Thank you for sharing it❤❤❤❤❤. I have to admit that I distribute my attention the opposite way as you demonstrate- which I am totally wrong. Thank you for sharing this useful video ❤❤❤❤
Wohlfahrt etudes I know about, but I couldn't get the name of the first one you mentioned in your video, what was it? Do you recommend it as much as Wohlfart? Many thanks, this video was sort of "revelation" for me, because I now see another + for practicing etudes 😊🎻🎶
The other etude I recommend is Kreutzer no.2. It is more difficult than the Wohlfahrt because it is in 1st, 2nd and 3rd position. Whatever etude you select for automating the left hand, it should not be too challenging. After all, you want the left hand to be able to do it's job automatically. I am glad my video is helpful for you.
In a way, yes. However we do separate the regular automating from automating in double stops. The latter is mostly done in scales or etudes like Dont no.8 which is all in thirds.
How about automating the right hand FIRST, then mastering the left hand being in sync with regular bow changes. THEN concentrating on free bowing whereby the brain is focussing on the quality of bow strokes and smooth changes, but the left hand now automatically following the right hand?
In a way that is what we do when learning the violin starting with open strings to learn to pull the bow. However at a certain stage one does have to do specific exercises (some of which I show in this video) to automate the left hand. Otherwise one can't concentrate enough on the bow.
In a way that is what we do when learning the violin starting with open strings to learn to pull the bow. However at a certain stage one does have to do specific exercises (some of which I show in this video) to automate the left hand. Otherwise one can't concentrate enough on the bow.
Does one need to do all the variations in one etude or can one do some of the variations in one etude and some with a different etude to get the hand automated?
Doing all variations in one etude and again in the next etude is of course most effective. But it takes a lot of time. You can split the variations. You will notice which ones help you most.
Is it ok /good practice if one does the same one or two measures with different variations for a couple of days (lets say for a week) until one more happy with the speed . And than move on to the next 1 or 2 measures?
Thank you
Thank so much for this advice😊 it will helps me a lot🙏
That is great. I am glad this is helpful for you
@@vivolin6521 all your videos help me so much😀 you are a very good teacher! Many greetings from germany👋🎶
@@marieotto153 Thank you very much!
Well this was interesting. It changed the way I look at etudes. Thank you.
Thank you for sharing it❤❤❤❤❤. I have to admit that I distribute my attention the opposite way as you demonstrate- which I am totally wrong. Thank you for sharing this useful video ❤❤❤❤
Wohlfahrt etudes I know about, but I couldn't get the name of the first one you mentioned in your video, what was it? Do you recommend it as much as Wohlfart? Many thanks, this video was sort of "revelation" for me, because I now see another + for practicing etudes 😊🎻🎶
The other etude I recommend is Kreutzer no.2. It is more difficult than the Wohlfahrt because it is in 1st, 2nd and 3rd position. Whatever etude you select for automating the left hand, it should not be too challenging. After all, you want the left hand to be able to do it's job automatically. I am glad my video is helpful for you.
Guess the advanced level is automating in double stops. That should the best for intonation too.
In a way, yes. However we do separate the regular automating from automating in double stops. The latter is mostly done in scales or etudes like Dont no.8 which is all in thirds.
@@vivolin6521 you do don't 8 probably for breakfast;)
How about automating the right hand FIRST, then mastering the left hand being in sync with regular bow changes. THEN concentrating on free bowing whereby the brain is focussing on the quality of bow strokes and smooth changes, but the left hand now automatically following the right hand?
In a way that is what we do when learning the violin starting with open strings to learn to pull the bow. However at a certain stage one does have to do specific exercises (some of which I show in this video) to automate the left hand. Otherwise one can't concentrate enough on the bow.
In a way that is what we do when learning the violin starting with open strings to learn to pull the bow. However at a certain stage one does have to do specific exercises (some of which I show in this video) to automate the left hand. Otherwise one can't concentrate enough on the bow.
Does one need to do all the variations in one etude or can one do some of the variations in one etude and some with a different etude to get the hand automated?
Doing all variations in one etude and again in the next etude is of course most effective. But it takes a lot of time. You can split the variations. You will notice which ones help you most.
Is it ok /good practice if one does the same one or two measures with different variations for a couple of days (lets say for a week) until one more happy with the speed . And than move on to the next 1 or 2 measures?
Yes, that is a very good method.
🙏🙏🙏🌹🌷🌸🌺
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