Thank you so much for sharing what Stevie Ray Vaughan used to do. To me he was the greatest guitar player I have ever seen. He had a tone that nobody can touch
"Ive spent way too much time for one persons life with this photo" lol. Thats great! This is something I would do. Its like a forensic examination of Stevies pedalboard. You've gotta be a guitar player to truly appreciate this and I do. Great video!
@@theriffwniksevigny5473 what is the dimensions on your 1959 neck i want to make one i try to custom shop 1955 strat with a chunky neck i loved it i'll take any pointers you have all even send you my email if you want
I believe he did it so the wah would stand out more. Ive been running a fuzz into a wah for some time because I’ve noticed I have a harder time hearing the wah effect after the fuzz. Never tried it with a TS though. Gonna try it out. But I’ve noticed Stevie’s wah effect is very strong and I’m guessing this could be why. Goes to show it’s okay to sometimes go out the box
@@mygabrielle7477 I believe your statement to be correct. I have run my wah before my drive pedals for many years and always struggled with annoying noise issues when engaging the wah. I also noticed that sometimes the wah would get a bit washed out. I recently rewired my board and placed my wah (Area 51 wah) after my drive pedals and the annoying noise nearly completely disappeared. I did noticed that tone of the wah did change a bit, was a little louder and less muddy. I actually wasn't sure I liked it running solo in my studio but when I used it live I was delighted and inspired without the noise.
@@sonsrawk The only reason I'd ever run wah first/before fuzz or drive is if I had a pedal like an old fuzz face that needs to be first in the chain to operate properly and/or has issues with it's buffered bypass. If those considerations are not present, I *always* run my wah *after* dirt/fuzz/drives because the wah becomes "vocal" and expressive. When a wah is run before dirt, it's more of a "filter sweep" effect than it is expressive.
@@AnodyneHipsterInfluencer Agreed! I know a lot of players do this but in my situation it simply sounds better, its more expressive and no whooshing noise to deal with.
I’ve had good luck over the past couple years with the George L’s solderless patch cable kit. You can make them to the exact size you need and they are super easy to assemble.
@fastguitar I ditched the George L’s not too long after this comment lol. I’ve been using the Audioblast cables Nik recommended in another video. While they aren’t as slim as others, they have been reliable and cheap enough to have extras on hand just incase problems arise.
interesting video, thanks. I've always been told the wah should come first but this sounded great. you can't go wrong with a tube screamer. I use one for rhythm and another for a lead boost.
Matthew scott.. i use to chat with you on insta years ago and have been following you for years on youtube.. you should do a few of these vids.. jimmy vaughan.. billy Gibbons and stevie and eric johnson.... heck ill throw in some eric tessmer too.
Thanks for digging in to this stuff so the rest of us don't have to. Would love to have a late 50's early 60's Stratocaster. I play a '83 Fullerton built '62 AVRI sunburst Stratocaster. The only thing I've done to it in the last 36 years is refret with big frets. I play it through a '67 Blackface Super Reverb.
@fastguitar The 62 American Vintage reissue Stratocaster has the original gray bottom pick-ups. I purchased it, new, at Samuel's Music Shop in Decatur IL in March 1983.
Dude great tone! Yeah, I think you were right about Donnie Opperman setting up his first pedalboard like that. Donnie had just come off the road with Joe Walsh and Joe had his rig set that way. Donnie figured Stevie would like it and he did.
It might be an idea to reproduce his sound with modern stuff in a following video, eg Fuzz, Duellist, RMC wah, Octaland etc .. Everything before the amp, wah after drive, wah before drive..
Interesting video. Did you notice the loop of cable next to the wah in the pic? Could be for running off some tops from the wah? I know that Warren Haynes uses a 100ft cable from his wah, for exactly that. Anyway, just a thought, it sounds as if you've got the sounds down pretty well. And you'd probably appreciate by now, just how much of Stevie's sound was in those huge paws of his.
Awesome job.. playing and figuring out the tone & and what position.. Stevie had his toned down so well he knew when a roadie didn't use his tattered extension cord I'm thinking it knocked down a little voltage to the amps.?
Hey guy great playing! I don't really use pedals much, but what is the purpose of the MXR loop selector? Couldn't you just turn off the tube screamer when not wanted?
