Every time I feel the camera envy coming on I remind myself of the time Roger Deakins told a room full of world class cinematographers ‘I’ll shoot it on a bloody iPhone I don’t care.’
Skills > Gear important message that, awesome to see what you could get out of those, the blackmagig footage looked awesome. Merry Christmas and a great 2023 to you. Cheers mate
Just dropping in to say, I haven't visited your channel in years but you've always been one of the most unique filmmaking channels on youtube. The kind of outside-the-box thinking that's refreshing and inspiring. I just shoot family videos but your tips have always helped me greatly. Thanks.
Lovely! I have a Lumix GX85 and the image is beautiful. The absence of a mic in the GX85 is a bit of a bother, but the 4K from the camera is just incredibly sharp and holds up very well going into 2023. My video workhorse, the Panasonic GH5, is still my bread and butter camera for pro work. With this video I am now tempted to look back at the BMCC 2.5K, which was the other camera that I really liked back in the day :)
@@DSLRguide I would say GX85 is the ultimate cheap camera, with one major compromise - the lack of a mic input (I'm considering 4K 60 FPS and slow motion demands as luxury at this point). The other ultimate cheap camera is the Fujifilm X-T20 (or X-T2), with the only issue being limits in 4K capture, and lack of IBIS. I personally prefer GX85 for video work, but given a choice between GX85 and X-T2 I would go to X-T2 thanks to its flat video profile :)
Agree, I've had my og bmpcc since 2015 and each time I think about selling it I convince myself the image is too good, too unique, and anyone I knew that owned one in the past and sold it definitely regretted it, so I just keep it, use it once in a while. I have several other 4k cameras but that little Blackmagic pocket cam is something else. Also agree with Sennheiser as an audio capture device, they really are fantastic, been using my ME66/K6 for several years amongst other shotgun mics and have loved it until I recently bit the bullet and picked up a used mkh416, now the ME66 plays second fiddle. Good Audio quality is certainly getting easier and cheaper due to the popularity of RUclips, gotta love healthy competition. Great video as usual, keep them coming!
For the Canon T3i I would suggest a program called Magic Lantern. It opens up some built in features Canon bake in but didn't turn on. Magic Lantern turned my T2i into a whole different camera. Even today I still shoot with it on a few projects. Love the look even today.
@@DSLRguide I use it when I want an older look. No, it won't crank out footage like an Arri Alexa even with Magic Lantern. But it WILL still do some pretty sweet video. Mainly I use Magic Lantern because it gives you things like zebras and audio meters. Those were basic things that were lacking for video on the T2i. If I'm not mistaken there's even an EV adjustment and false color in there as well. I also have a T2i that's hooked up as a dedicated streaming camera using Canon's app they put out a few years back that gives you clean HDMI out. I also have another T2i hooked up the same way as an overhead cam for my wife's yoga classes that she streams. I use an older camcorder for the main cam on that system and run everything through OBS on both the two rigs. The T2i was ahead of its time and it's still useful even today. And you can pick them up along with the 18-55mm auto focus kit lens for CHEAP! No, they don't do 4K. No, they don't have crazy bit depth. And no, the autofocus isn't the best. But Canon's color science is pretty strong and you can push the colors around a surprising bit before it starts to look trashy. If you work to the strong points of the camera you can still get some pretty amazing stuff.
I'm wondering what color profile are you using on the t3i after all these many years. I remember back then you would use cinestyle but then changed to vistavision. What is in your opinion best color profile for that camera?
This time I just went for “neutral”, and turned the contrast & sharpness all the way down. Did a side by side comparison between cinestyle and neutral, couldn’t see any dynamic range advantage
@@DSLRguide Yeah makes sense, a few years ago cinestyle was reverse engineered using canon development software and long story short it was proved that it does not increase dynamic range, among other things. The thread was on the magic lantern forums I think, intresting read.
