Close! - In the very beginning, on the chromatic scales down, the eighth notes aren't the vibes -- they're also playing the marimba part. That's Synth 1 playing a whole tone scale starting on A5 in the right hand, and starting on the C#4 below it in the left hand. Synth 2 then just plays A3, A3, and A2 on the impact A's, on a bass guitar. Timpani is on octave A's until the last note. - I can't see the whole note chords that well on the piano, but eh, probably close enough. Something sounds funky in the chord progression, but I can't quite place it. For reference, it'd be D minor with a d on top, Bb6 with a d on top, g64 with a d on top, and then A64 with an e on top for the chord progression. What I've done in the past too was play the mallet part in the right hand of the synth, and then left hand just do bass line. It's... doable, the fingerings aren't even that awkward. - Synth plays in octaves with the eight note rhythms in the "bridge." - The "everyone do the chords" bit is is as you notated, until the "14/8." It's actually partials of a 16th note, so the first one happens on the "a" of four (well, IIRC the whole thing is written in 2, but eh w/e), then the and of 2, "e" of four, and then the last chords are as you notated. - The final 5ths up are actually 4ths down Think that's about all that comes to my ears -- otherwise, great work! Hope you end up auditioning one day! Some great ears on display here.
Close!
- In the very beginning, on the chromatic scales down, the eighth notes aren't the vibes -- they're also playing the marimba part. That's Synth 1 playing a whole tone scale starting on A5 in the right hand, and starting on the C#4 below it in the left hand. Synth 2 then just plays A3, A3, and A2 on the impact A's, on a bass guitar. Timpani is on octave A's until the last note.
- I can't see the whole note chords that well on the piano, but eh, probably close enough. Something sounds funky in the chord progression, but I can't quite place it. For reference, it'd be D minor with a d on top, Bb6 with a d on top, g64 with a d on top, and then A64 with an e on top for the chord progression. What I've done in the past too was play the mallet part in the right hand of the synth, and then left hand just do bass line. It's... doable, the fingerings aren't even that awkward.
- Synth plays in octaves with the eight note rhythms in the "bridge."
- The "everyone do the chords" bit is is as you notated, until the "14/8." It's actually partials of a 16th note, so the first one happens on the "a" of four (well, IIRC the whole thing is written in 2, but eh w/e), then the and of 2, "e" of four, and then the last chords are as you notated.
- The final 5ths up are actually 4ths down
Think that's about all that comes to my ears -- otherwise, great work! Hope you end up auditioning one day! Some great ears on display here.