How Costumes Are Made by Professional Costumiers (Marvelous Mrs Maisel Dress)
HTML-код
- Опубликовано: 11 июл 2024
- Get the exclusive NordVPN deal here: nordvpn.com/bernadette. It’s risk free with Nord’s 30 day money-back guarantee!
Thanks to NordVPN for sponsoring this video and helping me to support the CIC!
PATTERN: www.etsy.com/shop/CostumeICoa...
The CIC video on making this dress: • The Making of the 50's...
For more information about the Costume Industry Coalition, visit www.costumeindustrycoalition....
More on Eric Winterling: www.ericwinterlinginc.com/
Special thanks to Eric Winterling and his team, and the Costume Industry Coalition for facilitating pattern distribution!
Thanks also to Jenny for additional camerawork.
Portals to Other Realms:
IG: / bernadettebanner (@bernadettebanner)
To support the channel on Patreon: / bernadettebanner
Management contact for business enquiries:
bernadette@helmtalentgroup.com
0:00 Introduction
1:22 Fabric meeting with Eric
3:27 First fitting
5:33 Pattern corrections
7:57 Eric's draping process
8:48 Second fitting
9:18 Final reveal
10:56 Sponsorship
![Natanael Cano x Oscar Maydon - Giza [Official Video]](http://i.ytimg.com/vi/eXCS6-MSQ_Y/mqdefault.jpg)
Get the exclusive NordVPN deal here: nordvpn.com/bernadette. It’s risk free with Nord’s 30 day money-back guarantee!
You look absolutely gorgeous! They did a fabulous job making the dress! Truly exquisite!
Loved this video. Really wish we got more close ups of the seam work from the finished product.
What's with the face diaper
i loved the accessory of the Queen B, Bernadette, Queen Anne Boleyn inspired necklace, beautiful piece.
I think the neckline should cover the bra. Add and inch on each side.
MY COSTUME PROFESSOR WORKS AT ERIC’S SHOP!!! SHE WAS THE ONE FILMING WITH THE PHONE DURING THE FITTING!!! I’d recognize the way she holds a phone anywhere! She’s one of the coolest people I’ve ever met, and I’ve learned so much from her!!! I am 100% bashing down my classroom door on Monday and telling her that I saw her on RUclips lmao
Where does she teach? I ask because I’m really interested in fashion history and costuming, but as for possibly getting into the industry or finding a college with a good program, I’m completely lost.
excellent, now I have an excuse to re-watch the *entire* video to spot this unique phone-holding. totally not to see the content again 10 minutes after finishing first watch. nope. it's research. science. shush. i'll submit a research paper to fronteirs in phone holding. promise.
Please tell us later what was her reaction!!
@@thingtwo6810 agh, same
Ayooo advanced costume construction gang tap in. She’s seriously so cool :)
I love the combination of 1950s and Victorian dress! It's a stunning garment that brings a new version of Bernadette Banner to life. Stunning! Plus, it has POCKETS!
Pockets are the meaning of life
Yes! It’s fun to see them compromise what the dress was originally intended to be with her own personal aesthetic.
Pockets and cute legs!!!!
There were pockets in 50s dresses. Where else would you keep your powder compact, comb and hanky?
What's victorian about it ?
Hearing that Elsa's ice dress takes 200 hours and others take at least 40 honestly makes me feel really good to know that I wasn't shorting myself when I threw my hands in the air and quit the Disney costume shop hands-on interview. Banging out a bodice from start to finish in 2 hours from cutting, sewing, and finishing to have it "bought it off the rack" worthy with every little nuanced detail they threw in... there's no way in hell I'd want to wear that thing afterward because you almost have to either cut corners or be used to sweatshop speeds. I'd been so upset by it all thinking that I wasn't good enough and all the work I put in to get my BA for costume design was work wasted, that I almost gave up on something I loved doing just because I couldn't please the big stupid mouse. Thank you for this one, because after that massive let-down, I really needed it. And that is a beautiful dress!
Even my absolute favorite garments I've made multiple of I like to take at least a little time on
It's always better to consume the mouse than have it consume you. Well done on watching out for yourself.
wow, thanks for sharing. me, my husband at the time, my brother, sis in law and few other friends have all worked for the "Mouse" in several different capacities...film/tv-actor and crew, animation, character work in the park, standard employee in the park, imagineers, and few more that i can't think of right now. ALL had unfavorable things to say about the way that corporation works and treats it's employees. this is just another division of the whole that adds to that story. i'm glad i read your comment
@@sherilynl4038 I can remember in the distant past when getting a job at Disneyland was a coup. Good pay, fun perks, and great benefits. It has completely changed. I cannot imagine Walt would be happy at all.
I felt this EXACT same way when I did the interview! I have a MFA in costume technology and the test made me feel like I knew nothing!! I didn’t pass the test, but I’m glad I didn’t.
