As a 27-year veteran of three TV stations and camera shooting and editing, I'd like to say BRAVO! When it comes to camera moves, there is a grammar to it and making good strong "cinematic sentences" conveys meaning. Also, I'd like to encourage you young filmmakers to continue to keep up on things like shooting trends and styles. Eventually, you'll find your "cinematic voice" but also remember that you always can add "new vocabulary" to it! Even I have to keep up on trends. Keep up the good work, everybody, and may God give you the best there is in the honing of your talents!
Here, have some timestamps: 2:08 Avoid handheld 4:15 Zooming (Never do it!) 5:50 Smooth movements 7:27 Depth/Foreground 8:38 Motivated movement 10:32 Rack focusing 11:49 Shoot for the edit 12:54 Plan your movements
same for me... I've been to film school for almost 2 years now and learned more about professional filming in easy to understand steps in the last hour/3 videos, than in the last 2 years in school. This channel gives me the feeling it's a job i want and can do, not one i have to learn and have to do, no matter what.
This is the first channel in a while to get me excited about my RUclips notifications. Most cinematography channels now days are either click-baity or just go over the same things. I feel like I’m actually learning each time I watch one of your videos and enjoying it as well. Big thanks from Fiji 🤙🏾
@@thomaselers7416 thanks for the recommendation, I'm enjoying both channels. I just found one this morning I'd like to recommend. It's called 'StudioBinder'
Love this channel. We are a professional production unit in the UK with some great credits to our name. Yet we still learn something new all the time with this channel. Keep up the great work!
He gives examples for why he makes his points and also gives exceptions to the valuable rules he illustrates. Yeah, I'm going to trust the guy in the video over the Comments guy. :-P
@@DarrenStephens1 Sounds brilliant, ignore world class directors and their techniques because a dude on youtube that's never shot a billion dollar award winning film said so, who's trying to sell you his online course. Sounds smart lol go off bro. lol
Tomorrows Filmmakers (no apostrophe!) have created the best filmmaking tutorials on RUclips. I'm afraid that I will have to give them my money for the full course. The advice, pace and examples are just too good.
Wow, I’ve just discovered this Cinematography Trilogy and, I’m more than amazed of how valuable all of the given information is available here rather than in an expensive course. From Cusco city, Peru... thank you so much for it. Pd: new subscriber and new RUclipsr.
I was watching the Cinematic Lighting video a few hours ago. You said it was part of a trilogy. I realised that the only one i haven't watch was the Cinematic Movement. Went looking for it and was dreading because i didn't find it anywhere. I was so afraid to miss out. So relieved when i saw this. Thank you.
Yes, people do this all the time to achieve a certain look. Adam Mckay's Don't Look Up featured zooms very often contributing to it's documentary and realism feel. Do not listen to things like this.
A very valuable lesson for me, every day I listen and try the things you teach, getting more and more excited every day. I want my youtube videos to have good cinematic features. Don't be bored to keep sharing your knowledge
I broke over and joined your online school, I can’t believe how many videos y’all have on there I honestly was thinking it might only be a few videos outside of what y’all have on here but there are literally 100s on there can’t say enough how happy I am to have joined. Thanks again for all your content I can’t wait to put it in motion
Not only the jitter, but the constant small movements when handheld, gives you ever so slight motion blur, which lowers contrast and exposure. That may not be obvious just looking at the footage, but a zoomed playback shows it. It also makes you final render have a larger filesize.
@@kynshra8960 I personally don’t have a problem with it being short. As long as they’re continuously adding content. Dropping it from $800 to $100 is the problem. I mean it’s cool for me that I get it for $100. But If I perviously bought it for $800 I’ll be pissed. Parker from Full time filmmaker officially sold his course for $800 I think but recently drop it to $500. That’s not too bad IMO but $800 to $100 is just a big middle finger. I know this isn’t the best analogy: A person buys an $80,000 car and next year it drops to $10,000. Everybody can now buy the same car as you but with better upgrades for 1/8th the cost. It makes you question your purchase.
@@brendamzambrano9776 The real issue is that 99% of this material is available on RUclips and the internet for free so it makes it a hard sell at such high prices when we live in a digitally resourceful society.
