@@Guitars-GearandMusic I got on the internet pretty early on back when famous musicians were just fascinated to get an email on this cool new internet thingy. I was able to email David Paton of Pilot because I just loved the full organic sound of his vocals on Magic. He told me via email that back then the secret to most studios for vocals was the Neumann U87 and that is what he used on his vocals to get such a good sound. I emailed Carol King and she sent me a few bass lessons and the key to her sound was a piece of felt taped over the strings right at the bridge. Established a good email relationship with the guy that maintained David Gilmours equipment and he sent me for free half of an old rotten Star Finder cab like Davids so I could see how it was made and build a proper clone. The internet used to be so cool around 2001.
I read the article on that. Was shocked to read that all those vocals was done by just one person.
Yeah dude that was brilliant how they did that...and completely changed the way that song sounded.
@@Guitars-GearandMusic I got on the internet pretty early on back when famous musicians were just fascinated to get an email on this cool new internet thingy. I was able to email David Paton of Pilot because I just loved the full organic sound of his vocals on Magic. He told me via email that back then the secret to most studios for vocals was the Neumann U87 and that is what he used on his vocals to get such a good sound. I emailed Carol King and she sent me a few bass lessons and the key to her sound was a piece of felt taped over the strings right at the bridge. Established a good email relationship with the guy that maintained David Gilmours equipment and he sent me for free half of an old rotten Star Finder cab like Davids so I could see how it was made and build a proper clone. The internet used to be so cool around 2001.