As someone who does fittings and alterations for a living, I felt so seen when they started talking about the corrections that needed to be made to the pattern.
Alterations for a living..... bless you!!! What a true crafts person you are!!!
I had a similar moment. Ran my own home shop for 3 years 😁
You are doing Good in the world, you should know that. Perhaps the most useful step in all of sewing steps !
When brides used to complain about the cost of alterations I would point out that our seamstress often worked 2 days on a dress. Since she was self employed and I gave her the free space and facilitated the alterations as a service to the bride that usually nipped it in the bud. If you want to look good in your dress, you need to respect and compensate the person who is making that happen. Mrs. B was so talented, grew up in her family’s shop in Vietnam, and I would argue she trained as long as any other professional.
Do you still do it
What a magical glimpse behind the curtain this was! It was so interesting to see not only how the fitting went but to see him make the alterations. And then match the newly adjusted pattern with the muslin - wow my mind was blown. So much skill, knowledge and hard work goes into their wondrous creations. If one amazing dress takes a week for a team of skilled individuals to make, costume making hobbyists shouldn't beat themselves up about it taking hours upon hours to attempt to recreate what they inspired us with. What a wonderful dress and a wonderful cause. I could watch him talk for days!
All of this!
The pocket revelation moment was so adorable 😂 Is nice to see that this side of the industry still have common sense to include them, unlike the fast fashion dragons out there lol
pockets take extra time and fabric, and fast fashion exists to cut more corners than a paper snowflake
So make your own stuff.
As a costume student, it's great to be able to show my friends how a costume shop operates, although I know things in the UK are slightly different. Joining a workshop as a stitcher would be a dream ✨️ and Eric looks like a lovely person to work with. I hope I can find my Eric 😅
You mean the phantom of the opera?
As someone who has been sewing for 52 years, I really enjoyed seeing this costuming. I started making my own clothes when I was in junior high school, and am still enjoying the craft to this day. Thank you for being out there sharing sewing with us.
60 years for me. As a petite it was my only option.
When what's on the rack just doesn't suit your wants, then you must take matters into your own hands.
@@elisabeth6108do you do it professionally as well
“Stunning” is right. Also, love the quote regarding overnight dresses “But do you want that dress?” 😂 What a lovely look into the industry. Thank you
I have made too many of those dresses. 😂 I take my time now.
So intimidating but SO mesmerizing. People like the things I make for myself, which is an exhaustive process and then are like, 'do you make clothes for others?/you should open a shop.' I cried through this thing for 40 hours for just myself, I can't imagine doing that constantly for different body types. Costume industry makers are amazing people, truly. The dress is stunning!
Right? I make clothes for myself because I enjoy it for me, and an willing to put in the time for my clothes. There's no way I could sell them at a price people would buy and also be fairly compensated for my time.
I agree. I understand my own figure very well. As for other people, not so much. Just now learning my new daughter-in-law’s figure: I have made tailored trousers, vest and blazer jacket for her already. And a cape. (The cape was easy.)
I've been told the same - open a shop, or take custom orders....I have done so for friend's daughters for school formals (proms)....but no one will see the justification in the cost of the time.
The last custom dress i made was for a girl who was much smaller in stature than her peers, so anything that could be store bought was way too big (age appropriately) or too juvenile. I started with two patterns for the basic pattern piece shapes, then made a mock up, then i fitted, mocked again and fitted again. The final fit was to get the hem right. Kid looked stunning in the end, in a custom dress that she designed - and was so completely different to all the others on the night. It took me about 2 months to do as i also now have a disability.
My standard answer when people tell me I should sell my work is to laugh and tell them I'll do that if I ever decide I want to make 5¢ an hour.
It's so fun to see other professionals giving her the love and respect she deserves
As someone with a degree in theatre who had plans to work in costuming after graduation that got shot down by the pandemic and is now working a desk job, I really appreciate you contributing to keeping the industry afloat by collaborating with them.
Memma,
Have things improved for you over the past year?
My mom was a seamstress and I've watched her process throughout my life and one thing I learned was that true workmanship or craftmanship shows in the end product. When I saw you in the dress it's as if you weren't wearing a designer Mrs. Maisel dress, you were wearing a dress designed for you. In other words YOU are wearing the dress not the dress is wearing you...this is the genius of his work. Thank you for sharing this important concept. ...just beautiful.
Excellent description! Thank you for your insight.
The cosmetic adjustments might have been minor (just the length and the width of the neckline), but together with the size and fit adjustments they made a tremendous difference for making the dress her own.
THIS. this is an aspect to craftmanship that some people will never fully understand or appreciate.
they see a simple yet beautiful, customized dress and raise their brows at the price tag because they can "get something like that at some clothing shop for cheaper"
Ohhh this is a nuanced observation. Yes, a well made dress disappears and the wearer is revealed
Alterations are SO interesting to focus on because that is your primary hurdle once you get into sewing. I know I still struggle sometimes when I can plainly see that a mockup doesn't fit right but I'm not very sure what to do to correct that. I love that this links you to an alteration video for various body shapes on the same pattern, as well.