@@mike_s_media you are correct.it goes for all courses not just this one. The benefit of the courses is having all the material in one area so people don’t waste time looking for the content they really need.
Nah. Using the word never added needed emphasis to the topics. And the author highlighted meaningful examples of when breaking rules works for effect. I have to learn to ‘never’ reply to frivolous comments.
I would recommend this video as a basic intro to cinematic movement which helped me focus on exactly what I wanted to learn. Merci ! This made me want to become a filmaker.
Not to mention there’s so many techniques and software that can help smooth it even more. I get what he was saying but I also think he overly dismissed handheld a little much
@@CommentRodent but when you insert it into one of your projects, thats when you completely ignored his advice. Practice it, and don’t apply it until you know how to utilize it. He mentions how it’s mistakes he notices in videos made by beginners that they would try to actually use.
@@kenji_1240 And you won't know how to utilize it until you actually learn how to do it. I actually condone the use of handheld before the use of gimbals or anything like that, just like I condone the use of only manual focus as a beginner. A large amount of beginners don't have access to a gimbal either, and gimbals can also limit creativity in some aspects. I don't like the way it encourages the gimbal ad a universal thing to use for cinematography and not as a special tool as it is. I hate how he gave them an easy way out, which in fully against. I'd rather someone say... "Shaky footage? Practice smooth shot movements." Over... "Shaker handheld shots, use a gimbal or steadicam."
Precious video tutorial, simple and useful, easy to understand, cleverly describes the subject of the show without leaving the main line, and yes all of this in very short. It says to us let's start, chose your preferred time watch again and again, make your notes and now you are ready became a next celebrity. Thanks a lot. Lots of love from India. Mation me if I am right.
Hello from Derbyshire, England. I really enjoyed this video and learned a whole bunch of things about film making. I had no idea about these things, the next time I watch a movie I will be looking out and acknowledging the lines and the grid etc. Thanks for such a great tutorial. Gareth
I just started follow dream of photography canne to this channel. Sooooooooo sooooo much dept nd detailed knowledge you have . Really appreciate you nd thanks for sharing.
I always film my footage on no movement cause I am the movement! unless I have a camera man! this is very insightful for me so I know where I am going wrong when filming my footage.
1. NO GRABAR CON CÁMARA EN MANO: Se trata de meter al público en la trama, y el temblor de la cámara le recuerda constantemente que alguien está grabando (3:15). Mejor es sin movimiento a que este temblando. Poner un trípode o unas palancas en la cámara. 2. NO ZOOM: No hacer nunca zoom porque recuerda al espectador que hay una cámara grabando (5:22). 3. MOVIMIENTO SUAVE: Invertir en un trípode o "gimbal" para estabilizar la cámara. Equilibrar el gimbal (mirar tutoriales) y caminar con las RODILLAS DOBLADAS (6:52). 4. PROFUNDIDAD: Para mostrar mejor el movimiento poner algo delante del S. D. (7:41). 5. MOVIMIENTO MOTIVADO: Mover la cámara sin motivo quedará raro, como en 8:58, sino mejor como en 9:08. Lo arregla en 9:46. Lo más común es seguir al S. D. (10:15). 6. RACK FOCUS: Lo de enfocar y desenfocar el fondo (10:52), evitarlo porque es repetitivo y aburrido, hacerlo muy de vez en cuando. 7. GRABAR PENSANDO EN LA EDICIÓN: Grabar por ejemplo una transición pensando en el efecto que harás luego (12:38). 8. SABER QUE MVTO VAS A HACER ANTES DE GRABAR: Piensa que sensación o emoción quieres transmitir y luego piensa en el movimiento que ayudará a transmitir eso (13:33). No hagas movimientos al azar porque distraerán al público.
Great! I am just a beginner. The advices here are wise and quite simple to understand. To put that all together, its another mater, is a whole Bolshoi Ballet! I am a hobby producer and I have quite good control over my project. Since I cannot afford to hire a DOP, though I wish, a friend of mine advised me to film by my own. Those tutorials are great and very exciting. But they make me realize how much bad I can do to my project if I try to act as a DOP. Anyway, it is also important to realize how much knowledge a new discipline involves and why experts are so worth.
