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My friends Elliot and Zander Weaver shot their first feature on the original Pocket Cinema camera. The film is called "Cosmos" and came out back in 2019. Definitely a film to check out to see this camera basically taken to its full potential.
I just absolutely adore it when people stick with things that are a little crappy or have quirks, instead of throwing them away in favor of newer things without any quirks. Warms my heart!
reason is simple, every product have it's own quirks and most of the time the amount of money spend on gear would not translate proportionally to what you'll earn with it. I still use 15yo Canon 1Ds3 for photography and they are more than awesome
Fix it in post! is a joke, because it is not a joke. It is like how you can make a large light small but you can't make a small light big. I said when I had got to DP I was a Lighting DP because I learned lighting in the streets of NYC running a lighting and grip truck. I have great appreciation for an AD.
I filmed my entire creative space tv series on these guys 7-8 years ago 😭 Tell ya what... I had to buy like 40 batteries and creatively cut in interviews when sometimes they would just shut off but boy the footage has stood the test of time better than any other stuff i did!!!
Ya an NPF battery adaptor was a must with the OG pocket. V mounts didn't make sense due to the size of the camera but sticking with the native nikon batteries also didn't make sense lol
Is there a way to get colors properly without taking it to Davinci ? I come from Sony and just a proper white balance it would get perfect colors. I’m having a nightmare worth black magic.
Its Dual Gain (Not Dual ISO): ARRI also uses Dual Gain to get those deep colors, so that explains alot. Also the slight glow in the highlights can make the old pocket look very analog. The new blackmagic pocket cameras got a more neutral look, less organic (they use sony sensors).
I grew up watching your videos almost everyday. I believe we're at the same age. My life is going really hard right now, not sure if I can get through this time. It feels a little better to open RUclips and watch you talk about filming.
It's been 10 years since I bought my Canon 5D Mark III, my Canon 5D Mark 3 was my "camera" and now it's my "friend". I never even considered replacing my best friend.
@@tudorciobanu3895 , it can be compared when you considering Canon with Magic Lantern in which are still the only option to recording true RAW image sequences , not compressed video. Magic Lantern is community based so RED's patent couldn't do anything about it. Magic Lantern for the EOS-M is kind of the APS-C version of the BMPCC OG.
I've used this camera before. for all its shortcomings, its been a camera that has a lot of potential. If you give it a chance, you can get a lot of great shots. The only real downside back when I used it was the audio and the battery (best option for me was the NP). Otherwise its a very solid camera
The old Pocket still has the MOST vintage filmic image of the BM cameras, similar to the Digital Bolex. It's really its own thing, its own look, and it is *lovely*, but yea... using it can be a pain. I've shot on a lot of cameras and the old Pocket footage always had a soft and imperfect feel to it that just felt more organic and less clinical. Good stuff!
I was going to say just this. The picture has something so unique to it and it's sort of filmic. Unfortunately the camera is a pita to use with all the necessary rigging hanging from it.
Literally just picked one up this week and I’m absolutely loving it, I’m using the following gear with some custom parts. - Tilta BMPCC Cage (With a custom arca Swiss plate and nato top handle conversion) - Sennheiser G2 / Rode Wireless go on a quick release mount with a 15cm cable - Custom (can also use a standard) NPF battery adapter either mounted near the left side of the cage or on the left side of the top handle - Custom rosette mount for a left handed rosette handgrip on the left side (I actually don’t use this much as I like having my hand under the camera, this would be great if it was a battery / handgrip combo though!) - Modified K&F Nikon G to MFT adapter with 0.72x reducer optics stolen from a free FD - MFT adapter I found - I’m also using a SmalHD501 on the top handle with a super compact monitor mount. For those interested I’m using some Nikon primes as well as a 16-85mm F3.5-5.6, 17-55mm F2.8. I’m mostly using it as a handheld, tripod and gimbal cam and it’s such a compact rig that’s a dream to shoot with after coming from the original Ursa / mini and the BMCC. The image it produces is also beautiful and it’s great not having to worry about crazy 4k raw file sizes. For reference too, the camera was $350AUD inc the cage, the sennheiser G2 Lav kit was $50AUD with a homemade $3Lav mic, the Nikon G to MFT adapter was $34AUD, the NPF adapter was included and I’m using NPF’s that I got with other gear and my BMCC, I spent about $14AUD on the quick release, $10AUD on cables and about $12AUD on steel rosettes and 3D printing filament for some of the custom parts. (I’ve had the lenses for the last decade)
Love that you used the BMPCC! I’ve always thought it looks so film-like - more so than any other digital camera. My original pocket 6k has been great for professional work. After the newest gyro stabilization firmware update it’s great for handheld too. I won’t complain about having a “sharper” image, but it doesn’t have the organic feel of BMPCC, that’s for sure.
Lovely video Simon! I recently bought a Canon C100 - 10 years old now and about £800 - and I'm absolutely loving it! The built in XLR inputs and NDs, plus the fact the image is still beautiful (technically a 4k censor downscaling in camera to 1080) make it perfect for me. One battery lasts 5-7 hours too. Just stays out of my way and let's me concentrate on what I'm making which is what it's all about for me.
Just picked one of these up with the same lens for travel videos and it’s an absolute game changer for me. Tons of limitations for sure and def not ideal but being able to whip this out of my pocket and get a beautiful shot without having to lug around a big camera and lenses allows me to stay in the present moment more.
I follow your channel for years now, and it is a joy to see when a new video is posted. Congrats for this awesome rig of yours. Cheers from Brasil, mate!