I'm taking a pattern drafting course right now and I SO appreciate seeing Eric demonstrate taking out that 1/2" ish from the side seam and how that works through the rest of the pattern. LOVE seeing such a pro at work!
I learned pattern drafting in a college elective course many years ago....I still have my book and three-ring binder of notes. That knowledge transformed my approach to the use of commercial patterns and fitting my own clothes. It's amazing what a little knowledge can do for perspective.
I have to say that your channel (combined with a few of your RUclips historical fashion comrades) have completely inspired me to start making/altering my own wardrobe. I'm sick of the plastic fabrics and awful fits of fast fashion. Things were so much better when people fit their clothes to their bodies. We are all beautiful and uniquely shaped, why are we all shoving ourselves into the same clothes???
I'm about to make a start on making more of my own....I've not done so in nearly a decade.
Some people don't have the resources to get perfectly fitted clothes or they prefer the store bought styles. I myself just want to wear baggy oversized and/or masculine-framed outfits, and something specifically tailored to my bodyshape would just make me uncomfortable.
Trust me, I in no way have the means to buy perfectly fitted clothes which is why I'm working on improving my sewing skills to do everything myself. I'm just a cooky creative person who likes to learn new skills. You would also be surprised how flattering clothes fit to your unique form can be. When I say "fit" I don't necessarily mean they are clingy or super form fitting because I also like to wear baggy more comfy styles.
@@carley.p You having time to change your dress is already something many people don't have. I have the time and money to buy my own bespoke shoes and suits, but I know people who don't have the money for that, nor time to learn sewing (let alone the minute motor activity) to change theirs. But those people still want to be able to take part in social gatherings and showing up with old clothes will (and always has) give you odd looks.
I've been making my own clothes now for just over two years. I don't even think about buying shop bought at all..
Content like this really inspires me to try to invest in artisan-made clothing and learn how to make clothing myself. I don't buy clothes very often, and even though I do tend to shop at "fast fashion" stores, I keep my clothes for years - until they wear out entirely (I've got a Charlotte Rousse top that I've been wearing for at least a decade now). But it would be so much better if I could slowly fill my wardrobe with high quality, flawlessly fitting garments~
I’m right there with you.
Me too.
Oh kindred spirit! I have shoes from my high school days in 1977. I hate to buy disposable clothing . Lol
I wear and mend my clothing.
Preach! I have some pieces that I've had for 15 years. One of my favorite shirts wore out so I turned it into a pattern. It's so comfy!
I still wear cheap H&M tshirts I got in high school over a decade ago. But I too would like to create my own clothes
Patterning is positively arcane. I've been watching dressmaking videos for a long time now and their ability to translate patterns to an actual garment (and vice versa!) is just amazing to me. It's putting together a 3d puzzle but you're making the pieces as you go! Hats off to these incredible craftspersons and artists.
It always reminds me of engineering or architecture
I am a HUGE fan of Mrs Maisel and the show's sumptuous wardrobe! Eye candy, the impeccable details of the entire cast's fitted ensembles and I regret that I was born 10yrs too late to have been old enough to partake in that beautiful mid- century vibe🙂.
Still ccan partake....
You can still wear those kinds of clothes and find authentic outfits at retro thrift stores and whatnot. Plus I recommend not being born in the 50s, it was an unpleasant time period to say the least. 😆
Eric must be an amazing teacher. His explanation about the alterations was superb and very easy to follow an apply. Gorgeous dress and as always Bernadette, you wear it with style and panache.
and i loved the way he showed how the pattern pieces would fit together, because prior to that moment my mind was totally boggled.
The mini-documentary is perfect and so informative. While the dress is out of your usual milieu, it looks gorgeous!
If I were to see Bernadette in an ally dressed like this I would be scared,shocked,confused and awed. Beautiful time traveled goth villain.
*I JUST MADE MY FIRST 3 PIECE SUIT* my journey started at the beginning of lockdown by making a paperboy cap... I was inspired to start by Bernadette Banner.
Its been one of the most rewarding things I have ever done, I encourage anyone to give it a go, to get into this industry, and to support those in it.
That looks so perfect on you. As an oddly sized person, sincerely thanks for showing the fitting process and re-emphasizing that clothing should fit the wearer and enrich your life, making you want to get out and enjoy its use!. The gloves were the perfect touch for that period, too. Hope you enjoyed the process as much as your fans enjoy watching!
There's also always the Victorian and Edwardian approach of simply padding yourself until you fit the desired shape so your clothes lay properly. And, as a bonus, if you require hip padding then at least you have an extra layer of protection from table corners and countertops when you accidentally bump into them. Regardless of the route you choose, what matters most is that you're comfortable and happy with how the clothes fit you.