As stated in the video, the loop selector is a clean bypass signal, the tube screamer as we all know is a non true bypass pedal Coming from the old school where you just plug a strat into a cranked fender amp, the loop selector totally removes and “shading “ or load from the non true bypass pedal
Awesome video! I wasn’t quite sure, what were you switching back-and-forth from with the looper? Looked like the tube screamer was on the whole time. I think you were going through two different paths? Just wondering. I’m sure if I watch it again I will see, just multitasking right now. Great tone! 🔥🤘🏻🎸🇺🇸
If you're making a pedalboard for yourself, may I suggest the EHX electric mistress xo and a visual Sounds/truetone Jekyll and Hyde overdrive/Distortion pedal? Those are my favourite
I've had great luck with EBS flat patch cables - very compact, and good audio quality. If you're into something more traditional, I really like Lava Cable patch cables. I stay away from the kind that you build yourself with screws, etc., because I've had pretty bad luck with a lot of them. Just my .02.
Nik, You're getting a great sound out of your board! For years, I thought SRV used two Wahwah petals in series during Say What?, circa 1985, possibly one could also be a Volume pedal to raise the Sustain longer? Please take this with a grain of salt, I'm old and I get flashback hallucinations over some of this stuff that I cannot verify. Gosh!
hey all!! so im robert randolph's guitar tech. I did the continium tour w john mayer who has rene martinez now who was stevie's tech. I've sent him this link and hopefully we can get him to weigh in on this. stay tuned!!
THE RIFF W NIK SEVIGNY, Other guitarist are telling me that when you roll back the guitars volume control on a tubescreamer pedal it will create that texas glassy metal tin can tones. I'm not sure if the older tubescreamers have a built in buffer and the buffer is creating the clean texas glassy metal tin can tones while the older tubescreams pedals was turned OFF it still ran through a buffer internally. Have you notice that a tubescreamer creates texas glassy tones when the guitars volume is turned down?
Dude. Turn the fuzz pedal volume way up Put the fuzz set at about half way Turn the amp up Loud Roll back the guitar volume a hair To make this even more glassy and chimey, add a treble bleed circuit. Try 330pf with a 120k resistor in parallel
On one of the set up he was using came when he was playing Austin city limits was from left to right on one of Cesar Diaz notes the set once used in Austin was vox tycobrate Octavian TS 808 fuzz face and then his strat on the other shows he was also using a junction box to switch between various amps and also Leslie cabinet that was part of his set ups the he started to used one of Cesar Diaz custom fuzz face type overdrive pedals that was a combination of a ts9with a modified fuzz face Circuit
THE RIFF W NIK SEVIGNY,, if you a 1meg pot with single coils it will sound more brighter or 500K its at its limit of brightness? SRV guitar tone pots all the way turned up used .22uf cap i think compared to new strats used .1cap which makes the single coils sound darker even when the tone pot is turned all the way up. So they say to change the .1uf cap to .22uf cap to get that glassy texas SRV tones.
You’ll see 1meg pots in some teles, bass and jazzmaster/jags I dont think srv used them, nor do i think he used a .022 If you slow down the fender video of them disassembling #1. You can see the red dime cap, clear as day
@@theriffwniksevigny5473 but what is the cap value of the red dime cap? what type of capacitor is it? because they have different types of capacitor not sure what a red dime cap is because most are ceremic caps or the green poly caps
@@theriffwniksevigny5473 thanks Because eric johnsons uses a 500K pot instead of a 250K pot to get more high end glassy texas tones. I know that SRV didn't do this. I'm not sure if eric johnson uses .1uf or .22uf because other guitarist are saying that the .1uf makes the strat pickups to dark you loss the glassy high end.
For anyone building a board who hasn't discovered dual lock 3m tape, now is the time for you to make the change. Go and buy some on amazon, and forever resent velcro!
Hey man so I’ve noticed both you and Jesse get this fizz to your tone, almost like a germanium fuzz sound. Can you help me out on how to achieve it? I’m running a ‘97 american standard through a ‘67 super reverb. All of the tubes are original other than the power tubes, they needed replacement. Should I be looking into different tubes for more musical and earlier breakup? I bought a duellist because I’ve heard a lot of demos of the king tone pedals doing that thing but it didn’t give me that at all. Thanks!