Ironically, I feel like by using an old camera like the BMPCC OG, the footage stands out compared to everyone else using the most modern camera or their iPhone. It has such a soothing image quality to it, idk how else to describe it. I just rigged mine out and am excited to shoot with it.
I don't know about you but the Blackmagic camera has surprisingly good 1080p, Looks sharp and clean overall, unlike something like the T3i that looks more like 720p. Only issue is the 30fps cap
I would very much like to see it using a panasonic HVX-200 or HPX-170 or panasonic P2 card cameras. Two models of cameras that are widely used in the audiovisual culture of skateboarding. However, there are also few people who really try to deepen their ways of using it, at its maximum potential, seeing what you do, I always imagine that you would be one of the people who would do very interesting things and with details outside the curve.
P2 Cameras have very good hardware in them, you can find identical hardware in other Panasonic Models that use MiniDV (DVX100B) or a much rarer and expensive SD card model (I can't remember the model number). The problem with P2 camera's is that P2 cards tend to be small capacity and very expensive, old and flash memory does not last forever. Along with the P2 card readers, I'm not even sure if the reader would be recognized on modern Windows. Lots of hurdles to using the system and I would recommend you just use the MiniDV model or if you have deep pockets, pick up the SD card version. I love how footage 3CCD camcorders looks, it's my favorite thing to record video with.
I shot A LOT of ML raw with my t4i back in the day. Amazing images, a slow workaround but it prepared me for OG Bmpcc with it's DNGs 😊. Those old cameras still deliver even today.
My first camera was a fixed focus, fixed aperture, fixed shutter speed no name film camera with a very bad fixed plastic lens. It was given me for my 9 year birthday in 1969, but let's forget about that. Let's also forget the first camera that I bought in September 1996, the Canon Eos 500 n (aka Rebel G) with a 28-80 mm kit lens, because although it was a decent camera, it too was for 35 mm film and of course couldn't record video. In the very early 2000's I bought a JVC GR DVL 160 camcorder which recorded to DV (Digital Video) tapes. And I've made some pretty good footage with it. A good viewfinder, impressive zoom range even without using the extended digital zoom, and with a Soligor 0.7x wide angle converter that I always kept on it, it was even better. The image stabilisation was very good, but the audio wasn't. No socket for an external microphone, and although the inbuilt one wasn't exactly bad, it was mono and, as far as I can hear, omnidirectional (I haven't been able to find any specifications about the microphone - there are none in the user manual). So in quiet parts of the video my breathing can unfortunately be heard very clearly. My first DSLR I bought in 2012: The Canon Eos 550D (aka Rebel T2i). Beautiful Full HD video, but no articulated screen and no autofocus during video recording. (And no headphone socket). In 2015 I got the 70D: Amazing autofocus, but still no headphone socket, In 2019 I preordered the 90D which does provide headphone connectivity. I still have no plans to buy mirrorless.
The problem is RCORDING at h.264 (exports are fine). It's such a big obstacle for sharpness and it really limits what you can do with your camera. Once you're in 10 bit territory, or hell even those fancy sony 8 bit codecs like XAVC-S are already much better
I definitely second the bit about shooting on cheaper lenses. I use a Fujifilm XT30 with a Ninja V, and I'm better off having spent my money on those parts of my setup and using a $160 meike 50mm prime f0.95 lens. If I had spent the money more focused on lenses, I'd still be shooting 8bit 4:2:0 at a high compression, with no external monitor to make sure things actually look good.
I'll just add that if you use the super sample feature in Davinci Resolve to the pocket camera that it can enhance a lot of the details in the footage. It is a surprisingly good way to give the camera a bit more for the long haul.
I use canon EOS M with MagicLantern. It is known for it's artifacts and moire is one of them. I use a cheap diffusion filter and it helps. Maybe you can try to see if that helps with the moire on the OG BMPCC.