It really is amazing the differences between something that's your "size" (medium, extra-large, etc.,) and something that's tailored to fit your unique body. There's a subtle undertone in modern clothing of it perpetually not being "for you" that I think gets under a lot of peoples skin, pinching here, sagging there, not really playing with the diverse wonder of a human body but sort of sitting around it and sometimes obfuscating the personality of the person within. I hope we all get to feel that joy of a garment that not only fits, but seems to understand our shape.
When I hear anyone complain that their build or body shape is "bad" because it's hard to find clothes that fit, I remind them that clothes are mass produced, our bodies are not.
Do I understand everything that is happening? Nope...
Do I get inspired to learn more? Absolutly!
So fun to see all this, thank you for taking us with you on this adventure ❤️
Something about this reminds me of when Mr Rogers would teach kids about how different things are made or jobs are done. (affectionate)
It also makes me want to request a shopping scene in one of my D&D games and have some outfits made for my character and his husband. I may not have the resources available to do something like this for myself, but by god I can spoil my fictional darlings.
I *love* your idea!
Mentally going through all the steps is great for keeping your brain learning.
Are you a Dungeon Master, that you could lead a group through this process?
Most of my adult life, I was a "bespoke" seamstress. This makes my ♡ so happy!!
@@karengerber8390 My friend and I both love sewing (I do more costume work, hers is mostly practical clothes making), and I have totally DM'd her getting fitted for a bespoke dress when her character had come up on a huge loot hoard and was feeling flush with cash. We did fabric selection, discussion on fit, measuring, and I even sent her to the millinery shop next door to order up a matching hat. Her halfling wound up with a marvelous green silk concoction delivered a few sessions later, and my friend was giddy through the entire process. We were both playing out our joy and appreciation for garment creation.
Once at character creation with a new group, I rolled an alien race character shaped like flying squirrel. I spent the next week designing how this character could wear clothes 😖 and came back with sketches of outfits which my group all dubbed the mankini range for squirrels🤦🏻♀️. But yes, fabric buying and outfit sketching was always one of my favourite parts of D&D and the like.
Honestly, one of my favourite parts of the rehearsal period of doing a show is the costume making. The ASMR of being fitted and having alterations done aside, it's absolutely *fascinating* watching these insanely skilled people start with some sketches and cloth, and in a remarkably short space of time just make you look absolutely gooooorgeous.
You have encouraged me to alter all my favorite clothes that I couldn’t wear after losing weight! Thanks for helping me dress in my fashion! Love your videos❤️🤩!
It's really interesting to see this called "costuming." It's custom tailoring with a dedicated team! My friend was in the theater costuming team in high school. She got kicked out for being too slow and precise XD. I had this impression of theater costuming being particularly fast or made in such a way that changes backstage could be quick and that the clothes would fit the variety of bodies that might wear it from night to night. I was expecting to see long zips and a variety of hooks, snaps, and ties to that effect, and instead we got a wonderful insight into what I want my business to become. I got SO MUCH out of the alteration section and accompanying video!! I love this content. Thank you!
This dress was made for TV, so a lot of the theatre costume tricks don’t apply, as the constraints are different. A TV costume needs to look good no matter how closely the camera focuses on it (whereas on stage, anything that isn’t visible to someone sitting in the first row usually isn’t worth spending too much time on), but while it’s obviously useful if the actors can get in and out of costume quickly and easily, you don’t have pacing-determined quick changes like you might on stage.
Both are true. When you have 3 minutes for a stage actor to change from one character to another then you need zippers and snaps everywhere. Also if the costume has to come off in pieces on the stage during action you need strategically place snaps, never velcro! Also nobody will be closer then 20ft so the serged hem is acceptable.
However if you are filming in HD you must be 100% as period correct as possible, even the dirt and wear on the fabric must be right.
. . . but not every company can afford to go to this length, so there are little tricks and things done behind the scenes, such as pins placed out of site or the camera angle shot to hide some imperfection or just using off the rack or rented pieces, so when you see this level of detailed fitting, assume the project has deep pockets. Well, often for Broadway productions, they do, but off Broadway, not so much.
@@gaslitworldf.melissab2897
Stage costumers generally don't bother with details the audience are too far away to notice, and I'm pretty sure that includes Broadway.
@@ragnkja yeah, but they definitely go bigger than most other play productions. Plus, they often film Broadway productions, so they need the costumes to look pristine. Though, they might have costumes specifically made for the filmed ones, but I'm not sure
I find myself wishing there was a costume shop like that here in Austin, because that is work I would *love* to do.
If you have a theater that does original theater, not traveling theater, check with them to see who does their costuming. I live in Connecticut, and between Hartford Stage, Theaterworks, and the Goodspeed, there is at least one costume shop I've had friends work for.