I was wondering when i’m gonna see a video about BMPCC from you. Great job.. pretty much sums up my expirience with the Pocket (and propably everyone else’s). Some people argue about this being unreliable camera and complain about the batterry, screen, audio… etc. But the thing is (despite the mirorrless form factor) this IS A CINEMA CAMERA. Maybe not in the traditional way everyone is used to, but when you start treating it like one, suddenly most of the issues disappear. Yes, the body is small and it’s fun to use as true pocket camera, but you get the whole potencial just after you start rigging it/using external audio. The sensor is old, but gold. Some compare the image to ARRI or shooting on film, bcs of the highlight rolloff, colors and generally the amazing looking natural image. Yes, the moire is a big issue, but you can kinda work around it. And hey.. where can you get a cinema camera with true Cinema DNG for 400$.
It is a great little camera, closest to film you can get, this little BMPCC has been used on many Hollywood productions alongside the Arri Alexa, and when you see the footage it's easy to see why. If you edit in DaVinci Resolve you can switch it to Gen 5 color science (I think, if not then Gen 4) for an up to date look, also I find a good Celluloid LUT pairs beautifully with these BM cameras. It's good to see you're back with a bit of content, keep it coming!
I've been considering on getting the original pocket for a while, but for all the trouble of rigging it out, it's better to get the Blackmagic Micro camera. It has the same sensor as the original and a better battery life. Yes it has no screen, but if you intend on rigging it out as you would with the original pocket, it's not much of a problem. Anyway, great job with the incredible footage!
I appreciate how much your channel focuses on making sensible financial choices and finding workarounds for "lesser" gear instead of pedaling that everyone needs a full-frame camera from the last year like everyone else. It's definitely a breath of fresh air in a sea of "is X good camera RELEVANT in 2022??" videos.
Man, I watched all your movies 9 years ago. And I saw your potential. And for any reason, I lost you on this youtube. Now, I found you again and I didn't recognized you at first. Looking now at your videos, I see your progress. Good job man!
Great overview! I would say that the "I could have rented the C70 for one week" is the best reason to buy the old BM? I am not opposed to renting if you have a specific need for a specific time, but you will make good use of this camera (and associated gear) for months or years. Unrig it and you have a pocketable solution. Use it for 5 years and if it still works, it might then become a backup camera or a camera for "should have brought a gopro" action filming for another 5 years. And all that for one week of C70 use!
ive watched your videos for years so it feels like I grew up with you. just saw this one after a long time of not seeing your videos. its always a good day when I watch my old youtube sensei's videos. thank you for all the years of wonderful content!
cant believe ive been watching this guy from he was a lil kid, its been so good watching your videos when i just started using dslr cameras. thanks for all the help with dealing with issues ive faced getting into cinematography simon
Several years ago, you inspired me to give the T3i a chance rather than waste my budget on a newer, nicer camera. I've used it since then and learned so much from it. It's funny now that we're evolving our gear at the same time. Yesterday my a7s ii came in the mail and I'm ready for a new chapter. Thanks for being one of my favorite channels for all these years! Excited for what's to come.
Nice one for choosing the mark ii rather than the iii, it's always a good investment to buy the older cameras haha, much more affordable. thanks for being here over the years Charley
Glad that you could get it to work! I had the original Blackmagic 2.5k Camera, which felt exactly the same handling wise, but the image holds up until today, which only few cameras do!
Very good encouragement video for newbies, fans of new equipment, dependent on the latest model, etc. 👍🏻 (I'll save it on a playlist, I'm pretty sure I'll need to see it from time to time...)
I used to own an original pocket camera! That thing was a beast with all the rig goodies! Its so pleasing to see this kind of video. Today, I'm happily settled with a P4k and a speedbooster, rokinon primes :)
Nice to see how Accessories can change a camera from "meh" to "pretty good". I took some notes for my future film projects. Thank you very much for sharing :)
I have to chime in here (as I imagine several other people will) just to say that I have loved, still love, and will probably always love this camera. I started with one of them, at one point owned two, and I shot two features with them. Shooting CinemaDNG raw is still a great format choice, I found the NPF battery solution addressed the power issues, and I didn't mind the additional rigging when needed. In its most stripped down form, I had the camera with the loupe over the back screen, a small pistol grip, and a variable ND on the lens to cover almost anything that came up in really fast-moving situations. With the speedbooster and the Sigma 18-35/50-100 lenses, you could open to an effective f/1.0, where you could overcome the small sensor size for field of view, depth of field, and low-light issues. I've upgraded to the pocket 6k pro since then, but I still look at footage from the original BMPCC and love what it did.
Nice! It’s so versatile when you rig it out - I’m thinking of making another video about the various configurations, from a POV helmet rig to a webcam setup :)
Yo this was the exact camera that we used in my film minor in college! It’s certainly not a vlogging camera and there are better cameras for filmmaking, but it isn’t bad and I appreciate you on sticking with it and making it work out:)
the aesthetic this camera provides is so nice, I'm definitely interested in getting the black magic pocket 4k one hoping it doesn't cause as much annoyance as this one but gives the same look!
Thanks for helping me with learning cinematography early on in 2016. Some of my best memories of my film journey are of watching your videos. I now work professionally and continue to learn and LOVE cinematography.
Watching RUclips shooters use the most expensive cameras and prime lenses, it's cool to see a shooter who works with what they have. Or making the most with what they have. I'm a beginner and I shoot video/film with a Nikon D3200 crop sensor. I learned how to use this camera to its full potential! To the point, I actually found it to translate my style of shooting. I use a ND filter. Stacked on a Black Pro Mist filter. And Polarized filter. And it's super cool. I think the fact that I've come this far is the cool part. I'm goin to upgrade shortly to a tamron 18-400 soon though. I will have to buy new filter for that lens. That's why I haven't pulled the trigger yet. Lol... I have so much more growing to do with my kit lenses. I love this.
