Reel Groove: Scottish Fiddle Technique Tutorial by Hanneke Cassel

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  • Опубликовано: 12 сен 2024
  • In this technique tutorial, Hanneke Cassel demonstrates how to groove to a Reel. This technique is great if you are playing in a jam setting with multiple fiddlers. See all technique videos for free at www.fiddlevideo.com/category/fiddle-technique-fiddle-lessons/.
    Fiddlevideo lessons include sheet music, guitar backup tracks, multiple instructional videos, A/B video looping, video speed controls, and MP3 audio downloads.

Комментарии • 23

  • @gratefulMOMent
    @gratefulMOMent 3 года назад +8

    This is what I’ve been searching for! Been classically trained and trying to transition. Thanks!!

  • @mardy2630
    @mardy2630 Год назад

    Thank you Hanneke. I think your teaching style suits my learning style.

  • @pegheadproductions
    @pegheadproductions 2 года назад +1

    Very good and well presented information. Nice Taylor guitar too. 😉

  • @MandolinSunrise
    @MandolinSunrise 7 лет назад

    Really good teaching technique thanks, well done. I've been watching Fiddlehed who has a similar style. Take care. And thanks again.

  • @9cGFNRH
    @9cGFNRH 3 года назад +3

    I was told my Grandfather played the fiddle. He was born in Scotland in 1853 and came to the United States in 1883. It appears he was also a singer, dancer, fiddle player, boilermaker, etc. Are you able to tell me what songs he may have played on his fiddle between the above mentioned years using his personal info I just wrote about? Any suggestions would be appreciated by all of my family members...Thank you in advance.

  • @mr.jayanto
    @mr.jayanto 4 года назад

    This is amazing !

  • @brentmack51
    @brentmack51 9 лет назад +2

    I'm loven your outro music

    • @Fiddlevideocom
      @Fiddlevideocom  9 лет назад +1

      You bet, Brent. That's an original composition by Hanneke Cassel called "The Glass Case of Emotion". You can see that performance and her lesson here: www.fiddlevideo.com/glass-case-1/. Take care!

  • @tannertuner
    @tannertuner 2 года назад

    This syncopation effectively turns two measures of four into mixed meter with two measures of 3/4 followed by one measure of 2/4

  • @ivyliterocway2731
    @ivyliterocway2731 3 года назад +1

    So lovely. Do I need to tune or set up my fidel to play Scottish music?

  • @theviolinoob
    @theviolinoob 7 лет назад +5

    i like to think the first grove as (6/8 + 2/8)

  • @lindareese4579
    @lindareese4579 4 года назад

    Thank you!!!!!!!!!

  • @nathancaldaroni3795
    @nathancaldaroni3795 2 года назад

    ...or the viōla player
    Much appreciated, thanks!

  • @williamstclair7906
    @williamstclair7906 2 года назад

    Dear Hanneke try thinking Tah Ta Tee, Tag Ta tee for the jig in 6/8 instead of counting numbers in your head, and check out my book Finbar's Harp

  • @nicholashill9302
    @nicholashill9302 3 года назад

    Thanks. Who knew.😊

  • @williamstclair7906
    @williamstclair7906 2 года назад

    that is suppose to be Tah ta tee, Tah ta tee, but the spell correct changed it to tag for Tat

  • @williamstclair7906
    @williamstclair7906 2 года назад

    Again the spell check is witchy, it is Tah Ta Tee, Tah ta Tee

  • @bonenfant96
    @bonenfant96 9 лет назад

    Now Is it a grove for Scottish music or Bluegrass ? Sounds American to me.

    • @oncleben5885
      @oncleben5885 7 лет назад +1

      it's not really syncopated strictly said... it's an accentuation, that you can find in various fiddle musics. But you can easily use this as an accompaniment with a syncopated melody such as 3:38

    • @ConsairtinFergus
      @ConsairtinFergus 5 лет назад +14

      Where do you think American fiddling comes from, but the British isles?

    • @nocturnallsnake4228
      @nocturnallsnake4228 4 года назад

      You find these accents also in eastern folk and in new tango. Perhaps nearly everywhere.

    • @joshuaperkins9916
      @joshuaperkins9916 3 года назад

      Yes Sir,
      You are right. I would add it had an influence on American music in general. If you place these rhythms and compound them with 4/4 or certain tempo in relevance, you can hear that & of 2 bit that is in everything from contra dance to surf music. Then brought back around as the Mersey beat. Sure that feel I’m sure exists and existed in similar forms else where, but I honestly feel the over all influence of that region is sometimes over looked.
      All best
      JP