If you enjoy what we do here, please consider helping raise our profile in the following ways: Subscribe to the channel Click the bell to be notified every time we post Click the thumbs-up on the posts you like Share our posts with like minded people and don't forget to click 'Show more' above to read the liner notes on this post You can also thank us by buying us a coffee: ko-fi.com/milestonesarchive Thank you!
Taking rhythm, harmony & melody to the extreme within a form, a spontaneous combustion of musical ideas flowing like a river because of the players acute ability to listen. I can't stop listening to this band & it's been that way for almost 50 years now! I was saddened by the death of Wayne but happy that he lived a long life & shared so much with us & the Universe!!
Tony & Wayne on this!!!! and Miles is on fire. the whole group is at peak dynamic range I think. they never got louder with this setup, as far as I've heard, yet there are whole periods of drum-less suspension of time and space. Wayne's solo work is extraterrestrial, on Agitation he produces a galactic painting mixed with snare drum cracks that lead to a sort of sortie ending of anthemic proportions. Herbie is in abstract mode throughout (his Footprints solo is so fresh and modern sounding, masterful piano playing), as is Ron who lays down flooring for these solos with a matched strength to what Tony is playing. Tony has begun evolving into his new, aggressive psychedelic jazz/rock drumming concept. mixed with an early afro-futurism, Tony launched a style that would blossom in his next venture (starting in late '68), The Tony Williams Lifetime, that influenced drummers all over the world. how many drummers today play like, and sound like, they've checked out some Tony?
Verry interesting, what you rote about that so special Event. How you discribe the Artists of this Formation is Like If you knew them. Fore shour, you know there music. I'm a big Fan of Miles- don't know the Others so well- but I know, that they playd a lot together and lesend from each other. Thank you for your interesting Letters!
Endless gratitude for allowing us Miles fans to hear another magic evening of this magnificent ensemble of intrepid explorers boldly venturing into the vast universe of sonic possibilities despite deploying familiar music masterpieces showcasing their creative genius in "re-purposing" them and making them brand new again, as is their want to do!!! That was a beautiful homage to the magnificent Wayne Shorter who recently transitioned to dimensional distant shores to delight other quadrants of the Multiverse but was so generous in leaving with us a bounty of his vast gifts for us to enjoy forever!!!
This is not just music. This is something totally from another dimension. No wonder no one, or group has been able to replicate anything remotely this close in style and stride…😮
Endless gratitude to Milestones: A Miles Davis Archive for ALL the wonderful work you put into presenting such extraordinary works of music and artists! This post is exceptional in not only the inspired performances by each and every member of this otherworldly ensemble of geniuses but the potent expansiveness of the hall's sound that enhances the power of the group without overkill of acoustics...BIG UPS!!!
I love this channel as I love Miles Davis music. Unfortunately I live beyond poverty and so I cannot support you guys financially. Thank you for all the posts!
Cette musique est d'une beauté vertigineuse. Le meilleur petit groupe de l'histoire du Jazz. Wayne Shorter n'y jouait que du sax ténor. Il a fallu que Miles Davis passe à l'électrique en 1969 pour que Wayne Shorter joue du sax soprano dans son groupe. Etonnant, non?
Je n arrête pas de m émerveiller du génie de Tony Williams et me demande si un drummer peut avoir des" trucs" , des automatismes pour masquer les vides , ou si sa fonction particulière de "coeur "l oblige plus que les autres à être toujours présent et intense....
Awesome post, thank you! I have been fascinated by the transformation of Davis' quintet from 1960, post Coltrane, to the second great quintet. The complete Seven Steps and Plugged Nickel sessions never get old but this is a real treat. Again thanks for all your posts, I really do enjoy them.