Every time I hear anyone say "the audience will be confused", I picture a packed movie theater where everyone in the audience tilts their head to one side in unison and makes a confused face.
Step 7 n 8 made a huge difference for me now if I could find a descent video editing program other than the mega slow super glitch y WeVideo life would be grand
Just a learner myself, but I think maybe one way to minimize the temptation to rack focus is to follow the other point about motivated movement. In at least two of the Hollywood rack focus examples, a character's attention turns, and the focus changes to get us on what they are looking at. So, perhaps the idea (for safe filmmaking, so to speak) is to either don't do it, or do it just once and make sure it is "motivated rack focus."
Zooming in while shooting now is becoming a trend . And works well in commercials and music videos.. I believe if used properly at the right time it can come in handy..
I just have discovered this awesome series of videography in your chanel, so I hit the subscription button 😍 I love photography and filmmaking. I wish I could join the course 😢😔 Love from Yemen.
![Ultimate Guide to Camera Movement - Every Camera Movement Technique Explained [The Shot List Ep6]](http://i.ytimg.com/vi/IiyBo-qLDeM/mqdefault.jpg)
As a 27-year veteran of three TV stations and camera shooting and editing, I'd like to say BRAVO! When it comes to camera moves, there is a grammar to it and making good strong "cinematic sentences" conveys meaning. Also, I'd like to encourage you young filmmakers to continue to keep up on things like shooting trends and styles. Eventually, you'll find your "cinematic voice" but also remember that you always can add "new vocabulary" to it! Even I have to keep up on trends. Keep up the good work, everybody, and may God give you the best there is in the honing of your talents!
This I believe was meant for me. God bless you too.
Here, have some timestamps:
2:08 Avoid handheld
4:15 Zooming (Never do it!)
5:50 Smooth movements
7:27 Depth/Foreground
8:38 Motivated movement
10:32 Rack focusing
11:49 Shoot for the edit
12:54 Plan your movements
Thank youuuuu
Thanks :)
MVP 2022
disgree about HANDHELD... But you need to know how to make it.
“The word ‘never’ should never be used in an instructional video discussing art.”
This channel has done more for me than film School. Thanks!
We are two in this in fact I have never gone to any film school but I learn a lot
Good channels are the best school!
same for me... I've been to film school for almost 2 years now and learned more about professional filming in easy to understand steps in the last hour/3 videos, than in the last 2 years in school. This channel gives me the feeling it's a job i want and can do, not one i have to learn and have to do, no matter what.
Totally agree, I’ve just quit a film school because of the lack of interesting curses, the best school is experiencing on shootings I think !
What film school did you go to?
This is the first channel in a while to get me excited about my RUclips notifications. Most cinematography channels now days are either click-baity or just go over the same things. I feel like I’m actually learning each time I watch one of your videos and enjoying it as well. Big thanks from Fiji 🤙🏾
Try "Learn Online Video" or "Thomas Alex Norman" both channels are super good.
@@thomaselers7416 thanks for the recommendation, I'm enjoying both channels. I just found one this morning I'd like to recommend. It's called 'StudioBinder'
@@whippyjosua will check it out
Love this channel. We are a professional production unit in the UK with some great credits to our name. Yet we still learn something new all the time with this channel. Keep up the great work!
I still cant believe the amazing academy is Tomorrow’ s filmmakers
Adding the basketball was such a simple & effective demonstration for motivational movement
Justin: "No zooms!"
Edgar Wright & Quentin Tarantino: So let's have a discussion....
thank you lol
He gives examples for why he makes his points and also gives exceptions to the valuable rules he illustrates. Yeah, I'm going to trust the guy in the video over the Comments guy. :-P
@@DarrenStephens1 Sounds brilliant, ignore world class directors and their techniques because a dude on youtube that's never shot a billion dollar award winning film said so, who's trying to sell you his online course. Sounds smart lol go off bro. lol
Yeah, you're not them.