Another great vid Nik! Just curious, did Stevie ever use a rotovibe at any time during his career or was it always the the fender leslie vibratone? I know the rotovibe is somewhat more of a univibe thing, however you get pretty darn close to cold shot sound when the rotovibe is set properly
Every time I listen to Stevie I get hungry for barbecue and thirsty for beer. So I get in my truck and make a drive to my local Roadhouse. Eat, drink and listen to Texas blues at its finest! 🥩🍺🎸🇨🇱
Its keeping certain pedals on their own signal path. When you click the loop on, the pedals are inline, when you click the loop off, the pedals that arent true bypass, are kept out of your direct signal
Been on the road with a constantly changing board for three years with Evidence Audio SiS cables. One came lose once and I just screwed it back in. Plus the plugs are mega tiny
hey man just discovered your channel really good info.You mightve already covered this but are there a particular type of strat pick up you would recomend ?
@@theriffwniksevigny5473 cheers man i just bought a new strat pro series 2 but im thinking the older ones pick ups sound closer to srv .Im thnking you mightve got the heavier strings with the guitar tuned down a half step just cant quite get mine to sound the same.Your playing is awsome man its the sound i aspire too.I recently started playing again and loving it ill be sure to check out more of your videos
@@theriffwniksevigny5473 im also thinking of buying a strat second hand or even a squire ripping the pick ups out putting in something like you suggested trying heavier strings but tuned down a half step and getting is set up properly to suit the strings any thoughts man? appreciate any tips
Its a true bypass looper. Because the wah and tube screamer arent true bypass. So when you loop the two pedals inline, when you press the button on the mxr, it pulls them Out of the signal chain
I remember, around 1993, I had the same Whawha pedal from Vox. She did not get along well with the buffer of my TS9. It completely destroyed my clean sound. It should be noted that the Whawha Vox already includes a buffer itself which has a very bad reputation. I have since changed to a Dunlop Real McCoy which is true bypass and contains no buffer. The problem is thus completely solved. I find that the whawha sounds much better upstream of the TS9.
Thank you so much for sharing what Stevie Ray Vaughan used to do. To me he was the greatest guitar player I have ever seen. He had a tone that nobody can touch
"Ive spent way too much time for one persons life with this photo" lol. Thats great! This is something I would do. Its like a forensic examination of Stevies pedalboard. You've gotta be a guitar player to truly appreciate this and I do. Great video!
Thanks mike!
@@theriffwniksevigny5473 what is the dimensions on your 1959 neck i want to make one i try to custom shop 1955 strat with a chunky neck i loved it i'll take any pointers you have all even send you my email if you want
Nice. Finally someone did it right with the tubescreamer going into wah.
Brandon Cash I’m curious why the tube screamer before the wah? Most times the wah comes first in the signal chain.
I believe he did it so the wah would stand out more. Ive been running a fuzz into a wah for some time because I’ve noticed I have a harder time hearing the wah effect after the fuzz. Never tried it with a TS though. Gonna try it out. But I’ve noticed Stevie’s wah effect is very strong and I’m guessing this could be why. Goes to show it’s okay to sometimes go out the box
@@mygabrielle7477 I believe your statement to be correct. I have run my wah before my drive pedals for many years and always struggled with annoying noise issues when engaging the wah. I also noticed that sometimes the wah would get a bit washed out. I recently rewired my board and placed my wah (Area 51 wah) after my drive pedals and the annoying noise nearly completely disappeared. I did noticed that tone of the wah did change a bit, was a little louder and less muddy. I actually wasn't sure I liked it running solo in my studio but when I used it live I was delighted and inspired without the noise.
@@sonsrawk The only reason I'd ever run wah first/before fuzz or drive is if I had a pedal like an old fuzz face that needs to be first in the chain to operate properly and/or has issues with it's buffered bypass.
If those considerations are not present, I *always* run my wah *after* dirt/fuzz/drives because the wah becomes "vocal" and expressive. When a wah is run before dirt, it's more of a "filter sweep" effect than it is expressive.
@@AnodyneHipsterInfluencer Agreed! I know a lot of players do this but in my situation it simply sounds better, its more expressive and no whooshing noise to deal with.
I’m glad I’m not the only one that’s this fanatic about SRV
Lmao same man
There's still plenty of us around mate 👍
🎸🎸🎸
I love this. Respect the obsession, admire the execution!