I'm a D3300 owner but I wonder Why are you going for a full range zoom lens Having primes is a must for video, I have my DIY 50 1.8 and I love it My main lens is a sigma 17-50 2.8 which has an insanely sharp look but I personally would rather smaller zoom ranges than softer image
@@HappySlappyFace it's for the flexibility. MY 35mm on my crop sensor still looks good. But to be able to shoot actual 35mm is just a good option. Not having to be stuck with a specific focal length due to my crop sensor is a freedom. I been shooting everything with my 35mm (47 or 52mm on crop) and I recently learned about that. Lol. But luckily everything I been shooting has come out pretty good. Come check out my stuff if you like. I'm still learning but most importantly I'm learning to buy exactly what I need.
Cant wait for the grade tutorial. I've been subscribed for years and whether it was the t3i or this, the combo of light, lens, and contrast look beautiful
Great video. One of my favorite cameras. Very low key as well. People do not seem to notice when you are shooting with it. I only wish it had a higher framerate than 30FPS.
I love this camera. It is the camera I realized I always wanted -even before it existed. I'm not a pro, I shoot things when I travel sometimes and family and holidays etc. It's my "super 8"/home movie camera. Simple to use and wonderful image. I love it.
I totally relate to this. I've upgraded to a few other Blackmagic cameras since I bought the original pocket. I've considered selling it so many times, but I just can't seem to do it.
I still have a bmpcc with the dedicated ef speed booster (bringing it to a 1.7x crop). dealing with ir pollution and short battery life are just a few struggles. however the image can be beautiful (I find it works weell with a small hd focus. that also provides power)
@@nickdubesa8068 there is a cable for the small hd focus to do this. but I have not got the cable. so I still use sony npf950 with the little adapter to power the original bmpcc. I would be curious what monitors create that issue
As an owner of the OG myself. If you want to learn the ropes, this camera is going to teach you. A camera that makes you work for it, is a blessing and a curse. The perfect cinema camera in my eyes. A beautiful one too
Blackmagic used Fairchild sensors for this and the Micro Cinema Camera in order to give it a film-like look right off the sensor. ARRI wanted the same with their first digital camera. Unfortunately, the BMPCC OG came out when very little knew the benefits of ProRes 422 (HQ) and lossless compressed CinemaDNG, let alone LOG. Sony's NEX series likely gain more attention for about the same price. I guess you can say it was too far ahead of its time but not a bad buy.
Nice Video. But when i used the bmpcc, it was just to thin-scinned for me. So I got a used GH5 instead. The beauty of this is the internal EVF and sensor image stabilisation. This is really nice for quick handheld shots and for interviews. The menus and buttons are really nice, so zooming in for checking focus, judging exposure and checking audio levels is easy. And the autofokus is Ok for easy shots, like a talking head shot. So it is nice for filming myself as well. The internal battery is quite good as well. I got a NPF Adapter and external screen as well, but rarely use it, bevause it adds extra bulk.
Thin-scinned? You meaning to tell me its a cinema camera where the users have to actually do things manually? Say what? It was never designed for videographer who just want to point the lens in a general direction, press record and let the camera do all the work for them. Typically, Videographer = basic video // Cinematographer = artistic cinema. Some people do both.
I own the BMPCC Og and I use it regularly as my B cam especially for narrative stuff. Key for me is to keep the rig light with probably a cage and a NPF battery adapter
In a world where every videographer I know wants the latest and greatest, thhis is refreshing to see. All the more reason I feel I still need to hang on to my Sony 6300 which has been a hell of a pain but with a few accessories, I have sort of become one with it. It's very hard to feel this way about a camera.
i got the OG bmpcc when it first came out back in 2013, and didn't have a real appreciation for it for the longest time, it even ended up at the bottom of my camera bag for years. but then i got an image stabilized lens (lumix 12-35mm) and a battery caddy and this little dude is out of the bag, and is nearly a daily shooter. i just love the silky smooth buttery images this camera produces. and with a npf battery i can shoot all day without even thinking about it. yeah this is a fantastic little camera!
I’ve turned by bmpcc into a fantastic camera by just adding an onboard monitor which also powers the camera (btw normal sandisk se cards work perfectly with the camera). I can now shoot for a solid 3 hours without swapping the battery. The image quality is outstanding and I often find myself picking this camera instead of my red Komodo for its beautiful look.
The man absolutely refuses to use expensive gear and crushes it every time...I've learned so much from this channel through the years. It's what made me the type of filmmaker I am.
the lumix lens that you have works perfectly on the bmpcc , if you cant see much of the screen while focusing ,just press the auto focus feature on the camera.
Oh man. That is an extremely challenging camera to use for a documentary. Haha. If you can lean into its weaknesses, of which there are many, it will reward you with some seriously stellar footage. But I don’t know if I have the stamina anymore to wrangle this little beast. I do miss mine some days though. BM really nailed the look they were going for in this camera, and have never really matched it with newer models.
Thank you for the video. I was unsure if I was the only one out there still shooting with the OG BMPCC, I have the C70 and R5C for my work, but for some reason, I just keep picking up this tine pain in the ass camera for my personal shoot. BTW, I have a very simmer setup like yours, except I use LAOWA 7.5 T2.1 as my primary lens.
@@DSLRguide The battery grip does get hot but have not experienced any overheating issues. I used Tilta battery plate with a Sony NP battery to power the camera and the Porkys2 EVF.
