RAFAL BLECHACZ PLAYS CHOPIN SONATE Nº3 Op 58 III IV mouv LIVE IN TOKYO
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- Опубликовано: 20 май 2014
- The work opens on a martial note, the heavy chords and filigree in the opening of the first movement giving way to a more melodic second theme, eventually leading to the conclusion of the exposition in the relative major, D. This exposition is quite long compared to other sonatas and it may be for this reason that many pianists choose to omit the exposition repeat. Motives of the original theme emerge in the development, which, unconventionally, returns to the second theme (as opposed to the first) for the recapitulation. The movement concludes in B major.
The scherzo, in the distant key of E flat and in strict ternary form, characterised by ebullient quaver runs in the right hand, with a more demure chordal middle section. If played slowly, the main E-flat theme sounds somewhat similar to the E-flat melody from the composer's First Ballade. Unlike the scherzo of the B-flat minor sonata (and, indeed, the rest of Chopin's contributions to the genre outside of the sonatas), it is exceptionally short, typically lasting barely two minutes in performance.
Despite a stormy introduction in dotted rhythm, the largo is serene, almost nocturne-like; a mellow and expansive middle section, again characterised by quaver figuration in the background of an intensely harmonic line, separates the more cantabile outer sections in B major. It is the most musically profound of the movements (Kraemer, 1991), in terms of a sustained melody and innovative harmonic progression; it rivals the extensive first movement in length alone.
Its turbulent and dramatic introduction--a rising harmonic progression left hanging on a high dominant seventh--aside, the finale, in B minor, is pervaded by a "galloping" rhythm; emphasis in the melodic line on the first and third beats of each half-measure outlines the fifth through eighth degrees of a harmonic minor scale, in this case the F♯ and B, lending prominence to the augmented second between the sixth and raised seventh scale degrees, the G and A♯. The overall melody, chromatic yet rooted in the minor tonic, contributes a dark mood to these primary sections. A more triumphant second theme in B major, repeated twice in the movement's A-B-A-B-A form, appears quite suddenly at the conclusion of the first (likewise when repeated); eventually rising during fleet-fingered runs over a left-hand melody, it tumbles back to a dramatic restatement of the main theme in both of its appearances. The piece concludes in a jubilant B major coda. (Wikipedia) 
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A lovely, talented, tender view of Chopin by a real musician, a staggeringly-good pianist who gets Chopin’s mood and intent and translates them into sound.
Przepiękna interpretacja można zatopić się w muzyce Chopina
Rafał Blechacz jest doskonały, wspaniały artysta, wielki talent.
I'm wordless, Blechacz is not Human, he is just the greatest pianist that I've ever heard ❤️❤️❤️❤️❤️❤️❤️❤️
I agree 100% ...:)
It is so amazing... wordless, as Ordem said. Pure music, so beautiful.
ブレハッチのショパンが1番好きです
去年来たばかりだけどぜひまた日本に来て欲しい
Einfach wunderbar!
Pure. Flawless. Art.
너무 좋아ㅠㅠㅠ3악장 들을 때마다 눈물나올뻔 ㅠㅠㅠㅠㅠㅠㅜㅜㅜㅜㅜ❤️❤️❤️내한좀와..
00:00 3. Largo
09:06 4. Finale: Presto non tanto
Beautiful interpretation !!!!
Magnifique !
I have no words to express what this interpretation did to my mind. No wonder this pianist won the Chopin competition!!!
I wanted to fly off my seat and into outer space while hearing this perfect composition being played by this god of the piano
What a superb interpretation, thank you for this beautiful sharing.
Here is a boost to really deserved heaven.
If you wish, I invite you to visit my pleasure chain that is entirely devoted to the piano.
Excellent continuation and good Sunday.
Jean-luc.
Where did you find this video? And what year is it from?
Le seul Pianiste qui interprète le 4 ème mouvement sans erreur. C'est juste Inhumain.