Well done! You are definitely in the SRV soundscape.
Holy crap man! That sounded incredible! Well done.
Thanks, I've been looking at putting a SRV pedalboard together, with a TS9 a Buddy Guy Wah and Fenders new leslie pedal.
Very informative. Please keep putting this kind of stuff out there!
I’ve had good luck over the past couple years with the George L’s solderless patch cable kit. You can make them to the exact size you need and they are super easy to assemble.
@fastguitar I ditched the George L’s not too long after this comment lol. I’ve been using the Audioblast cables Nik recommended in another video. While they aren’t as slim as others, they have been reliable and cheap enough to have extras on hand just incase problems arise.
interesting video, thanks. I've always been told the wah should come first but this sounded great. you can't go wrong with a tube screamer. I use one for rhythm and another for a lead boost.
Listen up!!💪🏻💪🏻
Matthew scott.. i use to chat with you on insta years ago and have been following you for years on youtube.. you should do a few of these vids.. jimmy vaughan.. billy Gibbons and stevie and eric johnson.... heck ill throw in some eric tessmer too.
@@Daddybell6957 hey man. I should no doubt.. but Nik is the king
What an amazing tone!
Vertex pedals has videos about making your own patch cable for pedal boards along with links to the parts needed to make them.
Thanks for digging in to this stuff so the rest of us don't have to. Would love to have a late 50's early 60's Stratocaster. I play a '83 Fullerton built '62 AVRI sunburst Stratocaster. The only thing I've done to it in the last 36 years is refret with big frets. I play it through a '67 Blackface Super Reverb.
@fastguitar The 62 American Vintage reissue Stratocaster has the original gray bottom pick-ups. I purchased it, new, at Samuel's Music Shop in Decatur IL in March 1983.
mindblow man....great !
You nailed it man..😍🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻🙌🏻
That wah sounds amazing.
Looking forward to Part deuce! Hope I haven’t missed it. Thanks for all of the great vids!
Dude great tone! Yeah, I think you were right about Donnie Opperman setting up his first pedalboard like that. Donnie had just come off the road with Joe Walsh and Joe had his rig set that way. Donnie figured Stevie would like it and he did.
Yes! Exactly. And i think Donnie was the one who tried the ts into the wah! Thanks for watching!
It might be an idea to reproduce his sound with modern stuff in a following video, eg Fuzz, Duellist, RMC wah, Octaland etc .. Everything before the amp, wah after drive, wah before drive..
Interesting video. Did you notice the loop of cable next to the wah in the pic? Could be for running off some tops from the wah? I know that Warren Haynes uses a 100ft cable from his wah, for exactly that. Anyway, just a thought, it sounds as if you've got the sounds down pretty well. And you'd probably appreciate by now, just how much of Stevie's sound was in those huge paws of his.
Hey, Nik! Keep the great vids coming! Patch cables: Rockboard at CME (flatheads) or Beetronics solderless kit.
I was always told that wah goes first but thanks for clearing this up as far as a stevie ray setup !!😁
If you’re looking to build a pedal board of your own I highly recommend a fulltone full drive 2 and a boss dd7. Those are my 2 favorite pedals
Yea. Ive had a few builds on here. I just keep it simple and old, but those two you mention are great!
What was the amp you were using Nik? your amp along is already making that SRV tone pretty damn close! Love your work, always!
Stevie also used fuzz pedals too .I may have a pic of those pedals on my DCL page on Facebook .
Yes. We were just focusing on 1985 for the vid!
@@theriffwniksevigny5473 NIce great ,,
Amazing tone, and amazing playing man! Love this!! 🤟🏽🤘🏽👍🏽👌🏽 Would you ever do a Rory Gallagher tone video? Also what gauge are your string set?
11-56
Man. Rory is so inspiring but i could never do it any justice
great video. I highly recommend Temple Audio boards. Build like a tank and has a cool way of eliminating the need for velcro.
Man you can play 🙌🏼 tones sound pretty spot on to me well done 👍🏼
Thank you very much!
Thanks for providing such great content and the history of Stevie's gear.
Badass guitar player!!! Killer tone!!!
Excellent video Nik!
Awesome job.. playing and figuring out the tone & and what position..