I shoot my first short film on it and I loved the feel that this camera gives you when you make color interpretation. It just feels very cinematic and it got its unique style I really enjoy. In my experience very nice way to stab your footage is put this camera on something of gorillapod and bend one leg to your chest. Also i found panasonic 20mm 1.7 nice kind of all in one glass for it, but 16mm cab be even more multitask
I love your simplicity. The way you made this video is inspiring and i just love it. Btw I can totally understand why the camera is annoying. Sometimes it just go on the nerves but you love it anyway ☺️
The original BMPCC is the epitome of prosumer. Yes it has many shortcomings, but give it half a chance and it'll surprise you. It's fun to set it up with vintage c mounts for a super small package.
First a ten year old camera is not old. What do you think people were shooting with? Rocks and stones? News flash! They made amazing movies 50 years ago, 60 years, and so on... You could have shot with a 5d Mark II which is older. Opening video sequence of ‘Saturday Night Live’ shot with Canon 5d mark II. So that camera must be doing something right in the right hands.. Oh the struggle.... Black magic is a good camera... Its not about giving the black magic a chance.. It's about learning how to use it and get good video... No chance, do.
Hello! Wondering about the external viewfinder mentioned around 1:48 - I have been looking for one for a while for my Sony ZV-E10. Could you provide me with information of the external viewfinder? Cheers!
This actually felt very nice to watch. Serves as a reminder for me to buy my cage accessories for my r6. But awesome work my friend and in the end, the set up is worth it.👏👏👏👏👏👏👏
Right when I saw the video thumbnail I knew it was the brilliant OG BMPCC lol. I still use it as my main and even shot a feature film on it. Definitely a camera that will make you learn how to be a filmmaker. From lighting to sound to various shot techniques to storytelling most importantly.
:) love the BMPCC and still own 3 of them for multicam live shoots… very particular camera that does not want to make things easy. But eh, for simple run and gun, c70 certainly ought to be a easier beast to manage, or a GH5. this camera made with a Dual Gain Output Fairchild sensor years before Canon and did not even bother marketing the feature. And it pairs nicely with many tiny vintage Super16 lenses for the ultimate retro vibe (a set of 5 lenses in your pocket? No biggie!). This was the camera that made me like color grading and other more advanced features after transitioning from 5DmkII. but it kind of requires AC power and external audio solution if you plan to use audio at all. The ProRes out of it is really nice even at ProResLT compression, I’ve only used cinemaDNG for quick tests. On early firmware version I had really weird results together with Panasonic OIS and forever feared optical image stabilization completely breaking my footage, gave me the strangest visual errors I’ve ever seen like if one image was captured at maybe 2, 3 or 4 different lens orientations. Was your experience that your image stabilized lenses worked with this camera? Maybe they fixed something in later firmwares or maybe just some lenses are completely broken with it.
All of the music from this video came from Audiio Pro: audiio.com/partner?oid=1&affid=821&sub2=video
(Use the promo code "Simon70" at checkout for 70% off your first year of Audiio Pro)
My friends Elliot and Zander Weaver shot their first feature on the original Pocket Cinema camera. The film is called "Cosmos" and came out back in 2019. Definitely a film to check out to see this camera basically taken to its full potential.
I just absolutely adore it when people stick with things that are a little crappy or have quirks, instead of throwing them away in favor of newer things without any quirks. Warms my heart!
reason is simple, every product have it's own quirks and most of the time the amount of money spend on gear would not translate proportionally to what you'll earn with it. I still use 15yo Canon 1Ds3 for photography and they are more than awesome
I am still using my dslrs and I really do enjoy them!!!
Weirdo
Fix it in post! is a joke, because it is not a joke. It is like how you can make a large light small but you can't make a small light big. I said when I had got to DP I was a Lighting DP because I learned lighting in the streets of NYC running a lighting and grip truck. I have great appreciation for an AD.
I filmed my entire creative space tv series on these guys 7-8 years ago 😭 Tell ya what... I had to buy like 40 batteries and creatively cut in interviews when sometimes they would just shut off but boy the footage has stood the test of time better than any other stuff i did!!!
Dang, sad. Makes me feel like such a hacker with my 12v out power brick though 😂
Sara, we meet again. 😂😂😂😂
Ya an NPF battery adaptor was a must with the OG pocket. V mounts didn't make sense due to the size of the camera but sticking with the native nikon batteries also didn't make sense lol
@@buknar456 I'm shocked no one makes a more powerful version of this battery.
Sensor is 10 years old and still looks better than some mirror less cameras today. Blackmagic as a company is so appropriately named.
Depending on what look you’re going for I’d say it’s more filmic than a lot of stuff out there
Is there a way to get colors properly without taking it to Davinci ? I come from Sony and just a proper white balance it would get perfect colors. I’m having a nightmare worth black magic.
Its Dual Gain (Not Dual ISO): ARRI also uses Dual Gain to get those deep colors, so that explains alot. Also the slight glow in the highlights can make the old pocket look very analog. The new blackmagic pocket cameras got a more neutral look, less organic (they use sony sensors).
I grew up watching your videos almost everyday. I believe we're at the same age.
My life is going really hard right now, not sure if I can get through this time.
It feels a little better to open RUclips and watch you talk about filming.
You’ve got this!
Me too man. I think it gets better with time.
remember if it got dark. you just got planted.
May you find that Jesus can be close to you if you want him too! God bless you man and bring his peace and comfort to you =)
It's been 10 years since I bought my Canon 5D Mark III, my Canon 5D Mark 3 was my "camera" and now it's my "friend". I never even considered replacing my best friend.
🥺🥺
I have a 5D Mark III too, i've had it for several years and shot all of my shortfilms on it.
You can not compare 12 bit & 13 stops of DR with h.264 from any DSLR. This is a cinema camera, one of the best, it used to be known as mini Alexa.