I'm copying over my comment from the earlier upload of this concert. Thank you for the remaster. Again, this is my FAVORITE of the 2nd quintet bootlegs! ----- OK finally! To me -- this is the BEST outing of the 1967 tour ! I was dissapointed that the Columbia bootleg series of the '67 tour didn't include any from this set. I love Herbie and Tony's work here especially. The interplay between them in the solos for Round Midnight and Footprints is incredible. Totally swinging and lyrical. OK 20:19 - 21:01 --right here. I love this part! Damn ! Tony's drumming is so REGAL and exciting! -------
Hi Ko-Fi, thanks for this nice remastering of the 1968 ORF broadcast. I own a copy of the full ORF broadcast (that in fact has few flaws) with introduction and comments by jazz journalist Mr. Walter R. Langer. You mention the concert date given on the 1967 poster of the "Berliner Jazztage" as 1967, November 3rd. In fact this jazz festival had been the first I visited after moving to Berlin. As an 18-year old I became obsessed with this music, especially after the Miles Davis Quintet's performance. In some bad spelling I noted on the leporello program "Get me fiever !". Since I own an original of this leporello where I marked the concerts which I visited, I found that I had actually attended the Miles Davis concert on November 4, 1967. After the poster was printed the program had obviously been changed at short notice in the order of the concerts. Unfortunately I don't know if its possible to attach a scan of that leporello here. Warm greetings from Berlin to all Miles Davis and Wayne Shorter fans enjoying this channel.🎶🎷🎺🎶
If you enjoy what we do here, please consider helping raise our profile in the following ways:
Subscribe to the channel
Click the bell to be notified every time we post
Click the thumbs-up on the posts you like
Share our posts with like minded people
and don't forget to click 'Show more' above to read the liner notes on this post
You can also thank us by buying us a coffee:
ko-fi.com/milestonesarchive
Thank you!
Building was bombed in '44, rebuilt in early 60's, and finally broken-in in 1967. To have been a fly on the wall...
I saw the band but with Chick and Dave Holland in Hollywood California. I was star struck. The band was awesome
Ik jack was goin crazy on drums if they played Directions
マイルスデイビスの戦慄的なアドリブ、これ、最高ですね。🎉ピアノ、ドラム、サキソホン、ベース、この一体感、素晴らしいステージです。🎉🎉🎉
Unity indeed!
Thank you for sharing this... Rest in peace, Wayne.
Thank you, Mr. Carter, and condolences to you on the loss of your friend. The beautiful music you made together will be with us always.
so cool you still have your finger on the pulse Ron ,sorry you lost a brother ... the whole jazz world feels it too Peace
Jazz music at its finest
Awesome band
The energy is pure, powerful and amazing .
Taking rhythm, harmony & melody to the extreme within a form, a spontaneous combustion of musical ideas flowing like a river because of the players acute ability to listen. I can't stop listening to this band & it's been that way for almost 50 years now! I was saddened by the death of Wayne but happy that he lived a long life & shared so much with us & the Universe!!
totally agree
@@richiebeirach3671 Same here too my friends!!!
I love this music
The Sound!
あー、何てこと。こんな極上のライヴ音源にであえるなんて。生きててよかった。もう泣きそう。ありがとう。
Thanks RIP ALL. 💔💚👍
Miles was awesome and Wayne in his tux and Tony want always on time
Tony & Wayne on this!!!! and Miles is on fire. the whole group is at peak dynamic range I think. they never got louder with this setup, as far as I've heard, yet there are whole periods of drum-less suspension of time and space.
Wayne's solo work is extraterrestrial, on Agitation he produces a galactic painting mixed with snare drum cracks that lead to a sort of sortie ending of anthemic proportions. Herbie is in abstract mode throughout (his Footprints solo is so fresh and modern sounding, masterful piano playing), as is Ron who lays down flooring for these solos with a matched strength to what Tony is playing.
Tony has begun evolving into his new, aggressive psychedelic jazz/rock drumming concept. mixed with an early afro-futurism, Tony launched a style that would blossom in his next venture (starting in late '68), The Tony Williams Lifetime, that influenced drummers all over the world. how many drummers today play like, and sound like, they've checked out some Tony?
Verry interesting, what you rote about that so special Event. How you discribe the Artists of this Formation is Like If you knew them. Fore shour, you know there music. I'm a big Fan of Miles- don't know the Others so well- but I know, that they playd a lot together and lesend from each other. Thank you for your interesting Letters!
yes !!! perfect !!
Thank you so much Sir!!!@@richiebeirach3671
Richie, where can I get the chart to "Madagascar?" and "Stray"? @@richiebeirach3671
Endless gratitude for allowing us Miles fans to hear another magic evening of this magnificent ensemble of intrepid explorers boldly venturing into the vast universe of sonic possibilities despite deploying familiar music masterpieces showcasing their creative genius in "re-purposing" them and making them brand new again, as is their want to do!!! That was a beautiful homage to the magnificent Wayne Shorter who recently transitioned to dimensional distant shores to delight other quadrants of the Multiverse but was so generous in leaving with us a bounty of his vast gifts for us to enjoy forever!!!