Austin, TX? There's NO way there isn't a place! Check a playright theatre, check a stage near you! Even if there isn't work directly in the city (not enough spots), I'm sure someone in the industry would know where else needs the help.
Good luck!
@@Traci_Websinger and
@@Taylor-lb2nc?
I won't lie, I cried watching this. Its so beautiful, so special, and seeing studios like this fills me with admiration and envy.
Oh my. I can’t breathe… that dress is stunning. And you look stunning! Thank you for introducing us to Eric, his talent, his sweet puppy and his incredible shop!
I'm studying theatre and spend most of my free time helping out in the costume shop. It's always interesting to compare and contrast what happens in school where ten people do everything and a real shop.
If you are producing costumes, you are a real shop. You are gaining such valuable education and skills! Press on.
I wish so much that I could be one of the people who does hand-sewing on these garments!! I love hand sewing and I never imagined there existed such a career as "the person who does nothing but the hand-finishing touches" such as beading, hooks, hems, lace trimming, etc. I LOVE making those ball-shaped handmade rennaissance buttons, and doing handmade buttonholes/eyelets! I love everything about hand work. But I actually hate doing fittings, machine sewing, etc. So I rarely have garments prepared for me to do handwork on.
Geeze, i'm so bummed that I live in a town far from any big city where there might be a theatre district that needs more workers like this.
I wonder, if you were to get yourself onto Instagram, showing some of your work, if that might create some interest. Also, re-enactors of various time periods might become interested. It could also showcase your knowledge about what works when.
@@Traci_Websinger Well... I do know there's quite an active SCA chapter around here. But my impression is that people either want to do the work themselves, or at least would not be willing to pay anyone to do it for them. They would be happy for me to do it for free, but idk if I could have the business savvy to freelance my way into a livable wage.
That's always what stops me. The work itself isn't the problem. It's the BUSINESS part that I couldn't manage. That's why it seemed nice to imagine having a steady job doing this kind of thing.
You could always contact some theatre district workers to ask how to find similar jobs
@@Marialla. I totally get that. I have been designing some quilt patterns but still working out the details on getting them published and/or marketable. Again, the business side. Seems to be a common problem for creative types. I did get a mass mailing e-mail from a magazine/website looking for designs and I'm planning on pursuing that. But that kind of thing is few and far between.
@@averynerdybookworm972 Again, I live in a very small town. We do have a theatre, but it is very rinky-dink, and I think all volunteer work. I'm a good 90 minutes away from a big city with any real theatre to speak of.
I wouldn't mind working with the local theatre, or the local SCA, just for the fun and experience. But the point of the post was wistfully wishing hand work could be a viable JOB for me. Around here, it isn't likely to be.
Thank you Bernadette and Eric for supporting this organization in such a creative and generous way! You look fab in the beautiful dress, and I enjoyed seeing the process and shop very much,
Bernadette’s reaction to finding out it has pockets is such a mood lmao
He seems like a marvellous human being! Thank you for making a point to highlight artists like him
This is fantastic. Watching someone experienced alter a pattern is always fascinating - they make it look so easy. But it's engineering with fabric. This was such a treat for a peek at the costuming shop, and the dress is amazing!
It is fascinating! They have to know how every piece fits together and how moving one piece affects all the others it is attached to. It is the ultimate puzzle. 😍
I’m an IATSE costumer out in LA, and I’m primarily a fabric buyer and work closely with the designer and workroom, but aside from a handful of shops like this one, most shows have their own workrooms for the run of the show, so seeing this was super cool! thank you for sharing our east coast counterparts! ❤
That dress looks amazing on you! And that looks like it was such a fun experience getting to actually work with the people who made the dress and hopefully draw attention to them so they can stay afloat in these times of plague! Great video, Bernadette! :)
I love the costume industry videos! I would eagerly watch an entire series of these if you had the means to create them. I don't tend towards 50's in my style at all, but seeing how this dress, with very minor changes, can have a totally different impression, makes me want to try it myself. It is so elegant. Seriously well done video! 💖
I wish all clothing could be such "high quality".....it came out so beautifully!!!....and with pockets to boot!!!...loved seeing a behind the scenes, and everything that it takes to make a 1950's Victorian frock....thank you for taking us along for the ride!!!....
Regency, Edwardian, and the 50's are my favorite design eras. This dress is timeless and so beautiful in dramatic black.
I am a Costume student in the UK and it's really interesting seeing the differences and similarities here, most particularly that our patterns don't include seam allowance unless there's a specific reason for them to do so (such as men's tailoring, which still does). Instead, the edge of the pattern is the stitch line, and unless something like a French seam is being used (on delicate fabrics such as muslin or chiffon), the seam is pressed open and the edges overlocked. Having big open seams grants the garment a bit more longevity as a costume as it's easier to take in or let out for different actors. Also our practice garments to check the fit of the pattern are called 'toiles', and the fabric is called calico, while muslin refers to what Americans call cheesecloth. Thank you so much for this video, I really enjoyed it!
