doods, zoals bij veel collega's van je. (ik ga geen namen noemen: niet netjes) . het LEEFT. :)
Dankjewel 🙏
7:00
A bit erratic in use of tempo, but WHAT A SOUND!! 😱 (and yes, I do wish I could play anywhere near this well...)
Symphonic ColoUrs
English = Colours
American = Colors
Marco den Toom
Yes, indeed
While this is a grand piece, this performance is far to fast and Not the tempo originally written or intended by Widor!
I can’t play as Widor so I play as myself😉
@@MarcodenToommusicus well, this is amazing and an interesting excuse! My grandmother was a gifted organist for 70+ years of her 94 year existence and these words never came from her mouth. The same with many great organists she introduced me to such as Virgil Fox, E Power Biggs, Alexander Shriner, Catherine Crozier, Marie-Claire Alain and more. It is called respect and adapting. Thanks
Nice, but I'll take Olivier Latry.
Technisch knap, maar véél te creatief
🤣
Shame, Widor must be turning over in his grave. You can't do such stop changes at St Sulpice. Plus, just because you are able to execute such keyboard pyrotecnique doesn't mean you should.
Greg Lane If you just listen to the music on its own merits without unnecessary comparisons, you might actually enjoy it. Should...shouldn't? According to who's rules? Music is music. Rules just bog down the mind.
Greg Lane While I’m not fond of some of the overtly staccato technique it is quite well known that neither Widor or Vierne could play most of their music on their own instruments due to how both were designed (prior to the revisions of course.)
Widor put no limitations on his interpreters except a suggestion on Symphony No. 10 "Symphonie romane." He would have loved the St-Eustache van den Heuvel.
Greg Lane Yes you can, with a team
I don’t play for Widor. I play for myself and this is how I like The piece…
An often absurdly registered and frantically rushed performance, exhibiting a lack of musicality, poeticism and humility. A great Widor masterpiece marred by virtuosic showing off, achieving little else but a senseless sonic blur - the lovely nuance and wonderful drama too often completely lost in these oceanic acoustics. Such a magnificent work and instrument (certainly one of the world's grandest) deserve far better.
I much prefer Albert Schweitzer's vintage, slow interpretation to this. At least there we experience understanding and heart.
i dislike this old fashionned baroque organ !
+Larry Kuipers I see what you did there, mmmkay? ;)
+bastien delaniau The van den Heuvel firm was lauded by the French government for its construction of this modern French organ worthy of Cavaillé-Coll which is the size of the the St-Sulpice organ. Van den Heuvel added a 32' Contrebombarde to the St-Eustache organ as a gift to the people of Paris.
It is the opposite of a baroque organ ! The original Cavallié_Coll dates from the 19th Century ! Baroque/classical is more like 17th-18th Century organs.
Contemporaneous organs tend to be a little of everything so you can play anything without being limited by technical issues.
You want to see a real French baroque organ, go to the South of France, there plenty of them down there... and Baroque school organists would certainly refuse to play such a "worthless piece" (their point of view) on their instruments !
@@drbobdrake2613 Indeed they did, making it the only organ I know of with no less than three 32' reeds (one on the Récit Expressif manual !), not to mention a 32' "Montre" providing the fundamental for the Plein Jeu on the Grand Orgue *manual* -- a rank which makes you do a double-take when you enter the church in person, because what looks in photos like the usual 16' display rank above an 8' rank you tend to get in large cathedrals, is actually a 32' over a 16' (which means the ceiling is higher than most steeples)
When you consider that a couple of centuries ago, every French organ pedal division was based on 8' pitch, St Eustache's Grand Orgue's Plein Jeu is two octaves deeper than traditional pedal division - and given that the "Montre" 32' & 16' were inherited from the mid 19th Century instrument rather than forming part of the rebuild, that represented a VERY sudden deepening, almost like going through puberty twice in succession in one lifetime !