@@tudorciobanu3895 , it can be compared when you considering Canon with Magic Lantern in which are still the only option to recording true RAW image sequences , not compressed video. Magic Lantern is community based so RED's patent couldn't do anything about it. Magic Lantern for the EOS-M is kind of the APS-C version of the BMPCC OG.
I've used this camera before. for all its shortcomings, its been a camera that has a lot of potential. If you give it a chance, you can get a lot of great shots. The only real downside back when I used it was the audio and the battery (best option for me was the NP). Otherwise its a very solid camera
The old Pocket still has the MOST vintage filmic image of the BM cameras, similar to the Digital Bolex. It's really its own thing, its own look, and it is *lovely*, but yea... using it can be a pain. I've shot on a lot of cameras and the old Pocket footage always had a soft and imperfect feel to it that just felt more organic and less clinical. Good stuff!
I was going to say just this. The picture has something so unique to it and it's sort of filmic. Unfortunately the camera is a pita to use with all the necessary rigging hanging from it.
I have the BMCC and BMPCC and I think the BMCC wins for a film look.
Literally just picked one up this week and I’m absolutely loving it, I’m using the following gear with some custom parts.
- Tilta BMPCC Cage (With a custom arca Swiss plate and nato top handle conversion)
- Sennheiser G2 / Rode Wireless go on a quick release mount with a 15cm cable
- Custom (can also use a standard) NPF battery adapter either mounted near the left side of the cage or on the left side of the top handle
- Custom rosette mount for a left handed rosette handgrip on the left side (I actually don’t use this much as I like having my hand under the camera, this would be great if it was a battery / handgrip combo though!)
- Modified K&F Nikon G to MFT adapter with 0.72x reducer optics stolen from a free FD - MFT adapter I found
- I’m also using a SmalHD501 on the top handle with a super compact monitor mount.
For those interested I’m using some Nikon primes as well as a 16-85mm F3.5-5.6, 17-55mm F2.8.
I’m mostly using it as a handheld, tripod and gimbal cam and it’s such a compact rig that’s a dream to shoot with after coming from the original Ursa / mini and the BMCC. The image it produces is also beautiful and it’s great not having to worry about crazy 4k raw file sizes.
For reference too, the camera was $350AUD inc the cage, the sennheiser G2 Lav kit was $50AUD with a homemade $3Lav mic, the Nikon G to MFT adapter was $34AUD, the NPF adapter was included and I’m using NPF’s that I got with other gear and my BMCC, I spent about $14AUD on the quick release, $10AUD on cables and about $12AUD on steel rosettes and 3D printing filament for some of the custom parts. (I’ve had the lenses for the last decade)
Love that you used the BMPCC! I’ve always thought it looks so film-like - more so than any other digital camera.
My original pocket 6k has been great for professional work. After the newest gyro stabilization firmware update it’s great for handheld too. I won’t complain about having a “sharper” image, but it doesn’t have the organic feel of BMPCC, that’s for sure.
Lovely video Simon! I recently bought a Canon C100 - 10 years old now and about £800 - and I'm absolutely loving it! The built in XLR inputs and NDs, plus the fact the image is still beautiful (technically a 4k censor downscaling in camera to 1080) make it perfect for me. One battery lasts 5-7 hours too. Just stays out of my way and let's me concentrate on what I'm making which is what it's all about for me.
Good choice! I bet the built-in ND filters will serve you well
Just picked one of these up with the same lens for travel videos and it’s an absolute game changer for me. Tons of limitations for sure and def not ideal but being able to whip this out of my pocket and get a beautiful shot without having to lug around a big camera and lenses allows me to stay in the present moment more.
I follow your channel for years now, and it is a joy to see when a new video is posted. Congrats for this awesome rig of yours. Cheers from Brasil, mate!
thanks for being here Felipe :)
I was wondering when i’m gonna see a video about BMPCC from you. Great job.. pretty much sums up my expirience with the Pocket (and propably everyone else’s).
Some people argue about this being unreliable camera and complain about the batterry, screen, audio… etc.
But the thing is (despite the mirorrless form factor) this IS A CINEMA CAMERA. Maybe not in the traditional way everyone is used to, but when you start treating it like one, suddenly most of the issues disappear. Yes, the body is small and it’s fun to use as true pocket camera, but you get the whole potencial just after you start rigging it/using external audio.
The sensor is old, but gold. Some compare the image to ARRI or shooting on film, bcs of the highlight rolloff, colors and generally the amazing looking natural image. Yes, the moire is a big issue, but you can kinda work around it.
And hey.. where can you get a cinema camera with true Cinema DNG for 400$.
It is a great little camera, closest to film you can get, this little BMPCC has been used on many Hollywood productions alongside the Arri Alexa, and when you see the footage it's easy to see why. If you edit in DaVinci Resolve you can switch it to Gen 5 color science (I think, if not then Gen 4) for an up to date look, also I find a good Celluloid LUT pairs beautifully with these BM cameras. It's good to see you're back with a bit of content, keep it coming!
Which productions was it used on?
I've been considering on getting the original pocket for a while, but for all the trouble of rigging it out, it's better to get the Blackmagic Micro camera. It has the same sensor as the original and a better battery life. Yes it has no screen, but if you intend on rigging it out as you would with the original pocket, it's not much of a problem. Anyway, great job with the incredible footage!
And the micro has a better rolling shutter and 60fps
That’s exactly what i thought (and did). I love it!
I’ve got a BMMCC instead of an OG Pocket in 2019; I’m in love with its footage and battery life!
I have a lot of BMMCC footage on my channel and whenever I show people they always comment on the filmic look it has.