Oh thank you so much for clearing up my confusion concerning what Bernadette calls muslin! I'd been wondering for ages now 😅
In England thirty years ago, I spent a week looking for 'manila paper' to find, eventually, that the warehouse called it 'sugar paper'. This was not my only vocabulary snag, but it was my most memorable. :)
Fellow UK costume student here 👋🏻 I was very surprised by the seam allowance on patterns too! Though I assume they leave more when cutting for the stage, as the costume might be worn by different people. Since this one's just for Bernadette, I think it's less of a costume and more like regular clothing, so not as much SA necessary. (Plus they've clearly made it quite a few times before 😅)
Small note on included seam allowance!
Eric was working from the commercial pattern already developed from the original Maisel dress.
A "commercial pattern" intended for sale for people to sew themselves, will usually include a 5/8 seam allowance in the pattern.
The original patterns made for theater and television would not include seam allowance, like what you're accustomed to!
@@roxiepoe9586 Sugar paper! Interesting!
It's called tag board here in the US too. I honestly despise working with it and buy "poster board" instead. No time waisted fighting curls anymore!
So cool to see how everything is done! I can't imagine standing there being fit with all those super talented people around! I totally had a mental image of the scene in Mrs. Doubtfire when Robin William's character was getting fitted for the Mrs. Doubtfire costume. Love it! Then he went to England! What service! Love all of your videos Bernadette and this one was very enjoyable. A long time ago I wanted to get into costume making but no one ever encouraged me to follow those ideas. Cool to see how stuff works.
OMG when he explained how he adjusted that one area along the bust with all the seams it was so overwhelming... props to them for being so talented
I have many things to say:
Firstly, you look so beautiful in this dress! Like a duchess.
Secondly, I love the video. It is so informative and interesting. The scene is where we see these projects, but their stories begin in the ateliers, which always reminded me of magical places where anything is possible.
Lastly I need to know the name of this dog. He is just like my Karmelek and I am obsessed with Shih Tzu’s sleeping and being cute trying to help their owners. ♥️
The dog’s name is Casey!
Thank u so much
The silhouette of that gorgeous dress reminds of Audry Hepburn in Sabrina. You look amazing! What a fantastic work! I
Oh my god! Why can I only give one like?!?! This video was lovely and I hope that Eric knows how much we love his work and that he deserves far more credit than he gets.
Wow!! My dream channel. HUGE fan of Mrs. Maisel. My 50's mom was a runway model and therefore made me a lover of fine fashion of her era!! So watching Mrs. Maisel is like watching my mom in her day. Fell in love w costuming when my son was small and throughout grade school. He and our Scotty dog, Tessa, would go with him when he was small. We even lent out our sweet pup to his friend who was Dorothy. I made him all sorts of costumes for Halloween; foundly remembering; Peter Pan, Zorro, Prince Valiant, Austin Powers, Joker, Charles Crocker of CA; grade school historical projects. Was sad when he grew up! Thanks for this channel! Clearly I've always needed to be cloned to do all my loves!!
What a beautiful dress. I never considered the amount of work that goes into costumes before watching your Hamilton video and now this. Those people behind the scenes are amazingly talented and under-recognised. Will 10/10 be buying that pattern when funds allow.
I've only tried making clothes once and I have immense respect for people who are able to do so. It's not a simple task to translate a pattern to something that fits you and looks decent.
Much as I enjoy the clothes, the skills and the aesthetics of Bernadette's channel, one of my favourite things about it is that now she lives in London I know exactly where her dress reveals are filmed and I can try to emulate the vibe (also she'll be somewhere I've been and I feel lucky our atoms somewhat mingled :))
When viewing a painting, I try to be in the same space in front of it where the painter had to be. Then, across time and space, I breath where they breathed. I love your phrase "our atoms somewhat mingled" and will be using it as though I thought of it myself!
Eric is right it is so rewarding to see the own designs on screen or ads. I am a textile designer and it is so fascinating to see where my fabrics end up. Sometimes customers write me to tell me in which TV shows and episodes an actor wears a garment with my designs…
this semester my costume shop manager had me drape and draft the pattern for two of the dresses for our production of into the woods; by the time we got to first dress, i expressed that i felt really insecure about how much time i spent in the shop and how little i felt i had to show for it (i made the pattern for florinda but didnt actually construct her dress, and i made the witch's dress and cloak all the way through). she reminded me shes so fast because she's been doing this for decades and that i was doing fine, but this was regularly putting in an additional 9-10 hours per week. the process of making a costume is more than just "put dress together" SO MUCH GOES INTO IT!!