What size sensor is in each camera? It would be helpful for the comparison. I bet by far and away the camcorder is the smallest, which I think makes it the most interesting to see worked with. I think there is some videos in that, I'm curious how far someone knowledgeable and technically skilled can push those small sensors especially with how much people feel the need to go full frame or they are missing out.
T3i is APS-C which is pretty close to Super 35. Then the pocket camera has a Super 16 sensor, but with the meta ones speedbooster it’s closer to super 35. The camcorder is way smaller, can’t remember the exact size but less than 1inch I think
@@DSLRguide I knew the T3i was APS-C, but I could not find anything about the black magic camera's sensor. That's an interesting size, from what I can tell it looks like it's about the same area as micro 4/3rds, just a wider aspect ratio. Which surprises me because I preferred it's output to the Canon, I guess it goes to show the effectiveness of a purpose-built tool.
@@DSLRguideThe camcorder just has a 1/6" CCD sensor, which was standard for an entry-level camcorder from that era. Everything will be in focus and it will never overheat, but the optics leave something to be desired given that it was probably one of JVC's cheapest camcorders they ever made. I have a JVC Everio GZ-MS100U from 2008 which was also an entry-level standard-def camcorder, but it produces far superior audio to anything else I've had for internal mics. Has very low noise floor/hiss and pretty good SQ with very little zoom motor noise. It's virtually silent.
at this point wouldn't it be cheaper to buy a new body than to keep adding these fixes to the old ones to keep up with the times and quality standards? an EOS 90D or a MILC would be far better for videos. Especially MILC stuff since they have dual pixel AF or even cameras made for videos.
You get better RUclips compression by rendering the final video in 4k. It really maximizes the image quality out of 1080 recordings to do it that way. A 1080 upload kinda destroys the image a bit imo.
@@DSLRguide im jealous i live in santa cruz Bolivia and its preaty hot and i already burned two times and the tecnitians told me that if i wana useit for filming it while keep burning off :( and for my country its really expensive get fixes
I think the firm canon neeed to give you money for all your life for what you do with t3i i buy that camera because of you the best..keeep doing the t3i videos the best 👌
I have a 200$ phone, a 30$ ring light and i can shoot very good footage in my house even on dark conditions . Most important is to know how to record and then how to edit the footage. I dont think in 2022 someone needs a true camera with lenses. Smartphones already have good enough quality, you just need creativity and knowledge of how things work.
After a long time of period, I saw your t3i. But you have forgotten the path where you learnt and grown film making. I am talking about your t3i. It is very sad.
I got a ton of use out of the T2i back in the day I highly recommend installing magic lantern and then using ISO in intervals of 160 The way those old canons handle ISO is 100 is the base, 125 is digitally lifted in camera adding a TON of noise so avoid those 125 intervals like the plague, and 160 is ISO 200 darkened in camera which results in a slightly reduced dynamic range but a significant benefit to noise I recommend looking into "lens cap tests" that show the how this works out For example ISO 1250 is cleaner than 500 i.pinimg.com/originals/1f/0c/93/1f0c93f0e514cedac4f8c006ab4a7545.jpg
Every time I feel the camera envy coming on I remind myself of the time Roger Deakins told a room full of world class cinematographers ‘I’ll shoot it on a bloody iPhone I don’t care.’
Skills > Gear important message that, awesome to see what you could get out of those, the blackmagig footage looked awesome. Merry Christmas and a great 2023 to you. Cheers mate
Glad to see your back on YT! I watched a lot if your video oriented videos when you were a teenager when I was exploring learning video creation.
Just dropping in to say, I haven't visited your channel in years but you've always been one of the most unique filmmaking channels on youtube. The kind of outside-the-box thinking that's refreshing and inspiring. I just shoot family videos but your tips have always helped me greatly. Thanks.
Thanks for dropping by, that’s very kind of you to say :)
Haha the title of this video is literally the concept that brought all the followers on this channel 😄
We should pass around the collection plate and give Simon an S5II. It's cheap! It's great!