I'm really happy with it, after the accessories. I've added the accessories to the video's description in case that's helpful :)
I appreciate how much your channel focuses on making sensible financial choices and finding workarounds for "lesser" gear instead of pedaling that everyone needs a full-frame camera from the last year like everyone else. It's definitely a breath of fresh air in a sea of "is X good camera RELEVANT in 2022??" videos.
Man, I watched all your movies 9 years ago. And I saw your potential. And for any reason, I lost you on this youtube. Now, I found you again and I didn't recognized you at first. Looking now at your videos, I see your progress. Good job man!
Great overview! I would say that the "I could have rented the C70 for one week" is the best reason to buy the old BM?
I am not opposed to renting if you have a specific need for a specific time, but you will make good use of this camera (and associated gear) for months or years. Unrig it and you have a pocketable solution. Use it for 5 years and if it still works, it might then become a backup camera or a camera for "should have brought a gopro" action filming for another 5 years. And all that for one week of C70 use!
Damn right sir
precisely! I'm going to get far more than 7 days of use out of this camera :)
I work at Adorama as a used camera checker and I always get so frustrated when these things come in lol. But wow, you've made it work pretty well!
ive watched your videos for years so it feels like I grew up with you. just saw this one after a long time of not seeing your videos. its always a good day when I watch my old youtube sensei's videos. thank you for all the years of wonderful content!
thanks for being here Mohamed, I appreciate it :)
Footage looks brilliant and pretty close to a film stock. You have always gotten the most out of everything you work with. Great stuff!
Thank you :)
cant believe ive been watching this guy from he was a lil kid, its been so good watching your videos when i just started using dslr cameras. thanks for all the help with dealing with issues ive faced getting into cinematography simon
Several years ago, you inspired me to give the T3i a chance rather than waste my budget on a newer, nicer camera. I've used it since then and learned so much from it. It's funny now that we're evolving our gear at the same time. Yesterday my a7s ii came in the mail and I'm ready for a new chapter. Thanks for being one of my favorite channels for all these years! Excited for what's to come.
Nice one for choosing the mark ii rather than the iii, it's always a good investment to buy the older cameras haha, much more affordable. thanks for being here over the years Charley
Glad that you could get it to work! I had the original Blackmagic 2.5k Camera, which felt exactly the same handling wise, but the image holds up until today, which only few cameras do!
great video simon! loved the storyline with building up the camera, kept me entertained throughout:)
thank you Tommy!
I LOVE the pocket OG
omg this is like the best looking images ive ever seen with the bmpcc og !
Very good encouragement video for newbies, fans of new equipment, dependent on the latest model, etc. 👍🏻 (I'll save it on a playlist, I'm pretty sure I'll need to see it from time to time...)
I used to own an original pocket camera! That thing was a beast with all the rig goodies! Its so pleasing to see this kind of video. Today, I'm happily settled with a P4k and a speedbooster, rokinon primes :)
Love u so much Simon Cade. U inspired my film journey since 2017.
Did u stop eating apples? ;)
Nice to see how Accessories can change a camera from "meh" to "pretty good".
I took some notes for my future film projects. Thank you very much for sharing :)
such wholesome and warm video! bravo!
Always love a new video from DSLRguide. Your voice is so soothing too.
Wow! I havent seen a video from You in years, but boy, have you grown! It is rare and pretty cool, that you didnt change your chilled style! Applause!
welcome back :)
Beautiful grading work. I can't wait to see the followup video!
Always great to see you back Simon.
Thanks for watching David :)
I have to chime in here (as I imagine several other people will) just to say that I have loved, still love, and will probably always love this camera. I started with one of them, at one point owned two, and I shot two features with them. Shooting CinemaDNG raw is still a great format choice, I found the NPF battery solution addressed the power issues, and I didn't mind the additional rigging when needed. In its most stripped down form, I had the camera with the loupe over the back screen, a small pistol grip, and a variable ND on the lens to cover almost anything that came up in really fast-moving situations. With the speedbooster and the Sigma 18-35/50-100 lenses, you could open to an effective f/1.0, where you could overcome the small sensor size for field of view, depth of field, and low-light issues. I've upgraded to the pocket 6k pro since then, but I still look at footage from the original BMPCC and love what it did.
Nice! It’s so versatile when you rig it out - I’m thinking of making another video about the various configurations, from a POV helmet rig to a webcam setup :)
the look you can get from the original pocket is amazing! Love the colors and the organic feel
Yo this was the exact camera that we used in my film minor in college! It’s certainly not a vlogging camera and there are better cameras for filmmaking, but it isn’t bad and I appreciate you on sticking with it and making it work out:)
the aesthetic this camera provides is so nice, I'm definitely interested in getting the black magic pocket 4k one hoping it doesn't cause as much annoyance as this one but gives the same look!
Glad to hear it went well! For future shoots, the C70 with the 28-70f2 is a dream to film with. Docs or otherwise.
I remember when you had under 20k now you are at almost a mil and doing fun videos like this i love it.
Excellent video. I loved the results you got from it! The colours have stood the test of time.
Thank you for your thoughts on this. 😊
The images are still so lovely from this little camera. Blackmagic Design for true digital film cameras always.