This is not just music. This is something totally from another dimension. No wonder no one, or group has been able to replicate anything remotely this close in style and stride…😮
yes !!
Wayne !!! ❤
I wish I could be on the bandstand with and play with great musicians like them
RIP
Thanks so much.
Endless gratitude to Milestones: A Miles Davis Archive for ALL the wonderful work you put into presenting such extraordinary works of music and artists! This post is exceptional in not only the inspired performances by each and every member of this otherworldly ensemble of geniuses but the potent expansiveness of the hall's sound that enhances the power of the group without overkill of acoustics...BIG UPS!!!
bups
This is awesome music
Thanks for noting the passing of Mr. Shorter.
I love this channel as I love Miles Davis music. Unfortunately I live beyond poverty and so I cannot support you guys financially. Thank you for all the posts!
No problem, just happy you're enjoying the music!
Thank you for this concert but also for the great write up of Wayne’s career
Gracias desde Argentina
excelent, the music and also the presentation. thank you very much, milestones amda
Cette musique est d'une beauté vertigineuse. Le meilleur petit groupe de l'histoire du Jazz. Wayne Shorter n'y jouait que du sax ténor. Il a fallu que Miles Davis passe à l'électrique en 1969 pour que Wayne Shorter joue du sax soprano dans son groupe. Etonnant, non?
Somehow I missed this show from the 67 tour. Why didn’t it make it to the box? It’s easily just as good as Paris.
Je n arrête pas de m émerveiller du génie de Tony Williams et me demande si un drummer peut avoir des" trucs" , des automatismes pour masquer les vides , ou si sa fonction particulière de "coeur "l oblige plus que les autres à être toujours présent et intense....
Ha, thanks for your enthusiasm.
Awesome music
Awesome concert! thank you very much!
Awesome post, thank you! I have been fascinated by the transformation of Davis' quintet from 1960, post Coltrane, to the second great quintet. The complete Seven Steps and Plugged Nickel sessions never get old but this is a real treat. Again thanks for all your posts, I really do enjoy them.
I'm copying over my comment from the earlier upload of this concert. Thank you for the remaster. Again, this is my FAVORITE of the 2nd quintet bootlegs!
-----
OK finally! To me -- this is the BEST outing of the 1967 tour ! I was dissapointed that the Columbia bootleg series of the '67 tour didn't include any from this set. I love Herbie and Tony's work here especially. The interplay between them in the solos for Round Midnight and Footprints is incredible. Totally swinging and lyrical.
OK 20:19 - 21:01 --right here. I love this part! Damn ! Tony's drumming is so REGAL and exciting!
-------
THE BEST OF THE BEST !!! GREAT IMPROVED SOUND AND BEAUTIFUL NEVER SEEN PHOTOS !!
Hi Ko-Fi, thanks for this nice remastering of the 1968 ORF broadcast. I own a copy of the full ORF broadcast (that in fact has few flaws) with introduction and comments by jazz journalist Mr. Walter R. Langer.
You mention the concert date given on the 1967 poster of the "Berliner Jazztage" as 1967, November 3rd. In fact this jazz festival had been the first I visited after moving to Berlin. As an 18-year old I became obsessed with this music, especially after the Miles Davis Quintet's performance. In some bad spelling I noted on the leporello program "Get me fiever !". Since I own an original of this leporello where I marked the concerts which I visited, I found that I had actually attended the Miles Davis concert on November 4, 1967. After the poster was printed the program had obviously been changed at short notice in the order of the concerts.
Unfortunately I don't know if its possible to attach a scan of that leporello here.
Warm greetings from Berlin to all Miles Davis and Wayne Shorter fans enjoying this channel.🎶🎷🎺🎶
Yes, that makes sense. Thank you very much for the clarification! Very helpful. And thanks for listening :)
🔥🔥🔥🔥🔥
Photo not Sorter ...Coltrane on sax .
Clearly Wayne shorter
It's Wayne. Just so young looking. He was young.