Lovely! I have a Lumix GX85 and the image is beautiful. The absence of a mic in the GX85 is a bit of a bother, but the 4K from the camera is just incredibly sharp and holds up very well going into 2023. My video workhorse, the Panasonic GH5, is still my bread and butter camera for pro work. With this video I am now tempted to look back at the BMCC 2.5K, which was the other camera that I really liked back in the day :)
Good to know, I’ll look into the GX85, always wondered what’s the ultimate cheap camera and that sounds like it could be a good contender
Love my gx85, perfect small system for street photography as well as that killer 4k
@@DSLRguide I would say GX85 is the ultimate cheap camera, with one major compromise - the lack of a mic input (I'm considering 4K 60 FPS and slow motion demands as luxury at this point). The other ultimate cheap camera is the Fujifilm X-T20 (or X-T2), with the only issue being limits in 4K capture, and lack of IBIS. I personally prefer GX85 for video work, but given a choice between GX85 and X-T2 I would go to X-T2 thanks to its flat video profile :)
Agree, I've had my og bmpcc since 2015 and each time I think about selling it I convince myself the image is too good, too unique, and anyone I knew that owned one in the past and sold it definitely regretted it, so I just keep it, use it once in a while. I have several other 4k cameras but that little Blackmagic pocket cam is something else. Also agree with Sennheiser as an audio capture device, they really are fantastic, been using my ME66/K6 for several years amongst other shotgun mics and have loved it until I recently bit the bullet and picked up a used mkh416, now the ME66 plays second fiddle. Good Audio quality is certainly getting easier and cheaper due to the popularity of RUclips, gotta love healthy competition. Great video as usual, keep them coming!
For the Canon T3i I would suggest a program called Magic Lantern. It opens up some built in features Canon bake in but didn't turn on. Magic Lantern turned my T2i into a whole different camera. Even today I still shoot with it on a few projects. Love the look even today.
I have it installed, just need to load it back onto the SD cards. Do you shoot raw on the T2i or just use it for the more practical features?
@@DSLRguide I use it when I want an older look. No, it won't crank out footage like an Arri Alexa even with Magic Lantern. But it WILL still do some pretty sweet video. Mainly I use Magic Lantern because it gives you things like zebras and audio meters. Those were basic things that were lacking for video on the T2i. If I'm not mistaken there's even an EV adjustment and false color in there as well.
I also have a T2i that's hooked up as a dedicated streaming camera using Canon's app they put out a few years back that gives you clean HDMI out. I also have another T2i hooked up the same way as an overhead cam for my wife's yoga classes that she streams. I use an older camcorder for the main cam on that system and run everything through OBS on both the two rigs.
The T2i was ahead of its time and it's still useful even today. And you can pick them up along with the 18-55mm auto focus kit lens for CHEAP! No, they don't do 4K. No, they don't have crazy bit depth. And no, the autofocus isn't the best. But Canon's color science is pretty strong and you can push the colors around a surprising bit before it starts to look trashy. If you work to the strong points of the camera you can still get some pretty amazing stuff.
One of the best cameras on budget is Canon 5D mark II. Especially with Magic Lantern
YES 5D MORK 2 IS THE BEST CAMERA WITH FOOL FRAME PIXELS AND MOIRE I LOVE IT SO MUCH ITS THE BEST
holy shit the bruv is still here. I used to EAT your content up in high school. I can't believe you're still kicking it here!!!! congrats!
I'm wondering what color profile are you using on the t3i after all these many years. I remember back then you would use cinestyle but then changed to vistavision. What is in your opinion best color profile for that camera?
This time I just went for “neutral”, and turned the contrast & sharpness all the way down. Did a side by side comparison between cinestyle and neutral, couldn’t see any dynamic range advantage
@@DSLRguide Yeah makes sense, a few years ago cinestyle was reverse engineered using canon development software and long story short it was proved that it does not increase dynamic range, among other things.
The thread was on the magic lantern forums I think, intresting read.
@@yz249 wow. thank you for posting this!