Tomorrows Filmmakers (no apostrophe!) have created the best filmmaking tutorials on RUclips. I'm afraid that I will have to give them my money for the full course. The advice, pace and examples are just too good.
Wow, I’ve just discovered this Cinematography Trilogy and, I’m more than amazed of how valuable all of the given information is available here rather than in an expensive course.
From Cusco city, Peru... thank you so much for it. Pd: new subscriber and new RUclipsr.
i wrote a screenplay based on cusco peru . I'm italian from Bologna however😂
I was watching the Cinematic Lighting video a few hours ago. You said it was part of a trilogy. I realised that the only one i haven't watch was the Cinematic Movement. Went looking for it and was dreading because i didn't find it anywhere. I was so afraid to miss out. So relieved when i saw this. Thank you.
:)
*You are amazing❗️Thank you❗️🔥*
telling someone to never zoom is a stylistic choice only! ive seen zooms artfully done in so many films, and it's one of my favorites!
Yes, people do this all the time to achieve a certain look. Adam Mckay's Don't Look Up featured zooms very often contributing to it's documentary and realism feel. Do not listen to things like this.
I rate this channel 10000%
A very valuable lesson for me, every day I listen and try the things you teach, getting more and more excited every day. I want my youtube videos to have good cinematic features. Don't be bored to keep sharing your knowledge
I broke over and joined your online school, I can’t believe how many videos y’all have on there I honestly was thinking it might only be a few videos outside of what y’all have on here but there are literally 100s on there can’t say enough how happy I am to have joined. Thanks again for all your content I can’t wait to put it in motion
Wellwell now you can handheld with the Lumix S5iix. It is that good that some shots even seem like on tripod.
Not only the jitter, but the constant small movements when handheld, gives you ever so slight motion blur, which lowers contrast and exposure. That may not be obvious just looking at the footage, but a zoomed playback shows it. It also makes you final render have a larger filesize.
Can't believe content like this is available for free. You are amazing 🙏🏼
I kinda feel bad for the people who paid $800 for the course.
Same, kind of a ripoff tbh. Especially for a relatively "short" online course.
@@kynshra8960 I personally don’t have a problem with it being short. As long as they’re continuously adding content. Dropping it from $800 to $100 is the problem. I mean it’s cool for me that I get it for $100. But If I perviously bought it for $800 I’ll be pissed.
Parker from Full time filmmaker officially sold his course for $800 I think but recently drop it to $500. That’s not too bad IMO but $800 to $100 is just a big middle finger.
I know this isn’t the best analogy:
A person buys an $80,000 car and next year it drops to $10,000. Everybody can now buy the same car as you but with better upgrades for 1/8th the cost.
It makes you question your purchase.
@@brendamzambrano9776 The real issue is that 99% of this material is available on RUclips and the internet for free so it makes it a hard sell at such high prices when we live in a digitally resourceful society.
@@mike_s_media you are correct.it goes for all courses not just this one. The benefit of the courses is having all the material in one area so people don’t waste time looking for the content they really need.
@@brendamzambrano9776 The benefit is for those not willing to search.
" Simply Wow. you changed my world with these tutorials. thank you very much"
The word “never” should never be used in an instructional video discussing art.
For example I think zooms were used very well in The Grand Budapest Hotel
Quentin Tarantino uses zooms and has made it part of his style
Well said.
Nah. Using the word never added needed emphasis to the topics. And the author highlighted meaningful examples of when breaking rules works for effect. I have to learn to ‘never’ reply to frivolous comments.
@@curt300sSay you’re a bad teacher without saying you’re a bad teacher.
I think this is the best school for new film makers
I would recommend this video as a basic intro to cinematic movement which helped me focus on exactly what I wanted to learn. Merci ! This made me want to become a filmaker.
I have to disagree regarding handheld. A good cinematographer can operate smooth shots. It is done all the time.
Not to mention there’s so many techniques and software that can help smooth it even more. I get what he was saying but I also think he overly dismissed handheld a little much
Remember that he is addressing new talents and not experienced cameramen who have learned in time to control their movements.
@@ParvaizRaja You can't master handling your camera if you don't start learning how to handle your camera.