Thanks for helping me with learning cinematography early on in 2016. Some of my best memories of my film journey are of watching your videos. I now work professionally and continue to learn and LOVE cinematography.
this is so cool to hear, thanks for letting me know :)
That grading is absolutely beautiful. Can't wait for that video !
strangely, I found the sponsorship part very informative and helpful! thank you :)
The colours from the BMPCC look outstanding
Watching RUclips shooters use the most expensive cameras and prime lenses, it's cool to see a shooter who works with what they have. Or making the most with what they have. I'm a beginner and I shoot video/film with a Nikon D3200 crop sensor. I learned how to use this camera to its full potential! To the point, I actually found it to translate my style of shooting. I use a ND filter. Stacked on a Black Pro Mist filter. And Polarized filter. And it's super cool. I think the fact that I've come this far is the cool part. I'm goin to upgrade shortly to a tamron 18-400 soon though. I will have to buy new filter for that lens. That's why I haven't pulled the trigger yet. Lol... I have so much more growing to do with my kit lenses. I love this.
I'm a D3300 owner but I wonder
Why are you going for a full range zoom lens
Having primes is a must for video, I have my DIY 50 1.8 and I love it
My main lens is a sigma 17-50 2.8 which has an insanely sharp look but I personally would rather smaller zoom ranges than softer image
@@HappySlappyFace it's for the flexibility. MY 35mm on my crop sensor still looks good. But to be able to shoot actual 35mm is just a good option. Not having to be stuck with a specific focal length due to my crop sensor is a freedom. I been shooting everything with my 35mm (47 or 52mm on crop) and I recently learned about that. Lol. But luckily everything I been shooting has come out pretty good. Come check out my stuff if you like. I'm still learning but most importantly I'm learning to buy exactly what I need.
Cant wait for the grade tutorial. I've been subscribed for years and whether it was the t3i or this, the combo of light, lens, and contrast look beautiful
thank you Nate!
Excellent episode, got the vibe of the old OG Dslrguide❤️
Thanks Akhil
Great video. One of my favorite cameras. Very low key as well. People do not seem to notice when you are shooting with it. I only wish it had a higher framerate than 30FPS.
I love this camera. It is the camera I realized I always wanted -even before it existed. I'm not a pro, I shoot things when I travel sometimes and family and holidays etc. It's my "super 8"/home movie camera. Simple to use and wonderful image. I love it.
I totally relate to this. I've upgraded to a few other Blackmagic cameras since I bought the original pocket. I've considered selling it so many times, but I just can't seem to do it.
I still have a bmpcc with the dedicated ef speed booster (bringing it to a 1.7x crop). dealing with ir pollution and short battery life are just a few struggles. however the image can be beautiful (I find it works weell with a small hd focus. that also provides power)
I’ve heard using a monitor to power the camera creates a voltage loop and breaks the hdmi. Have you been doing this for a while with no issue?
@@nickdubesa8068 there is a cable for the small hd focus to do this. but I have not got the cable. so I still use sony npf950 with the little adapter to power the original bmpcc. I would be curious what monitors create that issue
As an owner of the OG myself. If you want to learn the ropes, this camera is going to teach you. A camera that makes you work for it, is a blessing and a curse. The perfect cinema camera in my eyes. A beautiful one too
the footage just looks great
Blackmagic used Fairchild sensors for this and the Micro Cinema Camera in order to give it a film-like look right off the sensor. ARRI wanted the same with their first digital camera. Unfortunately, the BMPCC OG came out when very little knew the benefits of ProRes 422 (HQ) and lossless compressed CinemaDNG, let alone LOG. Sony's NEX series likely gain more attention for about the same price. I guess you can say it was too far ahead of its time but not a bad buy.
Nice Video. But when i used the bmpcc, it was just to thin-scinned for me.
So I got a used GH5 instead. The beauty of this is the internal EVF and sensor image stabilisation.
This is really nice for quick handheld shots and for interviews.
The menus and buttons are really nice, so zooming in for checking focus, judging exposure and checking audio levels is easy.
And the autofokus is Ok for easy shots, like a talking head shot. So it is nice for filming myself as well. The internal battery is quite good as well.
I got a NPF Adapter and external screen as well, but rarely use it, bevause it adds extra bulk.
Thin-scinned? You meaning to tell me its a cinema camera where the users have to actually do things manually? Say what? It was never designed for videographer who just want to point the lens in a general direction, press record and let the camera do all the work for them. Typically, Videographer = basic video // Cinematographer = artistic cinema. Some people do both.
I own the BMPCC Og and I use it regularly as my B cam especially for narrative stuff. Key for me is to keep the rig light with probably a cage and a NPF battery adapter
You did the right thing buying this gem, the organic filmic look it produces is gorceous! I'm gonna keep mine for life even if I buy others.
Beautiful footage!
Bruh! I love this little camera and wish I used it more. You did a great job!
Simon you are a huge inspiration 🫡🫡🫡
brilliant video and determination!
In a world where every videographer I know wants the latest and greatest, thhis is refreshing to see. All the more reason I feel I still need to hang on to my Sony 6300 which has been a hell of a pain but with a few accessories, I have sort of become one with it. It's very hard to feel this way about a camera.
Everything black magic cameras produce just look amazing. Excellent video Simon.
Black hole sun
@@AlexPotvin Yeah, the black hole sun was annoying, but it was already fixed.
The footage still just looks so damn good. There really was something about the OG bmpcc, I still love it
i got the OG bmpcc when it first came out back in 2013, and didn't have a real appreciation for it for the longest time, it even ended up at the bottom of my camera bag for years. but then i got an image stabilized lens (lumix 12-35mm) and a battery caddy and this little dude is out of the bag, and is nearly a daily shooter. i just love the silky smooth buttery images this camera produces. and with a npf battery i can shoot all day without even thinking about it. yeah this is a fantastic little camera!
I've added the links to the accessories in video's description in case that's helpful :)
Wow 🤩 Simon can use any camera and make it cinematic just like anyone of us can. You’ve inspired me since 8th grade!