As Always, its a pleasure watching your videos. Make sure you come back with another pretty soon bro. Have a great holidays.
Thanks Karim, I appreciate that
Ironically, I feel like by using an old camera like the BMPCC OG, the footage stands out compared to everyone else using the most modern camera or their iPhone. It has such a soothing image quality to it, idk how else to describe it. I just rigged mine out and am excited to shoot with it.
So true, it's what I started with and now it's my b-cam since I couldn't sell it
I don't know about you but the Blackmagic camera has surprisingly good 1080p, Looks sharp and clean overall, unlike something like the T3i that looks more like 720p. Only issue is the 30fps cap
7:13 Wow! That looks sick. That's a MASSIVE difference. Looks very similar to what you get out of magic lantern raw
Merry Christmas Simon. I’m still expecting you to bite an apple at the end 😬 🍎
Merry Christmas Ant! That would be nostalgic ;)
Good to see the t3i back!!😁👍
And yes, the JVC camcorder too!
I would very much like to see it using a panasonic HVX-200 or HPX-170 or panasonic P2 card cameras.
Two models of cameras that are widely used in the audiovisual culture of skateboarding.
However, there are also few people who really try to deepen their ways of using it, at its maximum potential, seeing what you do, I always imagine that you would be one of the people who would do very interesting things and with details outside the curve.
P2 Cameras have very good hardware in them, you can find identical hardware in other Panasonic Models that use MiniDV (DVX100B) or a much rarer and expensive SD card model (I can't remember the model number). The problem with P2 camera's is that P2 cards tend to be small capacity and very expensive, old and flash memory does not last forever. Along with the P2 card readers, I'm not even sure if the reader would be recognized on modern Windows. Lots of hurdles to using the system and I would recommend you just use the MiniDV model or if you have deep pockets, pick up the SD card version. I love how footage 3CCD camcorders looks, it's my favorite thing to record video with.
Always love an upload from you. Forever fan
I came back to find this channel after like 5 years to see if he was still using his T3i I was not disappointed 😅😅
Recording raw with magic lantern on the t3i is definitely a game changing for me
I’m keen to try it!
I shot A LOT of ML raw with my t4i back in the day. Amazing images, a slow workaround but it prepared me for OG Bmpcc with it's DNGs 😊. Those old cameras still deliver even today.
My first camera was a fixed focus, fixed aperture, fixed shutter speed no name film camera with a very bad fixed plastic lens. It was given me for my 9 year birthday in 1969, but let's forget about that.
Let's also forget the first camera that I bought in September 1996, the Canon Eos 500 n (aka Rebel G) with a 28-80 mm kit lens, because although it was a decent camera, it too was for 35 mm film and of course couldn't record video.
In the very early 2000's I bought a JVC GR DVL 160 camcorder which recorded to DV (Digital Video) tapes. And I've made some pretty good footage with it. A good viewfinder, impressive zoom range even without using the extended digital zoom, and with a Soligor 0.7x wide angle converter that I always kept on it, it was even better. The image stabilisation was very good, but the audio wasn't. No socket for an external microphone, and although the inbuilt one wasn't exactly bad, it was mono and, as far as I can hear, omnidirectional (I haven't been able to find any specifications about the microphone - there are none in the user manual). So in quiet parts of the video my breathing can unfortunately be heard very clearly.
My first DSLR I bought in 2012: The Canon Eos 550D (aka Rebel T2i). Beautiful Full HD video, but no articulated screen and no autofocus during video recording. (And no headphone socket).
In 2015 I got the 70D: Amazing autofocus, but still no headphone socket,
In 2019 I preordered the 90D which does provide headphone connectivity.
I still have no plans to buy mirrorless.
I still use the T3i I got all the way back in 2011, and have atrophied in using it well. This will be an essential watch I think.
Nice one mate! Just upgraded to full frame, 5Dmarkii . been a fan since the beginning when i had a t3i.. Simon Rocks! and thank you...