@@CommentRodent but when you insert it into one of your projects, thats when you completely ignored his advice. Practice it, and don’t apply it until you know how to utilize it. He mentions how it’s mistakes he notices in videos made by beginners that they would try to actually use.
@@kenji_1240 And you won't know how to utilize it until you actually learn how to do it. I actually condone the use of handheld before the use of gimbals or anything like that, just like I condone the use of only manual focus as a beginner. A large amount of beginners don't have access to a gimbal either, and gimbals can also limit creativity in some aspects. I don't like the way it encourages the gimbal ad a universal thing to use for cinematography and not as a special tool as it is. I hate how he gave them an easy way out, which in fully against. I'd rather someone say... "Shaky footage? Practice smooth shot movements." Over... "Shaker handheld shots, use a gimbal or steadicam."
One of the best trilogies on RUclips
The first time a saw good movement and cut was in Highlander. Thanks for sharing. It helps a lot
I'm in love with this channel, thanks
the demonstration with the basketball is just so cool
I love how much they're using signs as examples
Precious video tutorial, simple and useful, easy to understand, cleverly describes the subject of the show without leaving the main line, and yes all of this in very short. It says to us let's start, chose your preferred time watch again and again, make your notes and now you are ready became a next celebrity. Thanks a lot. Lots of love from India. Mation me if I am right.
You are one of the most valuable teacher in youtube..... ❤❤
I stop what am I editing right now because I want learn more ideas for my channel. Now I have to follow you.
These videos are absolutely insane. So useful. Thank you so, so much!
Everyday from Africa Ethiopia 🇪🇹
Love cinematography
Hello from Derbyshire, England. I really enjoyed this video and learned a whole bunch of things about film making. I had no idea about these things, the next time I watch a movie I will be looking out and acknowledging the lines and the grid etc. Thanks for such a great tutorial. Gareth
Golden rules in cinematography. thanks!
I just started follow dream of photography canne to this channel. Sooooooooo sooooo much dept nd detailed knowledge you have . Really appreciate you nd thanks for sharing.
Hey Justus, Thank You, very useful and informative ❤.
Thanks for sharing free knowledge. Highly valueable!
You have a good point about handheld however , we all start somewhere. I'm currently using handheld and don't have a gimbal / stabilizer / or tripod.
I'm just really glad this video featured the Choosen!
That show is everything!
I signed up for the course yesterday and I’m loving it! Thanks a mil Justus for making this available at an affordable price.
Wish I can afford it wouldn’t miss anything
I always film my footage on no movement cause I am the movement! unless I have a camera man! this is very insightful for me so I know where I am going wrong when filming my footage.
9:31 he used scenes from "the chosen". Bless you
Thank You Very Much !
🙂🙏
Thanks for this ❤️
Thank you so much. I am learned so much from you video..
This is my favourite film yt channel!!! Can't wait for new videos
I do this most of the time, thanks
1. NO GRABAR CON CÁMARA EN MANO: Se trata de meter al público en la trama, y el temblor de la cámara le recuerda constantemente que alguien está grabando (3:15). Mejor es sin movimiento a que este temblando. Poner un trípode o unas palancas en la cámara.
2. NO ZOOM: No hacer nunca zoom porque recuerda al espectador que hay una cámara grabando (5:22).
3. MOVIMIENTO SUAVE: Invertir en un trípode o "gimbal" para estabilizar la cámara. Equilibrar el gimbal (mirar tutoriales) y caminar con las RODILLAS
DOBLADAS (6:52).
4. PROFUNDIDAD: Para mostrar mejor el movimiento poner algo delante del S. D. (7:41).
5. MOVIMIENTO MOTIVADO: Mover la cámara sin motivo quedará raro, como en 8:58, sino mejor como en 9:08. Lo arregla en 9:46. Lo más común es seguir al S. D. (10:15).
6. RACK FOCUS: Lo de enfocar y desenfocar el fondo (10:52), evitarlo porque es repetitivo y aburrido, hacerlo muy de vez en cuando.