Thank you for sharing this fascinating behind-the-scenes look into NYC costumiers! This dress looks absolutely stunning on you, Bernadette, particularly in that impeccable fabric … and do I spy an Anne Boleyn necklace finishing off the look?! Perfection. 🖤
Ah! Knew I "kind of" recognized it !
I love seeing that artisan shops like this are alive and well, it’s so inspiring to see and I loved seeing a bit of behind the scenes at the shop and of the dress making and fitting
That brought me a ridiculous amount of joy. Thank you one million times over for sharing. And the dress looked brilliant, especially with BB in it. I love watching the snippet about the fitting and adjusting of the pattern. What a gem that man is.
I taught sewing and used to do a lot of fitting and alterations on the side, and one of the most common issues were solved by raising a garment at the shoulders! Often it required removing, altering and re-seating the sleeves, but it was absolutely worth it! And he's using my very favorite quilting ruler - flexible, transparent, and red markings that show over almost everything. What a great video, and you look amazing in the dress!!
|As a fellow dressmaker, I have to disagree with raising the bodice at the shoulders because it necessitates more alterations - the armscye and sleeve head. I prefer to use the upper bust measurements which give you a better fit at the shoulders.
@@victorialine5984 I hear your point, but I’ve found in my 50 years of sewing and alterations that many commercial patterns and retail clothing are made for a 5’8” or taller woman with a lot of vertical space between the shoulder and bust point, which means the armscye is also cut too low, and therefore the under sleeve is also too low. Even if a woman has a lower bust point, those armscye issues are easily solved by raising at the shoulder, then just quickly adjusting the dart down. A higher armscye is more comfortable, rotates better, causes less sagging, and slims the torso as well. It’s the visual difference between a fitted 50s bodice and a sloppy 70s torso. Whether you alter by raising at the shoulder or alter all the lines below, it’s hopefully the same result! 😀
Absolutely gorgeous dress!!! Dying for the larger size range to be available on Etsy. The explanation of making the edits to the paper pattern was very interesting to me and I’ll be implementing some of those techniques into my own sewing
Loving the documentary-style editing and cinematography on this one!
Watching sewing centered videos and channels like Bernadette's and Rachel Maksy's, REALLY makes me wish I got into sewing/costume when I was younger and made it my profession. Such a fascinating world.
Amazing to have a dress that actually fits, made just for this one body. Such a difference in fit from the muslin they started with to this gorgeous final dress. Thank you for this glimpse into a Costumier shop.
My gosh I am addicted to M3 and I absolutely ADORE the character of her mother Rose. Her style is impeccable! Thank you so much for supporting causes like the CIC. People often take things like costuming and makeup for granted and don’t realize just what goes into making the magic happen behind the scenes. Thank you Bernadette! As Rose would say, “Darling, you look simply fabulous.”
im about to start my first day of work as a volunteer costumier for the local theater childrens program, and this really got me inspired to start. thank you!
That dress is timeless and beautiful. It makes me happy just to look at it. We are fortunate in having Costume Industry Coalition's assistance in keeping this industry viable.
I’ve been so sick with the virus, this video is just what I needed!
I work as a costumer onset for film and tv and was originally trained as a seamstress in theatre shops. This was such a wonderful lift to my day and Erik’s words rung down true as to why I love loved sewing and costuming so much!
That was very interesting, I would love to hang out in that shop and see everything that was going on. He explained things really well, I don't know what I have never thought of using coloured pencils to keep different lines straight.
can we just talk about her adorableness of bernadette finding out the dress as pockets.
My grandmother was a costumier. She, her brother, and some friends owned the largest costume shop west of Chicago for many years. It was a great treat to go to the shop in Minneapolis and look at a Mary, Queen of Scots ensemble, or the wizard's cape Gram had spread out on the board room table for perfect moon and star placement. It's amazing how many of her nieces and nephews and their kids are involved in the performing arts.
Fascinating to see the way they adjusted the neckline, and then how it just sat perfectly flat was actually magical!
This was a great video. I love that we got taken along and the dress production was explained to us.
I love that "spelled your name right and everything" 😂
Bernadette, I found this a stunning look into the world of the New York theatre. I am so impressed by how all you costumers are supporting the theatre world through this initiative. The dress that was created for you fits you like a glove and made you look like a delightful, story tale, wonder glamour girl from a super romantic, bygone vintage era. I have been a costumer for both theatre and dance company’s (though no where near on this scale, as always did most of the work from home and fitted the cast in the wardrobe rooms which were often too small for more that a plethora of costumes on rack after rack and a sewing machine squeezed into a corner) and I can fully relate to this magical world. It’s stressful and rewarding at the same time is so true of this world. You live, breathe, sketching, draping, drafting- pattern making, fabric selecting, lace feeling, (oh the joy of some laces!) haberdashery, cutting, sewing, tailoring, pressing, beading, embellishing and hand finishing. So much so it gets in your blood and deep down into your soul. Thank you for this fabulous video. I pray the costumers of New York and else where continue to and are able to, through this initiative, be supported to go on making their dream creations that tell of fabulous characters and their stories on stage.