Stevie had his toned down so well he knew when a roadie didn't use his tattered extension cord I'm thinking it knocked down a little voltage to the amps.?
Excelente.q amplificador estas usando. Saludos desde Argentina.
Iba a preguntar lo mismo
Super video, is there part 2, I can't find it?
Also I would like your opinion in witch order would you set compresor, wah and tubescreamer?
Part 2 is called “srv tube screamer settings”
Hey guy great playing!
I don't really use pedals much, but what is the purpose of the MXR loop selector? Couldn't you just turn off the tube screamer when not wanted?
As stated in the video, the loop selector is a clean bypass signal, the tube screamer as we all know is a non true bypass pedal
Coming from the old school where you just plug a strat into a cranked fender amp, the loop selector totally removes and “shading “ or load from the non true bypass pedal
@@theriffwniksevigny5473 ok second question would be, the MXR loop selector is not made anymore, is there something equivalent out there now?
@@marksauer58any true bypass looper
Awesome Nik..
I’ve dusted off my old Chipped TS9 and ready for part two...
Right on. Turn it up!
Is part 2 already available?
Awesome video! I wasn’t quite sure, what were you switching back-and-forth from with the looper? Looked like the tube screamer was on the whole time. I think you were going through two different paths? Just wondering. I’m sure if I watch it again I will see, just multitasking right now. Great tone! 🔥🤘🏻🎸🇺🇸
Yes. Because im using the loop pedal to shut it on or off
Wich amp do you use in the video? Supreme tone
Great, thank you, love your playing!
Great video! But I can't find Pt 2. Any links to it?
STEVIE RAY VAUGHAN ~ TUBE SCREAMER SETTINGS ~ SRV SETUP SECRETS???
ruclips.net/video/rtg3MuT12vE/видео.html
Minimal pedal power yet you make it work.Awesome sound...i see ya got some great chops...
Man, incredible how you really get that true tone & feeling Stevie had. Totally impressed + thanks for the nice tips on his tone !
Would love to see you build a board for your own sounds!
BOSS makes a looper/ line selector.
Great video, Nik!
Nailed it ! that's quality !
If you're making a pedalboard for yourself, may I suggest the EHX electric mistress xo and a visual Sounds/truetone Jekyll and Hyde overdrive/Distortion pedal? Those are my favourite
Great great video man... where is part 2?
Fantastic tone station!
That way sounds great I'm going to have to get a new wah wah.. mine sucks!! Also how does the ts9 or 808 compare with a vintage 8 ???
DMV conARTISTS imo the ts808 has a better sound if ur tryna compare it to the vintage one. really has that “the sky is crying” feeling to it.
Cool upload, Nik. Keep'em coming.
Cheers
Will do!
I've had great luck with EBS flat patch cables - very compact, and good audio quality. If you're into something more traditional, I really like Lava Cable patch cables. I stay away from the kind that you build yourself with screws, etc., because I've had pretty bad luck with a lot of them. Just my .02.
Great video!
I NEEDED THIS!
AMAZING!
Nik, You're getting a great sound out of your board!
For years, I thought SRV used two Wahwah petals in series during Say What?, circa 1985, possibly one could also be a Volume pedal to raise the Sustain longer? Please take this with a grain of salt, I'm old and I get flashback hallucinations over some of this stuff that I cannot verify. Gosh!
No you're right, he used two wah's in series for say what. Also an octavia and a fuzz face particularly in 85.
Great video! But where's Part 2? Can't find it anywhere.
ruclips.net/video/rtg3MuT12vE/видео.html
Thank you, I’m mid-way watching that one anyway as it seemed pretty related. Loving your channel
hey all!! so im robert randolph's guitar tech. I did the continium tour w john mayer who has rene martinez now who was stevie's tech. I've sent him this link and hopefully we can get him to weigh in on this. stay tuned!!
Thanks!
Tease....
: (
Sweet tone ! Thx for the video ..
Is it really you Mato? Big fan. Thank YOU!
Great Sound!!
There is ressitors in MXR Loop selector. Is it possible to know the actual resistance of those resistors?
THE RIFF W NIK SEVIGNY, Other guitarist are telling me that when you roll back the guitars volume control on a tubescreamer pedal it will create that texas glassy metal tin can tones. I'm not sure if the older tubescreamers have a built in buffer and the buffer is creating the clean texas glassy metal tin can tones while the older tubescreams pedals was turned OFF it still ran through a buffer internally.
