Agreed. I remember the first time I saw Death in Venice. The lights went down, the first notes of the Adaggio played over the opening credits and I knew something special was about to happen. I adore the film and the music is perfection! Visconti was a true maestro!
1. 00:00 Mahler: Adagio From The 5th Symphony (Tema principal de Muerte en Venecia). 2. 09:56 Mussorgsky: Lullaby: Ninna Nanna (Playa desierta). 3. 12:15 Beethoven: Für Elise (El salón & el prostíbulo). 4. 16:13 Mahler: 4th Movement From The 3d Symphony (Retorno a Venecia). 5. 27:32 Mahler: Chi Con Le Donne Vuole Aver Fortuna (Muerte en Venecia).
Revisiting this song after I watched the movie back then... This movie was sad, it reminded me of the confusion and loss brought about by covid. It was deeper than a crush i think, he saw his deceased daughter in that boy... And the disease which was eerily like covid sent him into a delirium where he was chasing Tadzio trying to warn him of the disease. Strange and sad movie
Une beauté à en perdre le souffle, une oasis réconfortante en ce 14 juin 2021 , une perle, un cadeau , une parenthèse de douceur! Merci et bonjour de Lyon (fr) à toutes les belles âmes qui vibrent à l’unisson
this is the saddest movie i ever seen, besides the perverted part, it just really makes me emotional and idk why, i think its just this feeling of loss, and dying alone. the music really made me sad for the character
@@stephenvanwoert2447 well i only said that because most people say this is a gay movie. but when it showed his young daughter Tadzios age had died, and he wanted to tell his family to leave cause of the contagious disease, i felt like he was trying to save his own child. but yea also in my perverted mind i think he had a crush on Tadzio. but it was like this respect the way a fan has for a celebrity because Tadzio was this perfect Greek Roman figure of perfection like a celebrity. maybe his obsession was caused by his delirium from the disease
@@gdust6579 In the novella, Aschenbach plans to be a hero and warn the family to leave because of the cholera, but he is overcome by his own selfish desire not to lose sight of Tadzio, and remains silent, leaving the family at risk. This is fiction, of course, but it is reprehensible conduct. The film doesn't tell us if Asch. did warn the family or just imagined that he would, and didn't follow through. But he didn't follow through right away, as the next scenes show. I think that the nightmare scene that jars Asch. awake and that voice of harsh judgment, followed by Tadzio's face, tells us that A. feels guilty about not having warned the family. The very next scene shows the Polish family's luggage in the hotel lobby, and A. receives the news that they are leaving. If A. did warn the family, it could only come in the gap between these two scenes. Otherwise, they were leaving anyway. Of course, it's just as reprehensible in the film as in the novella, if A. didn't warn for selfish reasons, but not so if he was just too shy, which he seems to be.
Un film admirable de visconti une histoire triste de mann et une symphonie a vous couper le souffle,musique sublime ou l amour et la haine se confondent opposant 2 personnages se déchirant a l extreme ne pouvant rien face au destin dans cette ville venise ou au coucher du soleil la mer et le ciel se confondent
My favourite film of all time Dick Bogarde was sublime as Mahler just about broke my heart. Next day ordered the music and bought the book Thomas Mann loved it ....... so many years ago now. Music is so haunting . Downloaded the book again on my kindle however the translation has got lost along the way shame. Never tier of the music. 💝💝💝 years ago
Loved that traveling band of Italian gypsies! They really 'gave it' to the stuffy swells. I see that their contribution was not included in the selection. Pity.