Wow, that's beautiful. Those people sure know what they're doing and they do it well.
What a "Banner" week, to have video content from Dani and Bernadette, and Hazariel featuring Bernadette! Loved the little hat and gloves you wore in the park. Reminds me of how my mom always dressed in a very ladylike way. Enjoyed the documentary and seeing your pleasure in this lovely dress.
Beautiful work! I am an engineer and am struck how this costume design work is what engineers do, drawings, designs, measurements and concept visualizations in your head, translating it to paper. This is engineering! Maybe call it costume design engineering 😊 And such a beautifully, stunning end product! Thank you! PS the costumes on Mrs Maisel are the highlight of the show ❤️❤️❤️
This is a dream come true! I loooove love love loved the costume design on Mrs.Maisel! What a great collab, happy to support this cause!
This is my favorite. Such an interesting look behind the curtain with a great company. Expands the world and shows how both simple and very VERY complex the world of of costume making is. If I could give a 10/10 rating on RUclips, hands down.
Okay but can we talk for just a minute about the TOP NOTCH accessorizing with the Anne Boleyn necklace? Like yes, take a 1950s frock, make it a little more Victorian, and then finish it all off with some Tudor jewelry because YES HISTORYBOUNDING.
Absolute perfection.
It’s always such a delight to see skilled craftspeople at work! I’d really like to get into sewing (currently in the process of taking a pattern off a cape I own). I hope Bernadette eventually gets around to recreating her red cape, I think she mentioned planning to do it in a pre-move video ☺️
I love this video and everything about it! Having worked in bridal alterations and in theatrical costuming the fitting process is fascinating and so fun to me. I love how projects come together to fit someone specifically to flatter their figures.
BEAUTIFUL. And so cool to see the shop. Question: was there a "built in" slip or whatever the proper name is for the support of the dress? It floats so loverly!. Is there a full slip? And where oh where would one find a pattern for such a slip? Thanks for sharing this with us!
I think I've seen several patterns for slips and other dress and skirt undergarments in the pattern books at some of the more commercial fabric stores, though I suspect that anything you'd want to offer any structure to the dress would need to have alterations made to the pattern to allow it to more closely match the size and taper of the dress without unwanted bunching beneath it. For the less structured garments it probably won't matter as much. Like if you're using a really flowy synthetic satin or something that already drapes and doesn't have much stiffness, you can just make it work at whatever hem width as long as it's short enough not to show.
Beautiful dress Bernadette!!
Thank you for taking on us on this little adventure!!
Also I loved the part when you got excited about the pockets lol🤣
as a costumedesign student i am so happy to see our craft represented this well, felt just like my usual afternoon class :')
I love this series! I really hope they continue to release patterns. How fun to have a dress from a favorite show!
I ❤ your joyous outburst at the realization that there were pockets! 😊😂
I love all of the videos that you show the behind the scenes of how things are made. I never thought of what went behind the making of costumes and this shows that fabulously! Thank you!
Those concluding remarks are *chef's kiss*. All for the team effort. 10:36 also looks cool.
I'm so happy to see the behind-the-scenes for costuming because while most people address the behind-the-scenes for actors and stage crew, very often, the costumers, the scriptwriters, etc. go unaddressed. Costuming is as visible to the public as the songs, the lines that are said, and the actors/actresses and it's so nice to see them work!
Bernadette's dedication to the twirl always gives me life.
Thank you so much for sharing this. It was wonderful to see Bernadette get spoiled for once. To see others putting care and skill into something for her.
This turned out so nice! I love the silk moire that he made it out of.
Thank you so much for being inclusive with the sizing of the pattern and the fitting models!! I love vintage clothing so I shed happy tears when I’m not excluded from being able to make them along with the straight-sized gals without having to size up the pattern in super-complicated ways 🥲❤️
The finished dress speaks for the level of craftsmanship! Beautiful dress.
I hate sewing but admire those who do it well. Understanding how to get a proper fit, how a type of fabric moves, what kind of stitching works best -- I love hearing highly skilled and experienced people talk how it all works. Much respect for people keeping this craft alive.
When I think about Broadway shows and opera and ballet performances being expensive, I remind myself of all the work and resources that go into the productions, and that includes costuming.
Very lovely dress!
Love the Bonnie Pig Charlie portrait behind you :)
LOL rachel maksy music on a bernadette banner vidoe - my life is complete!
This was incredibly interesting to watch. I loved seeing the process most of the way through. Also, I thought that dress was lovely in red, but it's absolutely breathtaking in black with the textired fabric.
The costumes from The Marvelous Mrs. Maisel are sumptuous! The riot of color and the tailoring is impeccable!