7. GRABAR PENSANDO EN LA EDICIÓN: Grabar por ejemplo una transición pensando en el efecto que harás luego (12:38).
8. SABER QUE MVTO VAS A HACER ANTES DE GRABAR: Piensa que sensación o emoción quieres transmitir y luego piensa en el movimiento que ayudará a transmitir eso (13:33). No hagas movimientos al azar porque distraerán al público.
I’ve shot weddings handheld and the couples have loved it 🙃
Love from Bangladesh 🇧🇩🇧🇩
The chosen! What a good show! Glad you showed that! I learned so much with this thanks!!!!
Awesome tutorials. I have learned a lot from these. Thanks
Great information. Looking forward to viewing more of your introductory tutorials.
These are some top notch tips and condensed! Thanks!
Great! I am just a beginner. The advices here are wise and quite simple to understand. To put that all together, its another mater, is a whole Bolshoi Ballet! I am a hobby producer and I have quite good control over my project. Since I cannot afford to hire a DOP, though I wish, a friend of mine advised me to film by my own. Those tutorials are great and very exciting. But they make me realize how much bad I can do to my project if I try to act as a DOP. Anyway, it is also important to realize how much knowledge a new discipline involves and why experts are so worth.
Just purchased the course I hope to learn and grow in filmmaking. Thanks for the discount
Thanks! The movement parts were my favourite
Such a useful refresh! Cheers guys, thanks!
Every time I hear anyone say "the audience will be confused", I picture a packed movie theater where everyone in the audience tilts their head to one side in unison and makes a confused face.
Thanks for good content! Despite of, I can't get your full courses for now, I learned a lot of camera movements using your RUclips free videos.
Glad I found this channel
Wow learning more than I learnt in university 😩👏🏾👏🏾
I appreciate all your information and knowledge.
I like the movement motivation tip I feel like it would help with better transitions
I've learned a lot, brother 😍😍😍 love from India,Assam
Same Same
I heard Covid is really bad there. I’m praying for everyone in India🙏
I am from Uttar pradesh
@@606films9 thanks ❤
👍👍
Thank U!
Awesome tutorial
Nice guidence about new film makers thank you sir
Thank you so much! These are the most useful videos about filming that I've seen
The longest motivated camera movement I've ever watched as in "Oxford Murderers" movie.
Thank you so much for all your videos. Soon I will buy your full course.
Lots to digest, thx for the information, hope to put it to good use. Appreciate the sharing of techniques 🙏
Thank you for the knowledge, it's very helpful
That motivated movement, nice one. Never thought about it
GREAT STUFF, THANK YOU SO MUCH - learnt a lot.
You're truly amazing and so talented
I've watched your videos and youre a great teacher. thank you
Great notes to keep in mind, and it was put together really well. Thanks for putting it together!
Step 7 n 8 made a huge difference for me now if I could find a descent video editing program other than the mega slow super glitch y WeVideo life would be grand
literally got the ad for this channel on this video
Just a learner myself, but I think maybe one way to minimize the temptation to rack focus is to follow the other point about motivated movement. In at least two of the Hollywood rack focus examples, a character's attention turns, and the focus changes to get us on what they are looking at. So, perhaps the idea (for safe filmmaking, so to speak) is to either don't do it, or do it just once and make sure it is "motivated rack focus."
Thank you man. I love it
Great info. Will use this asap.
amazing cours! I should buy a full one!!!
How are you not 1M yet?!
You make great Content get this man to 1M subs
A big thanks for your video tutorial sir
Respects from India
Extremely useful tips!
Thank you
Zooming in while shooting now is becoming a trend . And works well in commercials and music videos.. I believe if used properly at the right time it can come in handy..
One of a beautiful tutorial online
I just have discovered this awesome series of videography in your chanel, so I hit the subscription button 😍
I love photography and filmmaking. I wish I could join the course 😢😔
Love from Yemen.
Thank you once again.
I'll be join the class this week.
It's a very GOOD video with Powerful detailed instructions. Many thanks!
Thank you so much, really wanna make things better for my video
Helped me a lot. Thanks for sharing.
Awesome! Thanks for sharing this valuable lessons
Thankyou so much sir. This is what I always wanted to learn!
Number 8 blew my mind