Have you notice that a tubescreamer creates texas glassy tones when the guitars volume is turned down?
Dude.
Turn the fuzz pedal volume way up
Put the fuzz set at about half way
Turn the amp up Loud
Roll back the guitar volume a hair
To make this even more glassy and chimey, add a treble bleed circuit. Try 330pf with a 120k resistor in parallel
@@theriffwniksevigny5473 ok thanks i will try that treble bleed circuit.
Can you do the same for his 89-90 rig? That would be awesome.
84 is where his tone is best. It wasn't as powerful later on - too distorted
btm wtfb 85 Japan was great tone. I do like his late 90s tone.
Hey man, nice video. I wondered if you know any loop pedal with the same many entries and outs as the mxr you're using in this video?
Any true bypass looper will do what this one was doing.
@@theriffwniksevigny5473 thanks man
On one of the set up he was using came when he was playing Austin city limits was from left to right on one of Cesar Diaz notes the set once used in Austin was vox tycobrate Octavian TS 808 fuzz face and then his strat on the other shows he was also using a junction box to switch between various amps and also Leslie cabinet that was part of his set ups the he started to used one of Cesar Diaz custom fuzz face type overdrive pedals that was a combination of a ts9with a modified fuzz face Circuit
We were focusing on 1985 here
Wow that’s super simple, I probably have these bits or the closest equivalent. Thanks for sharing this buddy 🤙🎸
Great picking and tone!
Thank you very much!
great video! so is the loop selector so he can leave the pedals on without having to stomp on everyone when needed?
Yes. And also to keep the non true bypass stuff out of his direct signal to the amp(s)
Dude,great info.. this is some of the stuff no one talks about!!do you have a band page or other ways of supporting you?
Cool vid man!
Great, Nik!
THE RIFF W NIK SEVIGNY,,
if you a 1meg pot with single coils it will sound more brighter or 500K its at its limit of brightness?
SRV guitar tone pots all the way turned up used .22uf cap i think compared to new strats used .1cap which makes the single coils sound darker even when the tone pot is turned all the way up. So they say to change the .1uf cap to .22uf cap to get that glassy texas SRV tones.
You’ll see 1meg pots in some teles, bass and jazzmaster/jags
I dont think srv used them, nor do i think he used a .022
If you slow down the fender video of them disassembling #1. You can see the red dime cap, clear as day
@@theriffwniksevigny5473 but what is the cap value of the red dime cap? what type of capacitor is it? because they have different types of capacitor not sure what a red dime cap is because most are ceremic caps or the green poly caps
bill williams .1
@@theriffwniksevigny5473 thanks
Because eric johnsons uses a 500K pot instead of a 250K pot to get more high end glassy texas tones. I know that SRV didn't do this. I'm not sure if eric johnson uses .1uf or .22uf because other guitarist are saying that the .1uf makes the strat pickups to dark you loss the glassy high end.
bill williams how about this. Send me a clip of your amp, settings and guitar while you are playing it. So i can get an idea of whats happening
For anyone building a board who hasn't discovered dual lock 3m tape, now is the time for you to make the change. Go and buy some on amazon, and forever resent velcro!
Changed my life!
Alrighty, I'm taking your word for it, just went to Amazon and ordered some, hope you're right 😆
shawn douglass let me know how it goes
@@Benny_k_p I will bro, got 10' of it, and they even threw in some scissors, I'll get back with you 😆
I switched to dual lock two days ago and can lift my 20 pound pedalboard with the tuner pedal
what amp?
Hey man so I’ve noticed both you and Jesse get this fizz to your tone, almost like a germanium fuzz sound. Can you help me out on how to achieve it? I’m running a ‘97 american standard through a ‘67 super reverb. All of the tubes are original other than the power tubes, they needed replacement. Should I be looking into different tubes for more musical and earlier breakup? I bought a duellist because I’ve heard a lot of demos of the king tone pedals doing that thing but it didn’t give me that at all. Thanks!