Been waiting on the t3i return 😮
i shoot with a 7d and can't push the iso too much, first tip is great, thanks!
Omg!!!! The JVC Everio was my first camera, too!!!! I still have it!
you make my t3i feel so good man, thanks
The problem is RCORDING at h.264 (exports are fine). It's such a big obstacle for sharpness and it really limits what you can do with your camera. Once you're in 10 bit territory, or hell even those fancy sony 8 bit codecs like XAVC-S are already much better
Your voice is very pleasant to listen too. Keep up the great work
Haha thanks Gabriel
I'll just stick with my 6D then.
Fire vid bro good to see your still going
I definitely second the bit about shooting on cheaper lenses. I use a Fujifilm XT30 with a Ninja V, and I'm better off having spent my money on those parts of my setup and using a $160 meike 50mm prime f0.95 lens. If I had spent the money more focused on lenses, I'd still be shooting 8bit 4:2:0 at a high compression, with no external monitor to make sure things actually look good.
I'll just add that if you use the super sample feature in Davinci Resolve to the pocket camera that it can enhance a lot of the details in the footage. It is a surprisingly good way to give the camera a bit more for the long haul.
I wish my t3i looked like yours. All grips missing now :D
I use canon EOS M with MagicLantern. It is known for it's artifacts and moire is one of them. I use a cheap diffusion filter and it helps. Maybe you can try to see if that helps with the moire on the OG BMPCC.
I have an older dslr canon and moire issue is less prominent when recording raw with magic lantern, too bad it can't record 720p, let alone 1080p.
Speaking of coluor and grading... what do you think about 8bit Log footage?
Just installed magic lantern on my t3i and recording in raw is awesome..
Really cool comparison
Great video, Simon !
Thanks Peter
I shoot with a gh3 and it rocks, cheap old cameras for the win!
Thank you!
I monitor with a A7S 7IN monitor and Lilliput 10 in monitor too outside the camera .
T3i is baaaaaaack!!!!!!!!!
Can you try the eos m magic lantern ?
I’d love to!
What size sensor is in each camera? It would be helpful for the comparison. I bet by far and away the camcorder is the smallest, which I think makes it the most interesting to see worked with. I think there is some videos in that, I'm curious how far someone knowledgeable and technically skilled can push those small sensors especially with how much people feel the need to go full frame or they are missing out.
T3i is APS-C which is pretty close to Super 35. Then the pocket camera has a Super 16 sensor, but with the meta ones speedbooster it’s closer to super 35. The camcorder is way smaller, can’t remember the exact size but less than 1inch I think
@@DSLRguide I knew the T3i was APS-C, but I could not find anything about the black magic camera's sensor. That's an interesting size, from what I can tell it looks like it's about the same area as micro 4/3rds, just a wider aspect ratio. Which surprises me because I preferred it's output to the Canon, I guess it goes to show the effectiveness of a purpose-built tool.
@@DSLRguideThe camcorder just has a 1/6" CCD sensor, which was standard for an entry-level camcorder from that era. Everything will be in focus and it will never overheat, but the optics leave something to be desired given that it was probably one of JVC's cheapest camcorders they ever made.
I have a JVC Everio GZ-MS100U from 2008 which was also an entry-level standard-def camcorder, but it produces far superior audio to anything else I've had for internal mics. Has very low noise floor/hiss and pretty good SQ with very little zoom motor noise. It's virtually silent.
This was so helpful ❤
When it comes to some Canon gear i intend to purchase the Canon 80D, Canon 90D and Canon R7
Do you have an EF lens compatible with t3i that youd recommend? Currently working with an 18-55mm but I'm looking to get something different
24mm f/2.8 pancake is pretty nice, although it’s EF-S
Samyang 24 1,4, sigma 30 1,4 !👍
The OG black magic pocket was my film school camera
Absolutely never owned a monitor though
T3i baby❤
at this point wouldn't it be cheaper to buy a new body than to keep adding these fixes to the old ones to keep up with the times and quality standards? an EOS 90D or a MILC would be far better for videos. Especially MILC stuff since they have dual pixel AF or even cameras made for videos.
do you still use the T3I for your RUclips Videos?