Thanks for being here Hakari :)
I’ve turned by bmpcc into a fantastic camera by just adding an onboard monitor which also powers the camera (btw normal sandisk se cards work perfectly with the camera). I can now shoot for a solid 3 hours without swapping the battery. The image quality is outstanding and I often find myself picking this camera instead of my red Komodo for its beautiful look.
Your hdmi didn’t get shorted out from powering the camera from a monitor?
The man absolutely refuses to use expensive gear and crushes it every time...I've learned so much from this channel through the years. It's what made me the type of filmmaker I am.
thanks for being here :)
the lumix lens that you have works perfectly on the bmpcc , if you cant see much of the screen while focusing ,just press the auto focus feature on the camera.
Such a good video!! Weird to think I’ve been watching this channel since I was 13, and now I’m 21!
wow, thanks for being here :)
the Imagequality is freaking amazing
I love how the video looks so much like film! Did you do that yourself or is that just how the footage came out?
The camera is known for having a film-like look out of camera
I always enjoy your videos. Crazy how long I've been watching them.
thanks for being here Doyle :)
missed you!
Oh man. That is an extremely challenging camera to use for a documentary. Haha. If you can lean into its weaknesses, of which there are many, it will reward you with some seriously stellar footage. But I don’t know if I have the stamina anymore to wrangle this little beast. I do miss mine some days though. BM really nailed the look they were going for in this camera, and have never really matched it with newer models.
Thank you for the video. I was unsure if I was the only one out there still shooting with the OG BMPCC, I have the C70 and R5C for my work, but for some reason, I just keep picking up this tine pain in the ass camera for my personal shoot. BTW, I have a very simmer setup like yours, except I use LAOWA 7.5 T2.1 as my primary lens.
You’re welcome! I can relate to that, it’s a really fun camera to work with for some reason. Have you ever had any overheating issues with it?
@@DSLRguide The battery grip does get hot but have not experienced any overheating issues. I used Tilta battery plate with a Sony NP battery to power the camera and the Porkys2 EVF.
I shoot my first short film on it and I loved the feel that this camera gives you when you make color interpretation. It just feels very cinematic and it got its unique style I really enjoy. In my experience very nice way to stab your footage is put this camera on something of gorillapod and bend one leg to your chest. Also i found panasonic 20mm 1.7 nice kind of all in one glass for it, but 16mm cab be even more multitask
I love your simplicity. The way you made this video is inspiring and i just love it. Btw I can totally understand why the camera is annoying. Sometimes it just go on the nerves but you love it anyway ☺️
Well said. Those colors are phenomenal, so filmic!
The original BMPCC is the epitome of prosumer. Yes it has many shortcomings, but give it half a chance and it'll surprise you. It's fun to set it up with vintage c mounts for a super small package.
No dropped frames! Motion looked totally smooth.
First a ten year old camera is not old.
What do you think people were shooting with?
Rocks and stones?
News flash! They made amazing movies 50 years ago, 60 years, and so on...
You could have shot with a 5d Mark II which is older.
Opening video sequence of ‘Saturday Night Live’ shot with Canon 5d mark II.
So that camera must be doing something right in the right hands..
Oh the struggle....
Black magic is a good camera...
Its not about giving the black magic a chance..
It's about learning how to use it and get good video...
No chance, do.
Hello! Wondering about the external viewfinder mentioned around 1:48 - I have been looking for one for a while for my Sony ZV-E10. Could you provide me with information of the external viewfinder? Cheers!
I've just added product links including the EVF to the video's decription :)
actually, the footages you got are so nice
what? the quality is so damn good!!!
those shots look great!!!
Very nice! Love how you put it together.
thanks Deane! I've added the links to the accessories in video's description in case that's helpful :)
The footage looks like an older French film… I LOVE THE LOOK OF THE FOOTAGE
This actually felt very nice to watch. Serves as a reminder for me to buy my cage accessories for my r6. But awesome work my friend and in the end, the set up is worth it.👏👏👏👏👏👏👏
I've added the links to the accessories in video's description in case that's helpful :)
@@DSLRguide Thank you thank you
Right when I saw the video thumbnail I knew it was the brilliant OG BMPCC lol. I still use it as my main and even shot a feature film on it. Definitely a camera that will make you learn how to be a filmmaker. From lighting to sound to various shot techniques to storytelling most importantly.
This camera came out 10 years ago...?!
:) love the BMPCC and still own 3 of them for multicam live shoots… very particular camera that does not want to make things easy. But eh, for simple run and gun, c70 certainly ought to be a easier beast to manage, or a GH5. this camera made with a Dual Gain Output Fairchild sensor years before Canon and did not even bother marketing the feature. And it pairs nicely with many tiny vintage Super16 lenses for the ultimate retro vibe (a set of 5 lenses in your pocket? No biggie!). This was the camera that made me like color grading and other more advanced features after transitioning from 5DmkII. but it kind of requires AC power and external audio solution if you plan to use audio at all. The ProRes out of it is really nice even at ProResLT compression, I’ve only used cinemaDNG for quick tests. On early firmware version I had really weird results together with Panasonic OIS and forever feared optical image stabilization completely breaking my footage, gave me the strangest visual errors I’ve ever seen like if one image was captured at maybe 2, 3 or 4 different lens orientations. Was your experience that your image stabilized lenses worked with this camera? Maybe they fixed something in later firmwares or maybe just some lenses are completely broken with it.
i've had no problems with panasonic OIS, or canon IS (via metabones speedbooster)! But i've only tried 2 lenses haha
Nice informative video. Good work.
Could you do more videos like this..
Adapt unpopular models like Sigma fp or similar cheap alternatives.
i understand the pain , I too use the original bmpcc for my youtube shoot !!
wow the footage from the camera draw many similar characters to 16mm film i love it