陈淑桦民谣经典 | 相思河畔 Sarah Chen | Lover's Riverside 1977 (歌曲介绍; English lyrics) Mandopop Classics

(Lyrics in CC) 【综述】陈淑桦在18岁时清新地演唱了《相思河畔》，温柔甜美，与后来更著名的沉重版成鲜明对比。但她的演绎几乎湮没无闻。她早期职业生涯的坎坷既增强了陈淑桦的事业心，又为她的将来埋下隐患。
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这是首1950年代的民谣，最初由崔萍演唱，男女歌手都很喜欢翻唱。著名的演唱者包括蔡琴、梅艳芳、凤飞飞、陈百强和费玉清。陈淑桦唱得很甜美，不像老一些的歌手唱得那么沉重和悲伤。
为什么陈淑桦的演绎如此默默无闻，虽然她唱得那么美？回顾陈淑桦的早期事业，很明显她在十几岁时就是一流的歌手。但和她同龄人或后来新秀相比，陈淑桦早期发展明显被窒息。齐豫一炮打红，林慧萍出道即成，陈淑桦则屡战屡败，半温不火耗了几年。她小时候唱成人歌的经历对后来的发展看来是阻碍，和我们近来AI的分析一致。
若不是陈淑桦的坚韧，娱乐界对她童年的摧毁，少年心智的打击，和出道后的淡漠应早就将她的才华荒废。海山后期和EMI阶段是陈淑桦职业生涯最重要的时候；她那时得到的支持是上天的祝福。进滚石时她已成天后，摆脱了早期的阴影，如“东方不败”一样独霸一方。但滚石对她宣传失误。前几张专辑强调制作人的功劳，转型论陷她于附属地位；九十年代的专辑插页则几乎完全不提歌手，对歌曲做毫无意义的空洞描述。一个那么有活力，心智聪慧，情感丰富的歌手，到后来除了歌喉和几张美照外，在作品集里消失了。
陈淑桦后来的彻底退出并拒绝复回是娱乐圈应得的冷遇。
This is Sarah Chen's rendition of the 1950s MinYao, "Lover's Riverside," originally performed by Cui Ping. It was popularly covered by both male and female singers. Notable performers include Tsai Chin, Anita Mui, Fong Fei-Fei, Danny Chan, and Fei Yu-Ching.
Sarah Chen performed this song when she was 18. Her rendition was practically lost, unlike those of other performers. Chen's version, shown in this video, offers a fresh take compared to the older singers' heavier and sadder renditions.
Why was Sarah Chen's rendition so obscure even though it's such a fantastic performance? Looking back at Chen's early career, it's clear she had been a first-rate singer since her late teens. But compared to her peers or later newcomers, Sarah Chen's early career development was stifled. Chyi Yu shot to fame, Lin Huiping became popular as soon as she debuted, but Sarah Chen battled on with repeated failures, staying lukewarm for several years. Consistent with our recent AI analysis, Sarah Chen's experience as a child singer of mature songs was a hindrance to her career development.
If it weren't for Sarah Chen's resilience, the destruction of her childhood by the music industry, the damage to her psychological development during adolescence, and the indifference she faced after debuting would have destroyed her talent. The support she received later from Haishan and EMI was a blessing from above. By the time she joined Rock Records, Sarah Chen had shaken off the shadows of her early years. The Mandopop diva dominated Taiwan's music scene like the Invincible East. Unfortunately, Rock Records failed to properly promote her. The first few albums emphasized the producers' contributions, trapping Sarah Chen in a subordinate role with talks of her transformation. The albums in the 1990s ignored the singer completely, offering nonsense, garbled descriptions of the songs. Aside from her voice and beautiful photos, a singer so full of lovely spirit, wisdom, and deep emotions vanished from her albums.
Sarah Chen's eventual complete disengagement was the cold shoulder the entertainment industry deserved.
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Channel： All rights belong to the original copyright holders. This channel does not monetarize its content. This video is created to preserve Sarah Chen's at-risk work.

[@kiewgerald1571]

very nice

[@leonhsiung]

五十年代的老歌❤❤❤❤😊😊😊

[@yinghingtsui9543]

相思10年多,無結果

[@sam-bj6fh]

真的难得一见，感谢分享！

[@曾梓翔]

這應該是海外版。