Sometimes!
Good video brother, thank you for teaching me so much
No problem Edwin
Our eyes can actually see Moire too.
true true, maybe I should embrace it!
Wait, you recorded in 1080p. Posted how to this video in 4k?
You get better RUclips compression by rendering the final video in 4k. It really maximizes the image quality out of 1080 recordings to do it that way. A 1080 upload kinda destroys the image a bit imo.
Honestly your grades on the t3i footage makes it look like pseudo 16mm film
Why thank you!
my 50d can shoot 1080p raw video but without sound sadly
HI can u try to use Canon Eos m wtih magic lantern and make a test footage
On my list! Just need to save up some money first haha
how well does the moire reduction work in resolve?
I follow this tutorial to do it manually, definitely not perfect: ruclips.net/video/NgCuirZ7m1c/видео.html
how do you keep your t3i from overheating
I’ve never had any trouble with it, maybe because I don’t live in a hot country
@@DSLRguide im jealous i live in santa cruz Bolivia and its preaty hot and i already burned two times and the tecnitians told me that if i wana useit for filming it while keep burning off :( and for my country its really expensive get fixes
Magic lantern t3i .
Where do you found the cable for t3i powerbank
Aliexpress.
I got mine here: Andoer USB LP-E8 Dummy Battery www.amazon.co.uk/dp/B0752G69WQ?ref=ppx_pop_mob_ap_share
what program do you use for editing your videos?
Davinci resolve :)
@@DSLRguide thank you
Awesome！Thanks for your share~~~
Awesome ❤️
do a video on t5i magic lantern
Is it better than t3i magic lantern? Definitely curious to try ML raw
I would love a comparison.
Lets get the Apple back at the end for nostalgia. :)
Still remember the short film with the burning the money in front of a homeless dude… great stuck ;) script could have been better thou !
BRING BACK MOIRE
how dare you to say in the land of youtube that I don't have to spend 10k to do videos?
👏👏👏
welpp lets see 2026 with the g85 haha!
I think the firm canon neeed to give you money for all your life for what you do with t3i i buy that camera because of you the best..keeep doing the t3i videos the best 👌
Big chilla
How to Film Good Footage with a Smartphone next…?
Why everyone ignoring eos m?
I’ve never shot with it, would love to try, especially with magic lantern
@@DSLRguide yeah its very cool camera (performance like 1000$ in the market)
My comments keep getting deleted. Why is that?
No idea, I promise I havnt deleted any of them :)
@@DSLRguide Ok thanks for the reply. I appreciate your quick response. - Paul
I have a 200$ phone, a 30$ ring light and i can shoot very good footage in my house even on dark conditions . Most important is to know how to record and then how to edit the footage. I dont think in 2022 someone needs a true camera with lenses. Smartphones already have good enough quality, you just need creativity and knowledge of how things work.
🥱😴zzzzz
After a long time of period, I saw your t3i. But you have forgotten the path where you learnt and grown film making. I am talking about your t3i. It is very sad.
HALLO ASU AYOLAH ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU
I got a ton of use out of the T2i back in the day
I highly recommend installing magic lantern and then using ISO in intervals of 160
The way those old canons handle ISO is 100 is the base, 125 is digitally lifted in camera adding a TON of noise so avoid those 125 intervals like the plague, and 160 is ISO 200 darkened in camera which results in a slightly reduced dynamic range but a significant benefit to noise
I recommend looking into "lens cap tests" that show the how this works out
For example ISO 1250 is cleaner than 500
i.pinimg.com/originals/1f/0c/93/1f0c93f0e514cedac4f8c006ab4a7545.jpg
Like for FBI
HALLO AYOLAH ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU ASU