Put the amp on 7 to start. Bring the bass down. Treble and mids up
Another great vid Nik! Just curious, did Stevie ever use a rotovibe at any time during his career or was it always the the fender leslie vibratone? I know the rotovibe is somewhat more of a univibe thing, however you get pretty darn close to cold shot sound when the rotovibe is set properly
He used an old univibe
@@theriffwniksevigny5473 Thanks Nik
Every time I listen to Stevie I get hungry for barbecue and thirsty for beer. So I get in my truck and make a drive to my local Roadhouse.
Eat, drink and listen to Texas blues at its finest! 🥩🍺🎸🇨🇱
Man...that sounds like a good time!
How does the loop selector works?
It selects a loop
@@theriffwniksevigny5473 yeah but what a “loop” means here? A combination of pedals?
Its keeping certain pedals on their own signal path. When you click the loop on, the pedals are inline, when you click the loop off, the pedals that arent true bypass, are kept out of your direct signal
Nik. Are you finished te seco de part or this video?????. Thanks you
STEVIE RAY VAUGHAN ~ TUBE SCREAMER SETTINGS ~ SRV TONE SECRETS??? ruclips.net/video/rtg3MuT12vE/видео.html
Been on the road with a constantly changing board for three years with Evidence Audio SiS cables. One came lose once and I just screwed it back in. Plus the plugs are mega tiny
Sorry mate, what amp are you using?
Great video, this shows that you don't need much to sound awesome 😁
What amp are you playing into ?
I don’t get the purpose of the loop pedal, can you explain it in more detail, is for avoiding interference of one another or loosing signal and tone?
Yea. The loop pedal keeps the non true bypass pedals out of the signal to the amp. I will go into a better explanation in Part 2!
Is that it's9 chip the same as the Keeley mod?
hey man just discovered your channel really good info.You mightve already covered this but are there a particular type of strat pick up you would recomend ?
I just have two old strats. Electronics are stock. But you cant go wrong with a set of Kingtone Bluebirds or VIP Pickups!
@@theriffwniksevigny5473 cheers man i just bought a new strat pro series 2 but im thinking the older ones pick ups sound closer to srv .Im thnking you mightve got the heavier strings with the guitar tuned down a half step just cant quite get mine to sound the same.Your playing is awsome man its the sound i aspire too.I recently started playing again and loving it ill be sure to check out more of your videos
@@theriffwniksevigny5473 im also thinking of buying a strat second hand or even a squire ripping the pick ups out putting in something like you suggested trying heavier strings but tuned down a half step and getting is set up properly to suit the strings any thoughts man? appreciate any tips
What amp is he playing through in this vid? Sounds great! thanks.
Nice setup
you play like SRV sober! sounds great
I don’t understand what the point of MXR? Can someone please explain
Its a true bypass looper. Because the wah and tube screamer arent true bypass. So when you loop the two pedals inline, when you press the button on the mxr, it pulls them
Out of the signal chain
georgle l cables. easiest to make and I have never had on short out, which all the other ones do.
What is the advantage with looper? thx
Keeping the signal clean when pedals
Arent used
I remember, around 1993, I had the same Whawha pedal from Vox. She did not get along well with the buffer of my TS9. It completely destroyed my clean sound. It should be noted that the Whawha Vox already includes a buffer itself which has a very bad reputation. I have since changed to a Dunlop Real McCoy which is true bypass and contains no buffer. The problem is thus completely solved. I find that the whawha sounds much better upstream of the TS9.
I really like your videos !!! I really do !!!
I’ve looked a lot for the MXR loop pedal like that one and I can’t find one anywhere. If I can’t find one what other pedal would you suggest?
Gigrig Quartermaster. Any high quality effects looper.
What would be a good alternative to the loop selector?
Keeley loop selector. It just keeps the non true bypass pedals out of the signal chain
@@theriffwniksevigny5473 Thanks dude. It's pretty next to impossible to find a loop selector like that one.
what amplifier is using on the video? 💪🏼💪🏼💪🏼
I think it was a deluxe reverb with a 4/10 cab
@@theriffwniksevigny5473 what year is it and any mods/upgrades?
Where is the pedal he used for octaver or univibe sounds......is the vibe sound from the amp?....if so I think he still had some sort of octaver.....
mxr loop selector are foundamental for this sound?
No. Its just a bypass looper
@@theriffwniksevigny5473 ok thanks
Sorry mate, what amp are you using?
Super reverb
Nice!