Наиценнейшая часть фонограммы фильма (главное, что помимо Малера и Бетховена сюда включено спонтанное исполнение мелодии Колыбельной, что приписана Мусоргскому)
To make a more clear explanation about the story, I recommend reading the book as well. The story is very pedophilic, it's literally a grown man following a young boy because of his beauty and innocence. If you've watched the movie, I'll let you know that the boy who plays Tadzio is Bjorn Andreson. I also recommend looking up Bjorn's story of what happened to him after the filming of Death In Venice because it's disgusting. Other than that I like the music that was placed in the movie, but y'all please wake up this story is something else
Ephebophilia - Ephebophilia is the primary sexual interest in mid-to-late adolescents, generally ages 15 to 19. It is one of a number of sexual preferences across age groups subsumed under the technical term chronophilia. Ephebophilia strictly denotes the preference for mid-to-late adolescent sexual partners, not the mere presence of some level of sexual attraction. The term ephebophilia comes from the Ancient Greek: ἔφηβος (ephebos) variously defined as "one arrived at puberty", "a youth of eighteen who underwent his dokimasia and was registered as a citizen (Athens)", and "arriving at man's estate"; and φιλία (-philia) "love".
![Hiroshi Yoshimura (吉村弘) - Wet Land (1993) [Full Album]](/img/1.gif)
instantly fell in love with the opening score, such a beautiful film and even better soundtrack. This will always be timeless
👏👏👍
A new found passion I've started listening to and appreciate...adds a little class to my life I think....
"Death In Venice" and the Adagietto are inseparable. I cannot think of one without the other.
Agreed. I remember the first time I saw Death in Venice. The lights went down, the first notes of the Adaggio played over the opening credits and I knew something special was about to happen. I adore the film and the music is perfection! Visconti was a true maestro!
This makes me want to go to Venice and stare out at the sea
👏👏👏
1. 00:00 Mahler: Adagio From The 5th Symphony (Tema principal de Muerte en Venecia).
2. 09:56 Mussorgsky: Lullaby: Ninna Nanna (Playa desierta).
3. 12:15 Beethoven: Für Elise (El salón & el prostíbulo).
4. 16:13 Mahler: 4th Movement From The 3d Symphony (Retorno a Venecia).
5. 27:32 Mahler: Chi Con Le Donne Vuole Aver Fortuna (Muerte en Venecia).
Chi Con Le Donne Vuole Aver Fortuna is not by Mahler :) It is the song sung by the street musicians in the hotel terrace.
Revisiting this song after I watched the movie back then... This movie was sad, it reminded me of the confusion and loss brought about by covid. It was deeper than a crush i think, he saw his deceased daughter in that boy... And the disease which was eerily like covid sent him into a delirium where he was chasing Tadzio trying to warn him of the disease. Strange and sad movie
Une beauté à en perdre le souffle, une oasis réconfortante en ce 14 juin 2021 , une perle, un cadeau , une parenthèse de douceur! Merci et bonjour de Lyon (fr) à toutes les belles âmes qui vibrent à l’unisson
❤️👏👏👍
A beautiful film and beautiful music one of my all time favourites ❤🥰
💖
this is the saddest movie i ever seen, besides the perverted part, it just really makes me emotional and idk why, i think its just this feeling of loss, and dying alone. the music really made me sad for the character
@@gdust6579 It's not perverted; that's just in your mind. You see just what you want to see in it.
@@stephenvanwoert2447 well i only said that because most people say this is a gay movie. but when it showed his young daughter Tadzios age had died, and he wanted to tell his family to leave cause of the contagious disease, i felt like he was trying to save his own child. but yea also in my perverted mind i think he had a crush on Tadzio. but it was like this respect the way a fan has for a celebrity because Tadzio was this perfect Greek Roman figure of perfection like a celebrity. maybe his obsession was caused by his delirium from the disease
@@gdust6579 In the novella, Aschenbach plans to be a hero and warn the family to leave because of the cholera, but he is overcome by his own selfish desire not to lose sight of Tadzio, and remains silent, leaving the family at risk. This is fiction, of course, but it is reprehensible conduct. The film doesn't tell us if Asch. did warn the family or just imagined that he would, and didn't follow through. But he didn't follow through right away, as the next scenes show.
I think that the nightmare scene that jars Asch. awake and that voice of harsh judgment, followed by Tadzio's face, tells us that A. feels guilty about not having warned the family. The very next scene shows the Polish family's luggage in the hotel lobby, and A. receives the news that they are leaving. If A. did warn the family, it could only come in the gap between these two scenes. Otherwise, they were leaving anyway. Of course, it's just as reprehensible in the film as in the novella, if A. didn't warn for selfish reasons, but not so if he was just too shy, which he seems to be.
Un film admirable de visconti une histoire triste de mann et une symphonie a vous couper le souffle,musique sublime ou l amour et la haine se confondent opposant 2 personnages se déchirant a l extreme ne pouvant rien face au destin dans cette ville venise ou au coucher du soleil la mer et le ciel se confondent
My favourite film of all time Dick Bogarde was sublime as Mahler just about broke my heart. Next day ordered the music and bought the book Thomas Mann loved it ....... so many years ago now. Music is so haunting . Downloaded the book again on my kindle however the translation has got lost along the way shame. Never tier of the music. 💝💝💝
years ago
Absolutely beautiful 🖤reminds me of Proust...
Sublime, bellezza e vita
Bellissima musica
Splendor in my heart!
Um dos filmes mais lindos que eu já vi na vida!
Eu também!
🌼👍👍👏👏
Um dos filmes da minha vida.
Um dos meus Viscontis favoritos.🌹
I was happy to hear the woman who sang (just before the 11th minute). It was such an important moment in the film.
Masha Predit singing Ninna Nanna, by Mussorgsky - it very well symbolizes the bleakness of the abandoned beach
i just found this movie, have not even watched it, but the sad, nostalgic music and the unattainable crush thing really hits me in the feels
Capolavoro assoluto 😍
❤️👏👏👍
this is beautiful
Sweet memories ♡
Ah yes, and to n'er recur again.
That is what makes such even sweeter.
@@jamesmiller4184 ne'er
With no doubt mort à Venise inspire a dramatic , fatal and destiny sound with deeply émotion.
Strange....ever so strange with a haunting melody.
Mixed opinions on the film & novel but the music it's just perfect.
I had a great Greek friendin Bristol uk we both loved Mahler I lost in touch the beauty of this carries on
The part at 17:00-17:38 is so haunting... too bad it isn't longer
"Not too long, not too short, JUST RIGHT!" -- Alice
@@jamesmiller4184 Alice?
yes, yes..., Yess!
Nice idea to inspire a development
Божественная музыка,божественноеиисполнение,дирижор,скрипки,кто ?
Loved that traveling band of Italian gypsies!
They really 'gave it' to the stuffy swells.
I see that their contribution was not included
in the selection. Pity.
💕💕💕💕💕💕
The Italian Song is not by Mahler!
Наиценнейшая часть фонограммы фильма (главное, что помимо Малера и Бетховена сюда включено спонтанное исполнение мелодии Колыбельной, что приписана Мусоргскому)
💛💛💛
❤❤❤🎉
🌼🌺🌸❤️👏👏👍
WHY ISN'T THE TITLE DEATH IN VENEZIA
Because it was originally in English. Warner Brothers required it.
Marina
To make a more clear explanation about the story, I recommend reading the book as well. The story is very pedophilic, it's literally a grown man following a young boy because of his beauty and innocence. If you've watched the movie, I'll let you know that the boy who plays Tadzio is Bjorn Andreson. I also recommend looking up Bjorn's story of what happened to him after the filming of Death In Venice because it's disgusting. Other than that I like the music that was placed in the movie, but y'all please wake up this story is something else
Ephebophilia - Ephebophilia is the primary sexual interest in mid-to-late adolescents, generally ages 15 to 19. It is one of a number of sexual preferences across age groups subsumed under the technical term chronophilia. Ephebophilia strictly denotes the preference for mid-to-late adolescent sexual partners, not the mere presence of some level of sexual attraction. The term ephebophilia comes from the Ancient Greek: ἔφηβος (ephebos) variously defined as "one arrived at puberty", "a youth of eighteen who underwent his dokimasia and was registered as a citizen (Athens)", and "arriving at man's estate"; and φιλία (-philia) "love".